Elderly Portraits and Studies

Sketches and drawings focusing on the facial features of older individuals, capturing emotion and character through detailed renderings.

Head of an old man with a beard, leaning on his arm. After the figure of Joseph on a painting of the 'Rest on the run to Egypt' by Anthony van Dyck, Head of an old man (Joseph) Studies for a book of drawings after classical sculptures and figures by Anthony van Dyck (series title)., print maker: Augustinus Terwesten (I), (mentioned on object), Anthony van Dyck, (mentioned on object), Rome, 1672 - 1711, paper, etching, h 177 mm × w 135 mm

Head of a prophet.

Head of an old man with a beard, leaning on his arm. After the figure of Joseph on a painting of the 'Rest on the run to Egypt' by Anthony van Dyck, Head of an old man (Joseph) Studies for a book of drawings after classical sculptures and figures by Anthony van Dyck (series title)., print maker: Augustinus Terwesten (I), (mentioned on object), Anthony van Dyck, (mentioned on object), Rome, 1672 - 1711, paper, etching, h 177 mm × w 135 mm

Francisco Bayeu / 'Head for the Figure of Saint Eugene'. 1777. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Netherlands, Schreuder, Bernhard, Face of an angel or putto, verso - stamped, print, prints, height 136 mm, width 101 mm, - 1780-10-16, print maker, printmaker, 1767 - 1780, paper, paper drawing, etching, etchings, crayon method, transfer

Tête d'homme , Alphonse Legros (1837-1911)

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Putto with a large mask on his head. .

Man looks down; Collection of heads; Raccolta di test.

Large grotesque head. Head of an old man with a frygic hat, and profil. A great tumor in his neck.

Upturned Head of Saint Dominic 1550-1799 Italy. Red chalk, with stumping, on tan laid paper . Lorenzo Sabbatini

Head of an Old Woman 1485-1547 Sebastiano del Piombo (Sebastiano Luciani) Italian. Head of an Old Woman 341263

Head of a Fury, Red chalk on cream paper, Head of a Fury, one of the creatures in Greek mythology that was responsible for exacting divine retribution from those guilty of wrong-doing. She is seen from above, grimacing and looking down, with her head turned slightly to the left., Italy, 1750-1800, figures, Drawing, Drawing

Bust of a man with a bare shoulder, Johann Heinrich Schönfeld, 1686 - 1724 print paper etching head (human)

Allegorical performance on the principality of the world; Title page for: Pierre d'Avity, World Mirror, 1621. A laurel wreath surrounded by Maurits, Prince of Orange flanked by two female personifications. Left in a niche The personification of the church, to the right of politics, in imperial clothes with sword and rich. They have four personifications in Europe, Asia, America and Africa. At the top and at the bottom of a row with five images of kings and emperors. Title page for Pierre d'Avity, world mirror, 1621.

Red chalk drawing by Claude Vignon (circa 1650) depicting Christ with the twelve apostles, highlighting either Jacobus Minor or Judas Thaddäus.

Vieux faune , Supernatural beings, Alphonse Legros (1837-1911)

Face of a young woman, and Profil, Philip Zilcken, 1867 - 1890 print paper drypoint adolescent, young woman, maiden

Study of a Kneeling Man. Pieter Lastman (Dutch, about 1583 - 1633)

Study of a Mourning Woman. Michelangelo Buonarroti (Italian, 1475 - 1564)

Old man with beard with the gaze facing downwards: three-quarters, right ..

Saint Paul in Meditation Harmensz van Rijn Rembrandt (1606-1669). Saint Paul in Meditation (B 149 - Single State), around 1629.

Head of a woman with half-opened mouth. Head of a woman with half-opened mouth, eyes smelled, in three-quarters to the left.

MAN MET HOED; The Buffon Arches of Parma. .

Two Bearded Heads. Attributed to Pietro Dandini; Italian, 1646-1712. Date: 1666-1712. Dimensions: 250 × 167 mm. Red chalk on ivory laid paper, laid down on board. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Baccio Bandinelli, Italian, 1488-1560, Sheet ofStudies, ca.1519-22, Pen and brown ink on beige paper, laid down, 28.8 × 20.7 cm (11 5/16 × 8 1/8 in.), Made in Italy, Italian, 16thcentury, Works on Paper - Drawings andWatercolors

Drawing, Head of Christ; Designed by Marc Antonio Franceschini (Italian, 1648 - 1729); Italy; red chalk on paper; 10.2 × 7.3 cm (4 × 2 7/8 in.)

Bust of an old man with beard, Jan Lievens, 1630 - 1632 print This head of an old man with beard is printed on silk. silk etching old man

Anonymous drawing of the head of an old man, viewed towards the bottom right, executed in black and white chalk on blue-gray paper with water stains.

Head of Laocoön, Augustinus Terwest (I), 1672 - 1711 print Sculpture of the head of Laocoön. To the central figure of the sculpture 'Laocoöngroep' in Rome. Rome paper etching piece of sculpture, reproduction of a piece of sculpture. Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice (+ variant)

Man's head, turned to the right, Jacques Jordaens, 1603 - 1678, draughtsman: Jacob Jordaens (I), draughtsman: Peter Paul Rubens, (rejected attribution), 1603 - 1678, paper, h 271 mm × w 219 mm

Study of a Beggar. Dimensions: overall: 37.2 x 28.2 cm (14 5/8 x 11 1/8 in.). Medium: red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Lazarus before 1605 Jan van der Straet, called Stradanus Netherlandish Late in his career, Stradanus produced a series of drawings of bust- and half-length biblical figures, each appearing before a parapet and within an oval frame.1 In 1613, eight years after the artist’s death, nineteen of these sheets served as designs for a set of engravings entitled "Icones Prophetarum Veteris Testamenti" (Images of Old Testament Prophets), cut by Cornelis Galle I and published by Theodoor Galle, both sons of Philips Galle, with whom Stradanus had worked for decades. Twenty-three years later, Theodoor’s son Johannes reissued the series with seven additional engravings after Stradanus’s designs.2 Based on the other surviving and recorded drawings, including the present sheet, it seems that a parallel series of New Testament figures had been planned, though only two (Saint Joseph and Saint James the Greater) were engraved; these were published not by the Galles but by Justus Sadeler, a member of

Caliban. Dated: 1775. Dimensions: plate: 40 x 32.4 cm (15 3/4 x 12 3/4 in.) sheet: 55.5 x 39.6 cm (21 7/8 x 15 9/16 in.) overall (mat): 71.1 x 55.9 cm (28 x 22 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: John Hamilton Mortimer.

Head of a Man. Dimensions: overall (approximate): 41.6 x 30.9 cm (16 3/8 x 12 3/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Bust of a Man Facing Right 1591-1666 Guercino (Giovanni Francesco Barbieri) Italian William Griswold (1991) dated this drawing to the 1630s, based on its stylistic similarity with other studies of heads datable to the same period. Linda Wolk-Simon (1991) notes that Nicholas Turner (in an unpublished opinion) includes the Museum's sheet in a group of studies from the 1630s that are similar in handling and subject matter. Among this group, which features single male figures in half- or bust-length, are Studies of a Man Reading (Fogg Art Museum, Cambridge inv. 1932.233), Old Bearded Man (Royal Library, Windsor; inv. 2588) and St. Joseph Holding a Staff ( Princeton University Art Museum inv. 40-40).While the dating of Guercino's mature period drawings can often be tricky, a date in the early to mid 1640s may be suggested on the basis of its great economy of style and technique: deep tonal modeling in washes, with little or no internal pen hatching in the shadows, a restrained use of pen an

Study for the head of Judas in `The Last Supper`, c1494-c1499 (1883). Artist: Leonardo da Vinci.

Photo production of a drawing of a men's head by Leonardo da Vinci, Giovanni Brampton Philpot, after Leonardo da Vinci, 1851 - 1878 photograph Florence paper. cardboard albumen print drawing, sketch

Kop van A Gray and Profil, Arnoud Schaepkens, 1831 - 1904 print paper. etching / engraving old man

Seneca, Lucius Annaeus Publisher: Fellgibel, Esaias (Widow u. Heirs) Publisher: Wroclaw

Luca Giordano (born 18 October 1634, died 3 January 1705), called Fa Presto, Italian painter and etcher of the Baroque period, Faun's head wreathed with vine leaves, Painting, Reproduction of the painting in its original state, Work of art, Historical, Portrait of a man with a wreath, Light drawing in Baroque style. Expression of thoughtfulness

Curly Headed Man with a Wry Mouth 1625-1685 Holland. Etching on paper . Ferdinand Bol

Head of Christ Artist's working dates 1650-1660 Italy. Red chalk on tan laid paper, laid down on cream laid paper . Giovanni Andrea Sirani

Anonymous / 'Head of a child'. XVII century. Red chalk on paper. Museum: Museo del Prado, Madrid, España.

Looking man's head, to the right. Draughtsman: Simon Andreas Krausz. Dating: 1770 - 1825. Measurements: h 86 mm × w 87 mm. Museum: Rijksmuseum, Amsterdam.

Giovanni Benedetto Castiglione, Self Portrait(), Wearing a Plumed Cap (Portrait of Bernini), c 1645 1647 Self-Portrait(), Wearing a Plumed Cap [Portrait of Bernini

Man reads letter, Anonymous, 1654 print A man reads a letter to a table. A fire test on the table. Netherlands paper etching letter, envelope. reading

Francisco Bayeu / 'Knight'. 1779. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Head of an Old Man, 1700s. Italy, 18th century. Red chalk (stumped); framing lines in graphite (left, bottom); sheet: 39.8 x 27.7 cm (15 11/16 x 10 7/8 in.); secondary support: 42.2 x 30.3 cm (16 5/8 x 11 15/16 in.).

Study for the figure of Astasius; Eustache Le Sueur, French, 1616 - 1655; about 1652; Black chalk; 39.1 x 25.9 cm (15 3/8 x 10 3/16 in.)

Bust of a smiling farmer, Adriaen van Ostade, 1650 - 1652 print The bust of a smiling farmer has a pendant with a similar representation of a smiling farmer's wife. She is displayed from a different point of view so that the heads are used to each other. paper etching laughing

Self-portrait lean forward: bust.

Saint Jerome Writing 1591-1666 Imitator of Guercino (Giovanni Francesco Barbieri) Italian. Saint Jerome Writing 339080

Study for a kneeling apostle, draughtsman: Giovanni Baglione, 1581 - before 1628, paper, brush, h 275 mm × w 198 mm

Academy study: Gypsical image of man with beard, Johannes Taventrate, After Anonymous, 1824 drawing paper. pencil. chalk piece of sculpture, reproduction of a piece of sculpture

Head of a male model, looking over the shoulder.

Caricature of an old woman, by imitator Leonardo da Vinci, 16th Century, sanguine. Italy: Veneto: Venice: Accademia Art Galleries: inv. 267. Whole artwork. Deformed face, caricature

The head of a crossbowman taking aim. Date/Period: From 1514 until 1515. Drawing. Silverpoint on greyish prepared paper, reinforced with the brush, black ink and white bodycolour. The preparation scraped away in the eye to strengthen the impresion of the white of the eye.1 1/Anne-Dorthe Rogild's conservation report of January 1988. Archives of the Conservation Department at the Statens Museum for Kunst. Height: 120 mm (4.72 in); Width: 96 mm (3.77 in). Author: HANS HOLBEIN THE ELDER.

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Study of the Bust of Giulio Contarini Seen from the Left (recto). Giovanni Battista Tiepolo (1696-1770). Red and white chalk on blue paper. 25 x 19.2cm.

Sitting young man; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 45.

Italian 17th Century, Standing Bearded Man Pointing Toward the Left, mid 17th century Standing Bearded Man Pointing Toward the Left

Anonymous / 'Male Bust'. XVII century. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Anton Van Dyck (1599-1661). Portrait of Erasme (Hollstein 4), extract from the Debois collection. Etching on paper, 1634-1636. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Study of Heads, One Turned to the Right and the Other Turned Left. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Head of a man with a hat on, Adriaen van Ostade, 1650 - 1660 drawing Study of a man's head with a hat, including the eyes. paper. pencil. ink pen / brush farmers. head (human)

Head of a man with a hat. Study of a mans head with a hat under which the eyes are hidden.

Head of a young woman with a veil, agostino carracci (attributed to), 1567 - 1602 drawing paper. ink pen veil

Anonymous red chalk drawing of a male head turned to the right, corners partially beveled, showing musculature and facial detail.

Man with beard .man with a beard, looking down.

Head of a Child 1600-1799 Flanders. Charcoal with brush and brown wash on buff laid paper . Style of Anthonie van Dyck

Study sheet with three heads of an old man.

Portrait of Fuseli (recto); Sketch of a Hand (verso) Artist's working dates 1761-1825 England. Black chalk (recto), and black and white chalk on gray prepared ground (verso), on tan wove paper . Henry Fuseli

A red and black chalk drawing depicting the head of a bearded old man facing right with a faint sketch of a beardless head at the bottom right, 18th century.

Head of Solomon (recto); Classical Head (verso) ca. 1812 Benjamin Robert Haydon Ambitious to prove himself as a history painter, Haydon painted a large "Judgment of Solomon" between 1812-14. This is one of a pair of drawings where he developed the key figure of the king, a subject he discussed in his journal on April 8, 1812: "I wish to express Solomon a fine youthful king of Israel...cllothed in gold, with a sceptre and a crimson robe, his face youthful--dignity commingled with wisdom." The mature, dark-haired figure who appears here was an early conception, replaced later with a younger, more classical looking king. Haydon worked from models and studied Raphael's Cartoons to establish the composition that he exhibited at the Oil and Water Colour Society, Spring Gardens in 1814 (now Plymouth Museum and Art Gallery, UK).. Head of Solomon (recto); Classical Head (verso). Benjamin Robert Haydon (British, Plymouth 1786-1846 London). ca. 1812. Black chalk with white chalk on brown paper (r

Head of a boy with long hair. Design for a print.

Cup of a screaming man. .

Tête de vieillard chauve et barbu, 1601 - 1700, Etchings, 4 1/2 x 5 7/8 in. (11.5 x 15 cm), Paper / Sheet 4 13/16 x 6 1/8 in. (12.2 x 15.5 cm), Cream laid

Mercury Mercvrivs (title on object), The god Mercury, bust to the right. He has the caduceus in his hand, (story of) Mercury (Hermes), Gerrit Gauw (mentioned on object), Amsterdam, 1604 - 1634, paper, engraving, w 314 mm × h 4446 mm

Head of a Man Looking Up; Giovanni Battista Tiepolo, Italian, 1696 - 1770; about 1750 - 1760; Red and white chalk on blue laid paper; 21.1 x 15.2 cm (8 5/16 x 6 in.)

Tête d'homme , Alphonse Legros (1837-1911)

Head of an old man with glasses, Anthonie van den Bos, 1778 - 1838 print Amsterdam paper eyeglasses, spectacles

Francisco Bayeu / 'Head for the figure of Saint John the Evangelist'. 1781. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

Style of Pietro Perugino, Rider and Standing Draped Man, after the Antique (verso), c 1500 Rider and Standing Draped Man, after the Antique verso

Bearded Man Seated at Table 1650-1659 Italy. Red chalk on tan laid paper, laid down on ivory wove paper . Guercino

Bliżej Kultury Norblin, Jan Piotr (1745 1830)

Portrait of two men. On the right an old man with beard. Bust to left. On the left a young man. Bust to the right, young and old man., print maker: Jan Chalon, (mentioned on object), Jan Chalon, Northern Netherlands, (possibly), 1748 - 1795, paper, etching, drypoint, h 63 mm × w 148 mm

Drawing (Italy)

Hans Baldung Grien, Head of Saint John the Baptist, 1516 Head of Saint John the Baptist

Verona Sketchbook: Male figure with drapery (page 71), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.).

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