Elegant Architectural Interiors

A collection of artistic interior designs showcasing ornate decor, window treatments, and intricate architectural details, featuring classical themes and historical elements.

The Grand staircase of the Winter palace (Also known as Ambassador's staircase or Jordan staircase) by Sadovnikov, Vasily Semyonovich (1800-1879) State A. Pushkin Museum of Fine Arts, Moscow 1840s Watercolour on paper 41,8x30,6 Russia Russian Paint

Balcke Alfred (1857-1909), wall decoration for the Berlin art exhibition 1904, Berlin (1904): Perspective view interior. Pencil watercolored, gold heighted on the cardboard, 57.4 x 89.4 cm (including scan edges)

Francesco Miccinelli watercolor depicts the room of the animals in the Museo Pio Clementino, Vatican, around 1795.

Troy Triptych, 1872-1898. By Sir Edward Burne-Jones

Design for a Window Wall with Tapestry Panel, Chateau de Craon, Jean-Baptiste Marechal, Pen and black ink, brush and gray wash, rose, yellow watercolor, black chalk on cream laid paper, A design for a wall. The central panel (tapestry) features three Fates spinning the thread of life. Above them, a putto holds a crowned monogram, which may contain the initials of the Chateau de Craon's owner, the Marquis d'Armaille. This decorative central panel is flanked by two draped windows, through which can be seen a romantic landscape with classical temples. Beneath the windows are circular medallions with lyres and torches. Below the tapestry and on the window frames are located carved ornaments., France, ca. 1780, interiors, Drawing, Drawing

Imperial court, Augsburg, Wolf, heirs Jeremias, Schübler, Johann Jakob, Lichtensteger, Georg, Johann Jacob Schüblers Achtzehende Ausgabe seines vorhabenden Wercks, Worinnen vorgestellet were Sechserley Neu-inventirte Credences, und modern Caffé-Tische, Credens in niche, verso - stamped, An ornamented credens with crockery stands in a niche in an alcove. On the right a man walks up with a bottle and a plate. In the bottom margin a four-line German text., print, ornament print, prints, ornament prints, height 287 mm, width 177 mm, 1700 - 1781-03-18, print maker, 1724 - 1724, paper, etching, engraving, engraving (printing process), Work conception, German, 1689 - 1741, designed by, Publication (Event), Publication, publisher, grantor of privilege

INTERIOR DE SAN PEDRO DE ROMA - SIGLO XVII - OLEO/LIENZO - 210x156 cm - NP 145 - BARROCO ITALIANO. Author: FILIPPO GAGLIARDI. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

The Horses of St Mark's, Venice, 1905-06. Walter Richard Sickert (d. 1942)

Architectural painting, oil on wood, windows shutters of the salon, Queen's apartment, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century.

The Grand staircase of the Winter palace (Also known as Ambassador's staircase or Jordan staircase) by Sadovnikov, Vasily Semyonovich (1800-1879) State A. Pushkin Museum of Fine Arts, Moscow 1840s Watercolour on paper 41,8x30,6 Russia Russian Paint

Josep Mestres i Cabanes / 'Royal Palace, Royal Palace of Madrid', 1949. Museum: PRIVATE COLLECTION.

Theatre Box, 1892. Dated: c. 1947. Dimensions: overall: 47 x 77.8 cm (18 1/2 x 30 5/8 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

Alfred Plauzeau (1875-1918). Sketch for the Saint-Jean-de-Montmartre church. Oil on canvas. 1900. Museum of Fine Arts of the City of Paris, Petit Palais. Stereasing, Saint-Jean-de-Montmartre Church, sketch, oil on canvas

The Horses of St Mark's, Venice, 1905-06 Walter Richard Sickert (d. 1942), Landscape, Oil Painting, Italy, Venice, Architecture, Classical

Perspective de jardins / Perspective of gardens. Date/Period: Ca. 1674. Painting. Oil on canvas. Height: 400 cm (13.1 ft); Width: 300 cm (118.1 in). Author: Jacques Rousseau.

Queen Louise and her attendants leaving the Louvre to go to the House of Charity. France, 16th century.

Stage design for the opera Otello by G. Verdi by Ryndin, Vadim Fyodorovich (1902-1974) State Central M. Glinka Museum of Music, Moscow Oil on canvas 56x81 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

Best Seats in the House. Johann Berthelsen (1883-1972). Oil on canvas. 56 x 71cm

Painting depicting a family beside the Tomb of Prince William I in the Nieuwe Kerk, Delft. Painted by Dirck van Delen (1604-1671). Dated 17th Century

L'Hiver (Winter) Made 1801-1825 France. Silk, warp-float faced satin weave; embroidered with silk and chenille yarns in chain and satin stitches; couching; surface pigment added to embroidered stitches . Pierre Antoine Mongin

OPERA staircase Louis B�roud (1852-1930). "Opera staircase", 1877. Oil on canvas.

Adrià Gual / Boceto escenográfico. Institut del Teatre de Barcelona.

Patriarch Hermogenes of Moscow by Chebotkin, Valeri Alexandrovich (*1960) / Central Artist's House, Moscow / 2004-2007 / Russia / Oil on canvas / History /

The Gardens of Chernomor. Stage design for the opera Ruslan and Ludmila by M. Glinka by Bilibin, Ivan Yakovlevich (1876-1942) / State Museum of Theatre and Music Art, St. Petersburg / Theatrical scenic painting / 1913 / Russia / Watercolour and ink on pa

Design for a Chimney Piece in the Pompeian Style ca. 1775 Style of Robert Adam British, Scottish. Design for a Chimney Piece in the Pompeian Style 365742

Architecture with winged Victoria, an offerer and another figure with the lyre, mural painting in the macellum, Pompeii, Campania, Italy, colored engraving by Jean Adam from a drawing by Kubly, from Les Ruines de Pompei (The Ruins of Pompeii), by Francois Mazois, volume III, plate 46, 1812, Paris.

Matthias von Holst (1839-1905), Charlottenburger Castle, Berlin (1881): Borte room. Pencil watercolor, white heighted on the cardboard, 55.5 x 39.2 cm (including scan edges) Matthias von Holst (1839-1905): Charlottenburger Schloss, Berlin

Empress Alexandra Fyodorovna by Adolph Friedrich von Menzel, watercolour, gouache on cardboard, 1854, 1815-1905, Russia, St. Petersburg, State Hermitage, 44, 5x56, 9

Entrance hall of Pavlovsk Palace by Benois, Alexander Nikolayevich (1870-1960)/ State Tretyakov Gallery, Moscow/ 1902/ Russia/ Gouache and Pastel on paper/ Russian Painting, End of 19th - Early 20th cen./ 49x63,8/ Architecture, Interior

The Hall of Villa Demidoff at San Donato, by De Fournier Fortune, 1841, 19th Century, fresco. Italy, Tuscany, Florence, Palazzo Pitti, Modern Art Gallery. Whole artwork. View of frescoed hall neo-Classical style frescoes mythological subjects.

Doorway (San Marco, Venice). Date: 1891. Oil on wood panel. Museum: Smithsonian American Art Museum.

The Bagno del Granduca, by Catani Luigi, 1798, 18th Century, fresco. Italy: Tuscany: Florence: Palazzo Pitti: Granduca Bath. Partial view Bagno del Granduca bathroom room paintings landscapes pilaster strips decoration trabeation entablature fresco Corinthian capital panels tablets bas-relief painting picture interior

The third in Podhorce; Gryglewski, Aleksander (1833-1879); around 1871 (1865-00-00-1875-00-00);Potocki, Jakub Ksawery (1863-1934) - collection, gift (provenance)

Shops of hashish merchants on a street in Cairo. Chromolithograph by A. Preziosi, c. 1850, after himself.

Modern Rome, Giovanni Paolo Panini, 1757, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Riot at the amphitheater, detail, from Italy, Campania, Pompeii, painting on plaster, 55-79 B.C.

Album # 2; Stained glass project for Montmartre: Ornament Gsell-Laurent workshop. Album # 2; Stained glass project for Montmartre: Ornament. Pencil, watercolor.

At the Salon. Louis Beroud (1852-1930). Oil on canvas. Signed and dated 1909. 92 x 65.5cm.

The Railway Station, 1932 by Alf Rolfsen (1895-1979). Oil on canvas.

Princess Theatre in The Hague during the performance of Othello, by Johan Antonie de Jonge, c. 1900-1925. Dutch painting, watercolor on paper. (BSLOC_2016_1_21)

Staircase of an imaginary palace, inspires Antoine's stairs at the Cite Palace Pierre-Antoine Demachy (1723-1807). "Staircase of an imaginary palace, inspired by Antoine's stairs to the Palais de la Cit�". Oil on wood.

Abruzzo, L'Aquila, L'Aquila, Palazzo Centi, Italy, 20th century, photo, photography, Europe

The Portrait Hall in the Great Peterhof Palace by Yanush, Leonid Borisovich (1897-1978) / State Open-air Museum Peterhof, St. Petersburg / Modern / 1967 / Russia / Oil on canvas / Architecture, Interior /

Banquet in the Hall of Statues at the Palazzo Barberini in honor of the French officers, victorious in Mentana, by Gaetano Santarelli.

Interior of the Oude Kerk, Delft. Emanuel de Witte; Dutch, c. 1617-1691/2. Date: 1675-1685. Dimensions: 24 3/8 × 19 5/16 in. (62 × 49.2 cm). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute, USA.

Architectural fantasy with heir to the Pa Marieschi, Michele (1696-1743); 1735-1741 (1735-00-00-1741-00-00);Arkada (arch.), Deputy, Venetian painting, Italian painting, palaces, scenes in the interior, stairs, purchase (provenance)

The hall of the jewels, The Musee Charles X at the Louvre Museum, by Joseph Auguste, 19th century.

Vestigia delle Terme di Tito. View of the Absida in room 25 with Minerals, Junona and Venus; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Mirri, Ludovico (1738-1786); 1776 (1776-00-00-1776-00-00);Athena, DESA - collection, hera, Junona, Rome, Italy, town, Terme di Tito, Umiastowski, Roman, collection, Nero's golden house, antique, architecture, archeology, relief, decorations, reesiter, purchase (provenance)

Pierre-Antoine Demachy (1723-1807). "The Foundry of the Suifs at the Hôtel-Dieu, 1773". Oil on canvas. Paris, Carnavalet museum. Foundry, Hotel-Dieu, worker, tallow, oil on canvas

Modern Rome. Artist: Giovanni Paolo Panini (Italian, Piacenza 1691-1765 Rome). Dimensions: 67 3/4 x 91 3/4 in. (172.1 x 233 cm). Date: 1757.Among Panini's most brilliant inventions are <i>Modern Rome</i> and its pendant. They contrive to show the famous monuments of the city as paintings arranged in a sumptuous gallery. They were commissioned by the Count de Stainville, later Duke de Choiseul, ambassador to Rome from 1753 to 1757; he is shown seated in an armchair. Among the works illustrated are Michelangelo's <i>Moses</i> and Bernini's statues of <i>Constantine</i>, <i>David</i>, <i>Apollo and Daphne</i>, and his fountains in Piazza Navona. For the identification of additional monuments, visit metmuseum.org. Museum: Metropolitan Museum of Art, New York, USA.

Stalls in the church of the most frequent Mary of the Virgin on the sand in Wroclaw; Waldau, Grette (1868-1935); 1886 (1886-00-00-1886-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship), island Piasek (Wrocław), artists, Gothic (style), churches (archite.), Church of the Blessed Virgin Mary on the sand (Wrocław), Modernism (style), altars, German drawings, stalls, stained glass

Stage design for the ballet The Swan Lake by P. Tchaikovsky by Lushin, Alexander Fyodorovich (1902-)/ State P. Tchaikovsky Memorial Museum, Klin/ 1953/ Russia/ Watercolour, Gouache on Paper/ Theatrical scenic painting/ Opera, Ballet, Theatre

Conservatory Window with Flowers. Dated: 1935/1942. Dimensions: overall: 45.6 x 56.7 cm (17 15/16 x 22 5/16 in.). Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

Tiepolo Ceiling, Milan. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 14 x 9 7/8 in. (35.6 x 25.1 cm)Mat: 19 1/4 × 14 1/4 in. (48.9 × 36.2 cm)Framed (standard exhibition frame): 21 1/4 × 16 1/4 × 1 1/8 in. (54 × 41.3 × 2.9 cm). Date: ca. 1898-1900.In preparing to paint murals at the Boston Public Library Sargent studied major decorative schemes. He may have visited the Palazzo Clerici in Milan particularly to see its renowned ceiling frescoes by the eighteenth-century Venetian painter Giambattista Tiepolo. Sargent studied the ceiling's composition with a delicate but precise underdrawing before building up the forms with layers of washes. Details of the loosely painted figures at the center of the sheet blend with those of the molding below, creating a confusion of forms that suggests the Baroque splendor of the hall. Museum: Metropolitan Museum of Art, New York, USA.

Paris (1st arr.), France The seasons room, ground floor of the Denon wing (current room 23), Roman antiques , (French - Paris ( Ier arr. ) , France La salle des Saisons , rez-de-chaussée de l' aile Denon ( actuelle salle 23 ) , Antiquités romaines). Statue, museum, interior view, sculpture, painted decor, column, vault, antiquity, carved decor, Habitat , Architecture , Art, France, Paris, Louvre Museum: Salle des Saisons

Guillem Bestard, Interior esglesia del Roser, oil on canvas, pollensa museum, Majorca, Balearic Islands, Spain.

Unknown architect, diploma for the international fishing exhibition in Berlin. Monthly competition March 1880 (03.1880): View. Tusche watercolor on paper, 47.3 x 59.6 cm (including scan edges) N.N. : Diplom für die Internationale Fischerei-Ausstellung in Berlin. Monatskonkurrenz März 1880

Modern Rome 1757 Giovanni Paolo Panini Italian Among Panini's most brilliant inventions are Modern Rome and its pendant, which cleverly contrive to show the famous monuments of the city as paintings arranged in a sumptuous gallery. They were commissioned by the Count de Stainville, later Duke de Choiseul, ambassador to Rome from 1753 to 1757; he is shown seated in an armchair. Among the works illustrated are Michelangelo's Moses and Bernini's statues of Constantine, David, Apollo and Daphne, and his fountains in Piazza Navona. For the identification of additional monuments, visit metmuseum.org.. Modern Rome. Giovanni Paolo Panini (Italian, Piacenza 1691-1765 Rome). 1757. Oil on canvas. Paintings

GALERIA DEL PALACIO DE PALERMO - ACUARELA - SIGLO XVII.

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, undated. Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper.

Cupid and Psyche, Palace Green Murals, Psyche's Sisters visit her at Cupid's House, 1881 By Sir Edward Burne-Jones and Walter Crane A scene from William Morris' epic poem, 'The Earthly Paradise'., Roman Mythology, Oil Painting, Pre-Raphaelite

Herrmann Hans Paul, educational home. Schinkel competition 1909 (03/12/1909): Chapel. View of the interior (neckline) 1:20. Tusche watercolored gold heighted on the box, 103.9 x 84.4 cm (including scan edges) Herrmann Hans Paul (geb. 1882): Erziehungsheim. Schinkelwettbewerb 1909

Intarsia Panel - Castle Interior, 1800-1858. Maker: Luigi Ravelli (1776-1858). Pinto Collection - Purchased from Edward H Pinto, 1965.. The technique of using inlaid marquetry to create a perspective picture in wood is known as intarsia. This panel is the work of the Italian craftsman, Luigi Ravelli (1776-1858). Considerable skill was needed to select the appropriate grain and figure from the many different veneers used to create these works, in order to achieve the subtle variations of texture in the finished picture. Ravelli has also used controlled burning to produce the effect of shade. This was done by scorching areas of veneer in a tray of hot silver sand. .

Giovanni Migliara. 1785-1837. View of the interior of the abbey of Altacomba. 1833. oil painting on canvas. cm 56 x 72.

La Soiree. Delphin Enjolras (1857-1945). Oil on canvas. 74 x 60cm

Dionysus Child, Ino and the Nymphs of Nysa, by Unknown artist, 1st Century b.C., 1st Century, detached painted plaster (mural). Italy: Lazio: Rome: Palazzo Massimo alle Terme. Mock architectural aedicule portraying the mythological scene

Furniture from around the turn of the century 1900, Oak press, Strangers' Hall, Norwich. Wall fresco, West Stowe, ca. 1550. (1910, 1911), Oak press, Strangers' Hall, Norwich. Wall fresco painting, ca. (1910, 1911) .jpg

Baptist Church, 1901. Dated: 1935/1942. Dimensions: overall: 78.2 x 56.9 cm (30 13/16 x 22 3/8 in.). Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Perkins Harnly.

Adrià Gual / Boceto escenográfico. "L'Ecole des Femmes, Moliere, Teatro Romea". Institut del Teatre de Barcelona.

Execution of Jean Desmartes, by Jean-Paul Laurens, 1383 (19th/early 20th century). Jean Desmartes and eleven notables are decapitated after the revolt of the maillotins in Paris. From the Hotel de Ville, Paris, France.

Architectural Capriccio 1547 Francesco Orlandini Commissioned by Claude d'Urfé, Ambassador of the King of France to the Council of Trent. Executed by Fra Damiano da Bergamo and his assistants in the Convent of San Domenico at Bologna, and set up in the Chapel of the Chteau de la Bastie d'Urfé, near Lyons.The altarpiece, representing the Last Supper, is signed by Fra Damiano and dated 1548. It was designed by Jacopo Barozzi da Vignola.The inlaid panels show architectural views, still lifes, landscapes, sacred subjects and ornamental patterns.The carved cartouches display the cipher of Claude d'Urfé and his wife, Jeanne de Balzac, the Eucharistic sacrificial lamb, adopted as an emblem by Claude d'Urfé, and various Trinitarian symbols. The design of these cartouches was also probably due to Vignola.The inscription running around the wainscoting is based upon the words of the Eucharistic hymn of Saint Thomas Aquinas. It indicates that the Chapel was dedicated to the Holy Sacrament as well

Mural, Terme del Foro therm, archaeological site, Pompeii, Naples, Campania, Italy, Europe

Coronation of King Frederick IV of Denmark at Frederiskborg Castle, watercolour by Benedix Grodtschilling (1655-1707). Denmark, 18th century.

Salle du Trone, Senat. J. Lévy (French, active Paris, France 1850s - 1880s)

REPRESENTACION DE LUGO EN MOSAICO. Location: España Square. Sevilla. Seville. SPAIN. ALFONSO I REY CAUDILLO DE ASTURIAS (693-757).

Blood Collage, c. 1850-60, John Bingley Garland, British, 1791-1875, 20 5/8 × 15 3/16 in. (52.4 × 38.6 cm) (sheet)29 9/16 × 24 7/16 × 1 3/4 in. (75.1 × 62.1 × 4.4 cm) (outer frame), Collage of engraving and gold paper, with gouache, red india ink, gold paint, and inscriptions in pen and ink, on buff backing paper, England, 19th century, John Bingley Garland was a prosperous English merchant, politician, public servant, and collage artist. He lived in Newfoundland for four years, in two different stints, where he managed his familys fish trading business, and served, notably, as the first Speaker of Newfoundlands House of Parliament. In 1834 he returned to England, where he ran his familys firm until his death at age 83. Forty-five accomplished, fantastical 'Blood Collages' by Garland survive, all likely executed in the 1850s—62 years before the medium of collage was officially 'invented' by Picasso or Braque. Garlands practice grew out of the Victorian craze for scrapbooking and de

Interior. The Hall of War in the Pavlovsk Palace by Kuchumov, Vasili Nikitich (1888-1959)/ State Open-air Museum Oranienbaum/ 1920s/ Russia/ Oil on canvas/ Russian Painting, End of 19th - Early 20th cen./ 28,5x21/ Architecture, Interior

The vestibule of the Hotel de Mt Menier, Paris, France, 20th century.Artist: G Sanier

A noble household : the lady of the house is waited on by her retainers in a richly ornamented salon

Italy, 18th century. Inauguration of the Teatro Regio in Turin, with the performance of the opera Arsace, by Francesco Feo (1691-1761), scenic design by Ferdinando Bibiena (1657-1743), December 26, 1740. Painting by P. D. Oliviero.

British, Louis XIV- Régence style frame, Unknown framemaker, 1st half of 18th century, Carved wood, later oil gilding over original gilding and sanded frieze

Pheidias and the Frieze of the Parthenon, 1868-69. Artist: Sir Lawrence Alma Tadema

May Morning on Magdalen College Tower, Oxford, Ancient Annual Ceremony, 1893. A group of choristers in white robes gather on the flower-strewn roof of Magdalen College tower, Oxford University. On the right are fellows of the College... Artist: William Holman Hunt. Oil On Canvas

The Twelve Brothers, 1898-99, Arthur Joseph Gaskin, The Wild Swans (Twelve Brothers Turned into Swans) inspired by the German fairy tale 'The Twelve Brothers' by Jacob and Wilhelm Grimm.Pre-Raphaelite, Literature, Fairy tale, Grimm Brothers

View of the choir and naves G Cathedrals in Wawel; believes, Saturnin (1820-1883); 1880 (1880-00-00-1880-00-00);Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of SS. Giovanni e Paolo, 1782 and Pontifical Ceremony in SS. Giovanni e Paolo, Venice, 1782 (pair), c. 1783. Francesco Guardi (Italian, 1712-1793). Oil on canvas; framed: 69.2 x 86.4 x 10.2 cm (27 1/4 x 34 x 4 in.); unframed: 51.4 x 68.8 cm (20 1/4 x 27 1/16 in.). From May 15-18, 1782, Pope Pius VI Braschi was in Venice, the only papal visit during the eighteenth century, an event celebrated with great festivities. Francesco Guardi (1712-1793), a native Venetian, was one of the most celebrated scenic painters of the eighteenth century, and specialized in depictions of cityscapes and the pomp and pageantry of Venetian ceremonial life. To celebrate the momentous occasion, the Englishman Peter Edwards commissioned four large scenes of the Pope's visit. The museum's two smaller paintings represent copies of the popular subject, which Guardi copied either for the open market or for other patrons. The Pontifical Ceremo

'Fernando VII is Sworn in as Prince of Asturias', 1791, Oil on canvas, 237 cm x 159 cm, P01045. Author: LUIS PARET Y ALCAZAR (1746-1799). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. FERNANDO VII (1784-1833).

Stanis Aw Tondos (1854-1917), Wojciech Kossak (1856-1942), King Jan Kazimierz descends from the steps leading to the throne; Salon Painters Salon Publishing House (Kraków; 1895-1949), Anczyc, W ADYS AW Ludwik and Spóża (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Souvenir al Compiegna. Sir William Russell Flint (1880-1969). Watercolour. 19 1/4 x 26in

The Oude Kerk, Delft. Cornelis de Man; Dutch, 1621-1706. Date: 1655-1665. Dimensions: 25 1/2 x 30 1/2 in. (64.1 x 77.4 cm). Oil on canvas. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

Study for The Apotheosis of Pennsylvania, House of Representatives Chamber, Pennsylvania State Capitol,Harrisburg. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Square of Miracles (Piazza dei Miracoli) in Pisa, Italy 16th Century. Inlay.

Edgar Degas 1834-1917. The dance foyer at the Opéra theater on rue La Peletier. 1872. oil painting on canvas cm 32,7 x 46,3.

Léon-Matthieu Cochereau (1793-1817). "The XVIIth century room of the museum of French monuments". Paris, Carnavalet museum. 23784-10 Bust, column, woman, French monuments, work of art, panorama, 18th century living room, alone, statue, table, 19th XIX 19th 19th 19th 19

View of the 1889 universal exhibition Roger Jourdain (1845-1918). View of the universal exhibition of 1889. Watercolor, 1889.

An Audience. Walter Westley Russell (1867-1949). Oil on canvas. 20 x 24in

The Study of King William I in the Royal Palace in Berlin, 1869, Germany, Historic, digitally restored reproduction of an original 19th century painting, exact original date unknown, Europe

PINTURA POMPEYANA - INSTRUMENTOS DE ESCRITORIO - FRESCOS DEL SIGLO I PROCEDENTES DE HERCULANO. Location: NATIONAL MUSEUM OF ARCHAEOLOGY. NEAPEL. ITALIA.

Netherlands, Galle, Philips, Vredeman de Vries, Hans, 8-page series: Gardens, Gardens, Garden with geometric parterre and kolf players, The labyrinth is formed by low flowerbeds in a geometric pattern, consisting of a diamond with semicircular protrusions on the straight sides. In the background is a square on which people are playing kolf. Sheet from a series of 8 numbered sheets with gardens. In the background the ground floors of buildings are always visible., print, ornamental print, prints, ornamental prints, height 182 mm, width 244 mm, print maker, printmaker, 1587 - 1587, fourth quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Battle of Lake Erie painting by Powell hanging in the U.S. Capitol Building in Washington D.C.

. Chimney of oak, partial gold-plated, consisting of two main adjusters placed above each other, supported by pilasters with corintean capitals. The front of the chassis is decorated with wood carving. The front pocket of the bosom has a painted chimney piece with a representation of Odysseus and Nausikaä within a stabbed frame. The inserted work is carried out in linden wood.

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