Early 19th Century Political Caricatures

Humorous lithographs and etchings reflecting social and political themes of the period, featuring caricatures and commentary on notable figures.

Here, here is the homeland! (IT)

Mr, Wilhelmi as Waldheim and as Müller Reinhold costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Le Spiritisme appliqué à la politique; L'ombre de La Fayette: Allons, voyons! Donnez vous la main!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1866. Prints; lithographs. Lithograph

Here, here is the homeland! (IT)

The Danger Over or Billy's Return to John Bull, Charles Ansell, ca.1752-active 1790, British, 1798, Etching, hand-colored

A Flat between Two Sharps 1803 Thomas Rowlandson. A Flat between Two Sharps. Thomas Rowlandson (British, London 1757-1827 London). 1803. Hand-colored etching. Prints

Goodbye. (IT)

Captain Epilogue March 7, 1786 Thomas Rowlandson. Captain Epilogue. Thomas Rowlandson (British, London 1757-1827 London). March 7, 1786. Hand-colored etching. Elizabeth Jackson (British, active 1785-87). Prints

Major Andrew Fraser, an engineer, Andrew Erskine, a writer, and Sir John Whitefoord, patron of Robbie Burns. The women are Meg Murray and Miss Burns, celebrated beauty. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh Paton, Edinburgh, 1842.

Peter Schlemihl Sells His Shadow. Dated: 1836. Dimensions: plate: 18.2 x 12.3 cm (7 3/16 x 4 13/16 in.) plate: 35.4 x 27.4 cm (13 15/16 x 10 13/16 in.). Medium: etching on chine collé. Museum: National Gallery of Art, Washington DC. Author: Adolf Schrödter.

On rit avec vous et tu te fches...en voilà un drôle de pistolet! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

N ° 1 / The ridicles of the day when the unknown French. (IT)

"- Sire! Lisbon has been captured. - aaaah!!... and I dreamt that I had fought courageously!," plate 304. Honoré Victorin Daumier; French, 1808-1879. Date: 1833. Dimensions: 254 × 233 mm (image); 364 × 277 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Potter, Charles Gabriel.

My dragon does not want. / No. 10. (Registered title (letter)) | Medals or contrasts. (Title of all)

Plate 1: Bertrand, I adore industry...., from 'Caricaturana,' published in Les Robert Macaires 1838 Honoré Daumier - Bertrand, I adore industry.... - If you like we'll set up a bank!... but a real bank. With a capital of hundreds of millions, with thousands of millions of shares. We'll smash the Bank of France, we'll sink the bankers, the charlatans... we'll beat everyone! - Yes, but what about the police - Don't be silly, Bertrand. Whoever heard of a millionaire being arrested. Plate 1: Bertrand, I adore industry...., from 'Caricaturana,' published in Les Robert Macaires. 'Caricaturana'. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). 1838. Color lithograph on wove paper; fourth state of five (Delteil). Prints

James, Marquis of Hamilton, from the time of James I, picture by Mark Garrard. Background figure Tobias Hobson from Caulfield's Remarkable Persons. Handcolored engraving from "Civil Costume of England from the Conquest to the Present Period" drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854).

N ° 11 / The man in the old.

Land Stores March 10, 1812 Thomas Rowlandson An obese woman at left is embraced by an elderly military officer. They are standing on the ramparts of a fortified castle.. Land Stores. Thomas Rowlandson (British, London 1757-1827 London). March 10, 1812. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Mr, Staudigl and Mr, Pischek in the famous duette from the Puritaners costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver

Such a master tel valet. (IT)

The Successful Fortune Hunter, or Captain Shelalee Leading Miss Marrowfat to the Temple of Hymen 1802, reissued 1812 Thomas Rowlandson A strapping Irishman in quasi-military dress looks down at his bride, as he leads her across the Crescent in Bath.For the 1802 impression, see 56.567.16.. The Successful Fortune Hunter, or Captain Shelalee Leading Miss Marrowfat to the Temple of Hymen. Thomas Rowlandson (British, London 1757-1827 London). 1802, reissued 1812. Hand-colored etching. Prints

Little courier of the ladies, 1829 Nr. 648. Prant ITU HET WASTETIJDSCHRIFT Small ladies' mail (1821-1868).

Eh! Bien, monsieur le marquis de Guizot... , Philosophers, Historians, Lawyers, Guizot, François, 1787-1874, Berryer, Pierre-Antoine, 1790-1868. Honoré Daumier (1808-1879). Lithographs

SEPTEMBRE.. Artist: Paul Gavarni, French, 1804-1866

Modes incroyables. Lions d'automne, 1839. Darny (French). Lithograph;

Hé c'est l'ami Carême!, Musée Grotesque No. 53. Dimensions: plate: 7 13/16 x 10 5/16 in. (19.9 x 26.2 cm)sheet: 10 1/16 x 12 1/16 in. (25.5 x 30.6 cm). Publisher: Aaron Martinet (French, 1762-1841). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Bem, Elizaveta Merkuryevna (1843-1914) State Art Museum, Nizhny Novgorod 18,8x13,7 Watercolour on paper Russian of 19th cen. Russia Music, Dance

Moving toy: Congratulations from: Paper toys from the Biedermeier era Adamek

The coconut merchant Louis-Philibert Debucourt (1755-1832), according to Carle Vernet (1758-1836). The coconut merchant. Engraving (colored aquatint). 1817.

...Moi qui vous parle! - Hein - moi qui vous parle!! j'ai été plus sourd que vous!...à présent - j'entends sonner l'heure à Vincennes, à St. Germain, à St. Cloud! partout!!... - c'est bigrement! embêtant! allez! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

See, says Louvet in Guadet.

Charles Byrne (1761-1783) known as the Irish Giant, who was 8 feet 4 inches tall, depicted with various Edinburgh notables Date: 1784

Name of d ... can we have the legs f ... .. like that! .. Jean Ignace Isidore Gérard Grandville (1803-1847). Press cartoon. "Name of d ... can we have the legs f ... .. like that!" Board published in "caricature" of December 16, 1830. Lithography. Paris, House of Balzac.

London Cries: A Muffin Man, Paul Sandby RA, 1731-1809, British, ca. 1759, Watercolor, pen and brown ink and graphite on medium, cream, slightly textured laid paper, Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm) and Frame: 20 1/4 × 15 1/4 inches (51.4 × 38.7 cm), basket, cries, fence, genre subject, man, woman, England, Europe, London, United Kingdom

This is the last relay. (registered title) | Travel for eternity. (title of all)

Windy weather, 1808, England, by James Gillray.

The five senses. (Title registered (letter))

An Early Lesson of Marching. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: sheet: 9 5/16 x 13 1/4 in. (23.6 x 33.6 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: December 24, 1794. Museum: Metropolitan Museum of Art, New York, USA.

Mr. Gobe-Mouche and Thomas the incredulous Anonymous / Martinet. "Mr. Gobe-Mouche and Thomas incredulous". Water-loud colored. 1815.

Forward Feb 12, 1799 Thomas Rowlandson. Forward. Hungarian and Highland Broadsword. Thomas Rowlandson (British, London 1757-1827 London). Feb 12, 1799. Hand-colored etching and aquatint. Henry Angelo (British, London 1756-1835 London). Prints

Sire the people want to be free. What do you want me to do it [... (IT)

CONFIDENCE.. Artist: Paul Gavarni, French, 1804-1866

10 / CuuTassier (ti)

Johann Nestroy as a northern German student Schlankel in The House of Temperaments costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Tiens, le moineau a été se percher.... Honoré Daumier (1808-1879). Lithographs

Stocks Are Up! Huzza!!. Artist: Thomas Rowlandson (British, London 1757-1827 London); After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 11 9/16 × 8 7/8 in. (29.4 × 22.6 cm)Plate: 8 9/16 × 7 3/4 in. (21.8 × 19.7 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: City Fluctuations. Date: August 10, 1799. Museum: Metropolitan Museum of Art, New York, USA.

My brother, I'm delighted with you ... ah! What torture to be (...) (title registered (letter)) | History of the Count de Boursoufle. (Registered title (letter))

L'Allemande à deux, ou le Hongrois à Paris, 1820 - 1829. Colored lithograph depicting dance, caricatures, and cartoons. 25.4 x 20 cm

No, Mayieux ... You are a monster, you want to seduce me ... / pl. 4. (title registered) | Mr Mayeux's ways. (title of all)

PYRENEAN SHERFEDESS. - BERGERE DES PYRENEES.. Artist: Paul Gavarni, French, 1804-1866

Robert Macaire and Bertrand leave France with bags of money, Honoré Daumier, 1838 Paris paper letterpress printing caricatures (human types). boundary-post, boundary-stone. thief

The incredible return / incar-off return and wonderful precaution. (IT)

Maecenas, in pursuit of the Fine Arts, James Gillray, 1757-1815, British, 1808, Etching, Image: 9 1/16 x 6 13/16 inches (23 x 17.3 cm)

Barricade scene on September caricature on Salomon Meyer Freiherr von Rothschild and the barricades in Frankfurt , Samuel Stern, publisher

6th meeting / all my happiness would be to fuck your august hand (...) (IT)

A man of importance , Politicians, Nobility, Military officers, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826. Thomas Rowlandson (1756-1827). Prints and Drawings

Exploitation de la paternité , Fictitious characters, Macaire, Robert. Honoré Daumier (1808-1879). Lithographs

Johnny mast-headed by the Captain. Ordered to climb to the top of the mast for losing a sailor on shore leave. Handcoloured copperplate engraving by W. Read after an illustration by Thomas Rowlandson from Alfred Burton's The Adventures of Johnny Newcombe in the Navy, Simpkin, London, 1818.

Beckmann, Friedrich.

Sandwich-Carrots!-Dainty Sandwich-Carrots Published 1796 England. Etching in dark brown, with handcoloring, on cream wove paper . James Gillray

St Cyriens. / 16

Grain merchant Johan Eymer in front of the Korenbeurs of Amsterdam, Jacob Smies, 1774 - 1833, The grain merchant Johan Eymer (1757-1830) with cob stick, pipe and wine glass in front of the Korenbeurs of Amsterdam. Above: Hail to the brethren!, draughtsman: Jacob Smies, 1774 - 1833, paper, brush, h 120 mm × w 120 mm

Sir Robert takes the brotherhand , caricature on Eugène Cavaignac and Robert Blum, Alphons von Boddien -, Lithographer, Eduard Gustav May -, publisher

Gustav Emil Devrient as a beggar in laurel tree and begging and as Robert in Memoirs of the devil costume picture No, for the theater newspaper, Johann Wenzel Zinke -, Copper Engraver, After, Anton Elfinger -, Artist

A Chinese court official with a whip leads a prisoner wearing the cangue or tcha. The Chinese punished criminals and debtors with this heavy wooden yoke around the neck. Supplice de la Cangue en Chine. Copied from an illustration by William Alexander artist to the Macartney Embassy to China, 1793. Handcoloured copperplate engraving from A. Antoine de Saint-Gervaiss Album des Peuples, ou Collection de Tableaux, Album of Peoples, or Collection of Paintings, J. Langlume et Peltier, Paris, 1835. Reprinted from Moeurs et coutumes des Peuples, Hocquart, 1811.

Mr, Fichtner as Louis in The Paris Task Protection costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

We can boast of having it nicely won, we others! Frédéric Bouchot (born in 1798). Press cartoon. "We can boast of having it nicely won, we others!". Board published in "caricature" of July 12, 1832. Lithography. Paris, House of Balzac.

My finite sir, I believe that voting officer's clothes Intle. (IT)

Half of the world mocks the other, / or the shovel that makes fun of the van. / N ° 7. (Dummy title) | Proverbs. First series. (Title of all)

(Cest a ne pas croire, nest-ce pas?). Artist: Paul Gavarni, French, 1804-1866

Le Monde et le Rappel' by Moloch , 1871. Cartoon from a series titled Les Silhouettes de 1871 published at the time of the Paris Commune. From a private collection.

Winter, Richard Corbould, 1757-1831, British, ca. 1802, Watercolor, with graphite, pen and black ink on medium, moderately textured, beige wove paper, Sheet: 6 3/4 × 5 inches (17.1 × 12.7 cm), genre subject, ice, men, play, pond, skate, women

Thought of a philosopher / we can see that the Paris government did not work on its behalf: but for the Count of Paris.

John Grosvenor. Coloured etching by Robert Dighton, 1808.

The systematique. (Ti)

No it's impossible I can not come back and however this skin she ...

Le Paladin Paladines

Rifolard ... oublie ... les inconvénients de la traversée. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Adieu Paris! mes concitoyens, je vous salue! Convoquez-vous, élisez-vous, représentez-vous, aposttrophez-vous, - éclaboussez-vous, ameutez-vous, tambourinez-vous, empoignez-vous, talochez-vous, trémoussez-vous, fous! - Je m'en moque et je vais planter mes choux ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gentlemen, I retain among antiques of a grand prize a brick of the fireplace as the Duchess of Berry Digna for a few hours honoring his august presence. (IT)

Un jour de congé. Honoré Daumier (1808-1879). Lithographs

No. 6 FOLIES / COMMON / COMMON / CHAM / -I give me to elections. (IT)

Johann Nestroy as a northern German student Schlankel in The House of Temperaments costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Dumain, Biron, the King, and Longaville (Shakespeare, Love's Labour's Lost, Act 4, Scene 3) 1825-40 Charles Heath, the elder. Dumain, Biron, the King, and Longaville (Shakespeare, Love's Labour's Lost, Act 4, Scene 3). After John Massey Wright (British, London 1777-1866). 1825-40. Etching and engraving. Charles Heath, the elder (British, London 1785-1848 London). Prints

Henry Thomas Alken, 1785-1851, British, Set of twelve with title-page: Sporting Satirist, 1834. Hand colored soft-ground etching.

Daniel Thomas Egerton, c.1800-1842, British, Set of twelve with title page: The Necessary Qualifications of a Man of Fashion, 1823. Aquatint, hand-colored.

Plate from Illustrations to Popular Songs. Henry Alken (English, 1785-1851); published by Thomas McLean (English, active 1790-1860). Date: 1822. Dimensions: 198 × 255 mm (image); 212 × 270 mm (plate); 245 × 340 mm (sheet). Soft ground etching with hand-coloring and aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The visit to the protector. (Title registered (letter)) | Parisian spouse. (Title of all)

The Sailors and the Pounded Ass, Richard Newton, 1777-1798, British, 1796, Etching, hand-colored, Sheet: 9 3/4 x 13 5/8in. (24.8 x 34.6cm)

Parisian hunters. ... / 30 7Bre 1839. 2e year. (Registered Title) | Ridiculous Modes Bulletin. (IFF 13) (Title of the whole)

Portrait van Hector von Balazi, Anonymous, 1880 - 1881 photomechanical print This print is part of a cover with 86 prints on 78 magazines and 11 text magazines. paper collotype historical persons. aristocracy; 'Aristocratia' (Ripa) Hofburg

Dutch Merchants Sketched at Amsterdam April 4, 1796 Thomas Rowlandson. Dutch Merchants Sketched at Amsterdam. Thomas Rowlandson (British, London 1757-1827 London). April 4, 1796. Hand-colored etching. S. W. Fores (London). Prints

James Gillray, 1757-1815, British, Gloria Mundi, or The Devil Addressing the Sun, c. 1782. Etching, hand-colored.

Oil

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, c.1800-1842, British, 1823, Aquatint, hand-colored, Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)

Route de Poste 1817 Louis Philibert Debucourt. Route de Poste. Louis Philibert Debucourt (French, Paris 1755-1832 Paris). 1817. Hand-colored etching and aquatint. Prints

The Dwarf Piters Kahlmüß Missler as a whaler, approx. 1710; Den Edlen and Vergernaemen Mr. Piters Kahlmüß changer, and large canzeler from the Greenlandische Walfis correspondent soverages; Il Callotto Resurcitato Oder Neu Eingerichtes Zwerchen Cabinet. The Dwarf Piters Kahlmüß Missler as (Dutch) Whaler in Greenland. In the caption under the title a four-line verse in Dutch. Numbered at the top right: 13. Part of a loose-leaf edition from approx. 1710 of a series of caricatures with dwarfs, known as the Dwergengenoeleel.

Drawing, Two Shepherds in the Campagna; Bartolomeo Pinelli (Roman, 1781 - 1835); Italy; pen and gray ink with watercolor and black chalk on off-white wove paper

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