Dramatic Scenes of Conflict

Engravings capturing intense moments of personal and societal conflict, representing themes of tragedy, guilt, and emotional turmoil in historical contexts.

Maternal vision. (IT)

French Revolution: Day of 8 Germinal An 2), March 28, 1794. Suicide of the Marquis de Condorcet (1743-1794) in his prison of Bourg-Equality (Bourg-le-Queen. 92340). Illustration for the events of the French Revolution, 1824 (dummy title)

The cruelty of the bull, 1647; Stiers Wreetheyd, pegs to master and wife, and wonderlyk bester to redemption Hunnes child, happened to Sardam. Illustration of the events known as the cruelty of the bull, 1647. De Boer and his pregnant wife that were attacked by a bull on 29 August 1647 in Zaandam. The pregnant woman is taken on the horns in which the child is hurled out of the belly. The print shows an interior in which the deadly wounded farmer and farmer. In the background you can see in two scenes how the man and the woman are attacked by the bull and how the bull is finally finished. Under the show a description of the events, different verses about the protagonists and a statement of the doctor concerned, in 6 columns. Reissue of the original print.

Deceased father appears to his sleeping son, Caspar Luyken, 1710 print Nuremberg paper etching spirit, ghost

Et pendant ce temps-la ils continuent à affirmer.... Honoré Daumier (1808-1879). Lithographs

Dreaming on Roses. Dated: 1790. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

Job (First Plate). Alphonse Legros (French, 1837-1911). Etching and drypoint;

Yeux noirs, front haut...on te reconnaitra. Yeux noirs, front haut...on te reconnaitra

The Antiquary's Last Will and Testament (The English Dance of Death, plate 2) April 1, 1814 Thomas Rowlandson British. The Antiquary's Last Will and Testament (The English Dance of Death, plate 2). The Dance of Death. Thomas Rowlandson (British, London 1757-1827 London). April 1, 1814. Etching and aquatint with watercolor. Published by Rudolph Ackermann, London (active 1794-1829). Prints

Napoleon's English nightmare, 1813, Wijnand Esser (Possible), 1813 - 1814 drawing Cartoon on Napoleon from 1813-1814 in which the emperor lies helplessly on his camp bed while an English bulldog is on top of him. Dad Violet was a nickname for Napoleon. Netherlands paper pen / brush political caricatures and satires. dog (with NAME of kind). nightmare

Drawing by Josef Abel depicting Andromaque fainting at the sight of Hector's corpse dragged by Achilles' chariot, rendered with black pen and white highlights on blue paper, 1806, showing mythological figures and dramatic composition.

Jakobs ladder.

painting by Paul Delaroche: les enfants d'Edouard, Robert Jefferson Bingham, Goupil & Cie, 1858.

Lithographic album of twelve subjects: satisfaction Achille DeVéria (1800-1857) and Charles-Etienne-Pierre Motte (1785-1836). Album of twelve compound and lithographic subjects by Achilles Deveraia: Satisfaction. Lithography on China glued, 1830.

Italy, Maderno, Stefano, Tomb of Saint Cecilia, verso - stamped, Saint Cecilia lying in a tomb., print, prints, height 146 mm, width 318 mm, print maker, printmaker, 1599 - 1599, paper, papier, engraving, engraving (printing process), Italian, 1575 - 1636-09-17, after image by

Photo production of drawing by Paul Delaroche: Derniere Communion de Marie Stuart.

Illustration for Boccaccio decamerone. Illustration for Boccaccio decamerone, lxx history. Meucio is in bed and looks at the appearance of his deceased friend Tingusso.

L'air étant doux et le ciel bleu, Euclidet, m'ame Euclidet et certain petit cousin se donnent un jour - d'ébats dans le bois de Mendon. M'ame Euclidet et le petit cousin sont à cueillir des noisettes. Euclidet - étudie le théorème XII de la trigonométrie sphérique de Wlac - Deux angles d'un triangle sphérique étant de même affection, que devient la perpendiculaire abaisée du troisième ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Oui, mon cher Oncle, mes etudes marchent bon train et j’en suis fort satisfait. . Artist: Paul Gavarni, French, 1804-1866

Mountains Christmas Eve. Zajkowski, Andrzej (1851 1914)

First Scene of Thieves ca. 1805 Gror. First Scene of Thieves. Gror (active Paris, early 19th century). ca. 1805. Etching with roulette and wash manner. Prints

Amor and Psyche as loved ones, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Amor and psyche in bed as loved ones. On the left an open window and in the foreground the arch and arrow case of Amor. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 9. paper engraving Cupid and Psyche as lovers

David Authoofdt Goliath, Benoît Audran (I), After Daniele Da Volterra, 1716 print print maker: Francepublisher: Paris paper etching David fighting Goliath

Allons Donc,Celestine!…. Artist: Paul Gavarni, French, 1804-1866

The surprised lovers, hand-colored copper engraving by J.A.Ramberg, 1799

Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius 1530-60 Master of the Die Italian This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.. Plate 9: Cupid and Psyche on a bed, from the Story of Cupid and Psyche as told by Apuleius. The Story of Cupid and Psyche as told by Apuleius. Master of the Die (Italian, active Rome, ca. 1530-60). 1530-60. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). Prints

UnCauchemar. Artist: Paul Gavarni, French, 1804-1866

Print made by Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), Expectations (Evening Thou Bringest All), ca. 1805. Lithograph on moderately thick, slightly textured, beige wove paper.

Jean-Louis Forain, L'heure des gothas, French, 1852 - 1931, c. 1914-1919, black crayon and brush and black ink corrected with white gouache on wove paper

Print made by Thomas Cheesman, 1760-1834/35, British, The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV. Engraving and stipple engraving.

Dead Toreador (Torero mort). Dated: 1868. Medium: etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

El rey Jaime I de Aragón el Conquistador (1208-1276) entregando la espada a su hijo Pedro (futuro Pedro III de Aragón). Ilustración por Urrabieta. Grabado por Furnó. Histoira de Cataluña y de la Corona de Aragón, por Victor Balaguer. Tomo II. Barcelona,1861.

The cooling room of a hammam. Engraving by J.T. Willmore after W.H. Bartlett.

Cartoon on expansion of the rail network in the Netherlands, 1860; How people nowadays sleep in the Netherlands. Cartoon on the plans for the extensions of the rail network in the Netherlands. A man sleeping in his bed and dreaming about trains. Plate appeared at De Nederlandsche Spectator Weekblad, no. 3, 21 January 1860.

Smirzicky by Smirzic, Albrecht Johann Freiherr.

Attributed to Daniel Lysons, 1762-1834, British, Tomb of the Three Children of Sir Thomas Savage from Isleworth Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

The Game Market. Richard Earlom (British, 1743-1822); after Frans Snyders (Flemish, 1579-1657); published by John Boydell (British, 1719-1804). Date: 1783. Dimensions: 416 × 577 mm. Mezzotint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Beck, Heinrich.

The assassination of James I of Scotland, Photographic reproduction of a print depicting the death of King James I of Scotland, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 88 mm, width 112 mm, maker, producer, 1876 - 1881, paper, papier, Woodburytypie, Work conception

Paris, Aubert & Cie., Daumier, Honoré, Croquis d'expressions, Facial expressions, Crie donc, mâtin!, Two parents with a crying baby, verso - gestempeld, cartoon, prints, prenten, height 242 mm, width 350 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1838 - 1838, paper, papier, lithografie (techniek), Frans, printer, drukker, Publication (Event), Publicatie, publisher

Riding stone, Christoph of.

A DREAM OF TOYS, 1869

O Lune! Inspire-moi ce soir quelque petite pensée.... Honoré Daumier (1808-1879). Lithographs

Louis XVII (Louis Charles) (1785-1795). Claimant King of France. He died at the age of ten in the Prison of the Temple in Paris during the French Revolution. The Dauphin in captivity in the Temple Prison, 1792. Drawing by Hippolyte de la Charlerie. Engraving by Meyer-Heine. "History of the French Revolution". Volume I, 1876. Author: Théodore Meyer-Heine (fl. 1863-1881). French engraver. Hippolyte de la Charlerie (1827-1869). Belgian artist.

Attributed to Sir Joseph Ayloffe, 1709-1781, British, An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I), 1780. Engraving.

Drawing by Sigmund Ferdinand von Perger of ten subjects from the Bellerofon table, based on the 6th song of the Iliad, using feder and lavated technique, 1809.

NINETY THREE THE DUNGEON; Cimourdain advanced as noiselessly as possible, moved closer, and looked down upon Gauvain; the glance of a mother watching her nursling's slumber could not have been more tender or more loving. Even Cimourdain's will could not control that glance., 1874 engraving

Luise, Princess of Mecklenburg-Strelitz.

Engraver: Michel Dorigny, French, 1616-1665, After: Simon Vouet, French, 1590-1649, TheLamentation, Engraving, sheet: 27.8 × 36.5 cm (10 15/16 × 14 3/8in.), Made in France, French, 17thcentury, Works on Paper -Prints

Drawing of reclining figure on a bed with two standing figures. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Le député ventrigoulard achevant ses fonctions législatives et digestives. Honoré Daumier (1808-1879). Lithographs

La Comtesse Reclining in Dark Dress with Chain Around Neck. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 10.2 x 12.0 cm (4 x 4 3/4 in.). Person in Photograph: Countess Virginia Oldoini Verasis di Castiglione (1835-1899). Date: 1861-65.As early as 1856-57 the countess experimented with reclining poses, sometimes even lying on the floor. Here, she is wearing the same dress she has on in The Countess de Castiglione as Anne Boleyn (Cat. no. 43) but without the crinoline. Museum: Metropolitan Museum of Art, New York, USA.

Caricature of Leo Gestel on his sickbed. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 254 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Mr. Trottman in London. / No. 13. ... (registered title) | Travels from Mr. Trottman. (Title of the whole)

The Sleeping Princess; An illustration to The Allies Fairy Book (Pub.1916). Arthur Rackham (1867-1939). Pen and black ink and watercolour.

Honest reward, Dècencenée, on 1800, to Louis Philippe d'Orleans, surgeon and emigrant but still French, by the unrealing savages of North America, caricature, no 224, pl. 466 Daumier, Honoré (1808 1879), delaunois lithography, Aubert printing (Saly)

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV, Edward Francis Burney, 1760-1848, British, undated, Pen and black ink and watercolor on thin, smooth, brown wove paper, Sheet: 9 × 9 inches (22.9 × 22.9 cm), banquets, goblets, literary theme, lyre, Macbeth, play by William Shakespeare, swords

Paris, Danelle, C., Faucheur, A., Brion, Gustave, Gilmer, Fin d'Éponine, Photographic reproduction of a drawing of the death of Éponine from Les Misérables by Victor Hugo, recto - printed, photograph, photo, reproduction, page, photographs, photographically illustrated books, (LES MISÉRABLES), A. FAUCHEUR & C. DANELLE 18, Bt. Pigalle., height 120 mm, width 83 mm, French, photographer, 1857 - 1862, photographic paper, photo paper, albumen print, albumine print, 1824-10-24 - 1877, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Francisco de Goya y Lucientes (Fuendetodos, 1746-Burdeos, 1828). Grabado. Serie "Los caprichos" (aguafuerte). Plancha 34ª: Las rinde el sueño. Primera edición. Madrid, 1799.

Un protêt le jour de l'an, quelle chance!. Honoré Daumier (1808-1879). Lithographs

Francisco de Goya, The Garroted Man, in or before 1780 The Garroted Man

El Motín. 11 de enero de 1885. España bajo el gobierno conservador-clerical. Museum: BIBLIOTECA NACIONAL, MADRID, SPAIN.

A father, having banished his daughter to her room, now seeks to console her. Wood engraving by J. Swain after R. Barnes.

Orgy, symbolic-satirical copperplate engraving by W. Haccht, 1578, digitally restored reproduction of a 19th century original, exact original date not known

Shakspeare Shakespeare; Othello; Act V, Scene II; Desdemona in bed asleep.. Boydell, Josiah, 1752-1817. John and Josiah Boydell (Firm). Prints. 1803. Schomburg Center for Research in Black Culture, Photographs and Prints Division. Africans, Crying, Theatrical posters, Shakespeare, William, 1564-1616 , Characters , Desdemona, Othello (Fictitious character)

Leiden, Geelkercken, Nicolaes van, Zevecote, Jacob van, Utrecht, Passe, Crispijn van de (I), The death of the High-born Prince Maurits, Bed of state of Maurits, Prince of Orange, 1625, verso lower left - stamped, State bed of Maurits, who died in The Hague on 23 April 1625. The prince in a robe, lying stretched out on his state bed. On the ground in the foreground on the left are military attributes and on the right are scientific instruments. Below the representation, printed on the sheet, the title with all the titles of the prince in six lines. Below that, a verse in two columns., print, prints, Orange portraits, height 352 mm, width 282 mm, Noord-Nederlands, 1595 - 1657, print maker, printmaker, 1625 - 1625, paper, papier, engraving, engraving (printing process), letterpress printing, 1564 - 1637, Nederlands, 1596-01-16 - 1642-03-17, writer, Publication (Event), Publication, Northern Netherlands, publisher

Hystéro-Épilepsie: Attaque Tétanisme. Paul-Marie-Léon Regnard (French, 1850 - 1927)

Troilus and Cressida, Act 4, Scene II, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Henry Tresham, 1751-1814, British, 1794, Engraving

Studies for the Instruction of Painters, two suites. Rome, c. 1630, Print made by Francesco Curti, 1610-1690, Italian, after Giovanni Guercino, 1591-1666, Italian, Published by Giovanni Domenico de Rossi, active 17th century, Italian, ca. 1633, Line engraving on medium, slightly textured, cream laid paper, Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm) and Binding: 9 inches (22.9 cm)

Illustration from Les amours d'un Jesuit : histoire vraie (The loves of a Jesuit: a true story) by Gustave Graux. (1837-1899).

Charles Allston Collins after death, 1873. William Holman Hunt

Le Sommeil et l'Innocence par Argenti. Léon & Lévy (French, active 1864 - 1913 or 1920)

The King of Darfur planting corn 16, the King of Bornu standing over the body of his predecessor 17, and view of the city of Timbuktu, Mali 18. Handcoloured copperplate engraving from Rev. Isaac Taylors Scenes in Africa for the Amusement and Instruction of Little Tarry-at-Home Travelers, Harris and Son, London, 1820.

Theater scene with affected duellist in a Boslaan, Willem Witsen, 1870 - 1923 drawing paper. pencil. watercolor (paint) brush actor (on the stage). plants; vegetation

Scene from the life of Bertrand du Guesclin, (19th century). Artist: Unknown

A malefactor in a cage. Mason, George Henry. Wilson, William, active 1811-1839. Prints, Illustrations. 1804. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Punishment & torture, Criminal justice, Administration of, Clothing & dress, Manners & customs, China

The composer Herold on his deathbed - 1833 Eug�ne Giraud (1806-1881). The Herold composer on his deathbed - 1833. Blood pastel and white chalk on brown paper.

'Scene from La Fontaine's Fable'. France, Early 1730s. Dimensions: 30,5x24,5 cm. Museum: State Hermitage, St. Petersburg. Author: PIERRE SUBLEYRAS.

Fresco from Pompeii: bridal night. A young bride in virgin's girdle about to be deflowered by her husband, while the cubicular slave brings a cask of essences and perfumes. The caption is "Lente impelle" (push gently). Handcoloured lithograph from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Act V, Scene II Cressida and Diomedes; C: "As I kiss thee. Nay, do not snatch it from me;" Date: Early nineteenth century

Helplessness of badinguet. (IT)

Il corpo di Luciano Manara visitato dai soldari (The Body of Luciano Manara Visited by Soldiers). Dated: 1884. Dimensions: plate: 39.7 × 57.8 cm (15 5/8 × 22 3/4 in.) sheet: 49 × 67.5 cm (19 5/16 × 26 9/16 in.). Medium: etching on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: ELEUTERIO PAGLIANO.

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