Elegant Architectural Interiors

Featuring intricate palace interiors and theatrical scenes with arches, columns, and statues, showcasing a serene and classical art style.

Amsterdam, Poster, Johannes Roelof, Netherlands, Verkerk, A., Ten plates of the decorations at the Alliance Festival in Amsterdam in 1795, The Destruction of the Old Constitution, decoration on the Botermarkt, 1795, verso - stamped, allegorical decoration erected on the Botermarkt in Amsterdam at the Alliance Festival on 19 June 1795. Decoration in the form of the ruins of a Gothic chapel, on the central chassis Envy turns the wheel of the aristocracy that a millstone in motion. Part of a series of ten plates., print, prints, Frederik Muller Historieplaten, height 238 mm, width 288 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Interior of a palace, draughtsman: Jan Hendrik Troost van Groenendoelen, 1757, paper, pen, brush, h 173 mm × w 143 mm

Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: sheet: 17 15/16 x 11 1/4 in. (45.5 x 28.5 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Poster, Johannes Roelof, Netherlands, Verkerk, A., Ten plates of the decorations at the Alliance Festival in Amsterdam in 1795, The Destruction of the Old Constitution, decoration on the Botermarkt, 1795, verso - stamped, allegorical decoration erected on the Botermarkt in Amsterdam at the Alliance Festival on 19 June 1795. Decoration in the form of the ruins of a Gothic chapel, on the central chassis Envy turns the wheel of the aristocracy that a millstone in motion. Part of a series of ten plates., print, prints, Frederik Muller Historieplaten, height 238 mm, width 288 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 6 15/16 × 10 13/16 in. (17.6 × 27.5 cm). Date: ca. 1660-82.Theatrical scene after set designs by Ludovico Burnacini. Museum: Metropolitan Museum of Art, New York, USA.

View in the Nieuwe Kerk in Delft, with the funerary monument of William of Orange, draughtsman: Wybrand Hendriks, after: Gerard Houckgeest, 1754 - 1831, paper, pen, brush, h 375 mm × w 262 mm

Thiry, Léonard, Androuet, Jacques, Cum Nactus Essem Duodecim Fragmenta Structurae veteris, Ruins, Triumphal arch, Remains of a triumphal arch. In the foreground a man is drawing, while a child looks over his shoulder. This print is part of an album., print, prent, albumblad, prints, prenten, height 161 mm, width 99 mm, print maker, prentmaker, 1550 - 1575, paper, papier, etching, etsen, Work conception, French, 1515 - 1584, after print

Boog van Constantine, Jacques Androuet, 1584 print The print is part of an album. print maker: Franceprinter: ParisFrance paper etching public baths Boog van Constantine

Dahlberg, Erik Jönssen, Stockholm, Swidde, Willem, Suecia Antiqua et Hodierna, Delineatio Scalae ac porticus in Regio Palatio Drottningholmensi operis perelegantis, sumptuosi, magnifiq adeo ut eis Europa paucas habeat similes, Stairwell in Drottningholm castle, The print is part of an album., print, album page, prints, height 268 mm, width 180 mm, Northern Dutch, 1661 - 1697-06, print maker, 1694 - 1694, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

Interior of the Church of Sainte Genevi�ve Charles de Wailly (1729-1798). Interior of the Church of Sainte Genevi�ve. Feather, Chinese ink wash.

Schouwburg with theater decor: the new court portal, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater show in the Amsterdamse Schouwburg on the Keizersgracht with the scenic decor Het Nieuwe Hofportaal with scene off: Karel de Stoute, Hartog of Burgundy. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

The Balcony, c. 1880. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

Figures in the large hall in the castle of Versailles, Sébastien Leclerc (I), 1684 print print maker: Francepublisher: Paris paper etching / engraving other rooms. chandelier, candelabrum. (decorated) ceiling Versailles

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

HAL with a cross vault decorated with grotesken, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1601 Hall with a cross vault decorated with grotesken. There are statues in Nissen. The print is part of an album. Antwerp paper engraving Hall with a cross vault decorated with grotesken. There are statues in Nissen. The print is part of an album. Antwerp paper engraving

Vestibule with corinthian columns; Nouveaux Liure de Pintures de Salles et d'Escalliers. A vestibule decorated with double corinthian columns and seeing through to a gallery with images. The ceiling is decorated with sphinxes, women, putti and vases.

In view of LI exit the La Grande Hall Hall a descendant you chateau the Heaved grudder. Inced, ended extent from the Voraallerly beyhell Highteterity Vomis ingen ends with the Verlabeberier Afterdé will be dedication: delecting with the MR. the grameberg the hacqueville par scouring ch.es the grassyg

Balzer Dahl (1825-1893); C.V. Nielsen (1867-1950), Forgaard to S. Ambrogio in Milan, 1882

Rosslyn Chapel. David Young Cameron; Scottish, 1865-1945. Date: 1901. Dimensions: 258 x 182 mm (image/plate); 330 x 230 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Square in front of a renaissance palace with on the left a Neptune fountain, Square in front of a renaissance palace, draughtsman: Daniël de Blieck, 1669, paper, pen, brush, h 151 mm × w 119 mm

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Veduta interna della Basilica di S. Giovanni Laterano, Interior of the Basilica of St. John Lateran in Rome, verso - stamped, View in the Basilica of St. John Lateran in Rome. Title on banderol bottom left., print, prints, height 434 mm, width 682 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1748 - 1778, paper, etching, Work conception, after own design of

Elevation of an altar in an apse, Black chalk, pen and black ink, gray and brown wash on white laid paper, Italy, ca. 1775, architecture, Drawing, Drawing

Grave monument for Pope Sixtus V; Per l'Esequie di Sisto v p. m.; Modern and antique monuments and buildings in Rome; Ornamenti di Fabriche Antichi and Moderni Dell 'Alma Citta di Roma. Text in Italian under the show. The print is part of an album.

Sacrifice in a Classical Building. Artist: Anonymous, French, 18th century. Dimensions: 5 3/8 x 3 7/8 in. (13.7 x 9.8 cm). Date: 18th Century. Museum: Metropolitan Museum of Art, New York, USA.

Speculum Romanae Magnificentiae: Interior Reconstruction of the Colosseum 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of print

The Balcony. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 11 11/16 x 7 13/16 in. (29.7 x 19.9 cm)Sheet: 11 11/16 × 7 13/16 in. (29.7 × 19.9 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Throne Room in St. Bavo Church in Ghent for the inauguration of Charles VI, German Emperor, in 1717, Jacob Colin, 1717, View of the throne room in St. Bavo Church in Ghent for the inauguration of Archduke Charles of Austria as Charles VI, German Emperor, in October 11, 1717., draughtsman: Jacob Colin, (mentioned on object), Southern Netherlands, 1717, paper, h 446 mm × w 560 mm

The Cloister of San Lorenzo Fuori le Mura, Rome. Unknown Artist; German or Scandinavian, 19th century. Date: 1827. Dimensions: 276 × 303 mm. Brush and various gray washes over traces of graphite, on ivory wove paper, laid down on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Design for Stage Set. Artist: Attributed to Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: sheet: 3 15/16 x 5 7/16 in. (10 x 13.8 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Kataflak from Emperor Matthias van Austria, c. 1656 - c. 1657 drawing Zwolle paper. ink. pencil brush

Interior of the old chapel in Tre Kronor Castle, Johannes Jacobsz van den Aveele, 1702 The print is part of an album. Karlberg Palace paper etching Sweden. Stockholm. Slot Tre Kronor The print is part of an album. Karlberg Palace paper etching Sweden. Stockholm. Slot Tre Kronor

Iani Quadrifrontis Templum in Foro Boario, Print made by unknown artist, sixteenth century, after Tommaso Barlacchi, active 1540-1550, Italian, Published by Antonio Lafreri, 1512-1577, French, 1564, Line engraving on medium, slightly textured, cream laid paper, Sheet: 22 × 16 inches (55.9 × 40.6 cm) and Plate: 16 3/8 × 13 inches (41.6 × 33 cm)

Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae Architecturae formae, Oval architectural perspective views for intarsia, Portal with barrel vault and view of a street with arcades, Portal with barrel vault and view of a street with arcades. In the foreground a fountain in a square basin. Scrollwork in the corners. This print is part of an album., print, album sheet, prints, height 162 mm, width 216 mm, print maker, printmaker, 1560 - 1562, paper, etching, etchings, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

Katafalk for François Guiron de Ville.kataafalk for Commander François Guiron de Ville, Square in the Battle of Turks, founded by Pope Clemens IX in 1669 in the Santa Maria Maggiore in Rome. Catafalk with obelisks and in the middle a portrait bra. Latin text above and below the image.

Drawing, Project for a Painted Ceiling; Italy; pen and ink, brush and watercolor on paper; 13.4 × 21.3 cm (5 1/4 × 8 3/8 in.)

Saint-Etienne-du-Mont, Paris (Church of St. Stephen of the Mount, Paris), 1852, etching on laid paper, plate: 25 x 13 cm (9 13/16 x 5 1/8 in.), sheet: 37.3 x 24.2 cm (14 11/16 x 9 1/2 in.), Schneiderman 1990, no. 25, State iv/viii, Charles Meryon (artist) French, 1821 - 1868

Design for a Theatrum Sacrum. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 22-13/16 x 16-3/4 in. (57.9 x 42.6 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Poster, Johannes Roelof, Netherlands, Verkerk, A., Ten plates of the decorations at the Alliance Festival in Amsterdam in 1795, Destruction of the Aristocracy, decoration on the Westermarkt, 1795, verso - stamped, The Destruction of the Aristocracy, allegorical decoration erected on the Westermarkt in Amsterdam at the Alliance Festival on 19 June 1795. Hercules (the Dutch people) defeats the seven-headed hydra (aristocracy and family government). Part of a series of ten plates., print, prints, engravings, Frederik Muller Historieplaten, height 241 mm, width 287 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

View of Cuxa Cloisters in the Garden of Barnard's Cloisters. Artist: Edward Howard Suydam (American, Vineland, New Jersey 1885-1940 Charlottesville, Virginia). Dimensions: Sheet: 14 3/8 × 13 in. (36.5 × 33 cm). Date: 1927. Museum: Metropolitan Museum of Art, New York, USA.

Architecture fantasy with water pump. Architectural fantasy with water pump, ruins and other antique remains. Two women at the pump. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets. In the margin one - unrelated - pencil sketch of a silver teapot with two specks.

Renaissance room with figures. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 160 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

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The coulisecor de hell with scene from: the century of the Amsteldamschen Schouwburg. Only the decor printed from a separate plate, so without the passe-partout. Part of a series of 12 stage decorors from the Amsterdamse Schouwburg on the Keizersgracht.

Schouwburg with theater decor: the street of London, Cornelis Brouwer, after Jan Bulthuis, after Jurriaan Andriessen, after Hermanus Numan, 1788 print Theater show in the new Amsterdam Schouwburg with the scenic decor De Strait van London, with scene from Beverly. The decor printed of a separate plate within a renewed passe-partout with the room, side slices, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Schouwburg with theater decor: the Italian street, Adolf van der Laan (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenes of the Italian street with scene from: the waving lawyer. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of twelve theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Ruïnes Met de Farnese Hercules, Johann Ferdinand Hetzendorff von Hohenberg, after Lysippus van Sicyon, 1742 - 1806 print paper etching landscape with ruins

Lalanne, Maxime (n.1827-11-27-D.1886-07-29), at the bottom of the Tuileries staircase during the siege of Paris (1870-1871) (dummy title), 1870. Carnavalet Museum, History from Paris.

Small landscape with two garden gates in a row, draughtsman: Johannes de Bosch, 1775, paper, pen, brush, h 97 mm × w 70 mm

Bliżej Kultury Stroobant, François (1819 1916), Litographic Plant Time (Krakow)

Architectural Details for a Wall Decoration with Empress Maria Theresia Embracing the Young Wolfgang Amadeus Mozart. Dated: c. 1864. Dimensions: overall: 17.9 x 22.6 cm (7 1/16 x 8 7/8 in.). Medium: pen and brown ink on ivory paper. Museum: National Gallery of Art, Washington DC. Author: Moritz von Schwind.

Performance of the fireworks drawn on October 3, 1751 ... (IT)

Richard Sawyer, active 1820-1830, Inside of the Duke's Theatre in Lincoln's Inn Fields, 1809. Engraving.

Design for an arb bow for Archduke Leopold Willem. Design for a triumphal arch.

Messel Alfred (1853-1909), Grand Ducal Museum in Darmstadt. Execution project from 1896 (April 20, 1897), hall for plaster casts: perspective interior view, pencil watercolor on paper, TU UB Plan collection inv. No. 13434

Interieur Van de Tempel Van Hercules Victor Te Tivoli, Giovanni Battista Piranesi, 1748 - 1778 print Face in the temple of Hercules Victor (called Villa Maecenas) in Tivoli. Title and text on Epitaaf in the middle. Rome paper etching ruin of a building ~ architecture. temple, shrine ~ Roman religion Temple of Hercules Victor. Tivoli

Mauro Antonio Tesi, Stage Design, c 1755 Stage Design

John Bluck, active 1791-1831, British, Memorials in the North Entrance, 1811. Aquatint.

Chalk drawing by Giovanni Paolo Pannini showing remains of a palace with Corinthian columns, architectural details, ruins, and surrounding environment on gray paper.

Drawing, Stage Design: Kitchen Interior; Italy; pen and bistre, brush and sepia wash on paper

Procession at Arles, 1918. Horace Vernet (French, 1789-1863). Lithograph;

The Hague, Marot, Daniël (I), Netherlands, Nouveaux Liure de Bersseaux et Trilliages, Title page: Nouveaux Liure de Bersseaux et Trilliages, Lattice pavilion with coupled Tuscan pilasters on both sides. From a series of 6 sheets., print, ornamental print, title page, prints, ornamental prints, height 183 mm, width 271 mm, 1663 - 1752-06-04, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Object ID #18541869; Italy; pen and brown ink, green, brown wash, black chalk, ruled border in pen and brown support: white laid paper; 34.9 x 27 cm (13 3/4 x 10 5/8 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Glascow Cathedral Screen. David Young Cameron; Scottish, 1865-1945. Date: 1897. Dimensions: 255 x 445 mm (plate); 333 x 528 mm (sheet). Etching on white laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Design for Stage Set 1698-1765 Attributed to Giovanni Battista Natali III Italian. Design for Stage Set 362008

The Entrance of the Academy of Architecture at the Louvre. Gabriel Jacques de Saint-Aubin; French, 1724-1780. Date: 1779. Dimensions: 173 × 137 mm. Brush and black ink and gray and colored wash, with black chalk and touches of pen and black ink, on off-white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Frontispiece, 1802., 1802., Paris. Publisher, P. Didot. Engravings

print, Jan van Doetechum the Elder, Dutch, active 1554 - ca. 1600, Johannes van Doetechum I, ca. 1530 - 1606, Lucas van Doetechum, Dutch, after 1584, Hans Vredeman de Vries, Dutch, 1527 - ca. 1606, Support: White laid paper, Netherlands, 1560, architecture, print

Bliżej Kultury Monogramist J.H., Maszyński, Julian (1847 1901)

Stage Design. Dated: c. 1755. Dimensions: Overall: 13.9 x 18 cm (5 1/2 x 7 1/16 in.) support: 21.2 x 25.7 cm (8 3/8 x 10 1/8 in.). Medium: pen and brown ink with brown wash over graphite. Museum: National Gallery of Art, Washington DC. Author: Mauro Antonio Tesi.

In the Aldermen's Hall of the City Hall on Dam Square there are several figures, mostly men. The aldermen are seated in the benches. Some figures are talking to each other and others appear to be admiring the interior. On the ceiling, the family coats of arms of the first aldermen can be seen. Beneath the image is the crowned coat of arms of Amsterdam, held by the Dutch lion, View of the interior of the Schepenzaal of the City Hall on Dam Square The Schepen Kamer at the Amsterdam City Hall , print maker: Willem Kok, (mentioned on object), 1793, paper, etching, h 490 mm × w 410 mm

Two designs for a garden view with a fountain and a balustrade with two garden vases. Design for a painting, Two designs for a garden view and a balustrade., draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, pen, h 162 mm × w 206 mm

Balth grave monument. Fredericus von Stosch in the Janskerk in Utrecht.

Old St. Etienne, 1907. David Young Cameron (British, 1865-1945). Etching and drypoint;

Decoration of the Throne of Notre-Dame Cathedral for the Sacre of Napoleon I, Paris Charles Percier (1764-1838). Decoration of the Throne of Notre-Dame Cathedral for the Sacre of Napoleon I, Paris. Watercolor.

Drawing by Ferdinand Boberg. Södermanland, Villåttinge hd., Dunkers sn., Björndammen Nordic

Architectural Capriccio ca. 1780-1800 Jean Henri Alexandre Pernet French. Architectural Capriccio 343118

Fantasy cityscape with structures and sculptures from various Tuscan cities, c. 1801 - c. 1803 print A fantasy cityscape with structures and sculptures from various Tuscan cities. From left to right: the Dom of Siena, the tower, the cathedral and the Baptisterium of Pisa and the Dom with Campanille van Florence. In the foreground, among other things, the statue of Ferdinando I de 'Medici with the images of the four slavy' Moors' (I quattro Mori) from the port of Livorno, the Sabinian virga by Giammologna, Perseus by Benvenuto Cellini and Hercules and Hercules and Cacus by Baccio Bandinlli. Assignment in the end margin. paper etching city-view in general; 'veduta' - II - ideal city. piece of sculpture, reproduction of a piece of sculpture. church (exterior). tower, clock tower ~ monumental adornment. slavery; serfs and the enslaved Stupid. Tower of Pisa. Cathedral of Pisa. Baptisterium. Campanile. Stupid of Florence. Livorno

Graftombe of Willem I, Prince of Orange, in the new church in Delft. .

Listesso, 1601 - 1645, Etchings, 3 7/8 x 5 1/8 in. (9.8 x 13 cm), Paper / Sheet 3 7/8 x 5 1/8 in. (9.8 x 13 cm), Cream laid

Amsterdam, Marot, Daniël (I), Netherlands, Nouveaux Livre da Partements, Cabinet with paintings and Chinese porcelain, lower right, From a series of 6 sheets., print, ornamental print, prints, ornamental prints, Marot In et fecit avec Privillege des Etats genraux des provinces Unies et d'hollande et Wees frisse, lower left, Cabinet, height 187 mm, width 271 mm, 1663 - 1752-06-04, print maker, printmaker, 1712 - 1712, first quarter 18th century, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, publisher

Catafalque erected in the Catholic Church of Saint Petersburg on the occasion of the death of Pope Pius VI, Russia, engraving by Thierry from Recuille des dessins de differens batimens contruits in Saint-Petersbourg and d in the Empire de Russie par Louis Rusca ( Collection of drawings by various buildings built in Saint Petersburg and the Russian Empire by Luigi Rusca), Saint Petersburg, 1810.

Portico. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 14-3/8 x 10 in. (36.5 x 25.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Palace Doorway, plate 22 from the North Italian Set Made 1895 Scotland. Etching on ivory laid paper . David Young Cameron

Print made by Ambrogio Brambilla, active ca. 1579-1599, Italian, Pantheum Romanum nunc Mariae Cognomento, between 1581 and 1586. Etching and line engraving on medium, slightly textured, cream laid paper.

Master I.K., German (active second quarter 16th century), Four Evangelists in a Scriptorium, 1539, pen and brown ink with brown wash over red chalk on laid paper

Giovanni Battista Piranesi (Italian, 1720-1778), The Grand Piazza, published 1750-1758, etching, engraving, sulphur tint or open bite, burnishing

Tempel Van Neptunus Te Paestum, Giovanni Battista Piranesi, 1778 print View of the remains of the temple of Neptune in Paestum. Explanatory list of letters on banderol right. Numbered in the top left: planche XIII. Rome paper etching (story of) Neptune (Poseidon). landscape with ruins. ruin of a building ~ architecture. temple, shrine ~ Roman religion Paestum. Temple of Neptunus

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Interior of Saint Severin Church in Erfurt. Artist: Carl Georg Anton Graeb (German, Berlin 1816-1884 Berlin). Dimensions: sheet: 11 5/16 x 15 1/2 in. (28.7 x 39.3 cm). Date: 1855. Museum: Metropolitan Museum of Art, New York, USA.

Świętokrzyska Chapel Trial Board for the Portfolio: Leon Wyczółkowski, Wawel I. II., Kraków, 1911/1912 Wyczózó Kowski, Leon (1852 1936)

Notes of the Duomo Choir, Siena, Italy, Walter Shirlaw, American, b. Scotland, 1838-1909, Graphite, black crayon on paper, View of the interior of the cathedral, noting details in the floor, columns, and arches., Siena, Italy, ca. 1872, architecture, interiors, Drawing, Drawing

Augustus Welby Northmore Pugin, 1812-1852, British, Interior of a Gothic Church, undated. Watercolor on moderately thick, moderately textured, cream wove paper.

Tomb of Queen Elizabeth, Henry VII's Chapel, Westminster Abbey. Steel engraving by W. Radclyffe after an illustration by Thomas Hosmer Shepherd from London Interiors, Their Costumes and Ceremonies, Joshua Mead, London, 1841.

Corner fountain with a statue of Christ under a canopy, 1568 print Corner fountain with a statue of Christ under a canopy. Next to the fountain a man with beard and beret. Behind him view in a corridor. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. civic architecture; edifices; dwellings

Untitled (31). edited by Ferdinando Ongania; Italian, 1842-1911. Date: 1885-1895. Dimensions: 33.8 x 23 cm (image); 55.1 x 37 cm (paper). Photogravure, No. 31 from the portfolio "Calli, Canali e Isole della Laguna". Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Nohl Maximilian (1830-1863), Palazzo Braschi, Rome. Stairwell (1858-1858): Perspective inner view. Pencil watercolor on the box, 30.6 x 23.4 cm (including scan edges) Nohl Maximilian (1830-1863): Palazzo Braschi, Rom. Treppenhaus

Theater Decor: Contemporary Chamber, Reinier Vinkeles (I), After Pieter Barbiers (I), 1776 print The CoulissenDecor contemporary room, with a scene from: De Hagenaar in Enkhuizen. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Robert Leman, 1799-1863, British, Visitors at a Ruined Abbey, undated. Black chalk and graphite on thick, rough, cream wove paper.

Yearbook 2, notebook 10, March 1834 Laterior of a Turo Palace, illustration for the article The Orientals at Home in: Museum of Families, Evening Reading. T. 1. (year 1 and 2) Paris, 1833 1834. unknown

Crowd in Front of the Tuileries Palace During the Wedding of Napoleon to Marie-Louise of Austria ca. 1810 Charles Percier French This drawing was a design for plate nine in the 1810 book, Description des cérémonies et des fêtes qui ont eu lieu pour le mariage de S.M. l'Empereur Napoléon avec S.A.I. Madame l'Archiduchesse Marie-Louise d'Autriche par Charles Percier et P.F.L. Fontaine (see: 65.602.3). The book details the marriage ceremony of Napoleon and Marie-Louise of Austria, and shows the emperor and empress on the great balcony of the Tuileries. The unfinished image is in the reverse of the print and differs in certain details from the plate engraved by Charles Normand (1765-1840) and Louis Pauquet (1759-after 1822).. Crowd in Front of the Tuileries Palace During the Wedding of Napoleon to Marie-Louise of Austria. Charles Percier (French, Paris 1764-1838 Paris). ca. 1810. Pen and gray ink, brush and gray wash, over black chalk. Drawings

Baptismal Hall and Cloisters in the Cathedral at Mainz, from Collection of Memorable Medieval Buildings in Germany. Domenico Quaglio II; German, 1787-1837. Date: 1823. Dimensions: 385 x 467 mm (image); 400 x 568 mm (sheet). Lithograph in black, with tint stone in beige, on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

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