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Domestic Life Scenes

Etchings representing everyday life moments, capturing emotions and interactions among figures in domestic settings, emphasizing narrative.

De Broken Pot, Willem Cornelis van Dijk, 1856 print A maid is crying in the utility room. In front of her is a broken pot on the floor that she dropped. Utrecht paper etching breaking something (household accident)
De Broken Pot, Willem Cornelis van Dijk, 1856 print A maid is crying in the utility room. In front of her is a broken pot on the floor that she dropped. Utrecht paper etching breaking something (household accident)
222 assets in this story
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Jules de Bruycker, Theatre. Lohengrin, 1907, etching on laid paper.
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Honoré Daumier, Épicier citoyen, guerrier pur et sans tache, 1841 Épicier citoyen, guerrier pur et sans tache...
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Two men in Maanlicht, monogrammist JB (engraver), 1800 - 1906 print On the left a sitting man with hat on the head, leaning on a gun. He looks up to the standing man on the right. A tower in the background. The moon in the sky. paper etching moonlight
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Toward Peace. Dated: c. 1914/1919. Dimensions: overall: 36.5 x 55 cm (14 3/8 x 21 5/8 in.). Medium: black crayon and brush with black and brown ink onwove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.
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Departure for the Country, 1855-65. Artist: John Everett Millais
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Vagrant of Paris Published 1892-1900 France. Photorelief print in red and black on ivory wove paper . Théophile-Alexandre Pierre Steinlen
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Woman and boy at a balustrade, anonymous, c. 1880 - c. 1920 drawing The woman has put her arm around the boy's shoulder and points in the distance. The two look out over a landscape with the contours of a village with a church. paper. India ink (ink). pencil pen balustrade. city-view, and landscape with man-made constructions
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Beggars Receiving Alms at the Door of a House Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). , 1648. Etching, burin, and drypoint on wove paper, Plate: 6 1/2 x 5 1/8 in. (16.5 x 13 cm). European Art 1648
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Conversation, a Family Drawing and Reading, the Nurse Holding an Infant, a Portrait of Prince Edmond de Beauvau Behind a Chair, and Portraits of Madame Lavallée and Madame Vallory, Both Seated 1817 France. Lithograph in black on ivory wove paper . Dominique-Vivant Denon
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Bliżej Kultury Michałowski, Piotr (1800 1855)
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Woman and violin-playing man. Draughtsman: anonymous. Dating: in or before 1969. Measurements: h 418 mm × w 316 mm. Museum: Rijksmuseum, Amsterdam.
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Soupe à trois sous (Soup for three sous) 1859 United States. Etching with foul biting in black ink on buff wove paper . James McNeill Whistler
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Quai Notre Dame. Jean Guiet (1888-1914). Quai Notre Dame. Gouache, watercolor, charcoal and blue pastel on paper.
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Auguste Lepère, Corner of the Rue Royale (Coin de la rue royale), 1890 Corner of the Rue Royale (Coin de la rue royale)
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L'Englise de leurs peres. Dated: c. 1914/1919. Dimensions: overall: 36.7 x 55 cm (14 7/16 x 21 5/8 in.). Medium: brush and black ink and black crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.
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Spanish Soldiers John Singer Sargent (American, born Italy, 1856-1925). Spanish Soldiers, ca. 1903. Translucent and opaque watercolor with graphite underdrawing, 18 1/16 x 12 1/16 in. (45.9 x 30.6 cm). At the end of a tour through Spain in 1903, Sargent visited the famous pilgrimage site of Santiago de Compostela and painted watercolors of Spanish soldiers recuperating in the sunlit courtyards of the fifteenth-century Royal Hospital. Although the title of this work suggests the anonymity of its subjects, Sargent conveyed a specific likeness in the primary figure, despite his summary description. He was clearly drawn to this model, who appears in a number of his watercolors. American Art ca. 1903
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Debate , Karl Wiener -, artist
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Between us according to Otto Goldmann's painting. Jericke, R. (N.N.), Goldmann, Otto (1844 1915)
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A Voice from the Cliffs 1888 Winslow Homer American Three fisher women, carrying nets and baskets, stand below seaside cliffs and pause to listen to joyful birdsong. The composition is based on a watercolor of 1883 (private collection), which was no longer in the artist's possession when he made the etching. Ultimately, Homer derived the composition from an oil ("Hark! The Lark!, 1882, Milwaukee Art Museum) made during a visit to England centered on the seaside village of Cullercoats, north of Tynemouth.. A Voice from the Cliffs 349309
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The Mora Players. Dated: 1883. Dimensions: image: 160 x 245 mm sheet: 320 x 412 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Frederick Dielman.
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Maurice Denis, Still-Life by Cézanne, 1914, lithograph on paper.