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Dutch Genre Scenes of Daily Life

Historical etchings showcasing intimate moments in Dutch life. Common themes include taverns, gatherings, and domestic scenes, rendered in detailed black and white.

In a hallway are a seated monk and a standing monk with a book under his arm. A painting hangs above the door and part of a staircase is visible on the right., Seated and standing monk, print maker: David van der Kellen (1827-1895), 1858, paper, etching, drypoint, h 157 mm × w 120 mm
In a hallway are a seated monk and a standing monk with a book under his arm. A painting hangs above the door and part of a staircase is visible on the right., Seated and standing monk, print maker: David van der Kellen (1827-1895), 1858, paper, etching, drypoint, h 157 mm × w 120 mm
226 assets in this story
GOYA Y LUCIENTES, Francisco de (1746-1828). Woman in Prison. 1797-1798. Red and sanguine wash painting. Unique try that was destined to be a plate for 'Los Caprichos'. Romanticism. Drawing. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.Copper. A woman, the header, takes a wife with the help of a late cup of blood. This happened for medical reasons but also to find out the blood about love issues. Given the spotting tone of the verse, this can be paid to this last.Music figures around a table, Jan de Visscher, After Adriaen van Ostade, 1643 - 1692 print In a simple departure there are five figures around a table. One of the figures plays a violin and the others sing. Northern Netherlands paper etching / engraving making music; musician with instrument. vocal music, singingAntiquair in Venice, Adriaan J. van 't Hoff, 1903 - 1932 print A man with a hat stands with a jug under his arm in a gondola. There are things in the gondola, including a jug, two swords and a chandelier. In the background an alley with stairs. paper etching gondola. antique dealer VenicePloos van Amstel, Cornelis, Bega, Cornelis Pietersz., Schreuder, Bernhard, Amsterdam, Peasant interior with two women, verso - handwritten, Interior with two women at a cradle., print, prints, verso - stamped, C. Bega del. 1654 Pl. v. Amstel fec., height 179 mm, width 168 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1772 - 1787, paper, paper drawing, etching, etchings, roulette, color printing, hand coloring, - 1780-10-16, print maker, printmaker, 1632 - 1664-08-27, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisherInterior of trappers' cabin, scenes of the life of trappers, 19th century, engraving, CanadaThe Pilgrimage. Artist: Léon-Augustin Lhermitte (French, Mont Saint-Père 1844-1925 Paris). Dimensions: 6 15/16 x 9 5/16 in. (17.7 x 23.7 cm). Date: 1877. Museum: Metropolitan Museum of Art, New York, USA.A scene of witchcraft. Plate 4 from: Scherzi di Fantasia (Sktches of Fantasy) prints, etchings, works on paper. In a room, a man connects a wound on his shin. He sits on a chair and has turned his head of the injury.Marches Macerata Mevale Pieve2. Hutzel, Max 1960-1990 Parish church dating from the 13th century with interior decoration dating until the 16th century. Mevale is the home of the Angelucci family, who were artists and woodworkers in the 15th and 16th centuries. The interior frescoes include a Last Judgment (1601), a Trinity (1560), Apostles in the Oratorium, a Madonna of the Rosary (1571), and a chivalric tournament (15th cent.). A Pieta in the lunette in the Oratorium is believed to have been painted by Perugino, in whose workshop one of the Angelucci worked. There is also a Madonna in the Byzantine style, dating from the 13th century. The confessional is used as well for a chancel, the work of Ancanio Poggini (1580). Object Notes: Hutzel photo campaign date: September 26, 1983. Negs. of columns and stone lion may belong to another site. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, rLa Cruche Vide (Bartsch 15) Adriaen van Ostade (1610-1685). The empty jug (Bartsch 15). Floor and dry tip, circa 1653. Museum of Fine Arts in the city of Paris, small palace.Old farmer's wife, Léon Brunin, 1884 print paper etching / drypoint kitchen-interior. cleaning (food)Uur van de Dood; Recueil de quatre-vingt-cinq estampes originales.A hostel takes back to reflection in the garden of the palace. The skeleton of death is next to him. A Courtisan tries to seduce him but he does not matter to earthly lusts. He repent her to a clean life. The print is part of an album.Habitation rustique (RusticHouse). Artist: Félix-Henri Bracquemond, French, 1833-1914 After: Isaac Van Ostade, Dutch, 1621-1649Mustard Woman, one of twelve etchings fromnature. Artist: James McNeill Whistler, American, 1834-1903Christ and the woman of Samaria: an arched print prints, etchings, drypoints, works on paperAfter Adriaen van Ostade, The Cobbler, 1630-1900, etching on wove paper.A brown ink and watercolor drawing over black chalk by Adriaen van Ostade depicting an inn scene at a portal, showing figures and architectural details.Waardin and company in Herberg, Cornelis Pietersz. Bega, 1642 - 1664 print Netherlands paper etching inn, coffee-house, public house, etc.. jar, jug (used as drinking-vessel)And Now His Lifted Eyes The Ceiling Sought... 1787 Thomas Rowlandson. And Now His Lifted Eyes The Ceiling Sought.... Thomas Rowlandson (British, London 1757-1827 London). 1787. Etching. PrintsForge.. 1848. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Forge shops, ForgingThe Alchemist, Celestin Francois Nanteuil, French, 1813 - 1873, Eugene Isabey, French, 1803 - 1886, Lithograph on paper, The alchemist is seated in a large chair, in his untidy laboratory, holding a book., France, ca. 1850, Print, PrintLa marchande de PommesCuites. Artist: Jacques Firmin Beauvarlet, French, 1731-1797 After: Jean-Baptiste Greuze, French, 1725-1805Rijn, Rembrandt van, The blind Tobias: large plate, verso bottom center, print, prints, Rembrandt f. 1651, bottom center, height 161 mm, width 129 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, color printing, Work conception, after own design byA man is testing the sharpness of a blade which he has been grinding on the wheel turned by the boy. Engraving by Gio. Volpato after Domenico Maggiotto.Ostade, Adriaen van, Haarlem, Suyderhoef, Jonas, Peasants on the terrace in front of an inn, Two farmers sit in front of an inn, each with a pipe in their hand. A woman pours a glass full. A child is in the doorway. On the right a standing man and a man and a woman by a barrel., print, prent, prints, prenten, height 410 mm, width 358 mm, 1613 - 1686-05-09, print maker, printmaker, 1623 - 1686, paper, engraving, engraving (printing process), Northern Netherlands, 1610-12-19 - 1685-04-28L'ambulance , Medical aspects of war, Sick persons, Alphonse Legros (1837-1911)Interior farm Herdertaferelen (series title), View in a farm with an old woman by a fire. To the left is a standing woman who lets a child drink from a bowl. In the foreground left a basket with pumpkins, farm (building), farmers, Francesco Londonio, 1763 - 1764, paper, etching, h 225 mm × w 294 mmAdriaen Van Ostade (1610-1685). The empty jug (Bartsch 15). Eat and dry tip, around 1653. Museum of Fine Arts of the city of Paris, Petit Palais. 79607-9 XVIIEM XVIIth XVII 17th 17th 17th century, engravingEnglish Beggars (Les mendiants anglais). Dated: 1875. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.La charité , Beggars, Charity, Alphonse Legros (1837-1911)Auguste Lepère, Jewish Quarters in Amsterdam Jewish Quarters in AmsterdamA 1496 woodcut by Johann Reger depicting the envoys of Rhodes seated at three bases in discussion with the Turks, illustrating 15th-century European diplomatic and military subjects.Public Writer 1790 Jean Jacques de Boissieu French. Public Writer. Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). 1790. Etching; third state of four. PrintsThe Painter 1642-1652 Holland. Etching in black on buff paper . Adriaen van OstadeCartoon - Memphis John Henry Walker (1831-1899)Witches, three sorcerers burning a snake on an altar, by Giovanni Battista Tiepolo, ca 1750, Historic, digitally restored reproduction from an 18th or 19th century original. Marches Macerata San Severino Marche Duomo Vecchio4. Hutzel, Max 1960-1990 Exterior views of this 14th-century church include a bell tower (11th century), belfry, buttresses, portals, and a cloister walk, well-head, loggia, columns and capitals (13th century). Views of the baroque interior (17th century) include an ornate wooden ceiling with the Papal coat-of-arms in the center, an organ, and an altarpiece with angels. Most views are of intarsia choirstalls (1483-1513) and the frescoes of the story of St. John the Evangelist (or St. Joseph) by the Salimbeni brothers. There are also views of a room containing the sculpted tomb effigies of St. Severino and St. Vittorino, with paintings and mosaics of the life of St. Severino. This room or aisle may be incorrectly identified by Hutzel. Object Notes: Hutzel photo campaign date: April 8, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, rImage reproduction: Aleksander Lesser (1818-1884), Miecznik and Marya; Z: "K Osy" 1884, vol. XXXIX, No. 1007, pp. 256/257; Lesser, Aleksander (1814-1884), Goradowski, Edward (1843-1901); 1884 (1884-00-00-1884-00-00);Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, swordfish and Maria (legend), legends, painting, Polish painting, personalities, personalities, Polish personalities, reproduction, reproduction of a work of artOstade, Adriaen van, A Dutch village tavern, Reproduction of a print of a company of peasants in a tobacco and brandy tavern after Adriaen van Ostade, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 187 mm, width 157 mm, maker, producer, 1870 - 1875, paper, papier, Woodburytypie, Work conception, after a print by, Noord-Nederlands, 1610-12-19 - 1685-04-28Scullery Maid. Charles Émile Jacque; French, 1813-1894. Date: 1844. Dimensions: 101 × 161 mm (image); 108 × 170 mm (chine); 144 × 209 mm (plate); 259 × 370 mm (sheet). Etching on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.A Scholar in His Study (Faust) 1647-1657 Holland. Etching, drypoint and engraving on white laid paper . Rembrandt van RijnA man is talking to a woman in the doorway while his hand is on her arm In the background, a woman and a child are walking down a street between houses toward the sea The print was made for the Dutch-language literary almanac Aurora, published between 1840 and 1878, Volendam couple, print maker: Jan Baptist Tetar van Elven, (mentioned on object), intermediary draughtsman: Herman Frederik Carel ten Kate, (mentioned on object), publisher: Koenraad Fuhri, (mentioned on object), print maker: Netherlands, intermediary draughtsman: The Hague, publisher: The Hague, 1849, paper, steel engraving, h 98 mm × w 134 mmCount Ugolino and his sons in the tower of Pisa, Joseph Coomans, After Edouard de Biefve, 1836 print Brussels paper. etching prison, jail Tower of PisaLying man, leaning on a bag. Draughtsman: Abraham van Strij (I). Dating: 1787. Measurements: h 117 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.The fiddler and the hurdy-gurdy boy, c. 1654-56. Adriaen van Ostade (Dutch, 1610-1684). Etching;Dancing man and woman and two seated men and woman, print maker: Cornelis Pietersz. Bega, Cornelis Pietersz. Bega, Netherlands, 1642 - 1664, paper, etching, h 86 mm × w 73 mmA blind hurdy-gurdy player and family receiving alms, anonymous, after Rembrandt van Rijn, after 1648 print paper etching hurdy-gurdy player - CC - out of doors. giving alms; collectionJupiter Visits with Philemon and Bacchus. Carl Russ; Austrian, 1779-1843. Date: 1809. Dimensions: 174 × 185 mm (plate); 186 × 198 mm (sheet). Etching and aquatint on tan wove paper. Origin: Austria. Museum: The Chicago Art Institute, Chicago, USA.James McNeill Whistler (American, 1834-1903), La Marchande de Moutarde, 1858, etchingPrint made by unknown artist, (A. Dick), Grandpapa's Story or The Witches Frolick, 1838. Etching on moderately thick, slightly textured, beige laid paper.Beggars 1834 France. Lithograph in black on white wove paper . Alexandre Gabriel DecampsThe Rest on the Flight with Joseph in Adoration. Dated: 1752. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.Pupils displace each other at the opening of the Museum of the Royal Academy, Edouard Dujardin, 1842 drawing Design for a print. paper. ink. pencil pen / brush temporary exhibition, 'Salon' (+ parody, caricature ~ work of art). permanent exhibition, museumLife class , Artists' models, Classrooms, Art education, Drawing. George Bellows (1882-1925). Prints and DrawingsTaddeo in the Belvedere Court in the Vatican, Drawing the Laocoön. Date/Period: Ca. 1595. Drawing. Pen and brown ink, brush with brown wash, over black chalk and touches of red chalk. Height: 175 mm (6.88 in); Width: 425 mm (16.73 in). Author: Federico Zuccaro.Education at Kaarslicht, Willem Joseph Laquy, after Gerard Dou, c. 1765 - c. 1770 drawing From triptych with allegory on art education: education at candlelight. paper. chalk scholastic education, tuitionJacques Callot (1592-1635). "The mysteries of passion, Annunciation, Oval supernumerary" (Lieure 699). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99609-11 Etching, engravingAn old man delousing a boy in an interior, accompanied by three figures; folio 40 from the Images of Spain Album 'F'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 8-1/16 x 5-3/4 in. (20.5 x 14.61cm). Date: ca. 1812-20. Museum: Metropolitan Museum of Art, New York, USA.Le souper chez Misère , Candles, Alphonse Legros (1837-1911)Janson, Pieter, Johannes Christiaan, Johannes, Fight on the street, Street scene with two men fighting. A woman tries to stop one of them. On the right a house with a spectator in the doorway. At the end of the street a church., print, prent, prints, prenten, height 130 mm, width 82 mm, 1729-04-17 - 1784-08-01, print maker, prentmaker, 1739 - 1851, paper, papier, etching, etchings, Noord-Nederlands, 1763-03-17 - 1823-10-17, printmaker, 1765 - 1851-06-27Rijn, Rembrandt van, Engel laat het gezin van Tobias, The angel departing from the family of Tobias, verso - stamped, print, prent, prints, height 130 mm, width 165 mm, print maker, printmaker, 1641 - 1641, paper, papier, etching, etsen, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08As two adults talk in a back room, a child attempts to add to a painting on its easel, while two other children look on. Wood engraving after J.G. Meyer von Bremen.The Raven. Félix Bracquemond (France, 1833-1914). France, 1854. Prints; etchings. EtchingParijs, Basan, Henry Louis, Rijn, Rembrandt van, Pierre François, De Spaanse gypsy Preciosa, Het Spaanse heidinnetje, Paris, The Spanish gypsy 'Preciosa', verso - stamped, print, prints, height 130 mm, width 114 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, etching, Work conception, Northern Dutch, 1606-07-15 - 1669-10-08, after a print by, Publication (Event), Publication, publisherThe Fall and Redemption of Man: The Adoration of the Magi, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;CHINADe Taveerne.Three wizards burn snake on altar, Giovanni Battista Tiepolo, in or before c. 1750 print Italy paper etching sorcerer, magician, wizard, warlock. witch(es), sorcerer(s) at workThe Cobbler. Adriaen van Ostade (Holland, Haarlem, 1610-1685). Holland, 1671. Prints; etchings. EtchingGlazenier, Anonymous, After Jan Gillisz. van Vliet, 1635 - 1685 print A man cuts glass for a stained glass window. paper etching / engraving glass-makerBells ca. 1742 Gabriel Huquier French. Bells 394229Moonlight , Moonlight, Boats, Helms, Sailboats. Frank W. Benson (1862-1951). Prints and DrawingsRuins of Rome, seen from one of the caves of Valmontone (Hollstein 12) Breeneberg, Bartholomaus. Ruins of Rome, seen from one of the caves of Valmontone (Hollstein 12). Etching.Departure Breakfast at Asnières Made 1861 France. Etching on ivory laid paper . Charles François DaubignyFrancisco de Goya (Spanish, 1746-1828). There Was Nothing to Be Done and He Died (Espiró sin Remedio), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint. Interior, Peasant House in Haute-Garonne 1858 France. Etching on cream machine-made Japanese paper . Rodolphe BresdinLa charité , Beggars, Charity, Alphonse Legros (1837-1911)Interior of a Coal Shop Made 1900 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlanThe Seller of Rat Poison. Dated: 1655. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Cornelis Visscher.Macharius, pl. 22 of 29 from the series Solitudo sive vitae patrum eremicolarum (MaleHermits). Engraver: Unknown After: Maarten de Vos, Flemish, 1532-1603 Publisher: Johann Sadeler I, Flemish, 1550-1600 Publisher: Rafael Sadeler I, Flemish, 1560-1628Farmer leaning on Onderneur, Adriaen van Ostade, 1651 - 1655 print paper etching divided door, upper part opened. male sex; manVarse true of the Eagle. Draughtsman: anonymous. Draughtsman: Reinier Vinkeles (I) (rejected attribution). Dating: Nov-1813. Measurements: h 222 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.Maria Padilla. - Prologue Thétre du Vaudeville ,. Paul Gavarni (1804-1866). Lithographs and Other WorksStanley Anderson, Morning on the Seine, 1930, engraving on paper.Four Javanese at the entrance of the stairs to the terraces of the Borobudur, Joannes Henricus Willem le Clercq (attributed to), c. 1800 - c. 1899 drawing Netherlands paper. pencil. watercolor (paint) brushBeef Louis Boilly (1761-1845) and Lemercier. Beef foot. Lithography. 1830.Beer (Bruun) is attacked by a crowd, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the FoxOrgan Grinder 1844 France. Etching on light gray China paper laid down on ivory wove paper . Charles Émile JacqueThe Tannery Made 1901 United States. Etching in black on cream wove paper . Donald Shaw MacLaughlanPhoto production of the painting The Sint-Nicolaasfeest by Jan Steen, Anonymous, After Jan Havicksz. Steen, 1905 - 1920 photomechanical print Amsterdampublisher: Paris cardboard collotype festivities on St. Nicholas (Eve) (December 5) Rijksmuseum AmsterdamBeverage gelag in a seventeenth-century pub, Léopold Flameng, 1855 print Paris paper etching inn, coffee-house, public house, etc.. drunkennessAfter an acquittal of the painting according to the painting by Joseph E. Weiser, he drew L. Heitland. Sharpening from Kłosa 1877 (2) 120 121 Brend'apapa, Hoz Rand Rard Richart (183112 1915), Wecraplulo), Bendland, L.Z., L. (138 (N.na.)Théodore Gericault, The Flemish Farrier, 1821 The Flemish Farrier. .Gil Blas. Vol I: Gil Blas in the Cavern, Print made by James Neagle, 1760-1822, British, after Robert Smirke, 1752-1845, British, 1809, Line engraving on medium, slightly textured, cream wove paperPrint, The Gold-Weigher; France; etching on tan paper; 30.5 × 23.9 cm (12 in. × 9 7/16 in.)Sick children being placed on the box containing the relics of Salome, Mary of Clopas and Mary Magdalene, Saintes-Maries-de-la-Mer, France, drawing by JB Laurens, engraving by Best, Hotelin and Co, illustration from L'Illustration, Journal Universel, No 488, Volume XX, July 3, 1852.Beauvarlet, Jacques-Firmin, inventor: David Teniers the younger, work, Tric-trac players, (1000 - 2000), copper engraving, graphics, dimensions : plate width 36.7 cm, plate height 37 cm, leaf width 26.8 cm, leaf height 37.5 cm, image width 24 cm, image height 30.8 cmOliver at Mrs. Maylies door. 19th century illustration from Charles Dickens Oliver Twist. Illustration by George Cruishank (1792-1878)