Dynamic Sketches of Figures

Pen and pencil sketches capturing movement and emotion, featuring human figures in various poses and scenes.

Herodias at Herod's Milling, intermediary draughtsman: Peter Paul Rubens, draughtsman: anonymous, 1600 - 1690, paper, pen, h 208 mm × w 325 mm

Studies for the Deposition 1553-1557 Italy. Pen and brown ink with brush and grayish-brown wash, on ivory laid paper . Aurelio Luini

The crown of thorns, Leonaert Bramer, 1606 - 1674, draughtsman: Leonaert Bramer, 1606 - 1674, prepared paper, brush, h 252 mm × w 340 mm

Etching and copper engraving from 1580-1620 showing studies of torsos, arms, and legs, illustrating anatomical observation and late sixteenth- to early seventeenth-century engraving techniques.

Allegorical figures victory and reputation. Lingée, Éléonore (CA 1753 1806/1820), Gougeon, Jean François (fl. 1679 .)

A Portrait Medallion of King Louis XV Surrounded by Putti Carrying the Attributes of Fame and History Made 1774 France. Although Gabriel de Saint-Aubin failed in his attempts to be accepted by the Royal Academy as a history painter, he never gave up entirely his work in historical subjects, and he loved to endow political figures with ornamental relish. This drawing might have decorated a treatise; it is inscribed by the artist with the declaration ìThe Heart of the French (Le Coeur des FranÁais)î and signed and dated January 11, 1774.. Graphite, with traces of pen and black ink, on parchment, tipped onto white paper, tipped on blue card . Gabriel Jacques de Saint-Aubin

Female Figures, George Romney, 1734-1802, British, undated, Graphite; verso: brown wash on medium, slightly textured, cream laid paper, Sheet: 6 1/4 x 5 5/8 inches (15.9 x 14.3 cm), dancing, figure study, genre subject, nude

A sketch sheet by Rudolf Weyr created with brown feather, highlighting precise line work and texture.

Sculptured Frieze with Half-Figure of Winged Boy and Griffon, Felice Giani, Italian, 1758-1823, Black chalk on cream laid paper, Italy, late 18th century, figures, Drawing, Drawing

Pedro Ruiz González / 'Study of figures'. XVII century. Black chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Naked man lying Pierre Puvis de Chavannes (1824-1898). Lying naked man. 1870-1874. Black pencil.

Arthur-Joseph Guéniot (1866-1951). Study for a pedestal (front), seated dog (back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Two studies of files and studies; Verso: Two studies of acts - women's and young; Greiner, Otto (1869-1916); 1892 (1892-00-00-1892-00-00);Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship), acts, female acts, acts male

Red chalk drawing by Ignaz Unterberger depicting an allegorical figure representing strength, focusing on anatomy and gesture.

Pensive Girl Adrift in a Boat. Dimensions: overall: 25.3 x 34.3 cm (9 15/16 x 13 1/2 in.). Medium: red chalk on buff wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES JACQUES JOSEPH TISSOT.

Demarteau, Gilles, Four cupids, (1000 - 2003), chalk style etching, graphics, plate width 26.4 cm, plate height 37.6 cm

Goldfuchs Erlangen and the gold currency a fixed picture à la Max on the welding search of the crisis , Victor Erlanger as a gold fox and the gold currency, crisis title page of humorous leaves , Karl Klic -, caricaturist

Groep van tien mannen en vrouwen.Ten men and women depicted with the heads together. One of the men carries historical costume. Leaf 37 Verso from a combined album Amicorum and sketchbook with a total of 39 sheets.

Sketches of Heads and Figures, 1600s. Italy, Naples, 17th century. Pen and brown ink; sheet: 26 x 17.7 cm (10 1/4 x 6 15/16 in.).

A sketch depicting Bearty Heroe resting on a rocky coast while a woman approaches from behind, wearing a long flowing dress. Drawn in pencil with sketchy edging lines.

Baldassare Franceschinis chalk drawing depicts a scene of a crossing, executed in reddish chalk with a leading handle.

George Romney, 1734-1802, British, Richard Cumberland Frontispiece, undated. Graphite on medium, slightly textured, cream laid paper.

Rudolf Weyr study depicting two standing female figures, focusing on posture, anatomy, and interaction in preparatory sketches.

Pencil sketches by Emerich Alexius Swoboda depicting figurative gravemarks, created in 1892.

Three Studies of the God Bacchus. Date/Period: Between 1700 and 1770. Black chalk, pen and brown ink, with brown wash. Height: 33.3 cm (13.1 in); Width: 27.5 cm (10.8 in). Author: Giovanni Battista Tiepolo.

Lion, seen from behind, Peter Paul Rubens, 1587 - 1640, draughtsman: Peter Paul Rubens, 1587 - 1640, paper, h 256 mm × w 348 mm

Guercino (Giovanni Francesco Barbieri) / 'Study of a prophet / Human figure with a child'. Ca. 1627. Pencil, Grey-brown ink on dark yellow paper. Museum: Museo del Prado, Madrid, España.

Madonna and Child with St John, Adriaen van der Werff, 1700 - 1722 painting Maria with child and Johannes. John the Baptist as a child shows a litter with birds to the Christ child, on the left Maria looks in hand with a book. Unfinished painting, perhaps a preliminary study for a corresponding work from 1715. The panel served as support for a painting on Door van der Werff in the Six collection in Amsterdam. panel John the Baptist as child ~ Madonna-representations (N.B. secondary notation only)

Wszyscy wici w MNK Normand, Charles (1765 1840), Seghers, Gerard (1591 1651)

Study of a Youth with his Head Turned to the Left and Leaning on his Right Elbow. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: 3 1/4 x 4 5/8 in. (8.2 x 11.7 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Francisco Bayeu / 'Two Arms and Five Hands'. Last third of the XVIII century. Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Canopy project representing Sainte Philowa Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing Saint Philomène. Pencil.

Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent ca. 1825-27 William Blake British. Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent 383531 Artist: William Blake, British, London 17571827 London, Author: Illustrates Dante Alighieri, Italian, Florence ca. 12651321 Ravenna, Circle of Theives: Agnello Brunelleschi Attacked By a Six-Footed Serpent , from Dante's Inferno, Canto XXVV, ca. 182527, Engraving, plate: 9 1/2 x 13 5/16 in. (24.1 x 33.8 cm) sheet: 10 1/16 x 13 5/8 in. (25.6 x 34.6 cm). The Metropolitan Museum of Art, New York. Rogers Fund, 1917 (17.65.4)

Two naked women, the judge with a veil, c. 1864 - c. 1894 Paris paper. ink. pencil pen standing figure - AA - female human figure

The Nativity, from Lorenzo Ghiberti's Baptistery Doors, Florence, John Flaxman, 1755-1826, British, 1787, Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Mier Rzepowa, Illustration for "sketches in" Glem "by Henryk Sienkiewicz; Care, Józef (1849-1914); 1901 (1901-00-00-1901-00-00);

Studies of Nudes and Human Heads (recto and on the verso). Artist: circle of Agostino Carracci (Italian, Bologna 1557-1602 Parma). Dimensions: Sheet: 8 7/16 x 8 1/8 in. (21.5 x 20.7 cm). Date: 1557-1602. Museum: Metropolitan Museum of Art, New York, USA.

Studies of Two Flying Putti and of Drapery (recto); Seated Virgin and Child, and Kneeling Child (verso). Artist: Sassoferrato (Giovanni Battista Salvi) (Italian, Sassoferrato 1609-1685 Rome). Dimensions: 7-1/16 x 9-3/8 in. (18 x 23.8 cm). Date: 1609-85. Museum: Metropolitan Museum of Art, New York, USA.

Sitting character Bring a rock Ary Renan (1858-1900). "Sitting character leaning for a rock". Paris, museum of romantic life.

Sketchbook of Adolph Menzel, Menzel, Adolph, 1815-1905, pencil on paper, 1863, 74-page sketchbook by the German painter, Adolph Menzel. Primarily studies of infants and small children.

Studies of Heads, attributed to Sir David Wilkie, 1785-1841, British, undated, Pen and brown ink on medium, smooth, beige wove paper, Sheet: 7 1/8 × 4 1/2 inches (18.1 × 11.4 cm), figure study, heads, men, sketches, studies, women

The Last Judgment, Blad F, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Print Maker: ItalyAfter Design by: Vatican City paper engraving Last Judgement

The seals an endymion.

Studies of Female Statues. Artist: Anonymous, French, 18th century. Dimensions: 7 15/16 x 10 5/16 in. (20.2 x 26.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya (1746-1828), against the general good (71), 1810-1820

Red chalk and feather drawing by Gasparo Diziani depicting the biblical scene of the Adoration of the Shepherds.

Pencil drawing by Johann Mathias Ranftl depicting Nestroy in the role of Sans Cardies, 1838

Venus with a mirror. Lefebvre, Valentin (ca 1641-ca 1680), draughtsman, cartoonist

A chalk and feather drawing by an anonymous artist depicting Jupiter and Semele at the birth of Bacchus, with laved and whitewashed technique.

William Blake, Los Supporting the Sun (recto), probably c 1793 Los Supporting the Sun recto

The Lamentation Over the Dead Christ ca. 1545-50 () Andrea Schiavone (Andrea Meldola) Italian In Mariette Album, folio 23 bottom. The Lamentation Over the Dead Christ 365094

A study by Rudolf Weyr focused on sculptures, showing form, posture, and anatomical accuracy in three-dimensional representation.

Study of a seated giant and giantess, for an illustration from Franois Rabelais' Gargantua and Pantagruel. Draughtsman: Henk Henriët. Dating: c. 1936 - c. 1940. Measurements: h 207 mm × w 314 mm. Museum: Rijksmuseum, Amsterdam.

Bacchante first half 19th century Attributed to William Etty British. Bacchante 341675

Two Cupids, One Holding a Ball mid to late 18th century Jacques Gabriel Huquier French. Two Cupids, One Holding a Ball 394589

Fight between angel and devil to the soul of a human.

Figures Carrying a Body. Dated: 1655/1665. Dimensions: overall: 15.9 x 14.2 cm (6 1/4 x 5 9/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Italian 17th Century.

A pencil drawing by Jan Matejko depicting a prisoner figure in image design studies, showing posture and gesture.

Figure studies, including a sitting woman, 1849 - 1917 Page 26 Verso from a sketchbook with 35 sheets. pencil sitting figure (+ female (human being) (not to be used where -AA- is prescribed))

George Romney, 1734-1802, British, Rape Scene: Hell, undated. Graphite on medium, slightly textured, cream wove paper.

Studies of Nudes and Human Heads (recto and on the verso) 1557-1602 circle of Agostino Carracci Italian. Studies of Nudes and Human Heads (recto and on the verso) 344687

Schjerfbeck, Helene, work, Wrestlers, according to Alexandre Falguière, 1877-1878, marker on paper, drawing, 21 cm x 14.3 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Naked men in different lying, standing and sitting positions, 1658- 1728 Also a study by a man who carries a burden on the shoulders. Leaf 24 Verso from a sketchbook with 33 sheets. paper. ink. pencil pen the (nude) human figure; 'Corpo humano' (Ripa). sitting figure. lying figure. carrying something on the head or on the shoulders

Pencil sketches by Swoboda showing various niche figures, illustrating preliminary studies of sculptural and architectural elements.

Peloptro William Tomkins (1760-1840); Angelica Kauffmann (1741-1807), sketch of the figure on the drawing Recto, 1st Half of 19th Century

Two sketches of running figures, Simon Andreas Krausz, 1770 - 1825 drawing paper. pencil

A lead pencil drawing by Franz Xaver Wagenschön showing the biblical scene of the expulsion of Heliodorus from the temple, with multiple figures in action.

Prospero, Miranda, and Caliban, from The Tempest 1786 England. What appears to be a single multi-figured composition on this sheet are, in fact, two variant studies (divided by a vertical line right of center) for the shipwreck scene from Shakespeareís comedy The Tempest.On the left side of the sheet, Miranda, daughter of the magician Prospero, implores her father to stop the storm he has unleashed. A few vertical lines and a pair of heads in alternate positions suggest the figure of Prospero. To Mirandaís immediate right crouches the monster Caliban. On the sheetís other half, Miranda clings to a more graphically developed Prospero. A curlicue at far right may indicate Caliban.. Graphite on ivory laid paper . George Romney

Design for a Fountain. Date/Period: Ca. 1710. Drawing. Pen and brown ink on paper. Author: GILLES-MARIE OPPENORD.

Possible design for a print, Dido burned and lamented History of Dido, designs for illustrations for the fourth book of the Aeneid of Virgil (series title), draughtsman: Anne-Louis Girodet-Trioson, 1810 - 1824, paper, h 228 mm × w 354 mm

'Death of St. Joseph'. Italy, Circa 1676. Dimensions: 26,9x28,5 cm. Museum: State Hermitage, St. Petersburg. Author: CARLO MARATTA.

Midas gets riders. Midas is sitting at a table with legs in the form of lions. He gets food stifed by two servants.

Diane Diana still image. Illustrations. 1844. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Artemis (Greek deity), Mythology, Diana (Roman deity), Hunting dogs, Stags (Deer), Goddesses, Hunters , Women

Table with a foot in the form of a winged mermaid, anonymous, c. 1670 - c. 1700 Genua (possibly) paper. ink. graphite (mineral) pen / brush

Drawing (Italy)

Decorative Panel (Panneau décoratif) from the album L'Epreuve (Album XI-XII). Dimensions: 28 cm x 38.2 cm, 19 cm x 30.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: ARISTIDE MAILLOL.

Wiik, Maria, Sketch book, drawing, Wiik, Maria, unscheduled, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of twoflamebearers, Black chalk, Tracing paper, 27 × 38 cm (10 5/8 × 14 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Time reveals the truth (in box with 43 drawings). .

Design for a Circular Dish (recto); Figure Studies (verso); Taddeo Zuccaro (Italian, 1529 - 1566); Italy; about 1553 - 1556; Pen and brown ink, brush with brown wash over stylus underdrawing and black chalk, with traces of red chalk offset (recto); red and black chalk (verso); 26.4 × 35.2 cm (10 3,8 × 13 7,8 in.)

Johann Evangelist Holzer, A Ceiling Design with Allegorical Figures A Ceiling Design with Allegorical Figures

A pencil study by Rudolf Weyr of flora, showing botanical details, leaf shapes, and natural arrangement on paus paper.

Project for the decoration of a silver plate., Black chalk, pen, ink, bistre wash on paper., Elongated quatrefoil. A nymph rides upon a sea centaur, accompanied by three mermen, and a nymph on a dolphin. Top part of eagle in ovoid under a crown; scheme of Briquet 209., Italy, 1590-1620, tableware designs, Drawing, Drawing

Five hands, Stefano della Bella, 1620 - 1664 print print maker: Franceafter own design by: Francepublisher: ParisFrance paper etching hand

Reclining Male Figure; François Boucher, French, 1703 - 1770; 1736; Black, red and white chalks on blue paper; 27.9 x 44.1 cm (11 x 17 3/8 in.)

Four studies of crucified figures. Rubens, Peter Paul, 1577-1640. Prints. 1773. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Anatomy, Artistic, Crucifixes, Men , Anatomy

Pencil and ink drawings by Alexander Rothaug of a 'Magic Garden,' including draft compositions and detailed studies of figures, plants, and structural elements, created around 1901.

Simberg, Hugo, work, Boys, exercise, engraving, drawing, 32 cm x 27.5 cm, Photo no. 32101.780, 16.6.1999, photographer: Mäkinen, Janne, photo type: laakadia v/k (2), kinodia 2, keywords: 32x27.5,

Drawing, Sketch for Putto; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on tracing paper; 11.3 × 17 cm (4 7/16 × 6 11/16 in.); 1914-38-60

Head of an older man and head of a woman, c. 1663 - c. 1666 The print is part of an album. print maker: Bolognaafter design by: Italy paper etching The print is part of an album. print maker: Bolognaafter design by: Italy paper etching

George Romney, 1734-1802, British, Apparition, undated. Graphite on medium, slightly textured, cream laid paper.

Photo production of a painting representing two muses with a harp and a mirror, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print single Muses. mirror. harp Europe

Caricature with Mola Protecting Himself from a Man Holding a Viper. Dimensions: overall: 14.7 x 17.8 cm (5 13/16 x 7 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Pier Francesco Mola.

'Nude resting', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Apparition, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/8 x 5 1/8 inches (13 x 13 cm), apparition, figure study

Three Studies of Angels for a Pendentive (recto), 1599/1604. Cristoforo Roncalli (Italian, 1552-1626). Red chalk; squared in red chalk (left half), framing lines in red chalk; sheet: 27.8 x 35.3 cm (10 15/16 x 13 7/8 in.).

War

Caricatures of Two MaleHeads. Artist: Pier Francesco Mola, Italian, 1612-1666

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