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Dramatic Scenes of Conflict

Powerful etchings illustrating intense scenes of struggle, necromancy, and war, emphasizing human emotion and historical narratives.

Four men hunt a bull, Francisco de Goya, 1811 - 1816 print Four men in Moorish clothing hunt a bull. One of the men fell off his horse. Spain paper etching / drypoint bull. hunt ~ hoofed animals. head-gear: turban
Four men hunt a bull, Francisco de Goya, 1811 - 1816 print Four men in Moorish clothing hunt a bull. One of the men fell off his horse. Spain paper etching / drypoint bull. hunt ~ hoofed animals. head-gear: turban
258 assets in this story
6145-48599472
Triomphe de la Mort: La Mort entraînant L'Ivrognerie et la Luxure , Death, Skeletons, Lust, Intoxication, Alphonse Legros (1837-1911)
6145-30147613
Rembrandt van Rijn (1606-1669), Bonde family PAA VANDRING, About 1652
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So -called Green punish bound dog; Zausig, Amand (1804-1847); 1843 (1843-00-00-1843-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Wiese, Erich (1891-1979), dwarfs, dogs, German drawings, genre scenes
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Le jouer de viole , Musicians, Violas, Alphonse Legros (1837-1911)
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Romulus en Remus, Battista corner of Moro, After Giulio Romano, 1524 - 1575 print The twins Romulus and Remus are suckled by a woolvin. On the right a river god. People build a city in the background. paper etching Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'
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The Man of Sorrows Mocked by a Soldier, title page from The LargePassion. Artist: Albrecht Dürer, German, 1471-1528
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Koophandel en Zeevaart, decoratie op de Nieuwmarkt, 1795. Koophandel en Zeevaard (title on object). Draughtsman: Jurriaan Andriessen. Dating: 1795. Place: Netherlands. Measurements: h 416 mm × w 268 mm. Museum: Rijksmuseum, Amsterdam.
6145-29873320
John Singer Sargent, En Route pour la pêche (Setting Out to Fish), 1878 En Route pour la pêche (Setting Out to Fish)
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At an inn, a man tries to attack another man with a knife, a third stops him. A woman with a child in her arms looks on. Fighting men, print maker: Jacob Hoolaart, (mentioned on object), Adriaen van Ostade, (mentioned on object), Dordrecht, 1723 - 1789, paper, h 148 mm × w 176 mm
1838-21737334
Belisarius, Woodcut Engraving from the Original 1797 Painting by François Gérard, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883
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Antwerp, Galle, Cornelis (II), Italy, Bella, Stefano della, Ertinger, Franz, Ornamenti di Fregi, Frisian with four satyr children and two leopards among leaf tendrils, Third sheet from a series of 6 sheets with Flemish reverse-sided copies after the original series by Stefano della Bella., print, ornament print, prints, ornament prints, height 80 mm, width 247 mm, 1640, print maker, printmaker, 1650 - 1678, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after a design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher
6145-45607850
Drag from wood to sleds to the place where the house is being built, 1596. Towing wood to sleds to the place where the house is being built, from September 17, 1596. In the background retaining Huys under construction, the jammed ship. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 14.
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Peasants Going to Work Made 1863 France. Etching and drypoint on tan laid paper . Jean François Millet
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En Route pour la pêche (Setting Out to Fish) after "Oyster Gatherers of Cancale". Dated: 1878. Dimensions: sheet: 11.43 × 17.78 cm (4 1/2 × 7 in.). Medium: pen and brown ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: John Singer Sargent.
4435-4644
GOYA Y LUCIENTES, Francisco de (1746-1828). He Doesn«t Neglect the Donkey. 1816-1820. Paintbrush Chinese ink on laid paper. Romanticism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.
6145-48965239
Candelais, young sailor from Port-Malo / dry your tears, here's your husband ... (IT)
6145-51380394
Print, The Bathers; Engraved by Redding; After Winslow Homer (American, 1836-1910); Published by Harper's Weekly; USA; wood engraving in black ink on paper; Image: 35.2 × 23.4 cm (13 7/8 × 9 3/16 in.)
6145-29764901
Plate 19: a Polish nobleman in court dress, standing in center, seen from behind, another nobleman to right in background, from 'Diversi capricci' ca. 1644-47 Stefano della Bella Italian. Plate 19: a Polish nobleman in court dress, standing in center, seen from behind, another nobleman to right in background, from 'Diversi capricci' 376386
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Tranquil Peasant 1760-1812 England. Etching on ivory wove paper . Philippe Jacques de Loutherbourg, II
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Boy Returning Joyfully, with Plough and Oxen, from Thornton's Pastorals of Virgil. Artist: William Blake (British, London 1757-1827 London). Dimensions: block: 1 1/2 x 3 1/16 in. (3.8 x 7.8 cm). Date: 1821. Museum: Metropolitan Museum of Art, New York, USA.
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A drawing by Charles Parrocel depicting a doctor caring for a wounded soldier, executed in red chalk around 1730.
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Carl Bloch (1834-1890), the young man and DOED, 1880
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The Flight intoEgypt. Artist: Giovanni Benedetto Castiglione, Italian, 1609-1664
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Resting hunter with sleeping dogs. Resting hunter with sleeping dogs. A windmill in the background.
4409-62746280
Europe. Spain. Spanish customs. Harvest. Drawing by Valeriano Becquer and engraving by Rico. Almanac. The Illustration, Spain, 1880.
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Line of Women Bathing, 1897, Camille Pissarro, French, 1830-1903, 5 1/4 x 7 7/8 in. (13.34 x 20 cm) (image)10 11/16 x 14 3/8 in. (27.15 x 36.51 cm) (sheet)15 3/4 × 19 3/4 × 1 1/8 in. (40.01 × 50.17 × 2.86 cm) (outer frame), Lithograph on blue-gray paper, France, 19th century, Camille Pissarro (1830-1903) was a key member of the French Impressionists. He helped organize the first Impressionist exhibition in 1874 and was the only artist to participate in all eight exhibitions. He was one of the most devoted of his group to printmaking and completed close to 200 prints over a 40-year period. He had constant difficulties selling his prints and most were never editioned during his lifetime. He only printed 20 impressions of Théorie de Baigneuses in 1897, however a number of impressions were printed after his death. Pissarro was an exciting and experimental printmaker and used a variety of techniques, although he was particularly fond of etching. He continually searched for ways to capture t
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Seated Herderin, Laurent van der Windt, 1888 - 1916 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
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Sri Lanka, Boursse, Esaias, Two labourers, On the ground on the left in an uneven terrain sits a man in a cross-legged position, drawn from behind. His back and shoulders are completely wrapped in a large shawl (chadar). Of the hip cloth (veshti, lungi) that he is wearing, only a few folds are visible on the right. Around his head with short-cropped hair he is wearing a headscarf or cap. The standing man wears a knee-length hip cloth (veshti, lungi) that is pulled down between the legs and rolled up wide at the waist, and a shawl (chadar) over his left shoulder and left upper arm. The upper body, right arm and left lower arm are uncovered. He is looking at his hands with which he is holding up a piece of palm leaf (). Both men probably come from South India and were put to work in the reconstruction in Colombo. Sheet 62 from a sketchbook with 117 sheets., sketchbook sheet, drawings, height 148 mm, width 196 mm, 1631 - 1672, draughtsman, draftsman, 1662 - 1662, third quarter 17th centur
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Man with a dog on the line, Gillis van Scheyndel (I), 1630 - 1706 print A tramp with a bag with things on his back runs to the left. He has a dog on a line. A farm in the background. The print is part of a series of 32 prints with genreta scenes. print maker: Netherlandspublisher: Amsterdam paper etching dog
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Disparate femenino (Feminine Folly), also known as Pesa mas que un burro muerto (Heavier than a Dead Donkey), from the series Los disparates (Losproverbios). Artist: Francisco Goya, Spanish, 1746-1828
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O douleur!... avoir rêvé... un époux... Dated: 1844. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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People in a Arrenslee. Design for a print.
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Twice the same soldier with small split hat and raised arm, seen from the front; Varie Figure di Jacopo Callot; Various figures. A soldier with a plumed hat on the head, the right arm in a pointed gesture raised, the left hand on the hilt of his sword, seen from the front, twice pictured: left as line figure, at the right more worked out with shadows. In the background a equestrian fight. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various attitudes. These prints may have been meant as drawing examples.
6145-59070763
Dialogue of the dead - Rembrandt and Fidias; Norwid, Cyprian Kamil (1821-1883); 1871 (1871-00-00-1871-00-00);Fidias (CA 500 -CA 430 A.C.) - Iconographic, Rembrandt van Rijn (1606-1669) - iconographic
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Francisco de Goya y Lucientes / 'Great folly (Album G, 9)'. 1824 - 1828. Pencil on grey laid paper. Museum: Museo del Prado, Madrid, España.
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Print made by Arthur Pond, ca. 1705-1758, British, A Travelling Governour, 1737. Etching.
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Les Propos de Thomas Vireloque Man the Masterpiece of Creation Made 1852 France. Lithograph in black on cream wove paper . Paul Gavarni
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UN NID DANS LES BLES.. Artist: Paul Gavarni, French, 1804-1866
6145-29076603
Faggot Gatherer (recto), c. 1650-75. Attributed to Francisque Millet (French, 1642-1679). Pen and brown ink and brush and gray and brown wash; sheet: 11.6 x 14 cm (4 9/16 x 5 1/2 in.).
6145-58985010
The rat catcher prints, etchings, works on paper
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Hawaiian natives rowing a twin prowed canoe; By John Webber (1751 1793); English artist who accompanied Captain Cook on his third Pacific expedition to the Pacific (177680) aboard HMS Resolution.
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Esto es malo (This is Bad), Plate 46 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828
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People from Calicut, from The Triumphal Procession of Emperor Maximilian (Triumph Des Kaisers Maximilian I) Printed 1883-84 Hans Burgkmair German Restrikes of Plate 131, from the series "Triumph Des Kaiser Maximilian I.", designed for a frieze celebrating the achievements of Emperor Maximilian I. The overall program was developed by Maximilian I and Johannes Stabius in 1512 and recorded by Marx Treitz-Sauerwein; the manuscripts with this text survive at the Nationbibliothek in Vienna. The illustrations, designed between 1516 and 1518, were largely the work of Hans Burgkmair, with contributions by Albrecht Altdorfer, Hans Springinklee, Albrecht Dürer, Leonhard Beck, and Hans Schäufelen. The project was incomplete as of Maximilian's death in 1519, and the first edition was not published until 1526. This edition of restrikes was released as two supplement volumes to the first two volumes of "Jahrbuch der kunsthistorischen Sammlungen des allerhöchsten Kaiserhauses" (1883 and 1884), which
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Painting, Georg Leopold Hertel, after François Boucher, 1750 - 1778 print Allegory of painting. A putto draws to a bust for him, to his left a second putto. Around them are attributes belonging to painting such as an easel and a palette. Publishing number 190. Augsburg paper etching / engraving 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). cupids: 'amores', 'amoretti', 'putti'
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Zomer. De vier seizoenen (series title). Draughtsman: Jacob de Wit. Dating: 1744. Measurements: h 140 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.
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De Schelpenvisser, Jozef Israëls, 1835 - 1911 print Visser with hat and fishnet, standing in the sea, rolled up to his knees. print maker: unknownpublisher: Paris paper etching fisherman
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Les Oeufs DePaques.. Artist: Paul Gavarni, French, 1804-1866
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Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828
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Bracquemond, Félix (n.1833-05-22-D.1914-10-29), autumn or the flight of wild geese after Jean-François Millet (main title), 1887. Eau-tie, Dry point and Aquatinte. Petit Palais, Museum of Fine Arts of the City of Paris.
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C'est pourtant pas pour ca ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
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Mirror of Venus by Burne Jones. (1833-1898). According to Christopher Wood, "No picture illustrates better Burne-Jones's unique genius for blending together the two traditions of Pre-Raphaelitism and the Italian Renaissance into a new aesthetic style thanThe Mirror of Venus. The scene is purely imaginary, and shows Venus and her maidens gazing at their reflections in a pool of water.SirEdwardColeyBurne-Jones (1833 - 1898) was a British artist and designer associated with the phase of the Pre-Raphaelite movement, who worked with William Morris on decorative arts as a founding partner in Mo
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The Hidden Treasure by J.E. Millais from the Parables of Our Lord (1864) showing a ploughman kneeling in the field examining something in his hand whilst his team of oxen and plough stand idle waiting Date: 1925
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Country road in the vicinity of the city with walker seen from behind; left the dome of the Invalides. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 103 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.
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Vignette for the Community (design). Draughtsman: Leo Gestel. Dating: c. 1935. Place: Spain. Measurements: h 130 mm × w 190 mm; h 95 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.
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Alphonse Legros, The Prodigal Son, 1st plate (L'enfant prodigue) The Prodigal Son, 1st plate (L'enfant prodigue)
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The bullfighter (torero) Juantino Apiñani jumping over the bull with a stick. A group of people with umbrellas in the stands. Numbered upper right: 20., Juanito Apiñani in the Madrid bullring Ligereza y atrevimiento de Juanito Apiñani en la de Madrid Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 247 mm × w 354 mm
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How Neddy Got aRide. Artist: Katharine Maynadier Daland, American
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LesDefricheurs. Artist: Charles-Jean Agard, French, 1866-1950