Dutch Genre Scenes of Daily Life

Historical etchings showcasing intimate moments in Dutch life. Common themes include taverns, gatherings, and domestic scenes, rendered in detailed black and white.

In a hallway are a seated monk and a standing monk with a book under his arm. A painting hangs above the door and part of a staircase is visible on the right., Seated and standing monk, print maker: David van der Kellen (1827-1895), 1858, paper, etching, drypoint, h 157 mm × w 120 mm

Father (Bartsch 33) Adriaen van Ostade (1610-1685). Father (Bartsch 33). Forte, in 1648.

A Man Caressing the Young Hostess 1660-1664 Netherlands. Cornelis Pietersz Begaís talents were wide-rangingófrom painting and drawing to etchingóand genre scenes of everyday Dutch life were his principal subjects. In this etching, Bega depicted an interaction between lecherous drunkards and a young tavern hostess. On the makeshift barrel table are a bottle of alcohol and coals for the pipe. The ace of spades, one of the three playing cards scattered on the ground, symbolizes death, suggesting the workís moralizing message.. Etching in black on ivory laid paper . Cornelis Pietersz. Bega

The smoker and smoker (Dutuit, supp.n � 2) Adriaen van Ostade (1610-1685). The smoker and smoker (Dutuit, supp.n � 2). Floor, around 1664

De Voddenman; The Rag Gatherers'. A room is visible through a doorway. A woman sits upright in a bed, and man stands by her.

Marskramer, Christian Wilhelm Ernst Dietrich, 1741 print Dresden (possibly) paper etching pedlar. city-view, and landscape with man-made constructions. (bowling a) hoop. divided door, upper part opened. farmers

The Lier player with the dancing dog, Cornelis Dusart, 1685 print paper etching hurdy-gurdy player. dog

Jean Baptiste Blaise Simonet after Pierre Antoine Baudouin, Rose et Colas Rose et Colas

In a hallway are a seated monk and a standing monk with a book under his arm. A painting hangs above the door and part of a staircase is visible on the right., Seated and standing monk, print maker: David van der Kellen (1827-1895), 1858, paper, etching, drypoint, h 157 mm × w 120 mm

Trictac players in an inn.

Josephs Coat Brought to Jacob, copy in reverse after. Etcher: Unknown After: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Herberg interior with smoking and drinking farmers, Johannes Christiaan Janson, after Adriaen van Ostade, 1778 - 1823 print Herberg interior with smoking farmers near a fireplace. One of them sitting on a stool, seen on their backs. On the right in the foreground a dog, eating from a pot. Three drinking farmers in the background, sitting at a table. paper etching inn, coffee-house, public house, etc.. tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Brilling bolrors, Jean Thioodore Joseph Line, After Adriaes Van Eastern Sgaster, 1840 print paper etching eyeglasses, spectacles. merchant, salesman

Ostade, Adriaen van, work, Family father, 1648, line etching, graphics, image width 8.9 cm, image height 12.2 cm

Three farmers at the table. Three farmers at a wooden table, one can scoring beer. Copy in mirror image to Van Ostade, B. 15)

Family seated at a Table for a Meal.This family is far from affluent. They live in an old, dilapidated building, and their furnishings are sparse and spartan. Yet they still say grace before they eat. The message of the print would have had a familiar ring to a 17th-century audience: whoever you are, young or old, rich or poor, be satisfied with what you have, because everything is a gift from God.

Interior with bagpipe and violin player and two singers, Jacques Dassonville, 1629 - 1670 print France paper etching / engraving bagpipe, musette. violin, fiddle. vocal music, singing

Interior with Three Boys and a Dog. Dated: c. 1813. Dimensions: plate: 7.5 x 4.4 cm (2 15/16 x 1 3/4 in.) page size: 44.5 x 29.9 cm (17 1/2 x 11 3/4 in.). Medium: etching on chine coll. Museum: National Gallery of Art, Washington DC. Author: Sir David Wilkie.

Joseph's coat brought to Jacob., circa 1633, by Rembrandt van Rijn. Gift of Dr and Mrs John Hardwick-Smith, 1967.

Five figures in an inn. There are five figures and a dog in a messy inn. Three of them sitting at the table to smoke and drink. On the wall hangs a print with an image of a swan and text.

Figures for a judge with a staircase in the background, Adolphe Alexandre Dillens, 1857 print paper. etching court-room. mother and baby or young child. private soldier. staircase

Print made by John Chalon, 1738 - 1795, Study, 1789-1790. Etching on medium, slightly textured, cream laid paper.

Young couple when confessing a misstep, Richard Brakenburg, 1670 - 1702 print Farming interior with a young man who kneels on the floor and asks forgiveness from the father of the girl he seduced. The girl is behind the kneeling man and an older woman pulls her apron aside so that her belly becomes visible. A print with Adam and Eva hangs on the wall. Netherlands paper etching fallen woman. pregnant woman. pregnancy

Blinded Tobias. Rembrandt van Rijn (1606-1669), graphic artist

Three Oriental Figures (Jacob and Laban), Rembrandt van Rijn, 1850 - 1906 print paper etching / drypoint the partnership with Laban ~ story of Jacob (Genesis 30:25-43)

Chalon, Christina, Leiden, Worm, Nicolaas van der, Company in an interior, verso lower left - stamped, A group of people of different ages have gathered around a table in a simple interior. Some of them are holding a jug or a pipe., print, engraving, prints, engravings, height 225 mm, width 186 mm, Noord-Nederlands, 1757-03-16 - 1828-05-12, print maker, printmaker, 1772 - 1828, paper, papier, etching, etchings, Work conception, 1748 - 1808-12-13

The Liver Player with the Dancing Dog. Copy to the print of Cornelis Dusart

Devant de maison.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Healmeester, Cornelis Dusart, 1695 print Man is helped by a doctor or surgeon in a wound on his arm, he screams in pain, his wife shocked backwards. Under the print is a mocking fresh. paper etching barber; surgeon

The Miracle of Amsterdam: The sick child, Jacob de Wit, 1705 - 1754 drawing paper. ink pen / brush diseases affecting the whole body. healing of sick person. historical events and situations. healing of sick person

The blindness of Tobit: the larger plate. prints, etchings, drypoints, works on paper

Minerva as the protector of the arts and sciences, 1660 - 1717 print A night piece with Minerva sitting on the left with spear in hand and foot on a sphere. In the background practitioners of arts and sciences, including a painter behind a donkey with a palette in his hand. paper etching specific aspects, allegorical aspects of Minerva; Minerva as patroness

17th century rustic school scene. A man sits in a window seat writing with quill pen at a desk. Children and adults sit on the floor or on stools at tables. A man descends a ladder from the ceiling. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Scene with eating figures, Jacques Dassonville, 1656 print France paper etching / engraving eating and drinking. inn, coffee-house, public house, etc.

Le Trictrac (Bartsch 39) Adriaen van Ostade (1610-1685). Trictrac (Bartsch 39). Floor and dry tip, around 1668. Museum of Fine Arts in the city of Paris, small palace.

Rembrandt van Rijn, Three Oriental Figures (Jacob and Laban), 1641 Three Oriental Figures (Jacob and Laban)

Rijn, Rembrandt van, Christ and the Samaritan Woman: in the background ruins, verso lower left - stamped, print, prints, Rembrandt f. 1634, upper right, height 123 mm, width 107 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Nicolaes Pietersz Berchem, The Shepherd Seated on a Fountain and the Spinner, 1652 The Shepherd Seated on a Fountain and the Spinner

The wandering musicians prints, etchings, works on paper

Slachtcene, Frédéric Théodore Faber, After Adriaen van Ostade, 1806 print For a house, a group of people watches when slaughtering a pig. print maker: Brusselsafter design by: Antwerpunknown: Brussels paper etching butcher, slaughterman (+ outdoors; in the open air)

Haarlem, Enschede & Zn., Johan, Scheffer, J., Kok, EH, Ostade, Adriaen van, Trictrac players in an inn, verso - stamped, The print is part of a portfolio and is printed on one album page with another print., print, album page, prints, RIJKS, MUSM, B, height 86 mm, width 75 mm, Northern Netherlands, 1610-12-19 - 1685-04-28, print maker, printmaker, 1666 - 1670, paper, papier, etching, galvanizing, intermediary draughtsman, after a drawing by, supervision, printer

The Drunkard's Return. De verloren zoon.

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The Family. Artist: Adriaen van Ostade (Dutch, Haarlem 1610-1685 Haarlem). Dimensions: Sheet: 6 7/8 × 6 1/16 in. (17.4 × 15.4 cm). Date: 1647. Museum: Metropolitan Museum of Art, New York, USA.

Ostade, Adriaen van, Amsterdam, Ploos van Amstel, Cornelis, Peasant family by the chimney, verso - stamped, Interior with a family around the chimney. A mother is feeding her baby., print, prints, height 242 mm, width 225 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1767 - 1821, paper, papier, printtekening, etching, etchings, roulette, 1610-12-19 - 1685-04-28, intermediary draughtsman

17th century peasants drinking ale and smoking pipes in a tavern. They sit on wooden benches and barrels, with jugs and tankards, pipes and ashtrays on the table. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Spinning woman for a house, Adriaen van Ostade, 1652

The VoteDenman, James Abbott McNeilill Whistler, 1858 print A room is visible through a doorway. A woman sits upright in a bed, and man stands with her. paper etching merchant, salesman (RAGMAN)

Langeschen Buchhandlung, Chodowiecki, Daniel Nikolaus, Schuster, JF, The Farmer School, Farmer's School, print, prints, height 265 mm, width 199 mm, 1720 - 1796, print maker, printmaker, 1730 - 1796, paper, papier, etching, etchings, German, 1726-10-16 - 1801-02-07, after, after painting by, Publication (Event), Publication, publisher

May, Cornelis Dusart, 1679 - 1704 print At a pigeon ride a man with a child on his arm is looking at chicks that roam on the ground. A second man walks off a birdhouse. In the background a woman with a flowerpot and a wheelbarrow full of flowers. The print is part of a series of twelve prints with the twelve months of the year. Print Maker: Haarlem Publisher: Amsterdam paper engraving infant, baby. birds. May and its 'labours'

Bernard, Michel and Alvin-Beaumont, Rijn, Rembrandt van, A begging family receives alms at the door of a house, A blind hurdy-gurdy player with family receives alms, verso bottom center - pencil, print, engraving, prints, engravings, Rembrandt f. 1648, lower right, Coppier, height 163 mm, width 128 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, tweede kwart 17e eeuw, third quarter 19th century, derde kwart 19e eeuw, fourth quarter 19th century, vier kwart 19e eeuw, first quarter 20st century, first quarter 20th century, paper, papier, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by, Publication (Event), Publication, publisher

La Devidessuse (Bartsch 25) Adriaen van Ostade (1610-1685). The Devidist (Bartsch 25). Forte, circa 1668

Family in a ruin of a house, Jacques Dassonville (attributed to), 1629 - 1670 print France paper etching / engraving ruin of a dwelling, house, castle, etc.. family, relationship, descent

Mother takes apples from the oven, Daniel Nikolaus Chodowiecki, After Matthias Claudius, 1783 print Berlin paper etching Literature. heating stove. family group, especially parents with their child(ren). fruits: apple

Classroom with teacher who punishes student, Jean Ouvrier, after François demands, 1735 - 1784 print Paris paper etching / engraving punishment at school

Rijn, Rembrandt van, Street musicians, verso lower left, print, prints, height 138 mm, width 115 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1637, second quarter 17th century, paper, counterproof, counterpressure, etching, etchings, Work conception, after own design by

Cabaret du Petit Hazard (Montrouge) Delater. "Cabaret du Petit Hazard (Montrouge)". Engraving in Burin.

The Scales. Ernest Stephen Lumsden (British, 1883-1948). Etching;

Ostade, Adriaen van, work, Wanted doll, 1679, line etching, graphics, image width 9 cm, image height 10 cm

First Piast Norblin, Jan Piotr (1745 1830)

Bauldy and Mause, Print made by David Allan, 1744-1796, British, born in Scotland, after David Allan, 1744-1796, British, born in Scotland, Published by Watt & Baillie, active 1808, British, 1808, Etching and aquatint on moderately thick, slightly textured, cream wove paper, Sheet: 11 1/8 x 8 7/8 inches (28.3 x 22.5 cm), Plate: 10 9/16 x 8 1/16 inches (26.8 x 20.5 cm), and Image: 8 3/4 x 7 inches (22.2 x 17.8 cm), apron (main garment), bowl, breeches, cap, cat (domestic cat), chair, chickens, chicks, chimney, cottage, distaff, dress, farming, fence, genre subject, gesture, gutter (roadside element), hut, illustration, jacket, kerchief, man, pastoral, peasants, poem, pole, rooster, spinning, staff, stream, thatched roof, tree, tub, waistcoat, woman, Europe, Scotland, United Kingdom

The Synagogue. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: sheet: 2 7/8 x 5 3/16 in. (7.3 x 13.2 cm). Date: 1648. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

The Piping Shepherd, 1652. Nicolaes Berchem (Dutch, 1620-1683). Etching; In this bucolic scene, a shepherd plays a tenor flute in hopes that his melody will seduce a shy shepherdess.

Peter and John heal a paralyzed man at the temple gate, Rembrandt van Rijn, 1659 print Japanese paper (handmade paper) etching / drypoint healing of a lame beggar at the Beautiful Gate of the temple by Peter and John (Acts 3 - 4:31). disabilities, deformations

Bystanders with a sick child: fragment of cutting plate of the hundred guilders print; The one hundred guilders print.

Alewife and companionship inn, Cornelis Pietersz. Bega, 1642 - 1664.

Three Oriental Figures (Jacob and Laban ) 1641 Holland. Etching on paper . Rembrandt van Rijn

Violin player in an inn. A violin player entertained a company of smoking and drinking men and a woman with two children in an inn. Under the show is a Latin inscription: Rusticus ex Animo Non Pullus Hypocrita Gaudet

Image reproduction: Józef Chełmoński (1849-1914), interior of the rural church; Z: "Tygodnik Ilustrowany", 1871 (II) 197; Schübeler, Julian (fl. Ca 1865-1890), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1871 (1871-00-00-1871-00-00);

Men in a doorway gesturing a weary traveler to continue, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

Five singers in an open window: the Rederijkers. The five singers in an open window can be construed as a satire to the literary meetings of the Rederijkers. At the bottom is the text etched in mirror image: the first of my life to Antwerp.

Boerendans, Jan de Visscher, after Nicolaes Pietersz Berchem, 1643 - 1692 print In a shed, under the guidance of the game of a violinist and a man with a hurdy -gurdy, a couple is exuberantly danced. Others watch, smoke their pipe or have a conversation. In the foreground a kissing pair. Northern Netherlands paper etching / engraving more than one musician with instrument. shed. dancing. (lovers) kissing each other

The Entombment ca. 1654 Rembrandt (Rembrandt van Rijn) Dutch The Entombment demonstrates the combination of firm rectilinear draftsmanship and evocative tone that Rembrandt achieved in his graphic work of the 1650s. The two states of the etching (see also 23.51.7) show Rembrandt's ability to dramatically transform a single image into two strikingly different works of art. Here Rembrandt used the traditional method of wiping the plate clean before printing. As a result, only the ink remaining in the lines cut into the copperplate transferred onto the paper. He created a sense of flickering light by modifying the density of the hatching.. The Entombment 364151

Laer, Pieter Bodding van, Family, Four figures by a dilapidated building, verso - stamped, A blacksmith and a woman with a spinning wheel outside a dilapidated building, two figures look on. On the left a donkey drinks from a barrel., print, prints, height 95 mm, width 76 mm, 1599-12-14 - 1642-06-30, print maker, printmaker, 1609 - 1642, paper, papier, etching, etchings

Adriaen van Ostade, Woman Winding upon a Reel (La Devideuse), probably 1684 Woman Winding upon a Reel (La Devideuse)

Seller of rats or rat poison; Rijn, Rembrandt Van (1606-1669); 1632 (1632-00-00-1632-00-00);

Night , Fires, Traffic accidents, Carriages & coaches, De Veil, Thomas, Sir, 1684-1746. John D. Merriam Collection

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Scharenslijper, Christian Wilhelm Ernst Dietrich, 1741 print Dresden (possibly) paper etching sharpening, grinding (industrial processes). city-view, and landscape with man-made constructions. shoe-maker, cobbler. dove-cote. cat

The Blindness of Tobit: The Larger Plate, Rembrandt van Rijn, 1651 print paper etching / drypoint Tobit's blindness (Tobit 2 - 3:6)

Three men playing music are sitting in front of a fireplace. One man plays the flute, another the violin, the third sings., Three Musicians, print maker: Willem Basse, Adriaen Brouwer, publisher: Pieter van den Berge, (mentioned on object), Amsterdam, 1633 - 1672, paper, etching, engraving, h 168 mm × w 140 mm

Painter in Atelier, Jan Matham (attributed to), after Adriaen Brouwer, 1628 - 1648 print A painter sitting behind his donkey with painting palette and brushes in his hand. Two students behind him. Haarlem paper etching painter at work, in his studio. easel. palette

The smoker. .

Prisoners in Kerker, Cornelis de Wael, 1630 - 1648 print The prisoners are chained to blocks. One of them talks to someone through the hatch in the door. Another looks out through the bars in the window. Italy paper etching prison, jail

Night , Fires, Traffic accidents, Carriages & coaches, De Veil, Thomas, Sir, 1684-1746. John D. Merriam Collection

Rijn, Rembrandt van, Three men in oriental clothing, Three oriental figures (Jacob and Laban), verso - stamped, Possibly a passage from the story of Jacob and Laban., print, prints, height 146 mm, width 112 mm, print maker, printmaker, 1816 - 1816, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

The Arrival of the Holy Family at the Gate of a Town, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

A graphite and brown ink drawing with gray washes by Adriaen Brouwer showing children and pipe smokers in front of a goal.

The music-room , Etchers, Physicians, Reading, Spouses, Haden, Francis Seymour, 1818-1910. James McNeill Whistler (1834-1903). Lithographs

Artist: Oreste Cortazzo, Italian, 1836-1912, Country Scene: TheDrinkers, Etching and drypoint, image: 24.9 × 18.5 cm (9 13/16 × 7 5/16 in.), Italian, 19thcentury, Works on Paper -Prints

Some figures at a dead woman in a shed. .

Three conversing figures; Composition with three figures. Two women sit on a wooden bench. One of them looks at a standing man, who gestures with his hands.

Ploos van Amstel, Cornelis, Saenredam, Jan, Schreuder, Bernhard, Amsterdam, Pig slaughter, verso - handwritten, In a courtyard a man and a woman slaughter a pig., print, engraving, prints, engravings, verso - stamped, J. Saenredamdel 1610 pl. v. Amstel fec, height 158 mm, width 159 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, supervision, 1778 - 1787, paper, papier, printtekening, etching, etchings, roulette, handkleuring, - 1780-10-16, print maker, printmaker, 1565 - 1607-04-06, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

The Satyr in Peasant's House. Christian Wilhelm Ernst Dietrich; German, 1712-1774. Date: 1764. Dimensions: 142 x 169 mm (plate); 145 x 173 mm (sheet). Etching on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Rijn, Rembrandt van, A begging family receiving alms at the door of a house, A blind hurdy-gurdy player with family receiving alms, verso lower left - stamped, print, prints, Rembrandt f. 1648, lower right, height 166 mm, width 128 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, Oriental paper, etching, etchings, drypoint, dry needle, burin, plate tone, Work conception, after own design by

Guards on horseback at the entrance to the Kasbah in Tetuan, figures sitting on the ground ca. 1873 Mariano Fortuny, 1838-1874 Spanish. Guards on horseback at the entrance to the Kasbah in Tetuan, figures sitting on the ground 656692

Exlibris HJ. Anderson-Tesch; Callmander, Carl Reinhold Constantin (1840-1922); 1905 (1905-00-00-1905-00-00);Anderson-tesch, Hjalmar (Fl. Ca 1905-ca 1919), Anderson-tesch, Hjalmar (Fl. Ca 1905-ca 1919)-exlibris, Sweden, alchemists, pharmacists, reading (genre scenes), pharmacy, crocodiles, books, books, Piece, alchemical laboratories, Scandinavian (culture), Swedish (culture), interiors

Surgery and a patient in an interior; Odor; The five senses. In an interior a surgery has been kneeling at the clarified leg of a man, which is frightening and with open mouth the viewer. Behind them is a woman with folded hands. In addition to her a dog. In the background a cupboard with bottles and jacks and left in the foreground a turtle, the symbol for feeling (attribute of Venus).

The flute player; The Uyllen mirror. Mirror-image copy to the Print of the same name from Rembrandt.

The Maternal Precaution. Jean François Millet; French, 1814-1875. Date: 1860-1863. Dimensions: 297 × 238 mm (image); 297 × 238 mm (sheet). Cliché-verre retouched with dark brown ink on cream wove photo-sensitized paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Boeren Interieur, Johann Wilhelm Kaiser (I), After Adriaen van Ostade, 1823 - 1900 print A peasant interior in which six figures and a dog sit by a fireplace and three figures, including a child, stand by the fireplace. The print is part of a series of 25 prints to Dutch masters. Above the image: Pl IV. paper. etching farmers

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