Domestic Life in Art

Engravings depicting intimate domestic moments and scenes, showcasing couples and family interactions in historical or literary contexts.

Griezende Family in a departure, Reinier Vinkeles (I), 1796 print Amsterdam paper etching / engraving weeping. family, descendance. handkerchief

Scene from a poem with a couple in a bedroom, Anonymous, After Charles Monnet, 1776 - 1800 print France paper etching / engraving literary characters and objects. bedroom

Copper engraving and etching by Jean Baptiste Chatelain from 1730-1758 depicting an Italian cooking scene with figures preparing food and kitchen utensils.

Ah! J'ai bien aimé le homard! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Man and wife make music together, David Emile Joseph de Noter, after Charles Augustin Wauters, 1828 - 1879 print paper more than one musician with instrument. cithern, mandolin, guitar, balalaika. couple of lovers

Copper engraving and etching by Jacob Houbraken depicting 'The Discovered Schynddugd', created between 1757 and 1764.

Griezende Family in a departure, Reinier Vinkeles (I), 1796 print Amsterdam paper etching / engraving weeping. family, descendance. handkerchief

Dorval dies in the arms of a woman, Reinier Vinkeles (I), 1781 print Amsterdam paper etching / engraving 'sudden death'. mourning the dead

Man and a woman step out of a house, Mayer (print maker, French school), after Eugène Devéria, 1830 - 1837 print printer: Parispublisher: Parispublisher: Londonpublisher: New York (city) paper elopement, running away. street. closing, shutting the door

"Etching by Jacques-Philippe Le Bas showing Cimon, focusing on classical human figures and composition from 1720 to 1783."

Night meeting at the light of an oil lamp, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving lovers' meeting. oil-lamp. night

Engraving by John Bowles produced between 1730 and 1779 depicting a Dutch seller, showing figure, posture, and 18th-century engraving techniques.

Copper engraving and etching by Anthony Walker showing the angel leaving Tobias' family, created in 1765, emphasizing figures and narrative action.

The Savior, from 'The French during The Revolution'. Artist: After Henri-Charles-Antoine Baron (French, Besançon 1816-1885 Geneva). Dimensions: Sheet: 10 13/16 × 2 7/8 in. (27.5 × 7.3 cm)Image: 6 1/16 × 4 1/8 in. (15.4 × 10.4 cm). Etcher: Léopold Massard (French, Crouy-sur-Ourq 1812-1889 Paris). Publisher: Challamel. Date: 1843. Museum: Metropolitan Museum of Art, New York, USA.

LEtude. Artist: Paul Gavarni, French, 1804-1866

Saints, Raphael.

Old Woman with a Needle 1876 Belgium. Heliogravure on cream laid paper . Félicien Rops

Ophelia's Song, plate 12 from Hamlet 1834 France. Lithograph in black on off-white China paper laid down on white wove paper . Eugène Delacroix

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Family Group, of a Man his Wife and Baby, 1783. Engraving.

Man and woman looking at each other through a window, Joseph de Longueil, After Sigmund Freudenberger, 1780 print France paper etching / engraving lovers; courting, flirting. open window

Shakspeare. Tempest, act V, scene I : Ferdinand & Miranda playing at chess , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Tempest. Thomas Pennant Barton Collection

Ah! Countess If you have the heart as hard as the buttocks, / Mayieux is a lost man name of ...! / No. 41. (registered title)

Copper engraving by Cornelis Bloemaert depicting allegorical personifications of mathematics, algebra, astronomy, and geometry, created between 1620 and 1692.

Qu'est-ce qui te dit, Ninie, que Louison valait mieux qu'une autre mais, toujours, - la voilà mariée, vicomtesse de Coquardy, posée dans le monde, reçue partout... - Parce que çà trouve un serin dans une couvée de pierrots!...voilà-t-il pas! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving by Nicolas Beauvais produced between 1707 and 1763 depicting Saint Jerome, showing figure, posture, and 18th-century printmaking detail.

EIRETROCOOPSter on Markt, Nicolas Tanksains Chalet, 1828 print Paris paper. eggs, egg-dishes. merchant, salesman - BB - women engaged in trade and commerce. customer. market

Matinee or happy union Louis Bosse, according to Freudeberg (1745-1801). The morning or the happy union. Etching.

Morgus en Karly, Daniel Nikolaus Chodowiecki, 1783 print The bad knight Morgus has kidnapped the handsome Karly and holds her beloved Fragel. Morgus promises Karly that he will release Fragel if she listens to him. Morgus leads the sad Karly to the tower without a gate, preceded by a dwarf with a torch. Numbered at the top right: 20 S. paper etching Literature. little people. torch

Painter in his studio. A painter is sitting with a brush and a painting stick behind his donkey. Next to him a book on a couch. Two boys prepare paint at a table under a staircase. Down a four-line verse in Latin. This print is part of an album.

Butcher at a car pulled by two dogs, Henri François Schaefels, 1863 print On the sign the building is in the background: Jol. Antwerp paper etching butcher, slaughterman. two-wheeled vehicle drawn by two animals. dog

Shakspeare. Second part of King Henry VI, act III, scene III , Bedrooms, Sleeping, Cardinals, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VI. Thomas Pennant Barton Collection

Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1795 Jean-Baptiste Patas French. Le Pate d'Anguilles, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369336

Mephisto and Faust flights after the game, Eugène Delacroix, 1828 print Paris paper (scenes from) specific works of literature: Goethe, Faust

Jakob receives the blessing of Isaac, Theodoor Koning, After Jacobus Buys, 1779 print Isaac is in bed and blessing Jakob, who was kneeling in front of the bed and put his hands on the blankets. Rebekka is next to the bed. A running man can be seen through a glimpse out (Esau who is going to hunt for Isaac). This print is an illustration in the seventeenth chapter of the first book of 'All the works of Flavius Josephus'. Amsterdam paper engraving Jacob's visit to Isaac ~ death of Isaac. Isaac lying in bed blesses Jacob who, disguised in Esau's clothes, brings food to his father; Jacob's hands and neck are covered with goatskins

Honoré Daumier, Un réveil en sursaut, 19th century Un réveil en sursaut

Le roman nouveau. - The new novel ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving and etching by Jacques-Philippe Le Bas depicting the Roys cake, created between 1730 and 1783, showing detailed representation of the object.

The Wayside in Italy, Print made by Charles Rolls, 1800-active 1830, British, after William Penry, 17981885, British, ca. 1883, Etching, line engraving, and stipple engraving on moderately thick, smooth, cream, wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.7 cm) and Image: 10 1/16 × 7 13/16 inches (25.5 × 19.9 cm), genre subject, landscape

Copper engraving and etching by Francois Robert Ingouf le jeune in 1773 titled 'The confused girl.'

Blind Oedipus led by Antigone, François de Meersman, After Joseph Stallaert, 1881 print Belgium paper. etching blind Oedipus wandering, led by his daughter Antigone

Bruno as the victor of the joust, Johan Bernhard Wittkamp, 1857 print Because he has won a joust, the knight Bruno receives a wip -embroidered weapon skirt. Afterwards he feels guilty because he has fought with anger and not with noble knight's mother. Amsterdam paper etching knight. joust, tilt

The little master, anonymous print In a departure in Rococo style is an elegant dressed young man, a so-called 'petit maitre', in an armchair, a love letter in hand. For him there is a gentleman with tail wig, ... stick in the left hand. With 2 x 4 Rules of French Vers. paper etching coat (+ men's clothes). clothing for the upper part of the body (VEST) (+ men's clothes). shoes, sandals (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). walking-stick, staff, cane (+ men's clothes). lover with love-letter. letter, envelope

Copper engraving and etching by Manuel Salvador Carmona dated 1764 depicting The Return to Virtue, an 18th-century European allegorical print with intricate lines.

Copper engraving and etching by Marie Madelaine Igonnet in 1752 titled 'The Sculpture,' depicting a scene related to sculptural art within 18th-century printmaking.

Ma chère, je l'aime!... - Vous le lui avez avoué - ...V'oui... - Imprudente! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Schelte Adamsz. Bolswert engraved a copper print between 1640 and 1659 showing a domestic scene with two young couples and a maid, depicting figures, gestures, and interior composition.

This 1790 etching by Luigi Schiavonetti, after John Francis Rigaud, depicts the Duchess of C--- emerging from a dungeon, embracing her daughter, with Count Belmire standing nearby. The scene is set in an oval frame, capturing a moment of reunion and rescue.

Plate 27 from 'Los Caprichos': Which of them is the more overcome (Quien mas rendido) 1799 Goya (Francisco de Goya y Lucientes) Spanish. Plate 27 from 'Los Caprichos': Which of them is the more overcome (Quien mas rendido) 377827

Love couple, John Smith (print maker/ publisher) (attributed to), 1662 - 1742 print paper couple of lovers

Cest vieux et laid; mon cher, tu est floue comme dans un bois (No. 1). Artist: Paul Gavarni, French, 1804-1866

Copper engraving by Alexander Voet the Younger circa 1636 depicting Roman acts of mercy, showing figures in historical and civic context.

V. / This letter is my only evidence; ... you can annihilate it.

Abraham drives Hagar and Ismaël, Albert Henry Payne, After Adriaen van der Werff, 1822 - 1902 print paper engraving / etching the banishment of Hagar and Ishmael (Genesis 21:9-21)

Praying and crying figures at the sickbed of Clarissa. .

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Figigard John Elwes with valuables at Wooden Kist, Adolphe Mouilleron, After Joseph Nicolas Robert-Fleury, 1843 print Paris paper. guarding of treasure. miser. adult man

"Have you pray'd tonight, Dedesmona": plate 12 from Othello (Act 5, Scene 2) etched 1844, reprinted 1900 Théodore Chassériau French In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the play, with a final cluster devoted to the tragic conclusion. Here, Othello wakes the uncomprehending Desdemona and confronts her with imagined sins before smothering her. Tragically, the general has been manipulated by a jealous follower Iago to believe Desdemona unfaithful.. "Have you pray'd tonight, Dedesmona": plate 12 from Othello (Act 5, Scene 2). Suite of fifteen prints: Shakespeare's Othello / Quinz

Toi franche! toi simple! avoir de la confiance en toi!...toi!...vois-tu toi! mais tu te - moucherais de la main gauche, rien que pour le plaisir de tromper ta main droite si tu pouvais! , Alexandre Benois Collection

Lohengrin. Acte III. Scène d'amour , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Copper engraving by Cornelis Galle the Elder depicting the adoration of the shepherds, created between 1585 and 1650.

Copper engraving and etching by Gérard René le Vilain from 1760-1836 depicting a scene titled 'Late Repentance' with figures expressing remorse and gestures of contrition.

Mephisto appears to Faust, Eugène Delacroix, 1828 print Paris paper (scenes from) specific works of literature: Goethe, Faust

The right calendrin.

Copper engraving and etching by Claude Augustin Duflos around 1759 depicting a buttermaker at work with churn and tools, in a domestic interior.

Satirical representation of monkeys such as dentist, assistant and patient, Pierre Peeters, After Alexandre-Gabriel Decamps, c. 1875 - In or Before 1913 print paper etching / drypoint monkeys, apes. (barber as) dentist

Sigismonda , Grief, Drinking vessels, Hearts Anatomy, Hogarth, William, 1697-1764. Sigismunda mourning over the heart of Guiscardo. William Hogarth (1697-1764). Prints

Etching and copper engraving by Johann Georg Wille (1730-1808) depicting maternal themes, showing figures, children, and domestic setting.

Hamlet and the Queen 1834 Eugène Delacroix French After Goethes "Faust," Delacroix chose "Hamlet" as his next major illustration project. The artists interest in Shakespeare began early—he wrote about reading and translating passages in 1819. Among the first subjects he undertook from the play was act 3, scene 4, in which Hamlet shows his mother a portrait of his late father, reproaching her for marrying his murderous uncle Claudius.. Hamlet and the Queen 337108

Avoir perdu ses plus belle années, tout ce qu'on avait d'illusion, de simplicité de coeur, beauté...jeunesse!... - avenir...et tout!... - Pour un crapaud comme ça!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Etching and engraving depicting a cavalier and a girl in a niche, showing figures, clothing, gestures, and architectural setting. Produced in 1685, emphasizing human interaction and composition.

"Etching by James Hogg depicting Margarete von Anjou with her son Edward in a forest, showing figures, gestures, trees, foliage, and landscape between 1785 and 1793."

Prends garde, chéri, tu m'as déjà conté c'te machine-là, pas la - même chose ,. Paul Gavarni (1804-1866). Lithographs and Other Works

They Are Happy Artist's working dates 1775-1832 France. Mezzotint, with etching and engraving, on cream laid paper . Philibert Louis Debucourt

Young woman with lamp at a window, Carel Christiaan Antony Last, after Gerard Dou, 1837 - 1853 print The Hague paper adolescent, young woman, maiden. candle. human figure at (open) window, seen from outside

Man with two women under a pergola, Noël Le Mire, after Hubert François Gravelot, 1761 print France paper etching / engraving adult man. adult woman. pergola

Notre-Dame de Tudèlle ,. Paul Gavarni (1804-1866). Lithographs and Other Works

In a cell a man kneels for a woman who turns her face, Reinier Vinkeles (I), 1778 print Amsterdam paper etching / engraving prison, jail. kneeling figure. torch

Pluviôse (Waterman, January 20 - February 18); The twelve months of the French Republican calendar. Pluviôse (Aquarius, January 20 - February 18). Woman knits a headscarf against the rain.

The Indiscreet Wife Made 1771 France. Etching on paper . Nicolas Delaunay

Pas d'argent ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving and etching by Pierre Audouin, created between 1800 and 1815, depicting a musician providing accompaniment on the lute.

Leçon de paysage, from the series Scènes de la vieintime. Artist: Paul Gavarni, French, 1804-1866 Publisher: Aubert et Cie, Paris, founded 1829

Engraving by Jan van Somer depicting two farmers playing music, created between 1665 and 1699.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Bray, Jan de (1626 1697)

Portrait of Jacopo Strada, William Unger, After Titian, 1861 - 1889 print Vienna paper. etching historical persons. sculpture. coin

See, M le Maréchal, I am Truly His Mother... 1820-1822 France. Lithograph in black over fawn lithographic tint on ivory wove paper . Jean Henri Marlet

Young woman covers a table in a richly decorated departure, Théodore Joseph Cleynhens, 1851 - 1909 print paper. etching / drypoint adolescent, young woman, maiden. laying the table. interior ~ representation of a building

"Copper engraving by Pierre Etienne Moitte titled 'Lazy', showing a relaxed figure reclining with calm demeanor, highlighting posture, clothing, and expression. Executed between 1757 and 1780, demonstrating precise engraving and observation of human form."

Micha Elwiro Andriolli, "Orlik, from the poem of Seweryn Goszczy Skiego" Kaniowski Castle ", from the series:" The heroines of Polish poetry, reproduced by E. Andriolle "; from" K Osy "1880 No. 302, p. 312; Gorazdowski, Edward (Edward ( 1843-1901), Andriolli, Micha Elwiro (1836-1893); 1880 (1880-00-00-1880-00-00); the Muse of the National Museum in Warsaw was downloaded from the Muse; Graphic / Printing of the convex / woodcut / woodcut / woodcut Storm; products with wuns / paper; height 24.5 cm, width 18.5 cm; di 89753/2 MNW; all rights reserved.Goszczyński, Seweryn (1801-1876) - literary work, Kłosy (Warsaw - magazine - 1865-1890) - illustrations, illustrations for literary works, women, Polish painting

The Salesman's Hoax. - A Design Out of Fashion. "This kind of fabric has a delightful shade; Madame is the first to whom I have shown it.... all our young women are going to tear each other apart for it. What a charming design.... it would look marvellous on such an elegant form.... you absolutely need this, Madame," plate 2 from Les Carottes. Honoré Victorin Daumier (French, 1808-1879); printed by Aubert & Cie. (French, active 19th century); later published in Le Charivari (French, 1832-1915); text by Ernest Jaime (French, 1802-1884). Date: 1844. Dimensions: 224 × 178 mm (image); 357 × 274 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Wit Stwosz. Bonus of the Society of Estate Fine Arts in the Kingdom of Poland for 1866; Walkiewicz, W Adys Aw (Ca 1833-1900), Matejko, Jan (1838-1893), Dzwonkowski, Adam (Warsaw; Litographic Zak 1859-1872); 1866 (1862-00-00-1862-00-00);

Les chevaliers de la belle-étoile. - Suzanne ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Malheureuse enfant! qu'as-tu fait de ton sexe... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Copper engraving by Jacobus Neeffs from 1632 depicting Salome holding the head of John the Baptist, showing figures, gesture, and dramatic composition.

La Mere de Famille n.d. After Jean Honoré Fragonard French. La Mere de Famille 369392

Death of Cleopatra, Johann Georg Wille, After Caspar Netscher, 1754 print Paris paper engraving / etching death of Cleopatra: she commits suicide by holding to her breast an asp, which she has taken from a basket of figs

Have you pray'd tonight, Desdemona, plate twelve fom Othello. Théodore Chassériau; French, 1819-1856. Date: 1844. Dimensions: 274 × 230 mm (image); 282 × 235 mm (chine); 318 × 250 mm (plate); 477 × 355 mm (sheet). Etching, engraving and roulette on ivory China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ijdelheid, Enea Vico, After Francesco Salviati, 1533 - 1567 print Vanity (vanitas) as a sitting woman in an interior with a mirror in hand. At the bottom of a Latin text line. print maker: Italyprint maker: Zuid-Nederlandafter design by: Italy paper engraving (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa)

Woman Mourning at Urn Van Pierre Prud'Hon, François Louis Soinard, After Charles Boulanger de Boisfremont, After Pierre Prud'hon, 1823 - 1837 print Maria Magdalena of the last painting by Prud'Hon was used as an example for the grieving woman. Paris paper etching / engraving mourning the dead. historical persons

Minerva as a protector of the arts; Fine Arts. Minerva is at a table on which various attributes of the arts: a palette with brushes, a silver cup, papers with drawings, a globe, a small sculpture and a burin. Above the table, fame blows on two trumpets. On the right putti with a coffin of honorings and a sword. Under the show four lines text in Latin. The print is part of an album.

Copper engraving and etching by Claude Antoine Littret de Montigny showing the goddess Diane asleep, created in 1764, capturing classical mythological imagery.

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