Dramatic Religious Scenes

Engravings illustrating intense biblical narratives, involving miracles, confrontations, and divine interactions, rich in historical detail.

Transvaal image, Antoon Derkinden, 1902 print A woman with a child in her arms holds a banner on which an anchor, symbol of hope, says. It is in a destroyed and burning area. At her feet lies a banged tree with fruits. On the left in the foreground is a group of women squatting for a cross. In the background a transval landscape with farmers. At the top of the inscription 'Spes Nostra Deus' (God is our hope), at the bottom of the inscription 'Incertum quo Fata Ferent Spes Alma Supersit' (it is uncertain where fate will take us, may the hope remain). paper war. Hope; 'Speranza', 'Speranza delle fatiche' (Ripa). mother and baby or young child. the cross ~ symbols of Christ Transvaal

Witch conjures Demons for Willemynken, Boëtius Adamsz. Bolswert, 1638 print Willemynken is in a circle of torches and on the ground are body parts of animals. A witch or sorceress lets her magical forces work with a magic wand and conjures a dark cloud with demons above them. paper engraving witch(es), sorcerer(s) at work. devil(s) and demons. pilgrimage, pilgrim(s) under way

Copper engraving by Lucas Vorsterman depicting Saint Francis of Assisi receiving the stigmata, showing Francis in religious attire with celestial elements, created in the seventeenth century.

Copper engraving by Cornelis Galle the Younger II from 1635-1678 depicting the Crucifixion of Christ, showing figures, cross, and religious context.

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin.

Saint Servatius of Maastricht worn by angels to heaven. .

Resurrection of Christ, Claude Mellan, 1619 - 1624 print Paris paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Worship by the Shepherds, Pierre Brebiette, After Jacopo Palma, 1608 - 1650 print paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Offer from Noah, Reinier Vinkeles (I), After Jacobus Buys, 1793 print Noah and his family pray at the altar, where they sacrifice a lamb. Full of awe, they look at the sky where a rainbow appears, as a sign of the covenant. Amsterdam paper etching / engraving Noah's sacrifice; various animals are offered, possibly a lamb, a dove and a ram (often combined with the rainbow of the covenant)

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin.

Transvaal image, Antoon Derkinden, 1902 print A woman with a child in her arms holds a banner on which an anchor, symbol of hope, says. It is in a destroyed and burning area. At her feet lies a banged tree with fruits. On the left in the foreground is a group of women squatting for a cross. In the background a transval landscape with farmers. At the top of the inscription 'Spes Nostra Deus' (God is our hope), at the bottom of the inscription 'Incertum quo Fata Ferent Spes Alma Supersit' (it is uncertain where fate will take us, may the hope remain). paper war. Hope; 'Speranza', 'Speranza delle fatiche' (Ripa). mother and baby or young child. the cross ~ symbols of Christ Transvaal

Matthias Appeals to the Jewish Refugees, Illustration from the Dore Bible 1866. In 1866, the French artist and illustrator Gustave Dore (18321883), published a series of 241 wood engravings for a new deluxe edition of the 1843 French translation of the Vulgate Bible, popularly known as the Bible de Tours. This new edition was known as La Grande Bible de Tours and its illustrations were immensely successful.

Men turn to the crucified Christ with a praying Mary. They turn their backs on life in sin, temptations of the devil and the danger of death. Instead, they begin to live a godly life in prayer, Emblem showing men taking refuge in the Christian faith and turning away from sin, the devil and death Den wech des eeuwich levens (series title), Boëtius Adamsz. Bolswert, print maker: anonymous, publisher: Hendrik Aertssens (II), Antwerp, 1620 - 1623 and/or 1623, paper, engraving, h 136 mm × w 93 mm

Worship by the shepherds. Maria and Jozef are kneeling for a wooden stable. The OS and the donkey are in the stable. Between Maria and Joseph is the manger with the Christ child. Right four shepherds in the child's worship. Above the angels stable with a banderole with the text: Gloria in Eccelsis the o. An angel plays a winch.

Cross -facing, Jean Baptiste Pierre Michiels, After Peter Paul Rubens, 1831 - 1890 print paper etching the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). raising of the cross to which Christ is nailed already

Saint Hieronymus as a penalty in the desert. Saint Hieronymus kneels as a penalty in the desert or wilderness at a tree. He is shown as a lean old man with a stone in his hand. Next to him is a lion and on the floor for him are two more attributes, a cardinal hat and a book. Links is a view with a mountain landscape and a church.

St. Christopher Bearing the Christchild. 1513. Altdorfer, Albrecht, approximately 1480-1538. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Holy Macarius Romanus of Mesopotamia as hermit; S. Macarius Romanus; Municipants; SACRA EREMVS ASCETARVM ..

Personified Soul Sleeping on Christ's shot during a thunderstorm and storm, Jan Luyken, 1714 print Amsterdam paper etching sleeping; unconsciousness. the soul. Christ and the Soul. thunderstorm

Noah and other patriarches seated on a cloud; Ascension of Maria. Noah and other patdates sat on a cloud. They are surrounded by angels, one of which plays on a violin.

Prayer card for Alexandre Louis and Aloïs Stanislas Lion, Julius Wagner (attributed to), 1857 - 1889 print paper etching Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. weeping. mourning the dead. gravestone, tombstone

Emblem with angel who convinces the man of the joy that he will feel when he follows the way of virtue, Anonymous, After Boëtius Adamsz. Bolswert, 1623 print An angel shows a man the way to the fountain of the good of God. The man must follow the way of virtue and this will fulfill his heart with joy. Antwerp paper engraving the life of man

Copper engraving and etching by Jean Audran depicting Saint Dionysius in prison, created between 1680 and 1703, illustrating the saints martyrdom and religious devotion.

Saint Andreas and a kneeled sacred seated on a cloud; Ascension of Maria. Saint Andreas and a kneeled sacred seated on a cloud. They are surrounded by angels.

Triptych with scenes from the life of the Holy Remaclus; Grotto de St Remacle. Triptych with scenes from the life of the Holy Remaclus. In the middle, Remaclus is in his cave, which is located on the shore of the Semois River. The left shutter shows figures in liturgical clothing that hurriedly transport a coffin. In the right hatch the shrine of remaclus, laid out in the abbey church of Stavelot.

Ranking of Christ. Probably signed to a print. Leaf 60 recto from a sketchbook with 91 sheets.

Longinus puts the crucified Christ with a lance, Jean Baptiste Pierre Michiels, after Peter Paul Rubens, 1831 - 1890 print paper. etching crucified Christ with Stephaton and/or Longinus - DD - the three crosses. Longinus pierces Christ's side with a lance

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin. Reconstructed from two fragments.

Napoleon restoring Catholic worship (TF)

The worship of the Kings, Herman Kruyder, 1924 print paper adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Christoph Murer, Christ Tells His Disciples of the Last Judgment, Swiss, 1558 - 1614, published 1630, woodcut on laid paper

An etching by Christian Wilhelm Ernst Dietrich from 1763 illustrating Christ healing the sick, emphasizing figure gestures, expressions, and interaction in a religious context.

Sacred Christoffel with the Christ child. The Sacred Christoffel (Christophorus) crosses the water with the Christ child on his shoulders. Different imminent animals in the water. On the distant bank there is a hermit with a lantern, pointing to the resurrected Christ in heaven. On the nearby shore a group of people who make music and make love. Behind it a ship brown with a winged hourglass.

Man in fight with demons, Johannes Josephus Aarts, 1881 - 1934 print A bearded man in a fight with a group of demons, the majority of whom are floating in the air. Japanese paper (handmade paper) devil or demons attacking mortals. mis-shapen animals; monsters

A woodcut by Leonhard Beck from 1516 showing Saint Gebhardus, one of the saints connected to Emperor Maximilian I's family and court.

Copper engraving by an unknown artist from the 17th century depicting the conversion of St. Paul, showing figures, gestures, and dramatic lighting.

Elia hits the water with his cloak and separates the water from the Jordaan, 1579 print The prophets Elia and Elisa are on the road together. At the Jordaan, Elijah hits the water with his cloak, so that the water flows away and they can both cross dry. On the left the group of prophets who follow them at a distance. On the other side, Elia asks Elisa what he can do for him. Elisa asks to receive the spirit of Elijah. Oval show in an ormanetle frame. Print is part of an album. paper engraving Elijah and Elisha stop by the bank of the Jordan; Elijah rolls up his cloak and strikes the water with it: the water divides. Elijah's farewell: Elisha asks that some of Elijah's spirit might be granted to him. frequently used ornamental compositions

H. Christoffel, Wierix (Possibly), 1550 - 1650 print Landscape with the Holy Christoffel that thoroughly wad the water with a child on his back. On the other side of the bank is a hermit with a lantern. Antwerp paper engraving St. Christopher, with the infant Christ on his shoulders, wading through the water and carrying his staff (palm-tree); sometimes a hermit stands on the further bank beside a chapel, a lantern in his hand

The Three Crosses, Rembrandt van Rijn, 1653 print paper drypoint the crucifixion of Christ: prelude to Christ's death on the cross (Matthew 27:34-44; Mark 15:23-32; Luke 23:33-43; John 19:18-24)

Copper engraving by Cornelis Cort depicting St. Francis of Assisi receiving the stigmata, created in 1602.

Announcement to the Shepherds, Anonymous, 1500 - 1600 print Four shepherds with their herd at a forest edge. In the sky an angel with a banderole with the text: Gloria in Excellis Deo. Under the print a two -line text in Latin. Germany paper engraving annunciation of Christ's birth to the shepherds (and/or shepherdesses) at night; a host of singing angels in the air

Geboorte van Christus; De Natiuitate Christi Domini; Vitae passionis et mortis Jesu Christ.Maria and Joseph kneel in worship at the Christ child in the manger. An angel proclaims the birth of Christ to the shepherds.

Christ on the cross, the blood that flows from its wounds forms an ocean, François Spierre, after Giovanni Lorenzo Bernini, 1649 - 1681 print paper engraving / etching blood spouting from Christ's wounds. the Virgin Mary. God the Father. angels

Saint Euphrosina of Alexandria Sancta Euphrosyna Hermits Sacra Eremus Ascetriarum , Boëtius Adamsz. Bolswert, Abraham Bloemaert, print maker: anonymous, 1590 - 1662, paper, engraving, h 140 mm × w 95 mm

Engraving the sign of the rainbow being shown to Noah in the Book of Genesis. The illustration is set within an ornate frame.

Maria with the Christ child and children playing, monogrammist GGN (attributed to), after Luca Cambiaso, 1537 - 1585 print Landscape with Mary that embraces the Christ child. Behind them two children playing with a tree. Italy paper Madonna: i.e. Mary with the Christ-child. child between toddler and youth (of undetermined sex) (+ nude human being)

Monstrans surrounded by angels. Monstrans with host in the clouds surrounded by angels. The print is part of an album.

. Maria Christina grave monument, Aartshertogin of Austria, Augustinerkirche, Vienna (1805): Pyramide in which a procession runs. On the right a naked angel and a lion.

Reinhart with two slaves in the jungle at storm. A lightning bolt urges through the trees of the jungle, where Reinhart walks with two guyanese.

Copper engraving by Cornelis Cort from 1571 depicting prophets delivering a proclamation, showcasing detailed line work and religious iconography typical of the late 16th century.

A priest conducting mass from a pulpit for women dressed in black ca 1890-1910 José Guadalupe Posada. A priest conducting mass from a pulpit for women dressed in black. José Guadalupe Posada (Mexican, 1851-1913). ca 1890-1910. Metal plate engraving. Prints

Crucifixion of Christ, Bernard Essers, c. 1923 print paper the crucifixion of Christ: Christ's death on the cross; Golgotha (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38)

Maria met Christuskind, God de Vader en H. Geest; Vélins.Crowned Mary Sitting with the Christ Child on her lap, Christ is holding a globe or male and Maria has a scepter. Both look at God De Vder and the pigeon as a symbol of the Holy Spirit that appear in heaven above them.

Christ Crucified between the Two Thieves: The Three Crosses ca. 1660 Rembrandt (Rembrandt van Rijn) Dutch In the fourth state of this print, Rembrandt completely transformed the plate by scraping away large portions of the original composition (see also the second state, 41.1.31), some of which are still visible underneath the hatching. He covered the sky with strong parallel lines that veil the remaining figures on both sides, and he redrew Christ's face to show his mouth open and his eyes half-closed. These changes actually alter the subject of the print: instead of showing the centurion's conversion after Christ's death, the image now focuses on the figure of Christ in the final moments of life, as he cries, "My God, my God, why hast thou forsaken me" (Matthew 27:46).. Christ Crucified between the Two Thieves: The Three Crosses 359757

Copper engraving by Andrea Zoan from late 15th to early 16th century depicting the lost Holy Hieronymus, showing figure, posture, gestures, and surrounding elements.

Umbria Perugia San Giacomo di Spoleto S. Giacomo8. Hutzel, Max 1960-1990 One exterior view and many negatives of this thirteenth-century church. Interior views focus on the apse and side chapel frescoes. In the apse: St. Mary Magdalen, St. Apollonia, St. James and two of his miracles, the Coronation of the Virgin. In the Cappella S. Sebastiano: St. Sebastian, St. Roch and Pope Gregory (1528 frescoes by Lo Spagna). To the right of the apse: the Madonna, Angels, Saints Peter, Anthony Abbot, and Bartholomew. Also views of altar paintings, reliquaries, gilt crucifix, and two wooden candle holders/statues of boys (17th century). Object Notes: Hutzel made two photo campaigns of this church, first on February 7, 1982 and then on January 31, 1983. There are only 50 different views for the 82 prints. Thus it seems that most of the photographs come from the same campaign though Hutzel made two separate worksheets. The photos have been renumbered. German-born photographer and scholar Max Hutzel (

K.K.K.. Mexiac, Adolfo. 1927. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans, Ku Klux Klan

Triomf van Christus, anonymous, after Parmigianino, in or after 1513 print Christ is sitting on a sphere with the signs of the zodiac. De Bol is crushing the devil and death as a skeleton, which are on top of Christ's triumphal wagon drawn by the four evangelists in the form of winged beings. Behind Christ is a row of male and female saints and Old Testament figures. At the bottom of the damned who are withdrawn during the last judgment. At the top left and top right Cherubies and angels with the passion tools. Italy paper Last Judgement. Christ triumphing over devil(s). the four symbols of the evangelists, 'the apocalyptic beasts'. the martyr and deacon Laurence of Rome; possible attributes: book, censer, cross, dalmatic, gridiron, palm, purse (or cup with golden coins). David as musician, usually playing the harp. Adam and Eve (not in biblical context). when Abraham has his hand raised to kill Isaac, God or the hand of God restrains Abraham's hand

Reconciliation from Jakob and Esau. The Esau and Jacob brothers embrace. Right behind Esau is his army. Left the cattle and the kneeled women and children of Jacob. Under the show the title and four four-line verses in Latin.

Umbria Perugia Spello S. Maria della Rotonda1. Hutzel, Max 1960-1990 Located on the outskirts of Spello, this church stands in a state of semi-dilapidation among tall grasses and cypress trees. It was built on a Greek cross plan with an octagonal cupola and attached cloisters. The Renaissance portal (1517) remains shut as the key is now lost. Interior views focus on the octagonal cupola, the three altarpieces, and their frescoes which are all in urgent need of repair. The large main altarpiece acts as a choir screen, and separates one arm of the church from the rest of the interior. Subjects of the altar frescoes (by Mezzastris) include the Madonna Lactans, the Madonna and Child between Pope Gregory and St. Michael, the Virgin and St. Anne, the Annunciation, the Coronation of the Virgin, and Saints Peter and Michael. Object Notes: Hutzel photo campaign date: September 1983. General Notes: This church is more commonly known as the Chiesa Tonda. German-born photographer and scholar Max H

Abruzzo, L'Aquila, Tornimparte, S. Panfilo, Parish church, Italy, 20th century, photo, photography, Europe

Three sitting monks, Allaert van Everdingen, 1642 - 1675 print paper monks and nuns. reading. book

Montrans surrounded by Engelen, 1628 print Monstrans with host in the clouds, surrounded by angels. The print is part of an album. paper letterpress printing ostensorium, monstrance (+ angel(s))

Religious drawing by Giovanni Battista Benaschi showing St. Nicholas of Bari in glory with angels carrying a rescued child in a basket, executed in chalk and wash on brownish paper within an octagon.

Allegorian portrait of Wilhelm Egon von Fürstenberg-Heiligenberg, upper part. The crowned Mary, with the Christ child on shot, on the clouds. They are accompanied by angels and various male saints.

Angels worship the Christ child while the Holy Family Rust, Henri Fantin-Latour, 1888 print Paris paper Holy Family, and derived representations. rest on the flight into Egypt. angels in adoration

Praying family for a bedside. In living room where a man, an old woman and a child praying together for a bedstead. There is a sick person in the bed.

Paul Revere, Buried with Him by Baptism, c 1765 Buried with Him by Baptism

. Around 1654 Rembrandt depicted four events in the life of Christ in the same format, paying special attention to the light. In this first print in the series the aged Simeon is shown holding the newborn Jesus in the Temple. He realizes that the infant is the long-awaited Saviour. Rembrandt left a thin layer of ink on the print (surface tone) causing the scene to loom out of a mysterious semi-darkness.

Collection of Christ, Anonymous, After Hans Sebald Beham, 1535 print paper the episode of the Last Supper. Christ's arrest, trial, and torture

The proclamation to the shepherds.

Christ on the Olives Mount, Anonymous, After Hans Sebald Beham, 1522 print paper Christ and his apostles on the Mount of Olives

Petrus and Paul in their tomb, an angel with palm branches above their head flying. .

Anima Mea Desideravit in Nocte. An angel with a lantern and a woman walking in the night (Isa. 26).

Depiction of the baptism of a newborn royal child of Emperor Maximilian I, including the godfather, shown on a wooden stick from 1514-1516.

Worship of Mary with Christ Child. Above left is Maria with the Christ child shot on an increase in a drapery. There are several figures for her (saints), There is a panther and sit putti.

Woodcut by Albrecht Altdorfer titled 'Ascension of Christ,' created around 1513, depicting Christ ascending with surrounding figures.

Requirement of Saint Antonius, Johannes Josephus Aarts, 1881 - 1934 print The Christian saint and recluse Antonius sits on his knees in an interior with a fireplace. He is physically attacked by a group of demons, hallucinations as a result of his ascetic life. Japanese paper (handmade paper) etching St. Antony Abbot tormented by devils, attacking him on the ground or carrying him aloft

Saint Peter with other holy and angels, Carlo Cesio, After Giovanni Lanfranco, 1636 - 1686 print Saint Peter (recognizable by the putti with two large keys) together with another saint on clouds. They are surrounded by angels, two of which blow on trumpets. print maker: Italyafter drawing by: Italyafter painting by: Rome paper etching the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. saints. angels

Mosaic of religious figure. Unknown

Young Johannes kneels for the Christ child, Anonymous, After Guido Reni, 1599 - 1692 print The young John kneels with his wicker cross in front of the Christ child that sits on a small throne. Next to John is a lamb and next to the Christ child a rich apple can be seen as a symbol of the world. Above a few cherubs. print maker: Low Countriesafter design by: Italy paper etching Christ as child or youth (in general) ~ Christian religion. series of scenes from the life of John the Baptist

Kruisafneming; The burial of Christ; Life's passion and death of Jesus Christ ..

Conversion of Paulus, Hans Baldung Grien, 1515 - 1517 print Paul is blinded on his way to Damascus by bright light from heaven. The apostle and his servants fall from their horses who react frightened. In the foreground, a horse is lying on the floor and an animal praises on the right while his rider grasps his neck. In the sky, Christ appears with a Tau cross between clouds. Rear right is a city. Freiburg paper on the way to Damascus Christ appears to Saul, who falls from his horse and is blinded by the light

Albumin photograph from 1867 by Franz von Reisinger showing the tomb of Waclaw Dzieduszycki in the princely crypt of the Dominican Church in Lemberg, including tomb structure, inscription, and crypt interior.

Triumph of science about faith, Ernst Moritz Geyger, 1888 - 1941 print An angel on a pedestal keeps a leaf with the drawing of a planet up. As a theologian clad rats, pigs and pelicans try to overthrow the image of the angel. Turin paper drypoint angels. planets (except the earth). Knowledge; 'Cognitione', 'Cognitione delle cose' (Ripa). theologian. burning of books. iconoclasm. monsters of mixed human and animal shape; 'Mostri' (Ripa)

Michaël submits the devil. Together with other angels, the Archangel Michael throws the devil from heaven, which falls into human form, with hair like snakes and dragon wings. In his one hand, Michael holds a bundle of flames and in the other hand his shield with the Christmonogram.

Saint Mary (the Blessed Virgin) with the Christ Child. Colour etching.

Mary with sleeping Christ child and John the Baptist, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print With the sleeping Christ child, Mary is sitting on her lap and gesturing with her index finger in front of her paved lips that John the Baptist should be quiet. Under the show is a Latin rule text. paper engraving Mary and the Christ-child with John the Baptist (as child)

Child falls into the fire, Anonymous, After Boëtius Adamsz. Bolswert, after Jacob Cornelisz van Oostsanen, 1639 - 1689 print paper engraving legends and miracles associated with the Eucharist (or the Host). on fire, ablaze

Angel Boven crowd people, Johannes Josephus Aarts, 1881 - 1934 print An angel goes over a crowd of people in horizontal position. Some figures raise their arms to heaven. paper angels

Mary shows the Christ child while Joseph reads a book Next to Mary stands the young John the Baptist, Holy Family with John the Baptist, print maker: Jan van Somer, 1655 - 1700, paper, h 149 mm × w 199 mm

Face in the cloud sky with angels and god. .

Saint Hieronymus in the wilderness. Saint Hieronymus worries a crucifix in a rocky landscape. There are three lions in the landscape.

Lazio Viterbo Montefiascone S. Flaviano. Hutzel, Max 1960-1990 Exterior views of the 13th century romanesque church built on top of an older structure: the three gothic arches of the facade are surmounted by a loggia (c. 1500), and a small bell-tower on the left. General views of the two-story interior show the three naves, main altar, frescoes and an architectural structure--vaulting and columns--that date from different periods. Included in the Medieval core collection are details of capitals (11th century), the tombstone of Giovanni Fugger (Defuk or Johannes De Fuk), and 14th century frescoes. All prints in the Hutzel collection are details of frescoes (14th and 15th centuries), including: the Saint Nicholas cycle; various Crucifixions; the Madonna Enthroned; the Annunciation; the Nativity; Pope Urbanus IV; Saints Catherine of Alexandria, Scholastica, Paul, Peter, Bernard, Lucy, Flaviano and others; and the archangel Michael. Antiquities: In the Medieval core collection are views of

The worship of the shepherds: Night.

The Last Judgment, c. 1600 Ivory plate on which an engraved representation of the Last Judgment. In ebbenhouten list of openwork silver appliques. Germany Ivory. List: Ebony (Wood) engraving Ivory plate on which an engraved representation of the Last Judgment. In ebbenhouten list of openwork silver appliques. Germany Ivory. List: Ebony (Wood) engraving

Project il. to "Pastor Ek" /Mystery 2 /; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);Christmas (iconogr.), Czyżewski, Tytus (1880-1945). Pastorałki, Jesus Christ, angels, highlanders, purchase (provenance)

The worship of the shepherds: Night.

S. Paulin, évêque de Nole (St. Paulinas, Bishop of Nolas), June 22nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. S. Paulin, évêque de Nole (St. Paulinas, Bishop of Nolas), June 22nd, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Marriage of Tobias and Sara; History of Tobias. Raguel gives his daughter Sara to Marriage to Tobias. In addition to Tobias, the Archangel Rafael is located. On the right in the background the couple is praying in a bedroom. In the undermaster a four-line Latin text.

The interior of the grave of Casimir the Great in the Wawel cathedral discovered on June 14, 1869 according to the picture of Jan Matejko. Styfi, Jan (1841 1921), Matejko, Jan (1838 1893)

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