Domestic Life in Art

Engravings depicting intimate domestic moments and scenes, showcasing couples and family interactions in historical or literary contexts.

Griezende Family in a departure, Reinier Vinkeles (I), 1796 print Amsterdam paper etching / engraving weeping. family, descendance. handkerchief

The Carbuncle, plate three from Zehn Blätter zu Hebels Alemannischen Gedichten. Sophie Reinhard (German, 1777-1843); published by Mohr und Winter. Date: 1820. Dimensions: 315 x 260 mm (plate); 462 x 379 mm (sheet). Etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

. The characters Amy RobsArt and the count of Leicester from the book Kenilworth from 1821 from Sir Walter Scott.

Sleeping young woman, Christian Gottfried Schultze, After Gustave Taraval, 1759 - 1819 print Paris paper engraving sleeping in chair. adolescent, young woman, maiden

Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean-Louis Delignon French. Le Cocu battu et content, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369335

The child's sleep. Achille Deveraia (1800-1857). The child's sleep. Lithograph on China Appliqué, 1831.

Etching and copper engraving by Maria Anna Angelika Catharina Kauffmann depicting a flower field including lilies of the valley, created around 1776.

Poèmes d'amour (3e planche) , Love, Courtship. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching by Nicolaas van Haeften from 1678-1715 depicting a peasant interior with a couple of lovers, a man with a jug, and figures representing Heraclitus and Democritus, showing domestic and philosophical elements.

Via crucis - Station XIII, The Deposition, Giovanni Domenico Tiepolo, Italian, 1727 - 1804, Etching on cream laid paper, Only state, Italy, ca. 1749, Print, Print

Caprichos: Here Comes the Bogieman. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

CLAUDINE.. Artist: Paul Gavarni, French, 1804-1866

The wood of Romainville. (registered title)

Les poëtes de mon temps m'ont couronnée de roses...et ce matin je nai pas eu ma goutte! et pas de tabac pour mon pauvre nez! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Victor Masson (1849-1917). Illustration of "Notre Dame de Paris", Book II, chap.vii. "A wedding night". Black feather and ink, blur, brown and gray wash, gum arabic. Around 1868. Paris, house of Victor Hugo. 74625-20 Bougie, broc, cabaret, goat, column, drawing, woman, gurgling, illustration, interior, our lady of Paris, wedding night, littering work, pot, novel, tavern, mixed technique, old man, interior view, 19th XIX 19th 19th 19 Center, Table

Intimité (The Kiss). Artist: Engraved by Timothy Cole (American, London 1852-1931 Poughkeepsie, New York); After Eugène Carrière (French, Gournay 1849-1906 Paris). Dimensions: Image: 7 1/2 × 5 5/16 in. (19.1 × 13.5 cm)Sheet: 12 × 9 7/16 in. (30.5 × 24 cm). Date: 1910. Museum: Metropolitan Museum of Art, New York, USA.

Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 7 3/4 x 5 13/16 in. (19.7 x 14.8 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Do not be afraid, princess ... I want to show you something funny. (registered title)

Jakob blessing Manasse and Ephraim, Johannes Pieter de Frey, after Rembrandt van Rijn, 1780 - 1834 print Just before his death, Jakob blesses the sons of his son Joseph, Manasse and Ephraim. Jakob crosses his hands by the blessing and blessing with his right hand Ephraim and with his left hand Manasse. Jozef tries in vain to shift Jakobs arms. paper etching Jacob blesses Manasseh and Ephraim with arms crossed; Joseph may be shown trying to uncross them or expressing (with Asenath) his disapproval

James Gillray, 1757-1815, British, Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797, 1805. Engraving.

Wit STWOSZ , from: Jan Matejko's Album with an Explanatory Text by Kazimierz Władysław Wójcicki (Part Two) (Card 20) Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902), Matejko, Jan (1838 1893)

Copper engraving by Jean Couvay from 1632-1657 depicting the season of summer with natural elements, landscapes, and human figures engaged in seasonal activities.

Young woman ignores the moral lessons of an old woman, François Nicolas Barthélemy Dequevauviller, after Godfried Schalcken, 1755 - c. 1807 print Young woman lets a bird fly away from a coffin while an old woman with a stick and a book under her arm tries to read the lesson. paper. engraving / etching virginity. Morality

Copper engraving and etching by Jean-Jacques Flipart created between 1730 and 1782 titled The Return to Virtue, presenting a finely detailed allegorical composition in the style of 18th-century European printmaking.

Charming Gabrielle I want to make you a fate ... / 2 (registered title) | Lithographic album by Charlet (title of all)

Aquatint and etching by Jean Pierre Marie Jazet titled 'The Curious,' created in the first half of the 19th century.

Two performances about forms of love, Daniel Nikolaus Chodowiecki, 1795 print Different figures are etched in the margin in a sketchy way. Berlin paper etching garden. (lovers) embracing each other, 'symplegma'. happy marriage. parental love

Thomas Linacre throws the New Testament on the ground, Reinier Vinkeles (I), 1807 print Amsterdam paper etching / engraving book. writing tools. New Testament

Copper engraving and etching by Jacob Matham depicting the Biblical story of Samson and Dalila, 1590-1631.

Copper engraving and etching by Willem de Passe from 1610-1637 depicting Mary Magdalene in the wasteland, showing a detailed 17th-century religious figure in European style.

Plate 53 from 'The Disasters of War' (Los Desastres de la Guerra): 'There was nothing to be done and he died.' (Espiró sin remedio.) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 53 from 'The Disasters of War' (Los Desastres de la Guerra): 'There was nothing to be done and he died.' (Espiró sin remedio.) 381382 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 53 from 'The Disasters of War' (Los Desastres de la Guerra): 'There was nothing to be done and he died.'' (Espir sin remedio.), 181112 (published 1863), Etching, burnished aquatint, lavis, burin, and burnisher, Plate: 6 in. 8 1/16 in. (15.2 20.5 cm) Sheet: 9 15/16 13 9/16 in. (25.2 34.4 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(53))

The Willow Song, plate nine from Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 297 × 227 mm (image); 368 × 262 mm (plate); 640 × 490 mm (sheet). Etching, engraving, roulette and drypoint on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Young woman reads a book at the hairdresser, Daniel Nikolaus Chodowiecki, 1779 print paper etching reading. book - MM - book open. hairdresser

An etching by Angelika Kauffmann titled 'Take Eight!', created between 1780 and 1846. The work emphasizes figures, composition, and illustrative technique.

Girl with waffles at a door, Henry Brown, After Herman Frederik Carel ten Kate, 1841 print paper adolescent, young woman, maiden. selling. waffles

Josephine, Empress of France.

Caprichos: It is Time. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Etching by Francesco Cozza depicting the figures of Cimon and But, created between 1630 and 1680.

Ah ça! j'espère, ma'm'selle Feyzandé, que tu ne vas pas dire qu'aujourd'hui - nous serions pour les Cosaques ce que nous étions en mil huit cent quatorze! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Father's Leave-Taking, 1879. William Holman Hunt (British, 1827-1910), H. Blair Ansdell for The Portfolio of Etching Club, 1879, Plate 12. Etching; sheet: 30.4 x 48 cm (11 15/16 x 18 7/8 in.); platemark: 19.1 x 25 cm (7 1/2 x 9 13/16 in.).

Milkmaid after the painting of G.Dou in the Cabinet of Mr. Poullain mid-17th century After Gerrit Dou Dutch This modest print records Dou's painting (Musée du Louvre, Paris) shortly after 1780, when it was sold from the Poulain collection in Paris. As in similar scenes invented by Dou during the 1640s and 1650s, the pretty kitchen maid is surrounded by motifs that had for decades stood for male and female private parts. Lost in the engraving, however, is the original play between two forms of seduction: that of the young woman and her friendly gaze, on the one hand, and that of illusionism (which seduces sight), on the other.. Milkmaid after the painting of G.Dou in the Cabinet of Mr. Poullain 387964

The Piper, plate 1 from Various Subjects Drawn from Life on Stone 1821 France. Lithograph in black on ivory wove paper . Jean Louis André Théodore Géricault

Print made by Herbert Bourne, ca. 1820-after 1885, British, The Butt, Shooting a Cherry, ca. 1869. Etching, line engraving, and stipple engraving on medium, smooth, cream wove paper.

Different figures in a garden, Daniël Specelaard (I), After Pieter Bartholomeusz. Barbiers, 1776 - 1851 print Amsterdam paper etching / engraving garden

Eh! bien non, mosieu, non! ces manieres la ne peuvent pas meconvemir!. Artist: Paul Gavarni, French, 1804-1866

Michel-Ange Sculptant La Statue de la Nuit; Cattier (Paris; Litographic Plant; Fl. Ca 1831-1850), Société des Artistes Français. Salon (1663-), Thomas de Barbarin, Emmanuel Henri François (1821-1892); 1847 (1847-00-00-1847-00-00);Buonarroti, Michelangelo (1475-1564), Night (personification), Seweryn (1850-1920)-collection, Smolikowski, Dar (provenance), portraits of artists, male portraits, men's portraits, artists' studios, sculptors, sculptures, art

Caprices: Who Would Have Thought It!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

5 / Party at war / Master's place! ... (IT)

Milkmaid in Cows' Stable, G.J. Witteveen, c. 1850 - 1913 print paper ETCHING / DRYPOINT / REDOUSSAGE milkmaid. cow

PortraT van Jean Victor Marie Moreau, Heinrich Schmidt, after Heinrich Anton Dähling, 1750 - 1821 print paper engraving historical persons

Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza de dientes.) 1799 Goya (Francisco de Goya y Lucientes) Spanish This is plate number 12 from the series of Goya's 80 aquatint etchings published as Los Caprichos in 1799. Here a young woman pulls the teeth from a hanged man because of their value in sorcery. She stands on tip-toes and covers her face in fear. Goya uses the aquatint and contrasting white ground of the paper to great effect in creating dramatic nocturnal effects. Goya treated the subject of superstition and witchcraft in a number of prints in the series. A manuscript dating to around 1799-1803, provides explanations for each plate. The explanation for this plate reads 'The teeth of a hanged man are very efficacious for sorceries; without this ingredient there is not much you can do. What a pity the common people should believe such nonsense.' The basis for many of the prints in the Caprichos can be found in an album of drawings Goya made in Madrid around 1796-98

Woman on a child's bed. The bed is in a courtyard, tree and shrubs are around them. The woman holds a parasol above the girl. There is a dog at the footside and is a backpack. To a painting by Nicolaas Pieneman.

Sta Czyk; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

The execution of Lady Jane Gray, Dirk Jurriaan Sluyter (Possibly), After Paul Delaroche, 1833 - 1886 print Lady Jane Gray is sitting on her knees on a pillow. She is blindfolded and touches her hands forward. There is a chopping block in front of her. A man with a rich, with fur fitted cloak bends over her. Next to it the executioner is ready with an ax. Two crying women in the background. Amsterdam paper etching / engraving on the scaffold or place of execution

Man at a table in an interior. He is leafing through a book, Portrait of an Unknown Magistrate, print maker: Leonardus Schweickhardt, (mentioned on object), after: Th. de Keijzer, (mentioned on object), Noord-Nederland, 1793 - 1862, paper, etching, engraving, h 234 mm × w 139 mm

Copper engraving and etching by Michel Natalis depicting Maria Lactans with the child and John the Baptist, showing figures, gestures, and devotional composition, produced in 1658.

This 1798 drawing by Jakob Gauermann depicts a standing couple embracing. Executed in pencil, feather, black ink, and bister, it emphasizes human figures, posture, and expressive gesture.

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Copper engraving and etching by Jacques Chéreau the Younger, 1710-1776, showing a gardener with detailed attire, tools, and surrounding landscape.

Copper engraving and etching by François Lucas created between 1735 and 1762 titled 'The Example of Mothers,' showing maternal instruction.

Etching by Pierre Alexandre Aveline from 1738 depicting a male nude figure in classical academic style.

Portrait of Madame Récamier; Jasi Ski, Feliks Stanis (Paris; Magazine, Publisher; 1859-2002); 1889 (1889-00-00-1889-00-00);Gazette des Beaux -Arts (magazine - Paris - 1859-2002) - illustrations, Récamier, Jeanne Francoise (1777-1849), Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, French (culture), French graphics, graphics Poland, reproductive graphics, furniture, publishing prints, Poland (culture), portraits, women's portraits

La jeune Europe”…une jeunesse de soixante ans! et fatiguee.. Artist: Paul Gavarni, French, 1804-1866

Balthasar Gerards for Maurits brought, 1584; Balthazar Gerards; Balthazar Gerards Conduit Devant Le Prince Maurice. Balthasar Gerards, the perpetrator of the attack on Willem van Oranje, brought by soldiers for Maurits, July 10, 1584. In the background the prince lies on his deathbed.

St. Augustine and his mother Holy Monique A. LEDOUX. St. Augustine and his mother Holy Monique. St. Augustine and his mother Holy Monique. Engraving. Paris, museum of romantic life.

St. Cecilia, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Benjamin West, 1738-1820, American, active in Britain (from 1763), Published by Antonio Poggi, active 1776-1781, Italian, 1784, Mezzotint and etching on moderately thick, moderately textured, cream laid paper, Sheet: 12 1/8 x 8 15/16 inches (30.8 x 22.7 cm), Plate: 8 5/8 x 7 1/2 inches (21.9 x 19.1 cm), and Image: 4 1/4 x 3 5/16 inches (10.8 x 8.4 cm), Christianity, clouds, costume, dress, music, musical instrument, organ (aerophone), oval, portrait, pulling, putto, religious and mythological subject, rope, sandals, shawl, woman

Le beau Narcisse. Honoré Daumier (1808-1879). Lithographs

Portret van Napoleon Frans Karel Jozef Bonaparte, Achille Désiré Lefèvre, after Pierre Prud'hon, 1825 print print maker: Francepublisher: Parispublisher: London paper etching / engraving historical persons

L'Agonie. - Page 158 , Alexandre Benois Collection

What a Golden Beak!, plate 53 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Amour pourAmour. Artist: Paul Gavarni, French, 1804-1866

Caprices: Look How Solemn They Are!. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

At the Shrine of Venus ca. 1889 After Sir Lawrence Alma-Tadema British, born The Netherlands The interior of a Roman hairdresser with two young women relaxing on a bench, one looking at herself in a mirror as the other rests her mirror on the cushion. At left, a third woman enters, unveils and prepares to place a marigold at the shrine on the black marble table. A crowd outside is glimpsed through an arched opening. The print is based on a painting exhibited at the Royal Academy now at the New Orleans Museum of Art.. At the Shrine of Venus. After Sir Lawrence Alma-Tadema (British (born The Netherlands), Dronrijp 1836-1912 Wiesbaden). ca. 1889. Photogravure. Prints

Moi...le mosieu donnait toujours pour le petit ban (sic)! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Caprichos: All Will Fall. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Mother and child in an interior, Jacob Spoel, 1849 drawing paper. pencil. watercolor (paint) brush interior of the house. mother and baby or young child. clock. cradle, crib

Discomforts of an epicure , Extravagance, Gluttony. Thomas Rowlandson (1756-1827). Prints and Drawings

L'enfant Prodigue (1st plate) , Swine, Troughs, Crying, Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

The Proposition, plate six from A Life 1884 Germany. Etching on ivory China paper, laid down on cream laid paper . Max Klinger

Paul Gavarni (1804-1866). Lithographs and Other Works

Bruno and his daughter Laura, Johan Bernhard Wittkamp, 1857 print After the death of her husband, Laura throws her father the remaining dowry. Amsterdam paper etching dowry. widow

Isaac promises Esau a second blessing, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching Isaac's blessing (of Jacob and Esau) (Genesis 27)

A man on the ground drinking from a wine skin; folio 63 from the Images of Spain Album 'F'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm). Date: ca. 1812-20. Museum: Metropolitan Museum of Art, New York, USA.

Self -portrait of the artist with two young women as models, Dominique Vivant Denon (Baron), c. 1817 print Paris paper portrait, self-portrait of graphic artist. historical persons. draughtsman at work. artist's model, sitter. artist (in general) working from clothed model

Girl seated on a rock holding a distaff. Artist: Anonymous, 19th century. Dimensions: Sheet: 7 1/2 × 6 11/16 in. (19 × 17 cm)Image: 4 5/8 in. × 4 in. (11.8 × 10.2 cm). Date: ca. 1800-1899. Museum: Metropolitan Museum of Art, New York, USA.

Lajoue and Family, Wood Engraving from the Original Painting by Jacques Lajoue, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

Painter portrays a centenary from Lyon, Jean Jacques de Boissieu, 1780 print France paper. etching / drypoint historical persons (portraits and scenes from the life). painter at work, in his studio. model, sitter ~ painting. palette. tools, implements of painter

The Kniaz Glinski (1500) W: The old Poland, historic and poetic album, composed of songs and legends of M. J. U. Niemcewicz, translated and put into verse by the most colebles French poets. Orne of 36 drawings by Charles Forster, Paris 1833 Lithography Villain, Devéria, Achille (1800 1857), Forster, Karol (1800 1879)

Meeting Joachim and Anna; Sculpture 1460-1490. A wooden sculpture of Joachim and Anna encounter.

John Raphael Smith, 1752-1812, British, Shooting Enamour'd Sportsman, 1801. Mezzotint.

Charlotte, Princess of England.

Even he can't look through her; Ni asi la Distingue; Los Caprichos. A prostitute flirts with a young man, looking through his monocle to her. Seventh print from the Los Caprichos series.

Mary Magdalene reading in the desert 1827-75 Johann Heinrich Friedrich Ludwig Knolle. Mary Magdalene reading in the desert. Johann Heinrich Friedrich Ludwig Knolle (German, Brunswick 1807-1877 Brunswick). 1827-75. Engraving. Ernst Arnold (German). Prints

'Notre me est si fortement émue dans un rêve qu'il y ait quelque réalité - au fond de cette féerie de la pensée.' (Mquis de Custine) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving and etching by Jean Daullé around 1753 depicting the lost Magdalena, showing figure, gesture, and narrative composition in sacred context.

Vertumnus and Pomona, Bernard François Lépicié, After Aert de Gelder, after Rembrandt van Rijn, 1730 print paper etching / engraving Vertumnus and Pomona

Shakspeare. As you like it, act II, scene VII : The seven ages. Seventh age , Older people, Shakespeare, William, 1564-1616. As you like it. Thomas Pennant Barton Collection

Woman with baskets with fruits in hand by the window, Johannes de Mare, after Gerard Dou, 1854 print A young woman with a basket with fruits in hand hangs from a window. She holds the curtain aside so that the interior is visible behind her. In the departure, a man and a woman are making music. There is a birdhouse in the windowsill, there is a dead rooster and is a vase with flowers. Versailles paper. steel engraving maid ~ house personnel. instrumental and vocal music together. human figure at (open) window, seen from outside. shop-window, show-window. nesting-box. attributes of Aesculapius: cock

Child Climbing a Chair to Reach for a Kitten 1835-1903 Lorenz Frølich Danish. Child Climbing a Chair to Reach for a Kitten. Lorenz Frølich (Danish, Copenhagen 1820-1908 Hellerup). 1835-1903. Pen and dark brown and reddish brown ink, brush and gray wash over traces of graphite.. Drawings

Iffland, August Wilhelm .

Photography of lithography () According to the image: Józef Simmler (1823-1868), Mier Barbara Radziwny; Photography from the series "The album of photography from paintings of Polish painters" (No. 25); Brandel, Konrad (1838-1920), Altenberg, Herman and Robiczek, Maurycy (Warsaw; Publisher; 1872-1879); 1876 (1876-00-00-1876-00-00);

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