Dutch Genre Scenes

Vibrant oil paintings from the Dutch Golden Age capturing intimate family and social scenes, with rich colors and emotions, characteristic of domestic life in the 17th century.

Family scene by Le Nain, oil on canvas, 1645, 1593-1648, Russia, St. Petersburg State Hermitage, 58x73
Family scene by Le Nain, oil on canvas, 1645, 1593-1648, Russia, St. Petersburg State Hermitage, 58x73
Luis Paret y Alcázar / 'Rehearsal of a Comedy', 1772-1773, Spanish School, Oil on canvas, 38 cm x 51 cm, P02991. Museum: MUSEO DEL PRADO, MADRID, SPAIN.Painting by Pieter Brueghel the Younger titled 'The Drunkard Pushed into the Pigsty', 1564-1638. Part of a private collection.Retrato de tres Principes niños, hijos de Carlos III. Museum: ACADEMIA BB. AA. SAN FERNANDO MADRID ESPAÑA. Author: TRAVERSE FRANCISCO DE LA.Genre scene. nieznany malarz holenderski, painterIn the Studio. Arturo Ricci (1854-1919). Oil on canvas. 67 x 94cm.The Card Sharp on the Boulevard. Dated: 1806. Dimensions: overall: 24 x 33 cm (9 7/16 x 13 in.) framed: 40.3 x 48.3 x 5.1 cm (15 7/8 x 19 x 2 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: Louis-Leopold Boilly.'Mummers'. Flanders. Dimensions: 26x34 cm. Museum: State Hermitage, St. Petersburg. Author: Frans Breydel.A Seven-part decorative sequence: an interior. Part of a seven-part room protecting in five pieces with images of an interior, two galleries and two external stairs, populated with numerous people. This piece shows an interior with different people and paintings and portraits on the wall. A Lord enters the room on the right. Among the attendees Elisabeth of the Palatinate and Lord Craven.People sitting outside by Francesco Bassano the Younger , oil on canvas, 1549-1592, Russia, St. Petersburg , State Hermitage, 97x127'Taste, Hearing and Touch', ca. 1620, Flemish Baroque, Oil on canvas, 176 cm x 264 cm, P01404. Author: JAN BRUEGHEL DE VELOURS-BRUEGHEL EL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.Peasant family at table, by Giandomenico Tiepolo (1727-1804), fresco. Detail. Room of Rustic Scenes in the Foresteria (Guesthouse) at Villa Valmarana 'Ai Nani', Vicenza.'Birth of St John the Baptist'. Italy, Middle of the 1670s. Dimensions: 252x320 cm. Museum: State Hermitage, St. Petersburg. Author: LUCA GIORDANO.Musicians. Date/Period: Before 1677. Painting. Oil on canvas Oil. Height: 324 mm (12.75 in); Width: 402 mm (15.82 in). Author: Mathieu Attributed to Le Nain.LA ENANA MARIBARBOLA - DETALLE DE LAS MENINAS O LA FAMILIA DE FELIPE IV- 1656 - OLEO/LIENZO - BARROCO ESPAÑOL - CONJUNTO 401 - NP 1174. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Maribarbola. PERTUSATO NICOLAS DE. BARBOLA MARIA.A Peasant Family; 1600s; Oil on canvas Master of the Games; French; active 1600sDice Players (The Gamblers), by follower of Mathieu Le Nain, 1630-80, French painting, oil on canvas. Also called 'The Gamblers'. Three men around a table play dice as two others watch (BSLOC_2016_3_175)Bosch, Hieronymus Van Aeken, called (1450-1516). The bellows repairer. Flemish art. Oil. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum.Marriage a la Mode Death of the Earl from the original by Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,Reial Acadèmia Catalana de Belles Arts de Sant Jordi. Date/Period: From 1724 until 1733. Painting. Oil on canvas. Height: 1,940 mm (76.37 in); Width: 2,340 mm (92.12 in). Author: Antoni Viladomat Y Manalt.The Adoration of the Shepherds. Dating: 1660 - 1679. Measurements: h 53 cm × w 64 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Havicksz. Steen.Lord and Dame with Page, Cornelis Ploos van Amstel, after Gerard ter Borch (II), 1779 - 1781 print A page presents a tray to a lady and gentleman. The woman drinks from the glass.  paper etching house personnel, servants. glass, rummer. serving-dish, platterThe Draughts Players, by Michael Sweerts, 1652, Flemish painting, oil on canvas. Two seated boys on benches engaged in a game of checkers, while two others look on. Sweerts traveled extensively in Rome, Brussels, Amsterdam, Persia and India. This painting was created in Rome (BSLOC_2016_3_118)Jean Siméon Chardin (1699-1779). "The billiards' game". Oil on canvas. Paris, Carnavalet museum. 34711-3 Billiard, game, play, player, part, oil on canvas, tableSentimental Conversation. Artist: Quirijn van Brekelenkam (Dutch, Zwammerdam (), after 1622-ca. 1669 Leiden). Dimensions: 16 1/4 x 13 7/8 in. (41.3 x 35.2 cm). Date: early 1660s.In the 1660s Brekelenkam departed from his more familiar themes of humble tradesmen and housewives in favor of fashionable subjects inspired by Gabriël Metsu and Pieter de Hooch. In this charming scene of courtship the landscape in the background reminded contemporary viewers that love can be a rocky road. Museum: Metropolitan Museum of Art, New York, USA. Author: Quirijn van Brekelenkam.Model drawing in an old building, Jacobus Johannes Lauwers, 1763 - 1800 drawing   paper. ink. pencil brush / pen place or institution of education and training of the artist, e.g.: academy of art. painter working from live model. drawing-lessonRembrandt and Saskia in the parable of the Prodigal Son by Rembrandt van Rhijn (1606-1669) / Dresden State Art Collections / c. 1635 / Holland / Oil on canvas / Portrait,Bible / 161x131Antonio Carnicero / 'Saint Francis Resurrecting a Girl'. 1788 - 1789. Oil on canvas. Museum: Museo del Prado, Madrid, España.'Castas. De español y mulata, morisco', 1774, Oil on canvas, 75 x 54 cm. Author: ANDRES DE ISLAS (-1775). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.The Poultry Seller, Cornelis Jacobsz. Delff, 1620 - 1643 painting The Hoenderkoopman. An old man sits on his lap with a chicken, a young woman with coins in her hand on the right. To the left of the man a dog, a large copper milk can, a basket, a bucket and a yoke. On the right a basket with pears.  panel. oil paint (paint)  fowl (cock, hen, chicken, etc.). market. buying and selling. container of metal: bucket, can, canister, drum, tinFrance, Nantes, Arlecchino Emperor in Moon, 1718The Feast of the Bean King by Jordaens, Jacob (1593-1678) / Art History Museum, Vienne / ca 1640-1645 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 242x300'Denial of St Peter'. Flanders, Circa 1620-1624. Dimensions: 122,5x160,5 cm. Museum: State Hermitage, St. Petersburg. Author: Gérard Zeghers.To Brighton and Back for Three and Sixpence, 1859 (oil and canvas) by Charles Rossiter, (1827-97).Office of the Notary (Intendant's Office, Jan Woutersz Stap, c. 1629 painting The office of the notary. A clerk or accountant in negotiation with a man with a money bag on the left and a woman with a boy with a whistle on the right. In the middle a table with a cash book and a few coins. In the background a bookcase and sealed documents on the wall.  canvas. oil paint (paint)  notaryEduard Llorens i Masdeu / Pedida de matrimonio, 1866. A.B.A.S.J.The Kunstkammer with a married couple and their son by Francken, Frans, the Younger (1581-1642) / Royal Museum of Fine Arts, Antwerp / First third of 17th cen. / Flanders / Oil on wood / Architecture, Interior,Portrait / 77x114 / BaroqueAbraham Dismissing Hagar and Ishmael 1653 Nicolaes Maes Dutch This is the earliest dated work by Maes, one of the most versatile of Rembrandts students. From his teacher, Maes had acquired a knack for turning Old Testament stories into powerful domestic narratives. Here, in a subject Rembrandt also depicted, Maes portrays the Hebrew patriarch Abraham banishing the handmaiden Hagar along with their son, Ishmael. Abraham attempts to reassure Hagar, but her downcast gaze, rhyming with the boys, conveys her abandonment and desolation.. Abraham Dismissing Hagar and Ishmael 436929The fight between Carnival and Lent, 1559, by Pieter Brueghel the Elder (1525-1569), oil on panel. Detail.Marinus Claeszoon van Reymerswaele (c.1490Ðc.1546). Dutch painter. Tax-Collectors. Oil on canvas. The State Hermitage Museum. Saint Petersburg. Russia.People taking care of sick woman by Adam Braun, Oil on canvas, 1748-1827, Russia, Sevastopol, M. Kroshitsky Art Museum,Butcher's Shop, 1585, by Annibale Carracci (1560-1609), oil on canvas, 185x266 cm."Young Man and Woman in Inn (""Yonker Ramp and His Sweetheart"") by Frans Hals; Oil on canvas; 1623"Extracting the stone of madness ot The cure of folly, by Hieronymus Bosch (ca 1450-1516).The Ricotta Eaters, Campi, Vincenzo (1536-1591)The evening party by Russian master   State Central Literary Museum, Moscow Mid of the 19th cen. Oil on canvas 35,5x48,5 Russia Russian Painting of 19th cen. Genre PaintingEduardo Zamacois, The Confidence, 1867, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain.The Conjurer. Date/Period: Between 1496 and 1525. Painting. Oil on oak. Height: 53 cm (20.8 in); Width: 65 cm (25.5 in). Author: HIERONYMUS BOSCH.Resting during the hunt, 1737, by Carle Van Loo (1705-1765), oil on canvas. Detail.The Arranged Marriage by Pukirev, Vasili Vladimirovich (1832-1890)/ State Tretyakov Gallery, Moscow/ 1861/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 173x136,5/ Genre'Feast of Herod with the Beheading of St John the Baptist' (detail), 1630-1633, Oil on canvas, P01940. Author: BARTLOMIEJ STROBEL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.The Painter and His model. The painter and his model. Interior of a painting studio where a painter sitting behind his donkey is working on a painting of a naked young woman. The model is leaned with a knee on a chair. Her clothes lie on the floor on a lot. A grinning man with a hat looks over the artist's shoulder. On the left a window, on the outstanding hatch is a print hung. Copy to a mezzotint from Nicolaes, to Arnold Houbakken.Tric-Trac game by Jan Havicksz Steen, oil on wood, 1667, 1626-1679, Russia, St Petersburg, State Hermitage, 45, 5x39Museum of schifanoia palace: stories from the life of saint john the baptist by giuseppe caletti (il cremonese), 1600, ferrara, italyMay Day. Date/Period: Between 1811 and 1812. Painting. Oil on canvas. Height: 940 mm (37 in); Width: 1,118 mm (44.01 in). Author: William Collins.Peasant Kermis, David Teniers, II, c. 1665Carnival scene, painting on canvas, 18th century, Salvador Mayol, Museum of Baroque of Catalonia, Manresa, Spain.The Wedding at Cana, painted 1562-63 (portraits include Francis I of France, Mary of England, Charles V, and, as musicians, Titian, himself, his brother Benedetto, Tintoretto, Jacopo Bassano and Palladio) (detail, left) (photographed before restoration)Man and Woman Drinking, Print made by Paul van Somer, ca. 1649-ca. 1694, Dutch, after Gerard ter Borch II, 1617-1681, Dutch, undated, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 12 5/8 × 9 13/16 inches (32.1 × 24.9 cm) and Image: 12 1/4 × 9 9/16 inches (31.1 × 24.3 cm)Friar Pedro Shoots El Maragato as His Horse Runs Off 1801-1811 Spain. When the dreaded bandit El Maragato was seized in 1806 by the humble monk Pedro de Zaldivia, a lay brother of a Franciscan barefoot order, the story swept through Spain. Not only did daily newspapers and pamphlets publicize it, but songs, ballads, and popular prints also praised the heroic deed. Although Francisco de Goya was chief painter to the Spanish king at the time, he was interested in the whole range of human experience, including contemporary Spanish events. The tale of Zaldivia and Maragato evidently captured his imagination. This small, lively painting belongs to a series of six in the Art Institute, which, like a modern-day comic strip, dramatically illustrates the event. This is the climactic scene, presenting the banditís humiliating and somewhat comical downfall at the hands of the brave monk. Here, as in all the panels, the artistís broad, quick brushwork dispenses with unnecessary detail to pinpoint The Painter and his Model, Arnold Houbraken (copy after), 1690 painting The painter and his model. Interior of a painter's studio with a painter sitting behind his donkey works on a painting of a naked young woman. The model is leaning on a chair with a knee. Her clothes lie on the floor in a lot. A grinning man with hat looks over the artist's shoulder. On the left a window, a print is hung on the open hatch. Copy to a mezzotint from Nicolaes Verkolje to Arnold Houbraken.  panel. oil paint (paint)  painter working from nude modelMrs. Cibber as Cordelia, Pieter van Bleeck, 1700-1764, DutchSur la Quai, Paris. Tsugouharu Leonard Foujita (1886-1968). Oil on canvas. signed and dated 1956. 54.6 x 65.4cmAn Outdoor Party. Dating: c. 1620 - c. 1630. Measurements: support: h 17.9 cm × w 21.2 cm; d 4.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Dirck Hals (attributed to).Society at the table; Lambrechts, Jan Baptist (1680-Post 1731); XVII/18th century (1690-00-00-1731-00-00);Flemish painting, landscapes, genre scenes, social meetings, tablewareMerry Company. Date/Period: 1620. Painting. Oil on canvas. Height: 726 mm (28.58 in); Width: 654 mm (25.74 in). Author: Willem Pieterszoon Buytewech.Cromwell before coffin of Charles I by Paul Hippolyte Delaroche, oil on canvas, 1849, 1797-1856, Russia, St. Petersburg, State Hermitage, 226x291'Princess Dolgorouki', 1889. Artist: UnknownDiscussion by Gerard Seghers, oil on canvas, 1620s, 1591-1651, Russia, St. Petersburg, State Hermitage, 122, 5x160La Parábola del Ciego, 1568. Museum: MUSEO E GALLERIE NAZIONALI DI CAPODIMONTE, NAPOLES, ITALIA. Author: PIETER BRUEGHEL (EL VIEJO).The Dice Shooters. Dating: 1630 - 1680. Measurements: h 92.8 cm × w 119.7 cm × t 3.7 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Mathieu Lenain (le cadet) (follower of).The Anatomy Lecture of Dr. Nicolaes Tulp  1632 Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil on canvas Mauritshuis, The Hague, NetherlandsEngland,London,Kensington,Kensington Palace,The King's Staircase,Wall Paintings depicting NoblesThe Harlots Progress Scene in Bridewell From the original pictue by Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not statedQueen Victoria (1819-1901). Queen of United Kingdom. "The Secret of England's Greatness" (Queen Victoria presenting a Bible in the Audience Chamber at Windsor). The Queen is depicted presenting a Bible to the East African ambassador. Painting by Thomas Jones Barker (1815-1882). Oil on canvas (167,6 x 213,8 cm), ca.1862-1863. Detail. National Portrait Gallery. London, England, United Kingdom. Author: Thomas Jones Barker (1815-1882). English painter.Berlin Market Scene c. 1830 Franziska Kobes (Early 19th C.) Museum for German History, Berlin Interior of Stock Exchange during trade in madder, Rotterdam, painting visual material linen oil paint, Oil on canvas On the barrels GDI Beurs Rotterdam meekraphandel tradeA Group of Guardsmen, 1529.A group of shooters from the cleavor goals. Scutting piece consisting of three parts: a middle piece from 1529 with seventeen people and two side pieces each with seven portraits that have later been added. All figures are present in bust or half as half, with a black beret on the head and usually with gesturing hands. On the left side piece a man with a song on a piece of paper, a man with a grumbler and a shooter with a herring and a knife. In the middle part, two shooters keep their rifle in their hand, above a man with a pen. In the right piece also a writing man with a pen next to the man with a pewter can.Hearing, 1678, by Gillis van Tilborgh the Younger (1625-1678).Bambridge on Trial for Murder by a committee of the House of Commons Engraved by S Bull after Hogarth from The Works of Hogarth published London 1833 , Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,The Anatomy Lesson of Dr. Joan Deyman 1656 Rembrandt Harmensz van Rijn (1606-1669 Dutch) Oil on canvas Rijksmuseum, Amsterdam, NetherlandsA Group of Guardsmen, 1529. Dating: 1529 and/or 1559. Measurements: support: h 119.3 cm (centre panel) × w 174.4 cm (centre panel) × h 119.7 cm (left wing) × w 75.9 cm (left wing) × h 120.4 cm (right wing) × w 76.1 cm (right wing); w 60 kg. Museum: Rijksmuseum, Amsterdam. Author: DIRCK JACOBSZ.José del Castillo / 'The Seller of Fans'. 1786. Oil on canvas. Museum: Museo del Prado, Madrid, España.Regents of the Amsterdam Nieuwe Zijds Huiszittenhuis about 1650, Jacob Adriaensz. Backer, 1645 - 1651Four Regents and the House Father of the Amsterdam Lepers Asylum, Werner van den Valckert, 1624 painting Group portrait of the four regents and the inner father of the Leprozenhuis in Amsterdam in 1624. The four regents are sitting at a table with a book, documents, an ink set and a scales. Being portrayed: Sieuwerd Sem, Hendrick van Bronckhorst, Ernst Roeters and Dirck Vlack. In the background, episodes from the story of the poor Lazarus and the rich man are depicted in relief.  panel. oil paint (paint)  board, esp. governors, trustees, etc. (Dutch: 'regenten'). the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). historical persons Leprosy houseThe Syndics of the Guild of Saint Luke in Haarlem, 1675, The Netherlands, Jan de Bray, 1675The Legend of the Baker of Eekloo, Cornelis van Dalem (copy after), 1550 - 1650 painting The legend of the bakery of Eekloo. Interior of a kitchen where people let their heads bake in an oven, in the meantime a green cabbage is put on the neck.  panel. oil paint (paint)  baking the head, e.g. by the baker of Eeclo (heads temporarily replaced by cabbages) EekloPortraits of Giuliano and Francesco Giamberti from Sangallo, Piero di Cosimo, 1482 - 1485 painting Portrait of Giuliano da Sangallo (ca. 1445-1516). Architect, son of Francesco Giamberti da Sangallo. Bust to the right, a landscape in the background. At the bottom of the show on the plinth are a passer and pen. Part, with SK-C-1367, of a diptych. Florence panel. oil paint (paint)  portrait, self-portrait of architect. landscapes in the temperate zone. compasses. pen. historical personsCasta painting. Anonymous. "De india y negra, lobo" (From Indian man and Black woman, a Wolf is born). Oil on copper (48 x 36 cm). Viceroyalty of New Spain. Mexican School. 1775-1800. Mexico. Museum of the Americas. Madrid, Spain.From Indian and Black: Wolf. c. 1775 - 1800. Casta paintings. Mexican school. Colonial baroque. Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. America's Museum.