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Elegant Antique Chairs

A collection of ornate antique chairs showcasing intricate woodwork, rich upholstery, and classic design from various historical periods.

Mahogany Louis Seize medallion chair, medallion chair seat furniture furniture interior design wood mahogany velvet metal, With bow as crest and dark green ropes with medallions round rejuvenated legs with cannelures Louis XVI Louis XVI Louis Seize
Mahogany Louis Seize medallion chair, medallion chair seat furniture furniture interior design wood mahogany velvet metal, With bow as crest and dark green ropes with medallions round rejuvenated legs with cannelures Louis XVI Louis XVI Louis Seize
227 assets in this story
Armchairs (USA)Hitchcock Chair. Dated: c. 1941. Dimensions: overall: 35.2 x 24.1 cm (13 7/8 x 9 1/2 in.) Original IAD Object: Front 18", back 14"; height 35". Medium: watercolor, gouache, colored pencil, graphite, andpen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: David S. De Vault.Triple-back chair settee ca. 1785 British. Triple-back chair settee. British. ca. 1785. West Indian satinwood. Woodwork-FurnitureSide chair. Culture: British. Designer: George Edmund Street (British, 1824-1881 London). Dimensions: Overall (confirmed): 34 3/4 × 17 × 19 in. (88.3 × 43.2 × 48.3 cm). Manufacturer: Gillow & Co.. Date: ca. 1880.The chair was designed for the London Law Courts by the English architect, George Edmund Street, a leading practitioner of the Victorian Gothic Revival who specialized in ecclesiastical work. However, his best-known project was the Law Courts (now the Royal Courts of Justice) in the Strand, London, for which a competition was conducted in 1866-67. The construction did not begin until 1874, however, and was only completed in 1882, a year after Street's death. The building was considered an artistic milestone and The Times predicted in 1867 that it would be "a perpetual monument of English art as understoof and practiced in the latter half of the 19th century." The design of the building beautifucall illustrates that a picturesque Gothic style could be used for a modern secular Desk chair (fauteuil de bureau) first half 18th century French. Desk chair (fauteuil de bureau) 189348 French, Desk chair (fauteuil de bureau), first half 18th century, Carved pearwood; caning, Overall: 34 7/8 27 1/4 23 1/2 in. (88.6 69.2 59.7 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.64)John Garay, Chair, 1935 1942 ChairChair Arm chair lined with tapisserie with a dancing girl (Petite danceuse) (back) and the fable of the Reiger (seat), Manufacture Royale des Gobelins, c. 1935 Arm chair of gilded beech wood, resting on conically shaped legs. The armchair belongs to an ameblement. On the covered bent sitting window and the covered oval back window have been installed on a pink long -distance performances within flower wreaths (Tapisserie de Beauvais). ParisParisdesigner: Francedesigner: Francefurniture worker: France walnut (hardwood). gilding (material). ketting: wool. inslag: silk tapestry / gilding Arm chair of gilded beech wood, resting on conically shaped legs. The armchair belongs to an ameblement. On the covered bent sitting window and the covered oval back window have been installed on a pink long -distance performances within flower wreaths (Tapisserie de Beauvais). ParisParisdesigner: Francedesigner: Francefurniture worker: France walnut (hardwood). gilding (material). ketting: wool. inslag: silk tBrown Royal classical style Armchair sofa couch in vintage room Bentwood Side Chair 1870-78 Henry I. Seymour. Bentwood Side Chair 504ChairSide Chair. UnknownPair of side chairs mid-18th century Jean-Baptiste I Tilliard French. Pair of side chairs 200544Folding chair of nuthout, covered with leather on the back and seat, anonymous, 1625 - 1650 Folding chair of walnut with leather back and seat. The semi-circular legs and styles are decorated with a copper plate by means of a hinge, connected to each other. The legs are awarded a double-volute-shaped cut at the height of the accolade-shaped sports. The styles and legs exhibit dolphins on the front, respectively with a crowned najade, a triton and with branches with acorns and leaves. The armrests, ending in a volute, show a leaf motif. Wooden buttons on styles added after 1957. Northern Netherlands (possibly)Netherlands (possibly) wood (plant material). walnut (hardwood). leather. copper (metal) Folding chair of walnut with leather back and seat. The semi-circular legs and styles are decorated with a copper plate by means of a hinge, connected to each other. The legs are awarded a double-volute-shaped cut at the height of the accolade-shaped sports. The styles and legs exhibit dolphinsJean-Baptiste Lelarge (1743-1802). Archair at the Queen in carved beech and painted in white, Beauvais tapestry with large bouquets of flowers on a creamy background (overview on a light background), around 1765-1770. Paris, Cognacq-Jay museum. Armchair at the Queen, Fleur, Cream background, Grand Bouquet, Hetre sculpt, Manufacture de Beauvais, furniture, white paint, Louis XV style, tapestry, 18th century, wood, furnitureArmchairShepherdess to the queen. Painted beech, modern garnish, around 1750. Paris, Carnavalet museum. 77640-21 Bergere queen, Louis XV time, armchair, modern garnish, stretch, marker, furniture, louis XV style, seat, 18th century, wood, furnitureArmchair 1815-20 American. Armchair 185Furniture around the turn of the century 1900, Mahogany arm-chair in the Chippendale style (1910, 1911), Mahogany arm-chair, style of Chippendale (1910, 1911) .jpgArmchair ca. 1775-80 Sulpice Brizard. Armchair 205110Armchair ca. 1850 Chair frame by the firm of Joseph-Pierre- François Jeanselme The overall design of this armchair is taken directly from elements used in Gothic architecture, as are the prominent ogee-arch back surmounted by carved leaves and flanked by spandrels cut with trefoils, and the molded details of the posts, arms, supports, and legs, as well as the pierced skirt imitating tracery. The original leather upholstery has a pressed design showing a pattern of flowering scrolls in red, rust, gold, and black (originally green); the outer back is covered with a gold-colored silk glued over green serge.Although the Gothic Revival is primarily associated with English tastes, the style also appeared in France during King Louis-Philippe's reign (1830-48). While in exile in England, Louis-Philippe developed a taste for English styles. The Gothic was also promoted by the influential architect and theorist Eugène-Emmanuel Viollet-le-Duc, a restorer of French Gothic cathedrals.The Jeanselme Armchair (fauteuil). Culture: French. Dimensions: Overall: 38 × 26 × 21 3/4 in. (96.5 × 66 × 55.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.Sidechair. Armchair, part of an ameublement, made from white with gold painted beech wood and covered on a loose window with tapestry, which bound bouquets, tied together by ribbons with snares, showing on a red damask ground. The front legs, front seat, upper shell and styles of the back window wearing inserted leaf and floral motifs. The armrests with pads end in Volutes; The overhoeks placed S-shaped legs end in an acanthus sheet. Signature: I. Gourdin. See: BK-16655-A / C-G.Armchair 1805-15 American This is one of four known identical square-back armchairs, probably made as a set. The overall design is derived from engravings by the English furniture designers Thomas Sheraton and George Hepplewhite, but the carved and turned legs are typical of Philadelphia craftsmanship. When acquired, this chair retained its original red morocco leather upholstery, which has since been removed but is still preserved in the collection.. Armchair. American. 1805-15. Mahogany, ash. Made in Philadelphia, Pennsylvania, United StatesArmstoel, anonymous, 1700 - 1750 Arm chair, covered, made of painted beech wood. The S-shaped legs that are placed overhoek turn into the sitting window. They wear decorations, as well as the scalloped seating rules and the armrest stars. The trapezoidal sitting window is bent at the front. The armresters outwardly end in a volute; The struts are placed backwards and cross the armrests. The back window on struts, bent at the top and with scalloped bottom, has stretched S-shaped styles. France wood (plant material). beech (wood). textile materials Arm chair, covered, made of painted beech wood. The S-shaped legs that are placed overhoek turn into the sitting window. They wear decorations, as well as the scalloped seating rules and the armrest stars. The trapezoidal sitting window is bent at the front. The armresters outwardly end in a volute; The struts are placed backwards and cross the armrests. The back window on struts, bent at the top and with scalloped bottom, has stretched S-shapChair with trapezoidal open space in the backrest. Oak chair resting on four legs. The front legs are beveled and rested on black-finished discs with convex sides. The hind legs run through in the back stamps and widen from below, after which they narrow up at the height of the center. The backrest is composed of three panels. These are formed in such a way that a trapezoidal shape is created on the top a trapezoidal shape on the underside. The two outer panels are connected to the black-stained central panel by means of five beads on each side. The seat is covered with striped dust in beige, red and purple.. Church chair from Nuthout. The seat is foldable, has a coated seat and trust. The shears are stretched S-shaped, connected by pins with copper caps. The back has three sports; The middle and top sport have five bows on the undersides, resting on twisted ebony balusters. There are ebony vases between the balusters. The upper sport is crowned by two ebony balls and is decorated with cock heads, a rosette and an acanthus sheet.Armchair (one of a set of four) 18th century Tapestry woven at Aubusson. Armchair (one of a set of four). French. 18th century. Carved walnut, covered in Aubusson tapestry. Tapestry woven at Aubusson (Manufacture Royale, est. 1665: Manufacture, ca. 1812-present day). Woodwork-FurnitureSide Chairs, c. 1790-1800. America, Massachusetts, Boston, late 18th Century. Mahogany; overall: 90.8 x 48.3 x 52.1 cm (35 3/4 x 19 x 20 1/2 in.). Chairs of this or similar design seem to have been made by several Boston cabinetmakers. This chair may have belonged to one or more members of the distinguished Derby family or West family-or both-of nearby Salem, Massachusetts.Side chair (one of a pair) ca. 1735-40 British. Side chair (one of a pair). British. ca. 1735-40. Mahogany. Woodwork-Furniture. Armchair of gold-plated beech wood, resting on conical-shaped legs. The chair belongs to an amele. On the coated curved sitting window and the coated oval back window are applied to a pink-part shows within flower wreaths (Tapisserie de Beauvais). See also: BK-16657-a / d and f.Pair of chairs ca. 1660-85 British. Pair of chairs 208997Hip-joint armchair (sillón de cadera or jamuga) 15th or 16th centuries (textiles); late 15th or early 16th centuries (chair) Spanish (Granada), Hispano-Moresque, Italian (textiles). Hip-joint armchair (sillón de cadera or jamuga) 461044Armchair. Dated: c. 1938. Dimensions: overall: 28.9 x 22.3 cm (11 3/8 x 8 3/4 in.) Original IAD Object: 35"high, 23"wide, 19 1/2"deep. Medium: watercolor, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ernest Busenbark.Side Chair. Culture: American. Dimensions: 41 1/4 x 19 x 20 in. (104.8 x 48.3 x 50.8 cm). Date: ca. 1865. Museum: Metropolitan Museum of Art, New York, USA.Chair. Designed by Peter Behrens; German, 1868-1940; Germany. Date: 1902. Dimensions: 99.1 × 45.1 × 54.6 cm (39 × 17 3/4 × 21 1/2 in.). Ebonized oak and woven rattan. Origin: Germany. Museum: The Chicago Art Institute, USA.Furniture royal antiqueAnonymous (n. - d.), Armchair at the Queen (). Wood, tapestry at the point. Petit Palais, Museum of Fine Arts of the City of Paris.Padoekhout chair, decorated with entered patterns and inlaid with a tropical wood, 1899 Padoekhout chair, decorated with entered patterns and inlaid with a tropical wood. The back of the back is decorated with the original batiked parchment. The covering of the chair is not original. Amsterdam padouk (wood). parchment (animal material) Amsterdam Padoekhout chair, decorated with entered patterns and inlaid with a tropical wood. The back of the back is decorated with the original batiked parchment. The covering of the chair is not original. Amsterdam padouk (wood). parchment (animal material) AmsterdamRobert Brigadier, Armchair, c 1936 ArmchairSettee, 1770-1780, Chippendale, American, 38 x 44 1/2 x 19 in. (96.52 x 113.03 x 48.26 cm), Mahogany, United States, 18th centuryFerdinand Cartier, Side Chair, c 1936 Side ChairRocker. Dated: c. 1937. Dimensions: overall: 35.4 x 27.9 cm (13 15/16 x 11 in.) Original IAD Object: 41"high; 20"wide; 15"deep; 28"long rockers.. Medium: watercolor, colored pencil, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Robert Stewart.Armchair. .Hip-joint armchair (sillón de cadera or jamuga) ca. 1480-1500 Spanish, Granada This armchair consists of four S-shaped supports on two runner-like stands. The disks that join two of the supports at front and two at back suggest that the chair can be folded up like a pair of scissors. This is not possible, however. The supports will collide above the turning point, allowing only a small degree of movement. This impractical arrangement can easily be explained by the chair's derivation. It descends from the sella curulis, or curule chair, an ancient Roman folding seat used by consuls and high officials. In its elegant medieval interpretation, the throne-like chairby then called a faldistoriumcontinued to symbolize secular power, and as the customary seat of the higher clergy, it also came to express the authority of the church.[1 The folding mechanism was eventually eliminated, and the place where the joint had been was marked with an ornamented disk.By the late fifteenth century the sSofa c 1849-1854 New York. Mahogany and laminated mahogany . Baudouine, Charles A.Retro style armchair isolated on whiteWindsor Chair. Dated: c. 1936. Dimensions: overall: 34.9 x 24.2 cm (13 3/4 x 9 1/2 in.) Original IAD Object: 35 1/2"high, width of bk, 20 3/4". Seat: 17"wide x 16 1/4"deep. Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Eugene Croe.Étagere. unknown, creatorJoined armchair 1650-1700 American The most imposing chairs in seventeenth-century New England were the joined-oak armchairs with panel-and-frame backs carved in the same manner as chests. Based on English Renaissance and Mannerist designs, this example, with its solid, vigorous form enlivened by carving, has a commanding presence. Its massive rear posts taper on the front surface toward the crest and foot, resulting in a back that slants to accommodate the human form and in legs that are lightened. The carving, which consists of a double arcade, intersecting lunettes with stylized foliage, and S-scrolls, creates a lively interplay of semicircles, circles, and vertical accents. The square pillars, used instead of turnings to ornament the front posts (part of the vocabulary of Mannerist decoration), are an unusual feature in New England furniture of the period known primarily on this and five related chairs. Several of these chairs have histories associating them with Essex County, MassA Brussels Biblical tapestry fragment, woven in wools and silks depicting the stoning of St. Stephen, after the design by Pieter Coecke van Aelst (d.1550). 16th century, 263 x 222cm.Furniture set: chair Wyspiały, Stanis Aw (1869 1907), Sydor, AndrzejSamuel Chase Chair. Dated: 1935/1942. Dimensions: overall: 35 x 24.2 cm (13 3/4 x 9 1/2 in.) Original IAD Object: none given. Medium: watercolor, colored pencil and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Samuel W. Ford.Chair. Maker: Lemuel Churchill, American, active ca. 1805-1828Armchair (fauteuil) 18th century French. Armchair (fauteuil). French. 18th century. Carved and painted fruitwood; caned back and seat. Woodwork-FurnitureCouch. Culture: American. Dimensions: 67 x 73 in. (170.2 x 185.4 cm). Date: 1851-56. Museum: Metropolitan Museum of Art, New York, USA.Hitchcock Chair. Dated: probably 1936. Dimensions: overall: 31.1 x 22.7 cm (12 1/4 x 8 15/16 in.) Original IAD Object: none given. Medium: watercolor, gouache, colored pencil, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lawrence Flynn.Nicholas Gorid, Side Chair, 1935 1942 Side ChairArmchair (part of a set). Culture: Italian, Venice. Dimensions: H. 37-3/4 x W. 27 x D. 24 in. (95.9 x 68.6 x 61.0 cm). Date: mid-18th century.This chair clearly illustrates the strong influence of French Rococo furniture current in Venice at the time. Museum: Metropolitan Museum of Art, New York, USA.Armchair (one of a pair) 1765-1785 England. Painted beech, modern upholstery .Two stools, anonymous, c. 1680 - c. 1700 Taburet van Notenhout. He is covered and rests on legs, which, like the H-shaped cross and the back-sport of house and section, show. The flat for-mid-sport has flanked an openwork palmet due to broken S-Voluten with Acanthus blade. Northern Netherlands wood (plant material). walnut (hardwood) Taburet van Notenhout. He is covered and rests on legs, which, like the H-shaped cross and the back-sport of house and section, show. The flat for-mid-sport has flanked an openwork palmet due to broken S-Voluten with Acanthus blade. Northern Netherlands wood (plant material). walnut (hardwood)Sgababello van Nuthout decorated with Intarsia. Nut SGABABELLO decorated with Intarsia, resting on three in cross-sectional square in cross-section to underwriting legs. The legs, octagonal seat and the stretched trapezoidal back window wear edges with intarsia. The top and top of the back styles show a volute; On the upper shell there are two acanthus volutes that carry a medallion, surrounded by an edge of half mane and awarded a palm with a palm, which shows the weapon of strozzi on two sides. See: BK-16878-b.Side Chair. Dated: 1936. Dimensions: overall: 29.8 x 22.7 cm (11 3/4 x 8 15/16 in.) Original IAD Object: none given. Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Wenger.Clyde L Cheney, Wooden Chair, c 1938 Wooden ChairBraided Rawhide Bottom Chair. Dated: c. 1940. Dimensions: overall: 34.9 x 24.2 cm (13 3/4 x 9 1/2 in.) Original IAD Object: 34"high; 19 1/2"wide; 13 1/2"deep.. Medium: watercolor, colored pencil, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Dorothy Johnson.Windsor Armchair 1760-90 American. Windsor Armchair 9866Side Chair. Dated: c. 1937. Dimensions: overall: 29.2 x 22.9 cm (11 1/2 x 9 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Charles Squires.ChairWriting or Sewing Table. Dated: c. 1936. Dimensions: overall (approximate): 30.3 x 24.3 cm (11 15/16 x 9 9/16 in.) Original IAD Object: 30"high; 22"long; 15"wide. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank Wenger.Herman O Stroh, Child's High Chair, 1939 Child's High ChairIsadore Goldberg, Armchair, 1939 ArmchairWindsor Settee 1800-1850 European. Windsor Settee. European. 1800-1850. Elm, ashFlorence Truelson, Colonial Rocking Chair, c 1937 Colonial Rocking ChairAMeublement, consisting of a bank and ten chairs, anonymous, c. 1750 AMeblement, made of walnut, consisting of a bank and ten chairs. The seat of neighboring duration with leaf and floral motifs in silk on linen grid, with a soft filling. Amsterdam (possibly) Walnut (Hardwood). Seat: Silk. seat: AMeblement, made of walnut, consisting of a bank and ten chairs. The seat of neighboring duration with leaf and floral motifs in silk on linen grid, with a soft filling. Amsterdam (possibly) Walnut (Hardwood). Seat: Silk. seat:Yellow Retro classical style Armchair sofa couch in vintage roomChair 1750-60 British. Chair 191520Chinese Cane Chair. Dated: c. 1936. Dimensions: overall: 24.4 x 33.3 cm (9 5/8 x 13 1/8 in.) Original IAD Object: 3'high, 18"wide.. Medium: pen and ink and wash on heavy paper. Museum: National Gallery of Art, Washington DC. Author: Sebastian Simonet.Side Chair. Culture: American. Dimensions: 39 5/8 x 19 7/8 x 16 1/4 in. (100.6 x 50.5 x 41.3 cm). Maker: Attributed to John Goddard (1724-1785). Date: 1760-85.In this rare instance, the characteristic Newport knee carving, usually found on that city's finest high chests and tables, was employed on a side chair. The spherical ball feet and fleshy bulges above the rear talons are features associated with the cabinetmaker John Goddard (1724-1785). Museum: Metropolitan Museum of Art, New York, USA.Classic Armchair Classics Armchair Isolated Included Clipping Path Copyright: xZoonar.com/MarkoxBericx 8411724Side Chair. Dated: c. 1936. Dimensions: overall: 30.1 x 22.7 cm (11 7/8 x 8 15/16 in.) Original IAD Object: 32 3/4"high, 17 1/2" front.. Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Ferdinand Cartier.Arm chair covered with green wool, Hendrik Wouda, c. 1924 Arm chair of oak -wood resting on four legs. The legs are interconnected by means of an H-shaped cross. The front legs have a beveled side on both the top and top and continue in the arms. The hind legs extend in the tissue backstyles. The backrest consists of a wide upper sill with a narrow rule underneath. There is an open space in between and below. The armrests are laid in the backstyles and are completed on all sides. The loose seat rests on four lines that connect the legs at the top. The seat is covered with green wool. The Hague oak (wood). wool Arm chair of oak -wood resting on four legs. The legs are interconnected by means of an H-shaped cross. The front legs have a beveled side on both the top and top and continue in the arms. The hind legs extend in the tissue backstyles. The backrest consists of a wide upper sill with a narrow rule underneath. There is an open space in between and below. The armrests are laid in thMasonic Armchair. Culture: American. Dimensions: 59 1/4 x 20 1/2 x 20 in. (150.5 x 52.1 x 50.8 cm). Date: ca. 1800. Museum: Metropolitan Museum of Art, New York, USA.Francisco Alvarez, Side Chair (one of a pair), c 1936 Side Chair (one of a pair)Square armchair ". Wooded, velvet. XVIIth century. Paris, Carnavalet museum. 72593-1 Carreed armchair, furniture, wax walnut, red, velvet, 17th century, furnitureSofa. Dated: 1936. Dimensions: overall: 22.8 x 30.5 cm (9 x 12 in.). Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Frank Wenger.Pair of Horseshoe Armchairs with Panels of Japanese Landscapes and Floral DesignsMiniature Bathroom Chair (Bidet), 1908-17. Henrik Wigström (Russian, 1862-1923), House of Fabergé (Russian, 1842-1918). Gold, nephrite, enamel, pearls; overall: 8.3 x 3.5 x 4.5 cm (3 1/4 x 1 3/8 x 1 3/4 in.).Vier Stoelen, Marcal, 1885 - 1895 print Four (desk) seats. Print from 268th Livraison. paper seating furnitureArmchair, by Genoan workmanship, 18th Century, . Italy: Liguria: Genoa: Royal Palace. View padded/upholstered chair armchairSide chair (one of a pair) German mid-19th century With their crisp and elegant design, these chairs (see also 1991.85.1) are reminiscent of mid-eighteenth-century Rococo furniture. The chairs have been regilded.Fire screen, anonymous, c. 1850 - c. 1899 Fire screen made of gilded beech wood, with extension leaf. The screen rests on low S-shaped slavery feet and has a window with rocaille motifs and flower branches. New () Made at Tapisserie (BK-16675-2). beech (wood) Fire screen made of gilded beech wood, with extension leaf. The screen rests on low S-shaped slavery feet and has a window with rocaille motifs and flower branches. New () Made at Tapisserie (BK-16675-2). beech (wood)Armchair; beginning of the 19th century (1801-00-00-1820-00-00);Armchair; beginning of the 20th century (1901-00-00-1915-00-00);Armchair (one of four) (part of a set) ca. 1770 Louis Delanois French. Armchair (one of four) (part of a set) 236091Wicker chair Wicker chair isolated over white background Copyright: xZoonar.com/IvonnexWierinkx 10151649Side ChairArmchair. Venice, Italy. Date: 1740-1750. Dimensions: 115.6 × 73 cm (45 1/2 × 28 3/4 in.). Caned, giltwood, and modern upholstery. Origin: Venice. Museum: The Chicago Art Institute, Chicago, USA.Folding stool early 17th century Northern German or Polish. Folding stool 201891Albert Ryder, Hand Loom, c 1938 Hand Loom