Early Printmaking and Genre Scenes

18th century prints depicting daily life and social interactions, illustrating character-driven narratives in detailed scenes.

Philips, Jan Caspar, Monogrammist AVN, Amsterdam, Cartouche with allegory of a wedding, verso below - stamped, A wedding party with banquet. In the foreground the bridal couple shaking hands. Behind the table a painting of the wedding at Cana. On the right a statue of Juno, the goddess of marriage. On the left in the background the marriage bed., print, prints, height 132 mm, width 157 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, supervision

The Cobbler ca. 1632-33 Abraham Bosse French. The Cobbler 387891

Death is about to cut the thread of a dying woman, Jan Luyken, 1710 print Amsterdam paper etching peaceful dying, happy death. Father Time, man with wings and scythe. Death as skeleton - FF - Death as female

. A couple at the village right bank of Puiterveen. This print is possible for the Blijspel "Swaentje and Drooge Fobert or the Boere Court" (1714) of Abraham Alewijn.

Man probeert kamer binnen te dringen.A man tries to penetrate a room to hand over a document to two men. At the door he is stopped by a servant. There is a two-legged text in French in the margin. Print at the top right of marked: PL XVI.

The village surgeon, Jan Baptist de Wael, 1642 - 1669 print A surgeon makes an incision in the head of a man sitting in front of him. Bystanders watch. paper etching barber; surgeon

Amsterdam, Lootsman, widow Theunis Jacobsz., Luyken, Jan, Title page for: H. Roonhuyse, Heel-konstige aenmerckingen, 1672, Various surgeons in a room, around a figure in a chair., print, title page, prints, height 131 mm, width 83 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1672 - 1672, paper, papier, etching, etchings, doorgriffelen, Publication (Event), Publicatie, publisher

Title page for Alexander ab Alexandro, Genialium dierum Part 1 1673, print maker: Gonsales Appelmans attributed to, Zacharias Webber II, 1673.

Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left 1648 Pietro Testa Italian. Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left. Pietro Testa (Italian, Lucca 1612-1650 Rome). 1648. Etching. Prints

Andreas Bretschneider III, Exempel und Lehr Jetziger Welt Lauf, published 1622 Exempel und Lehr Jetziger Welt Lauf

Philips, Jan Caspar, Monogrammist AVN, Amsterdam, Cartouche with allegory of a wedding, verso below - stamped, A wedding party with banquet. In the foreground the bridal couple shaking hands. Behind the table a painting of the wedding at Cana. On the right a statue of Juno, the goddess of marriage. On the left in the background the marriage bed., print, prints, height 132 mm, width 157 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, supervision

Visiting the prisoners Seven works of mercy Icones operum misericordiae quae ad corpus pertinent , print maker: David Custos, (mentioned on object), publisher: Marcus Sadeler, print maker: Venice, publisher: Italy, 1625 - 1629, paper, engraving, h 265 mm × w 205 mm

New Inventions of Modern Times Nova Reperta, The Discovery of Guaicum as a Cure for Veneral Infection, plate 6. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Sixth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of two rooms, each containing different occupants performing diverse tasks. On the left side an elderly man is depicted ill in bed while two men attend to him. On the right side a woman fans the fire, while another one uses a scale to weigh food. In the foreground a man seated on the floor chops logs of wood. Museum: Metropolitan Museum of Art, N

Camilla, the sister of Pope Sixtus V, Jan Luyken

Title print of J. Zwelfer, Pharmacopoeia Augustana Reformata, Dordrecht 1672 .. Title Print of J. Zwelfer, Pharmacopoeia Augustana Reformata, Dordrecht 1672. For wall on which the title of the book is, a woman in melancholic attitude at the table with herbs, recipe book and Pharmaceutical objects.

Jager drinks from Fontein, Jan Baptist de Wael, 1642 - 1669 print A hunter drinks water from a fountain. He is accompanied by his hunting dogs. A woman stands along the edge, with a bucket in her hands, and looks at the viewer. In the background a classic monument with rams heads on the corners, on which an assignment in Latin. print maker: Genuapublisher: RomeRomeNaples paper etching hunter. garden fountain

Franse kroon, Leblond, Jean (I), Bosse, Abraham, Le Noble Peintre, Schilder in zijn atelier, verso - gestempeld, print, prent, prints, height 256 mm, width 328 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1594 - 1666, publisher, granter of privilege

Painter in his studio; Le Noble Peintre.

Le Pillage d'une Ferme, from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 5 1633 Jacques Callot French. Le Pillage d'une Ferme, from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 5. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; first or second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Third pretext: Pas married, 1581 - 1633 print The king's messenger comes to the third guest and invites him to the wedding party. The guest apologizes with the pretext that he is just married. He points to his bride. The print has a Latin caption and is part of a six -part series about the parable of a wedding party. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper engraving / etching those that are invited to the royal wedding-feast excuse themselves

Jansz., Cornelis, Vinckboons, David (I), Amsterdam, Serwouters, Pieter, Smetsende beggars (de Lazarusklep), Brassende beggars, stamped, In front of an inn called D'Laserusclep a group of bragging beggars are sitting around a table, including a musician with a hurdy-gurdy, a woman with a child at her breast, a couple making love, a vomiting man and a man with a wooden leg. On the left a round dance. 'The broom is extended' from the house, indicating that it is a dubious property. Under the sign of the inn a man and woman, of whom the man has a Lazarus valve in his hand. A Lazarus valve is also depicted on each of the two signs. In the background a woman and a man with one leg, 'honest beggars', walk past the inn. Instead, they walk in the direction of a church. Below the print lines of poetry in Latin and Dutch., print, prent, prints, DVBoens Inventor, lower left - engraved, PSwouter fe, lower right - engraved, Cornelus Jansen excudit, 1608, Qui semel innocuum detersit fronte pudorem...

Engraving depicting men eating around a large table. The illustration is set within an ornate frame.

Rome, Komarek, Giovanni Giacomo, Meijer, Cornelis, Wouters, Gommarus, Ochiali e lor uso, The use of spectacles, verso - stamped, Six men are sitting around a table trying out the working method of spectacles., print, engraving, book illustration, prints, engravings, height 148 mm, width 220 mm, South Netherlands, 1658 - 1696, print maker, printmaker, 1696 - 1696, paper, papier, etching, etchings, Work conception, 1629 - 1701-08-23, after a design by, Publication (Event), Publication, 1650 - 1705, publisher

A servant preventing a messenger from delivering some letters to two weary men seated at a table (Alexander Pope and John Arbuthnot). Etching by C. Grignion, ca. 1787, after F. Hayman.

Mankind Awaiting the Last Judgement. Artist: Johann Sadeler I (Netherlandish, Brussels 1550-1600/1601 Venice); After Dirck Barendsz. (Netherlandish, Amsterdam 1534-1592 Amsterdam). Dimensions: Sheet: 13 11/16 x 17 7/8 in. (34.8 x 45.4 cm). Date: 1568-1600. Museum: Metropolitan Museum of Art, New York, USA.

Prostitution, Peasant is robbed in brothel, 1596, Holland, Historical, digitally restored reproduction from 19th century original.

Das Bohnenfest, katholisches Fest am Dreikönigstag. In einem Kuchen wird eine Bohne versteckt, wer sie findet wird der Bohnenkönig und muß im nächsten Jahr das Fest organisieren, um 1870, Holland, Illustration, Historisch, Reproduktion von einer Vorlage aus dem 19. Jahrhundert. Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt 1f-4999865

Vrouw draait het spit; Illustraties voor fabelvertellingen van Phaedrus.In a living room a woman turns the spit while she looks at the man sitting in front of her. This illustration may be manufactured at one of the aesopic fables of the Latin poet phaedrus.

Copper engraving by Ludwig Krug depicting John on Patmos, sheet curtailed to the display, created in the first third of the 16th century, showing figure, landscape, and symbolic elements.

Installation of Willem V as Erfstad holder, 1766, 1789 print The installation of Prince William V as inheritance stadholder in the States General on March 8, 1766. The prince participates in a meeting of the States General. Northern Netherlands paper etching installation of a ruler The Hague

Fokke, Simon, Amsterdam, Ter stichtinge van de Widuwenbeurzen in 't jaer 1749, Opstelling van de Widuwenbeurzen, 1749, verso - gestempeld, De stichting van de Widuwenbeurs or -beurzen in februari 1749. A young couple is having the regulations of the widows' fund explained to them in an office. On the wall a list of subscriptions and an allegorical painting. At the top a medal or token from the Widows' Fairs., print, prints, height 158 mm, width 100 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1749 - 1749, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Antwerp, Galle, Philips, Florence, Straet, Jan van der, Nova Reperta, New inventions and discoveries, Silk processing, verso middle - stamped, Emperor Justinian sits on a throne and receives a bamboo stick with the eggs of the silkworm from the hands of two monks. The monks had smuggled these eggs out of China and with that the Chinese monopoly on silk was broken. In the background all the stages of silk processing. First the mulberry leaves are picked. Then the silkworms are released on the leaves. Then the silk is harvested and women weave textiles from it. The print is part of a nineteen-part series on new inventions and discoveries., print, prints, height 192 mm, width 269 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1589 - 1593, paper, papier, engraving, engraving (printing process), Work conception, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, publisher

The Incubation of the Silkworm Eggs, Plate 3 from "The Introduction of the Silkworm" Vermis Sericus. Artist: Karel van Mallery (Netherlandish, Antwerp, 1571- after 1635 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: Sheet: 7 7/8 × 10 5/8 in. (20 × 27 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1595.Third plate from the series Vermis Sericus, engraved by Karel van Mallery, after Jan van der Straet, called Stradanus, and published by Philips Galle around 1595. Illustration of the incubation of silkworm eggs. This scene depicts seven women in a room who perform the incubation of silkworm eggs. The seated women on the left and center of the room spread the eggs onto pieces of cloth, while the women on the right place the wrapped up cloth with eggs into baskets. Museum: Metropolitan Museum of Art, New York, USA.

Establishment of the widow fairs, 1749, 1749 print The establishment of the widow fair or fairs in February 1749. A young couple can be explained in an office the regulations of the widow fund, on the wall a list of registrar and an allegorical painting. At the top a medal or medal on the widow fairs. Amsterdam paper etching / engraving widow. insurance (provision for support of spouse and children)

Manhood, plate three from The Four Ages of Man. Abraham Bosse; French, 1602-1676. Date: 1636. Dimensions: . Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXXII. The servant of a priest stands with a mortar under his arm in a farmer's barn. Together with the farmer's wife he holds his master's cloak. The farmer sits at the table on the right., print, engraving, book illustration, prints, engravings, height 72 mm, width 81 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

The different types of exercise and study of the ideal curriculum of the 'Academia', displayed in a classroom. Pupils of different ages and levels work in one room called 'Academia d'Pitori'. They work, as Leonardo da Vinci and other theorists advised, in groups in order to benefit from each other's experience and criticism., Painters' Academy of Art Academia d'Pitori, print maker: Pierfrancesco Alberti, (mentioned on object), Pierfrancesco Alberti, (mentioned on object), publisher: Pietro Stefanoni, (mentioned on object), print maker: Italy, Italy, publisher: Italy, Rome, 1594 - 1638, paper, etching, h 413 mm × w 530 mm

Anthonisz., Cornelis, Allegory of the prodigal son, The prodigal son receives his inheritance, verso lower right - stamped, One of a series of six. Father (pater) seated at table under canopy, son (filius prodigus) opposite him with money bag. In the background departure of son, accompanied by Conscience (conscientia)., print, prent, prints, enten, height 270 mm, width 210 mm, 1499 - 1553, print maker, prentmaker, 1535 - 1545, second quarter 16th century, paper, papier, houtsnede

Plague in Phrygia. Engraving by F. Aquila after Raphael after Virgil.

Murder by Cardinal del Monte, 1560, Jan Luyken, 1699 print In an inn the drunken Cardinal Innocenzo Ciocchi del Monte, the adoption of Pope Julius III, shoots a man with a gun. There is another victim on the ground. Amsterdam paper etching murder. inn, coffee-house, public house, etc.

Allegory on Wool trade in Leiden. Allegory on wool trade with two traders standing with a base with wool products such as sheets and rough strands of wool and materials for the processing of wool. On a base weapon of Leiden and Monogrammed Leaf, probably from a sheets trader.

Rich Man and Death, Jacob Gole, 1670 - 1724 print A rich man is sitting with boxes and bags full of money at a table. Death is playing the violin for him and lets his foot rest on an hourglass. In the background, the son of De Rijkaard wastes his money and time playing. The poem under the print shows that De Rijkaard sends death to his son. paper engraving miser. Death as old man. Greed, Covetousness, Cupidity; 'Cupidití' (Ripa). old man. one person playing string instrument (bowed). violin, fiddle

The month of January, Epiphany, ca. 1600; The twelve months of the year depicted in scenes from national life; Schemata XII Mensium Sius OperationIBUS, & Ad Signa Zodiaci Applicatione, in Quatuor Anni Partes Divisa. Round representation with the month of January. Four people around a table celebrate Epiphany, approx. 1600. With the sign of the waterman. With a peripheral in Latin. PRENT NO. 1 In the series of the twelve months of the year, depicted in scenes from popular life.

Italy, Tintoretto, Jacopo, Fialetti, Odoardo, The Wedding at Cana, verso - stamped, View of a large hall with the wedding at Cana. On the left is a long table at which the wedding guests are seated, with Christ at their head. Mary sits next to Christ and tells him that the wine has run out. In the foreground on the right, servants are filling the wine vats with water., print, prints, height 334 mm, width 439 mm, Italian, 1573-07-18 - 1638, print maker, printmaker, 1583 - 1638, paper, papier, etching, etchings, 1519 - 1594

Allegory on the province of Holland; Title page for: Thomas Salmon and Jan Wagenaar, nowadays of the United Netherlands, fourth part, 1742; Title page for: Thomas Salmon, contemporary history, or present state of all peoples, XIVDe part, 1742.departure with the Dutch Virgin on a throne, in Conversation with a Knight. Behind them The Coat of Arms of the Province. They are accompanied by the cities' Days of Dordrecht, Haarlem, Delft and Leiden. In The Background A Face at The Binnenhof in The Hague. In The Margin A Six-Line Caption in Dutch.

Cat concert ca. 1640-70 Jacques Dassonville. Cat concert. Jacques Dassonville (French, ca. 1619-ca. 1670). ca. 1640-70. Etching. Prints

The Lost Son wasted his inheritance, Hans Collaert (I), After Chrispijn van den Broeck, 1585 print The lost son wastes his inheritance in a brothel. In a garden he is embraced by a prostitute. Another woman pours his glass full. On the left a dancing woman with tambourines and on the right an orchestra. Behind the lost son is a dar. Under the show a reference in Latin to the Bible text in Luc. 15. Antwerp paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn

Death of Charles II, King of Spain, Pieter van den Berge, Anonymous, 1700 - 1702

. A young man standing for a table behind which gentlemen with a (money) box. In addition to him a servant with his cloak and travel bag. In the background he drives on a horse through the city gate.

FACE, Willem PEETERS, After Cornelis de Wael, 1628 - 1689 print Interior of an inn. Men around a table play a card game. On the left, a boy holds up the mirror for a barber that trips the mustache of a man. Another man looks outside through a telescope. A man enters the inn through the door. after design by: Italypublisher: Antwerp paper engraving sight, looking (one of the five senses)

Three French soldiers come with a bill of billions with a Dutch family, 1795, 1795 drawing In the doorway of a bourgeois home there are three poorly dressed French soldiers who show a bill of billions to a Dutch maid with a child on her skirt. In the background, the shocking Lord and Woman of the house at a table. Left in the foreground household attributes. Civil life during the arrival of the French in 1795. See also Pendant. Northern Netherlands paper pen / brush quartered in private houses

Two women undress a man; JONGH HOVELINGH OLD SCHOVELINGH. Interior in which two women of light morals undress. In the background an elegant company is on the meal.

Illustration No. 4 (from 4) To the Pieces of Johannes Evald Harlekin Patriot and The Brutal Klatscher Chodowiecki, Daniel Nikolaus (1726 1801)

Samson and Delilah. 1545. Brosamer, Hans, approximately 1500-approximately 1554. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Italy, Wael, Cornelis de, Genre scenes, Elegant company in a garden, verso lower left - stamped, An elegant company sits together on a path in a garden. On the right a statue of Venus with Amor. A dog looks up at the statue., print, prent, prints, prenten, height 116 mm, width 148 mm, Zuid-Nederlands, 1592-09-07 - 1667-04-21, print maker, prentmaker, 1633 - 1648, paper, papier, etching, etchings

Ornament for dish rim. Isaac is lying on the bed giving his blessing to his son Jacob who is kneeling before the bed. To the right, Rebekah looks on. On the left in the doorway Esau. With Latin caption in cartouche, Jacob receives fatherly blessing from Isaac The history of Jacob (series title), print maker: Cornelis Cort, Frans Floris (I), (mentioned on object), publisher: Julius Goltzius, print maker: unknown, publisher: Antwerp, after 1563 - before c. 1601, paper, engraving, h 268 mm × w 220 mm

New Inventions of Modern Times Nova Reperta, The Production of Silk, plate 8. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp); After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence). Dimensions: sheet: 10 5/8 x 7 7/8 in. (27 x 20 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Date: ca. 1600.Eighth plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of the production of silk. In the background women are performing various procedures for the making of silk. In the foreground, in a room separated from the production site, several men converse with a king seated upon his throne. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Collaert I. After Jan van der Straet, called Stradanus.

The game Om Schenckenschans, 1635-1636, 1635 - 1636 print Cartoon on the battle for Schenckenshans in the years 1635-1636. Frederik Hendrik and the Cardinal Infant Ferdinand Dice at a table around the fort. Here are also present, the pope, the bishops of Mainz and Cologne, the king of Spain, the emperor, the king of France and Cardinal Richelieu. Victims of the game are the Kleefse and Gulikse farmers who are moaning under the table. Under the show a verse of 4 lines of text in Dutch. Low Countries paper engraving / etching political caricatures and satires. dice-games Schenkhans

Dream of nebuchadnezzar; History of Daniel; Theatrum Biblicum (...). Daniel stands for the throne of King Nebuchadnezzar and explains the dreams of the king. The dreams of the king can be seen at the top. A guard drops left from heaven and gives a command to chop the big tree. On the right the dream of the image with the head of gold and feet of iron and clay. Daniel tells that the first dream means that the king will be rejected and seven years as an animal will live. In the background you can see how nebuchadnezzar is sent away. Left in the landscape lives nebuchadnezzar as an animal and eats grass. Under the show a reference in Latin to the Bible text in. 2:26. The dream come true. 4. However, in this representation is central.

January: Three Kings, Anonymous, After Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1687 print The month of January: the celebration of the Three -Koning Festival. At the top right the sign of the zodiac that belongs to January: Waterman. The print has a frame with a border script in Latin that refers to Janus, the god of the new year. Copy in mirror image to the print of the same name of Crispijn van de Passe (i). unknown paper engraving January and its 'labours' (+ with zodiacal signs). Twelfth Night, usually falling on the eve of January 6

Print, Unwinding the silk cocoons; Engraved by Philips Galle (Flemish, 1537 - 1612); After Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; engraving on paper; 20.2 × 22.5 cm (7 15/16 × 8 7/8 in.); 1947-125-2

Andreas Thonradradtel Voor Keizer Ferdinand II, Daniel Nikolaus Chodowiecki, 1796 print Berlin paper etching History. double-headed eagle. handwriting, written text. ruler, sovereign

Allegory on the poor condition, 1588 print In a large room a boy sits on a throne, a wind vane in the hands. A group of people uses the meal at his feet. Servants walk around, musicians make music. The windows of the room show that a siege takes place outside: there is fighting, looting and murder. Under the show a rule of Latin text (Eccles. 10:16). paper engraving bad government

The Keisnijder. The cobblestone, or the healing of the boulder. Interior in which a quack removes a boulder from the forehead of a man. In the background a woman waits with a boulder in the head in turn. A raging woman is brought back on the right. With caption of four rules in French and four rules in Dutch and inscription of a rule in Latin.

Magician entertains his audience at a table, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing sorcerer, magician, wizard, warlock. divination, prognostication ~ magic. the show; fair and circus performers

Prostitution, Rich man with two whores, 1597, Holland, Historical, digitally restored reproduction from 19th century original.

Georg Haas (1751-1817), ET Bondemaaltid, 1751 - 1817

Lucretia and her maid at spinning, 1578 - 1580 print Five women are spinning wool. In the background on the left a number of men dressed in Roman armor. Six lines of Latin under the performance. This print is part of a series of four prints that depict the history of Lucretia. paper engraving (story of) Lucretia

Interior of an inn, Anthonie van den Bos, 1778 - 1838 print A group of men are drinking at the table and smoke pipe. A man stands for the fireplace and reads from a pamphlet. A maid who is just coming to bring new drinks stays standing up and listens carefully to the man. paper etching / drypoint inn, coffee-house, public house, etc. (+ waiter, waitress, etc.). reading to somebody. indoor recreation (+ service ~ indoor recreation)

Gusman d'Alfarache and three card players.

Title print with borarde scene; Miroir des Plus Belles Courtisanes The CE Temps. Title print. In a brothel sits a well-dressed man smoking by the fireplace, his left elbow resting on a set table on which the title: Miroir des Plus Belles Courtisanes ... a whore value shows the man a portrait of one of her girls. Six portraits hang on the wall. Another man points to a woman who stands next to him on one of the portraits. The print is part of an album.

Izebel lets letters send to the elders and significance; From Achab and Naboth; History of Achab, Izebel and Nabot; Den Grooten Figuer Bibel (...). Queen Izebel sends letters to the elders in Name of King Achab in Nabotss City. She asks them to announce a fast day, accusing nabot of blasphemy and majesty bias and let him stony. Writers sit at the table and write the letters. Izebel puts the royal seal among the letters. Under the show a verse in Latin. Print is part of an album.

Jupiter and Mercury visit Philemon and Baucis, Crispijn van de Passe (I), 1602 - 1607 print Jupiter and Mercury, in the form of travelers, visit Philemon and Baucis, who offer them hospitality. On the left in the background Philemon and Baucis that turn into an oak and a linden one. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Philemon and his wife Baucis hospitably entertain Jupiter and Mercury in travellers' guise; possibly a goose, which they try to kill for the occasion, flies to the visitors for refuge. Philemon and Baucis changed into oak and lime-tree: after having reached extreme old age, Philemon and Baucis are changed into an oak and a lime-tree whose boughs intertwine (Ovid, Metamorphoses VIII 712)

After Jacques Callot, The Card Players The Card Players

Man stokes the fire with a bellows, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

Queen Maria II Stuart on her deathbed, 1695, Romeyn de Hooghe, 1695 print Large presentation of the room in which Queen Maria II Stuart is laid out on her deathbed. On the left, the crying Willem III is on his throne. The print is used as an illustration in Samuel Gruterus, Funeralia Mariae II Britanniarum, Haarlem 1695. print maker: Northern Netherlandsafter design by: Londonpublisher: Amsterdam paper etching lying in state

The Shoemaker. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris). Dimensions: Sheet: 11 5/16 × 14 7/16 in. (28.7 × 36.6 cm)Plate: 10 1/4 × 13 1/16 in. (26.1 × 33.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Series/Portfolio: Trades(Les Métiers). Date: 1632-33. Museum: Metropolitan Museum of Art, New York, USA.

So the old people sang, the boy squeaks, Schelte Adamsz. Bolswert, after Jacques Jordaens, 1638 - 1659 print A mother is sitting with a small child who plays on her lap at a set table. In addition to her, her husband blows with convex cheeks on a bagpipe and a little boy plays on a flute while his grandfather and grandmother, both with glasses, sing. The singing old man gives the size with a finger. A big dog rests with its snout on the table and looks at the scene with spent ears. A richly ornamented empty cartouche is shown against the wall behind the group, on which on later states of the print the proverb soo d'old Songen soo peaks the boy (so the old sang, the boy squeaks) is displayed. paper. deck paint brush / engraving child(ren) with one or both parents and one or more members of the preceding generation (family group). children playing musical instruments. more than one musician with instrument. vocal music, singing

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parable of the Talents, Man gives talents to his servants, A man at a table gives before he sets off on a journey his money goes into the possession of three servants. He gives five talents to the first. The other two wait behind him. A secretary records the amounts. In the background the man leaves in his carriage. Below the image is a reference in Latin to the Bible text in Mat. 25:14. This print is part of an album., print, prent, albumblad, prints, prenten, height 206 mm, width 288 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1572, paper, papier, engraving, graveren (drukprocedé), Work conception, Zuid-Nederlands, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Susanna and the elders, Jan Saenredam, After Cornelis Cornelisz. van Haarlem, 1602 print The half-naked Susanna is on the edge of the bath. Two elders come to bother her during bathing. In the background a fountain with cupido on a swan. The print has a Latin caption. paper engraving the elders making advances towards Susanna

An Election Entertainment. Plate I.', 1755

Hendrik Goltzius, Banquet at the House of Tarquinius Collatinus, c 1578 Banquet at the House of Tarquinius Collatinus

Company in an inn, Anonymous, After Cornelis de Wael, 1630 - 1698 print Interior of an inn with men and women who smoke and drink. The innkeeper puts a can drink on the table. On the right in the background, two men are talking to a woman. One of them points to a curtain behind which one leg emerges. Italy paper etching / engraving inn, coffee-house, public house, etc.. lovers; courting, flirting

The prodigal son squanders his money by living a dissolute life. Men and women eat and drink around a table in a garden. A woman comes running out of the house to serve more food, The prodigal son wastes his money Parable of the Prodigal Son (series title), Cornelis de Wael, print maker: anonymous, 1658, paper, etching, engraving, h 200 mm × w 304 mm

Meeting in a garden, print. England, 18th Century.

An Election Entertainment, Plate I, William Hogarth, 1697-1764, British, 1755-58, Engraving, Sheet: 15 3/4 x 21 1/4in. (40 x 54cm)

Autumn, Melchior Hamers, After Cornelis de Wael, 1628 - 1689 print Interior of a large hall with men and women. In the middle, two donkeys of their load of grapes are stripped, which they wear in baskets on their backs. On the right in the background, the grapes are thrown into a barrel to squeeze them. after design by: Italypublisher: Antwerp paper etching / engraving Autumn, Fall, 'autumn'; "Autumn" (bank)

Etching by Francesco la Marra showing Salome holding the head of John the Baptist, created with brush, partially scraped, and roulette techniques, 1792.

Reproduction of a painting: Aleksander Lesser (1818-1884), Prince John Casimir in prison in France. Gorazdowski, Edward (1843-1901), engraver, Lesser, Aleksander (1814-1884), painter

A 17th century shoemaker. Afte the etching by Abraham Bosse. From Modes and Manners, published 1935.

Butchers; Italian craftsmen and sellers. A butcher places a piece of meat in the basket of a boy. Another man is scraping meat. In the background, two men overpowered an OS. In the margin a caption in Latin.

Interior with Two Pairs of Lovers and a Fool Made 1625-1629 Germany. As the prominent curtains imply, this boisterous genre scene by the itinerant German artist Johann Liss likely takes place in the cosy interior of a brothel. In a gesture typical of northern European sensitivities, the crouching fool covers much of his face with his hand, yet fixes the viewer in his gaze. By enjoying the sensory delights on displayómusic and lovemakingó the viewer is implicated as part of the scene. Liss may have produced this print in Venice at the end of his career; the printís lightly moralistic tone is equally at home in southern Europe.. Etching on ivory laid paper . Johann Liss

The lost son receives his inheritance, Cornelis Anthonisz., 1535 - 1545 print One of series of six. Father (Father) sat at the table under Bangopijn, son (Filius Prodigus) opposite him with money pouch. In the background departure of son, accompanied by the conscience (Conscientia). paper the prodigal son asks for his inheritance; his father gives him (a bag of) money. Conscience; 'Coscienza' (Ripa). leave-taking and departure of the prodigal son

Dinner of Whig politicians with their supporters, William Hogarth, 1755 print Interior with Whig politicians and their supporters around two tables. On the left, a pregnant woman kisses a young politician. Behind it a drunken man hangs on another politician, while the politician holds the hand of a second drunk man. Central a group of four musicians. Next to them an open window, with Tory politicians demonstrating outside of it, with an anti-Semitic doll it says 'No Jews', a reference to the Jewish Naturalization Act of 1753. The Whig supporters throw furniture and water out while the Tories bricks inside in to throw. A brick touches a man in front of the table, who falls back. Another man pours gin on the head wound of a man with a flag that says 'Give US Our Eleven Days', referring to the Calendar New Style Act of 1750. At the head of the table on the right a doctor is busy letting one Man who has eaten too many oysters. London paper etching anti-semitism. voting, election. politicia

For the facade of a house a man sandwiches; The screwdriver.

Queen Izebel, in the name of King Ahab, sends letters to the elders and most considerable in Nabotss city. She asks them to declare a day of fasting, to accuse Nabot of blasphemy and desecration of majesty, and to have him stoned to death. Scribes sit at the table and write the letters. Izebel puts the royal seal under the letters. Izebel has letters sent to the elders and most considerable History of Ahab and Nabot , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Hieronymus Cock, (mentioned on object), print maker: Haarlem, publisher: Antwerp, c. 1561, paper, engraving, h 200 mm × w 246 mm

Germany, Dürer, Albrecht, Last Supper, Christ and his disciples eat a meal at a sturdy wooden table. John leans against Christ's chest. In the foreground a bowl, a basket with bread and a jug., print, prints, height 210 mm, width 293 mm, Work conception, German, 1471-05-24 - 1528-04-05, after print by, 1523 - 1523, first quarter 16th century, paper, woodcut, print maker, printmaker

Pévernage, Andreas, Frankfurt, Sadeler, Johann (I), Winghe, Joos van, King David plays psalm 118 on his harp, verso lower left - stamped, King David plays his harp, kneeling in a room. On the table an open choir book with the five-part motet 'Laude pia Dominum' (Psalm 118, 119, 164) by Andries Pévernage, sung by five men and boys. The motet was made especially for the print. The print has a Latin caption with explanation., print, pictograph, prints, height 358 mm, width 457 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1587 - 1589, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1544 - 1603-12-18, after a design by, writer, Publication (Event), Publication, publisher, uitgever, 1543 - 1591, composer

In an oval frame decorated with ornaments a depiction of an old man together with his wife at a table by the fireplace. Servants are pouring them food and drink. The print has a Latin and French caption, Man at Seventy Years of Age Ten Ages of Man (series title), print maker: Gerard van Groeningen, Gerard van Groeningen, Hugo Favolius, (possibly), Antwerp, 1569 - 1575, paper, etching, engraving, w 242 mm × h 197 mm

Jacques Callot (1592-1635). "Le Brelan" (Lieure 596, Meaume 666). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99601-16 Etching, engraving

In a room with tiled floor, a young man sits with a young woman on his lap. He is lifting her skirt. Both are wearing shoes with large rosettes. On the left, a table with a plate and a glass. In the background on the left a door and on the right a chimney with a caryatid and Delft blue tiles. On the wall hangs a painting depicting a sleeping nymph spied by a satyr, A Woman Seated on a Man's Lap, print maker: Willem Basse, Amsterdam, c. 1634, paper, etching, h 176 mm × w 142 mm

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