Elegant Architectural Designs

Detailed etchings of architectural elements, including ornate chimney mantles and decorative features, showcasing classical artistry and intricate designs.

Submary, shaft decorated with Narcissus, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Page 16 from the second edition of series. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Black pen and brush drawing by Franz Anton Danne depicting an honorary gate for Emperor Franz I Stephan and Empress Maria Theresia, with gray lavings, 1745.

Woman celebrating a sacred ceremony in a temple, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume V, plate 74, 1757-1787, Naples.

Coat of arms in a cartouche, Dirck Pietersz. Crabeth, 1545 - 1574 drawing Design for a stained window with a coat of arms in a cartouche. paper. ink. chalk pen / brush

Face in a avenue with a garden vase, Sieuwert van der Meulen, 1707 print In the foreground an ornamental garden vase. Behind it a face in an avenue with sculptures and a building on the right. In the avenue a carriage and a dog. Netherlands paper etching French or architectonic garden; formal garden. garden vase

Print, Vue de l'angle du même Cabinet; Vue de l'angle du même cabinet, montrant à gauche une grande fenêtre et à droite le tableau de Zéphyr et Flore, 2nd Plate, plate 88 in L'Oeuvre de Juste Aurèle Meissonnier, Paris, 1748; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Etched by Pierre Chenu (French, 1730-late 18th century); Published by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; Platemark: 51 x 34.5 cm (20 1/16 x 13 9/16 in.)

Theater Design 18th century Attributed to Anonymous, French, 18th century French. Theater Design 388093

Netherlands, Galle, Philips, Vredeman de Vries, Hans, Borcht, Pieter van der (I), Differents pourtraits de menuiserie. The series without title and without sheet 16, Differents pourtraicts de menuiseri, Eight racks for towels, crowned by pediments, Sheet 14 of 15 numbered sheets + title page from a series of 16., print, ornamental print, prints, ornamental prints, height 253 mm, width 190 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1583 - 1583, fourth quarter 16th century, paper, papier, etching, etchings, Work conception, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Four tables, 1658 Four tables. The table tops of these tables are successively supported by birds, putti, lions and sphinxes. The print is part of an album. Cologne (possibly) paper engraving Four tables. The table tops of these tables are successively supported by birds, putti, lions and sphinxes. The print is part of an album. Cologne (possibly) paper engraving

Capriglia, the social becomes.

Design for Decorative Panels with Hunting Scenes Inset 1854 J. S. Pearse British. Design for Decorative Panels with Hunting Scenes Inset. J. S. Pearse (British, active 1854-68). 1854. Watercolor

Tomb of Queen Brunehaut in Saint-Martin d'Autun abbey. France. Old XIX century engraving illustration. Les Français Illustres by Gustave Demoulin 1897

Table of tidal water of the Meuse and the Goereese Gat The Netherlands, Jan Caspar Philips, 1736 - 1775

Drawing, Design for a Bedroom, Hotel de Mailly-Nesle, Paris; Attributed to Gilles Paul Cauvet (French, 1731 - 1788); France; pen and black ink, brush and wash, over black chalk on paper, lined with two sheets of heavy paper and framed with blue paper colored black and strips of gold paper; 65.7 × 83.4 cm (25 7/8 × 32 13/16 in.) Mat: 71.1 × 91.4 cm (28 × 36 in.)

Castrum doloris of King Stanisław August Poniatowski. Brenna, Vincenzo (1745-1820), designer, Kolpakov, Ivan Ivanovič (1771-1840), graphic artist, Lapeine, Joseph (1759-1807), draughtsman, cartoonist

Designs for an altar; NUOVE INVENZIONI D'ornamenti d'Architettura E d'Intagli Diversi Utili Ad Argentieri Intagliatori Ricamentori et Altri Professori delle Buose Arti del Disegno. Two designs for an altar on one leaf. Print in an album with 22 etchings from a series of originally 32 ornament prints with exuberant baroque designs for altars, pulse chairs, organ cabinets and other ecclesiastical art, followed by designs for four-poster beds, children's clothing and other domestic furniture.

Altar of the Temple of Solomon, Jerusalem, Persian sofa, vase and table. Handcoloured copperplate engraving by Paul Weindl from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Chez Collignon, Metz, 1810.

Tafelversiering bij de gouden bruiloft van burgermeester Gerrit Hooft, 1757. Dezert op den Gouden Bruiloft van de Heer Burgemeester Gerard Hooft en Mevrouw Hester Hinlopen Ao. 1757 (title on object). Draughtsman: Simon Fokke (attributed to). Dating: 1757. Place: Northern Netherlands. Measurements: h 188 mm × w 456 mm. Museum: Rijksmuseum, Amsterdam.

Fontein in Een Grotto Te Karlsberg, Alexander Speculi, After Giovanni Francesco Guerniero, 1706 print Print is part of an album. paper etching garden fountain. artificial grotto in garden Karlsberg. Bergpark Wilhelmshöhe

Keulen, Bussemacher, Johann, Duitsland, Kramer, Gabriel, Architectura von den funf Seuvlen, Ionica.I, Vier Ionische kollen op psteppen, Germany, At the bottom are: a capital, two plans for capitals and a cross-section of a pilaster capital. Sheet 10 from a series of title page and 28 sheets., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 278 mm, width 203 mm, - 1611, print maker, prentmaker, 1610 - 1610, first quarter of the 17th century, paper, papier, etching, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher

Design for a ceiling with five planes, figures support the capitals, Design for a ceiling with five planes, draughtsman: Mattheus Terwesten, 1680 - 1757, paper, pen, brush, h 405 mm × w 316 mm

Henry Swinburne, 1743-1803, British, Gates of the Alhambra: Puerta de los Siete Suelos, 1775 to 1776. Pen and brown ink, black ink, gray wash, black wash and graphite on medium, moderately textured, cream, laid paper, mounted on moderately thick, moderately textured, cream, wove paper.

Design for a Tomb for a Cardinal. Artist: Anonymous, French, 16th century. Dimensions: sheet: 8 11/16 x 10 1/2 in. (22 x 26.7 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Study for a Statue of Queen Isabella. Pedro Mena y Medrano (Spanish, 1628 - 1688)

A Temple Dedicated to Jupiter, Juno, and Minerva, for the "Chinea" Festival. Dated: 1785. Dimensions: plate: 51 x 36.9 cm (20 1/16 x 14 1/2 in.) sheet: 62.8 x 43.7 cm (24 3/4 x 17 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Barbazza after Giuseppe Palazzi (architect).

Inkstand, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and gray wash, graphite on off-white laid paper, Shown slightly from above and obliquely from the right front corner. Not entirely shown at left. Below is a broad ovoidal base. Four kneeling mermen, who blow in shell horns, support a pedestal. It has the shape of an angular sarcophagus with two basins protruding at the ends. Their covers are decorated with calyces, their bowls with wreath medallions above branches. The front of the pedestal shows a trapezoidal relief of three women in the sea between moldings. Upon the four lower corners of the apparent cover stand putti carrying festoons with both hands. In the middle rises a fluted column with a band around the shaft. It shows medallions upon which there is a garland. Venus and Cupid, whom she evidently holds by one year, stand above. Colored background. In the upper left corner is a trace of a framing stripe., Rome, Italy, ca. 1810, metalwork, Drawing, Drawing

Sarkofag Margarety Brahe, ks. Hesse-Homburg. Thelott, Johann Philipp (fl. ca 1670), engraver

Tomb of Pope Urbanus VIII, Philibert Bouttats (II), After Giovanni Lorenzo Bernini, 1685 - 1736 print Tomb of Pope Urbanus VIII in the St. Peter's Basilica of Rome, by Bernini. On top of the tomb the sitting statue of Urbanus VIII. He makes a saying gesture. On the left the statue of Caritas, on the right that of Justitia. In the middle of the tomb the death that writes the name of the deceased in a book. Above the tomb the personal papal weapon of Urbanus VIII, stopped by two putti. Left, right from and under the tomb portraits of other members of Barberini family Rome paper etching / engraving pope. grave-building, monumental tomb. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Death as skeleton St. Peter's basilica

Woodcut by Hans Burgkmair depicting the triumphal procession of Emperor Maximilian I with a panel displaying the emperors titles, created in 1526.

Bogen des Vespasian. Vespasian war der General, der im Jahr 66 n. Chr. einen Aufstand der Juden in Palästina niederschlug und den jüdischen Tempel in ...

Nuremberg. Church Most Mary Mary - a fragment of the interior (porch) with a view of the balustrades, coat of arms and a Kunegundy and W. Henry; Verso: sketch of a fragment of the facade with the ascore in niches and architectural details; Lesser, Aleksander (1814-1884); 1839 (1839-00-00-1839-00-00);Henry (Saint), Church of the Blessed Virgin Mary (Nuremberg), Kunegunda (Saint-Ca 975-1033), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Emiljan Stanisław ( Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Nuremberg (Germany), architecture, brick architecture, foreign architecture, sacred architecture, balconies, gift (provenance), details, architectural details, facades, gothic (style), coats of arms, churches, niches (architect.), Bas -reliefs, sculptures, saints

Print (France)

Two vases with Frisians in Zorgvliet, Johannes Jacobsz van den Aveele, 1665 - 1727 print On the Frisian on the left is a vase on a pedestal. A man on horseback and a dancing woman can be seen on the right. From series of 7 sheets with two vases on each leaf on a balustrade with a view of the gardens of Zorgvliet in the background. Amsterdam paper etching

Hereeport at the Haarlemmerpoort, 1816. Erpoort in the form of a temple with dome and six columns, with a radiant sun on top. Founded at the Haarlemmerpoort. At the print a text fragment with a description of the decoration. Illustrations of the decorations prepared when the Prins and Princess visit from Oranje to Amsterdam on September 19, 1816.

Brancaccio, Francesco Maria.

Fontana del Babuino Te Rome, Domenico Parasacchi, 1637 print Print is part of an album. paper etching ornamental fountain Rome. Babuino fountain

Shown slightly from above and obliquely from the right front corner. Not entirely shown at left. Below is a broad ovoidal base. Four kneeling mermen, who blow in shell horns, support a pedestal. It has the shape of an angular sarcophagus with two basins protruding at the ends. Their covers are decorated with calyces, their bowls with wreath medallions above branches. The front of the pedestal shows a trapezoidal relief of three women in the sea between moldings. Upon the four lower corners of the apparent cover stand putti carrying festoons with both hands. In the middle rises a fluted column with a band around the shaft. It shows medallions upon which there is a garland. Venus and Cupid, whom she evidently holds by one year, stand above. Colored background. In the upper left corner is a trace of a framing stripe. Date: ca. 1810. Pen and brown ink, brush and gray wash, graphite on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Design for a Chimney Piece in the Gallery, now DIning Room, Harewood House, Yorkshire (Elevation). Artist: Robert Adam (British, Kirkcaldy, Scotland 1728-1792 London). Dimensions: sheet: 10 7/16 x 13 15/16 in. (26.5 x 35.4 cm). Date: ca. 1769.Robert Adam is mainly known as one of Great-Britain's most important historic architects, but he also concerned himself with the interior of many buildings and made an important mark as an interior designer. He designed this fireplace for Harewood House (Yorkshire), a country estate built for Edward Lascelles, first Baron of Harewood. With its two caryatids supporting the mantle, it follows a design which was very popular in the Neo-Classical period. Robert Adam used it various times, giving the female sculptures different postures and combining them with other reliefs and ornaments based on examples from Roman and Greek Antiquity. Museum: Metropolitan Museum of Art, New York, USA.

Tomb of Charles II. Date/Period: 1701. Engraving. Burin on paper. Height: 476 mm (18.74 in); Width: 326 mm (12.83 in). Author: Francesc Gazan.

Wall of a shell cabinet. The wall of a shell cabinet, perhaps one that was built behind the lust lock, approx. 1640. Between two rock walls, in which shells are incrusted, rise a porch with two shields in the middle. Right and left medallions with bust of Prince Willem I and Maurits; Above four lion heads, connected by a cloth draped like a garland. In the upper shield a crowned one (auranica).

Allegory on the union between Brandenburg and Nassau, ca. 1615; ARX Gloriae Domus Electoralis Castrum Honoris Brandbergens. Allegory on the unity between Brandenburg and Nassau in the Gulik-Kleefse issue, approx. 1615. Triumphoort for which a canvas hangs with the coat of arms of Brandenburg with an eagle and a lion with the weapon of Maurits. In the foreground a swan with around the neck the weapon of stick. On the gate a palace or building that are stabbed with symbols. In the middle of a banana with scepter and laurel bands of Achilles Germanicus and Cicero Germanicus. With inscriptions in Latin.

Studiekabinet, Johann August Corvinus, after Johann Jakob Schübler, in Or after 1724 print A study cabinet with a globe, a telescope and a bookcase. In the lower margin a two -line German text. Augsburg paper etching / engraving study; 'studiolo'; library. globe. telescope. bookshelves

Bound Print (France)

Decorated exhibition in Vlissingen, 1772; Face of the exhibition in Vlissingen, with the decoratien. The exhibition in Vlissingen, decorated the celebration of 200 years of freedom in Vlissingen, April 6, 1772. Numbered top left: Pl. V. Part of a group of nine plates numbered I-X from the decorations at this party.

The destruction of the old constitution, decoration on the Botermarkt, 1795, Anonymous, After Jurriaan Andriessen, 1795 print The destruction of the old constitution, allegorical decoration established on the Botermarkt in Amsterdam at the Alliantie festival on June 19, 1795. Decoration in the form of the ruin of a Gothic chapel, on the central chassinet the envy turns to the wheel of aristocracy that one Molenstone in motion. Part of a series of ten records. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities). ruin of church, monastery, etc.. the old government and its supporters (after revolution). Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins Amsterdam. Butter market

Cuvillies Francois de (1695-1768), role models of the artistry lock in the style of the 18th century, Berlin (without date): Interior views. Stitch on paper, 34 x 51.6 cm (including scan edges)

Fantastically decorated monstrance or ostensorium with crouching men (A,B), Saint Afra and Sain Benno (C,D) and angels with coat of arms (E,F) from a cabinet of curiosities in Sigmaringen, 15th century. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by I.K. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Templi Ignoti, Sed ex eius Fragmentis, Print made by unknown artist, sixteenth century, Published by Antonio Salamanca, ca. 1500-1562, Spanish, Published by Antonio Lafreri, 1512-1577, French, between 1546 and 1562, Line engraving on medium, slightly textured, cream laid paper, Sheet: 15 7/8 × 13 1/8 inches (40.3 × 33.3 cm) and Plate: 13 7/8 × 11 3/8 inches (35.2 × 28.9 cm)

Graftombe by Piet Heyn, Willem Swidde, c. 1676 - After 1688 print Graftombe by Piet Heyn in the Nieuwe Kerk in Delft. With French caption. Signed in the lower right corner "Fig: C". Amsterdam paper etching grave, tomb

Cœnotaphiorum (15) 1563 Hans Vredeman de Vries Netherlandish Freestanding funerary monument placed in an interior. On top of the tomb the effigy of a sleeping man is placed. Above his head there is a panel flanked by statues of wild men. The lower end of the tomb is characterized by a panel left blank and framed by strapwork decorations. A cloaked man is visible on the right side of the print, within an archway. Below the image a Latin inscription is added consisting of four lines, divided over two columns.. Cœnotaphiorum (15) 402143

POLITICOS REUNIDOS CON FERNANDO VII EN EL QUE SERIA SALON DE SESIONES DEL SENADO - GRABADO SIGLO XIX. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. FERNANDO VII (1784-1833).

Britannia, Block printed on handmade paper, Pillar and arch design. 'Britannia' enthroned amidst Corinthian columns, arches and urns. Corinthian columns support alternatively large and small arches. An urn on a pedestal beneath each of the smaller arches. Under larger arches: concave colonnade of Doric columns, topped by a statue of Britannia, facing left, holding spear, resting on shield, printed in black and white on gray ground., England, ca. 1765, Wallcoverings, Sidewall, Sidewall

Drawing, Project for a Fresco in the Dome of the Cathedral in Citta di Castello; Manufactured by Tommaso Maria Conca (Italian, 1734 - 1822); Italy; graphite, pen and ink, brush and sepia wash, blue and yellow watercolor, on paper; 38.8 x 32.8 cm (15 1/4 x 12 15/16 in.)

Rectangular Name Plates, Johann Thomas Hauer, 1781 print Four rectangular nameplates. At the top left with animal skull, top right with shield, spear and ax, bottom left with globe and passer, bottom right with laurel wreath and garland. Paris paper etching / engraving visiting-card, calling-card

Design for a Tomb for a Cardinal 16th century Anonymous, French, 16th century French. Design for a Tomb for a Cardinal 362889

Design for a Fountain: Bowl Supported by Two Sphynxes 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Fountain: Bowl Supported by Two Sphynxes 340252

Grand Autel de Notre Dame. Delamonce, Ferdinand, 1678-1753. Brice, Germain, 1652-1727. Illustrations, Prints. 1725. General Research Division. Paris (France)

Drawing by Daniel Nikolaus Chodowiecki from 1796 depicting Otto von Wittelsbach and Philipp von Schwaben using reddish, gray, and brown pen.

Twenty album pages with prints from the series Coenotaphiorum’ 1563 Johannes van Doetecum I Netherlandish Set of 20 plates from an original series of funerary monuments by Hans Vredeman de Vries consisting of a title page and 26 plates. The prints were acquired as part of a portfolio containing drawings and prints recording designs for funerary monuments and altars. While part of the drawings are sewn together in a quire, the group as a whole seems to have been compiled at a later date.. Twenty album pages with prints from the series Coenotaphiorum’ 656749

Cœnotaphiorum (14) 1563 Hans Vredeman de Vries Netherlandish Funerary monument shaped like a tomb, consisting of three vertical tiers. The middle tier is characterized by four blank coats of arms. On top of the tomb, on the right side, another coat of arms is placed, decorated with a helmet and acanthus leaves. Below the image a Latin inscription is added consisting of four lines, divided over two columns.. Cœnotaphiorum (14) 402142

Kunst aus Italien, Statuen, von Niccolo Pisano, Mino da Fiesole, Donatello, Sansovino, Rossellino, Verrocchio, Historisch, digital restaurierte Reprod...

Drawing, Elevation of an Altar; Italy; pencil, pen and ink, brush and watercolor, gold leaf on paper; 56.2 x 37.2 cm (22 1/8 x 14 5/8 in.)

Design for a Sepulchral Monument for Filippo Lovazzi, Vincenzo Gajassi, Italian, 1801 - 1861, Brush and watercolor, graphite, pen and ink on paper, A sculpted figure of a dead man is lying on top of a sarcophagus which is decorated with festoons and the tools of an architect. A pedestal is beneath, showing a tablet with the inscription: DOM / FILIPPUS LOVATIVS / FILIVS AMATISSIMUS / P between two coats of arms., Rome, Italy, ca. 1850, sculpture, Drawing, Drawing

Four seasons personifications; unknown, Marot, Daniel (1661-1752; st.); after 1703 (1663-00-00-1752-00-00);Autumn (personification), summer (personification), Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, spring (personification), winter (personification), French (culture), Personifications (iconogr.) , seasons, seasons (personification), statues, projects, sculptures

Embroidery, England 18th century. Silk embroidery on canvas, made by Elizabeth Haynes, approximately 1730.

Alabaster objects. Roman and Greek period. Engraving, 19th century.

Mausoleum van Augustus te Rome, Giovanni Maggi, 1600 Text in Italian under the performance. The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching Mausoleum van Augustus Text in Italian under the performance. The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching Mausoleum van Augustus

Hertochs, Abraham, Title page for: John Gauden, Ecclesia Anglicana, 1659, Weeping Mary with cross in front of church building, recto - stamped, Mary lies in front of a church building, weeping in a black robe, holding a cross with a Greek inscription. Her tears are caught in a bowl that overflows. On the left lies a fallen crown. On the church the title flanked by a king and a priest, above a figure of a pelican feeding its young., print, engraving, title page, prints, engravings, verso - stamped, height 270 mm, width 161 mm, Nederlands, print maker, printmaker, 1659 - 1659, paper, papier, engraving (printing process)

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