Elegant Dancers and Portraits

Charming depictions of women in graceful poses, with a focus on ballet and 19th-century attire, capturing elegance and emotion in soft tones.

Alsace and Lorraine (IT)

La sylphide; souvenir d'adieu de Marie Taglioni. Chalon, Alfred Edward, 1780-1860. Prints. 1845. Jerome Robbins Dance Division. Dancers, Taglioni, Marie, 1804-1884, Sylphide (Choreographic work : Taglioni, F)

Obsession Made 1894 France. Lithograph in black on light gray China paper laid down on ivory wove paper . Odilon Redon

Reproduction of the image of the artist "Sister" from the album "Country"; Meisenbach RiffArth & Co. (Munich, Berlin, Leipzig; Graphic and Retoproduction Plant; 1892-), Czachórski, Władysław (1850-1911); after 1879 (1879-00-00-1920-00-00);Country, painting, lens, women's portraits, political and social weekly (1882-1909), interiors from the 1880s, purchase (provenance)

Bliżej Kultury Michałowski, Piotr (1800 1855)

Obsession. Odilon Redon; French, 1840-1916. Date: 1894. Dimensions: 364 × 228 mm (image); 365 × 229 mm (chine); 495 × 347 mm (sheet). Lithograph in black on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Alsace and Lorraine (IT)

Franciszek Murko (1859-1910), portrait of a woman; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); around 1908 (1903-00-00-1913-00-00);

The Pleasures of Imagination June 30, 1781 After Thomas Rowlandson Based on an early design by Rowlandson, this mezzotint represents a young woman dressed in a quilted skirt and mob cap, seated on a sofa with her legs crossed and hands clasped. She turns to look at a parrot perched on the back of the sofa, its cage above. At left is an urn from which hot water pours into an open teapot.. The Pleasures of Imagination. After Thomas Rowlandson (British, London 1757-1827 London). June 30, 1781. Mezzotint. (?) J. Jones (British, active 1777-81). Prints

Bliżej Kultury Danesi Editore, via Bagni Roma, Cremona, quiet (1837 1878)

Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; loneliness Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. Loneliness (damn, puffy bodbone dress and long sleeves). Engraving (Floor).

Print made by James H. Baker, born 1829, Come Gentle Night: "Romeo and Juliet," Act III, Scene II, between 1839 and 1849. Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper.

Sarah Bernhard , Josefine Gallmeyer, Sarah Bernhard Karikatur Aus Die Bombe , László Freskay -, Caricaturist

Umbria Terni Narni S. Giovenale, Cathedral53. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, cosmati pavement, wall painting, mosaic (12th century). Post-medieval: 1982 & 1986 photos Architecture, architectural sculpture (17th century); painting, frescoes (17-18th century); sculpture, tombstones (16-18th century); metalwork, processional cross, candlestick, reliquary, chalice (16-17th century) General Notes: Site comprises two separate photo campaigns. Bibliographic material sent, now in Center Library German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

1912. text. 1911 - 1913. General Research Division. Art , Poland

A Lady in a Bonnet and Coat. Artist: Constantin Guys (French, Flushing 1802-1892 Paris). Dimensions: 15 11/16 x 10 7/16 in. (39.8 x 26.5 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Reproduction of a painting: Władysław Czachórski (1850-1911), Conversation; from: `Tygodnik Ilustrowany", 1901(II)719. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Fashionable lady in a parlor with large palm pot plant, Paris, 1862. With flowers in her hair, a large fan, gown with fitted bodice, fulls skirts decorated with lace frills and embroidered roses. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia04. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Faust and Margaret, Theodor von Holst, 1810-1844, British, undated, Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper, Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm), costumes, figure study, literary theme, man, performers, play, theater, woman

THE PATH OF DUTY. AFTER MERLE

Winter, Design for a Calendar. Artist: Heinrich Lefler (Austrian, Vienna 1863-1919 Vienna). Dimensions: 6 11/16 x 10 5/8 in. (17 x 27 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Coloured illustration depicting Cinderella at the ball. Illustrated by Edmund Dulac (1882-1953), a French British naturalised magazine and book illustrator.

Photograph by Fritz Luckhardt showing a person standing with a letter at a secretary desk, printed on collodion paper with gold fixing bath on a base box in passing partout, depicting posture and furniture.

Viens, va!...Nous resterions là jusqu'à demain, un bal, c'est - toujours la même chose! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Coiffing by Aubrey Beardsley, an illustration to his poem 'The Ballad of a Barber' which was first published in The Savoy, volume III in July 1896. "Here is the tale of Carrousel, the barber of Meridian Street, he cut and coiffed and shaved so well, that all the world was at his feet." Date: 1896

Lyrade & Lin Lhars () copy of a painting. Unknown

Gertrud, Princess of Saxony.

A Daughter of theRevolution. Artist: Wallace Nutting, American, 1861-1941

Drawing, Woman with Lyre; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; black and brown crayon, charcoal on on off-white laid paper; 63.5 × 46.6 cm (25 × 18 3/8 in.)

The new virgin of Orleans, Empress Eugénie de Montijo as the new virgin of Orleans title page of Der Floh , Karl Klic -, Caricaturist, Johann Tomassich, realization

Valentine - Believe dear Love it is for you, and you alone I sigh

The Hand 1788 Louis Philibert Debucourt. The Hand. 1788. Etching and aquatint printed in color. Prints

In the harem - lady and her maid (nineteenth century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Photo production of the painting contemplation by Guido Reni, in the collection of the Galleria Corsini in Rome, Anonymous, After Guido Reni, 1851 - 1900 photograph Rome paper. cardboard albumen print picture, painting Corsini Gallery

Man and women in costumes from the period 1535-1580. Leaf 34 Recto from a sketchbook with 58 sheets.

Emilia Tagliana, Singer Emilie Tagliana on the hand of the reader title page of Die Bomb , László frecskay -, Caricaturist, Carl Angerer -, Engraver

After children eating sweets, original by Murillo.. Murillo, Bartolomé Esteban, 1617-1682. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Boys, Dogs, Fruit

Freedom of cults maintained by the government. (IT)

In the studio according to the image of Gustav Michel. A clip from a German magazine. unknown, Michel, Gustav

Soldier with a woman on his arm in front of a wodden gate. Artist: Victor Adam (French, 1801-1866). Dimensions: Sheet: 2 3/16 × 1 3/4 in. (5.6 × 4.4 cm)Mount: 12 x 3 7/16 in. (30.5 x 8.8 cm). Date: mid-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Photograph of Jan Matejko's painting Sigismund Augustus with Barbara at the Radziwiłł Court in Vilnius unknown

Eclipse / eighth year / No. 372 / Sunday 12 December 1875 / Develazet, by Gill.

Josef Engelharts drawing depicts an African figure, created with red chalk, showing facial features, posture, and attire details.

Pencil drawing by Jean François Janinet produced between 1772 and 1814 depicting Venus and Amor alongside two female heads, executed in 18th-century European print style.

Color cutting by Maurice Delcourt depicting Place St. Georges, executed on Japanese paper in 1899.

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Strudwick, John Melhuish (1849 1937)

Portrait of countess Jelena Zrinska (Ilona Zrínyi) in attire from the 2nd half 17th century, according to a print or painting. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Reproduction of a painting: Władysław Czachórski (1850-1911), Working ; from: "Tygodnik Ilustrowany" 1896(I)303. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Portret Van Louise Massin; Louise Massin the scandals of yesterday. .

Portrait of a young (Jewish) woman from the hips upward, according to a painting. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

God of God! My prince, you lose your calves, the caricature, no 226, pl. 470 Traviès de Villers, Charles Joseph (1804 1859), delaunois lithography, Aubert printing (Saly)

Name the Happy Day (valentine). Thomas Wood; English, 19th century. Date: 1859-1869. Dimensions: 120 × 84 mm (folded sheet). Collaged elements on cut and embossed (lace) blue wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Portada del almanaque parisiense de Grimault y Cie. para el año 1904. Editado en París.

Ramagadi Ragini, Folio from a Ragamala (Garland of Melodies). India, Rajasthan, Malpura (), circa 1775. Drawings. Ink on paper

Saint Thecla - after a painting in the Augustinian Church in Vilnius. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Thurwanger Freres (fl. 1849-1865), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

OdaIIsque according to the painting by Pantaleon Szyndler. Excerpt from Kłosy” 1888 (2) 248 249 Nicz, Edward (1851 1916), Szyndler, Pantaleon (1846 1905)

Portada del periódico ilustrado Pluma y Lápiz, número uno, editado en Barcelona, marzo de 1893.

Splendors and misery of courtesans Bertall (Charles Albert d'Arnoux, said, 1820-1882). "Amelie Camusot and Diane de Maufrigneuse in splendors and misery of courtesans", Roman Honor� de Balzac. Drawing for the HOUSSITIONAL EDITION. Wood. 1848-1855. Paris, House of Balzac.

Siesta; Holewi Ski, Józef (1848-1917), Gierymski, Aleksander (1850-1901); 1888 (1888-00-00-1888-00-00);Kłosy, Illustration, Witke-Jeżewski, Dominik (1862-1944)-collection, Italy, country, gift (provenance), Renaissance costume, image reproduction

The Personification of Lithography Encouraged by The Genius of the Fine Arts; The Genius of Fine Arts encouraging lithography. .

Cabinet of modes or new modes, October 1, 1786, pl. III, A.B. Duhamel, After Derais, 1786 Two women's busts: Left: Pouf à la Chinoise; Right: Toquet à la Virginie. Depain hairstyles, hats of Roussaud Paris paper engraving Two women's busts: Left: Pouf à la Chinoise; Right: Toquet à la Virginie. Depain hairstyles, hats of Roussaud Paris paper engraving

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia78. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Madame B Album Made 1870-1879 France. Albumen prints with watercolor (in album) . Marie-Blanche Hennelle Fournier

Statue showing dancer Isadora Duncan (1878-1927), by Walter Schott (1861-1938). unknown, publisher

Bliżej Kultury Cassell and Company Ltd., London, Paris, New York and Melbourne, Leighton, Frederic (1830 1896)

Robert Smirke, 1752-1845, British, One from Illustrations to Shakespeare.

Doepler E., memory sheet of January 18, 1901 (01/18/1901): Friedrich I. and Wilhelm II in the side view facing each other in gold () Medallions, right (Athene with shield) and left (Justizia with Libra). Ink over pressure colored on the box, 60.6 x 48.3 cm (including scan edges) Doepler E. : Erinnerungsblatt an den 18. Januar 1901

Etching by various artists between 1717 and 1726 showing assorted human figures rendered in detailed line work.

Portada de la revista picaresca El Amor. Número 1, editada en Barcelona, años 1910.

Franciszek Murko (1859-1910), Prayer in Ogrójiec; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); 1909 (1909-00-00-1909-00-00);

Alexandre Bida, Study for illustration for Shakespeare's Henry VI, 1833-1895, black chalk touched with white on paper.

Comtessen Pallavicini, Bray-Steinberg, Czerin, Spiegel, Hermann Klee -, photographer

L'Amour parmi les ruines. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Burne-Jones, Edward (1833-1898), painter

Wagenbauerin At the Macart Festival , Josef Löwy -, photographer, publisher

Yvette Guilbert 1894 France. Color lithograph, with letterpress, on ivory laid paper . Henri de Toulouse-Lautrec

Wall painting fragment from the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale. Culture: Roman. Dimensions: 16 3/4 x 16 1/2 in. (42.5 x 41.9 cm). Date: ca. 50-40 B.C..Wall painting fragment of two female figures, one with lance and shield. From the north wall of Room H of the Villa of P. Fannius Synistor at Boscoreale. Museum: Metropolitan Museum of Art, New York, USA.

Souvenir of the 9bre./Oh beautiful eugénie when in the middle of your friends I see you / surrounded ... (IT)

QUEVEDO , FRANCISCO DE. ESCRITOR ESPAÑOL. MADRID 1580-1645. ILUSTRACION DE J. PINAZO PARA LA EDICION PARA LA EDICION DE " OBRAS FESTIVAS " , LITOGRAFIA. BIBLIOTECA NACIONAL. MADRID.

Elizabeth Moutal, Figurehead, c 1937 Figurehead

Portrait of Lastenia Micaela Larriva y Negrón (1848 - 1924) Peruvian poet, writer and journalist. First generation of Peruvian writers. Advanced ideas

The Redhead Moon / Third Year - N ° 150 / Sunday 19 October 1879 / The birth of Nana-Venus, by Gill.

Romantic bookstore Voor poster, Eugène Grasset, 1887 print. poster With a reading woman, seen on the back, with the Notre Dame in Paris in the background. Paris paper adult woman. reading. book. (human) skull Our Lady

Gaikokujin kodomo chōai no zu | Library of Congress

Vivien and Merlin. Artist: Julia Margaret Cameron (British (born India), Calcutta 1815-1879 Kalutara, Ceylon). Dimensions: 30.4 x 25.3 cm (11 15/16 x 9 15/16 in. ). Date: 1874.In 1874, Julia Margaret Cameron was asked by her friend and neighbor Alfred, Lord Tennyson to illustrate a new edition of his Idylls of the King, a recasting of the Arthurian legend in which the poet laureate projected the downfall of Victorian society. Compared to earlier editions illustrated by Gustave Doré and by Pre-Raphaelite artists, Cameron's folio, with twelve large original photographs and a frontispiece portrait of Tennyson himself, was decidedly extravagant. Cameron lavished great care on this, her last project, making 180 exposures of her family and friends posed as living embodiments of the moralizing episodes.Here we see the photographer's husband, Henry Hay Cameron, posed as Tennyson's Merlin-"an old darling," according to Cameron-the magician whose purity was the wellspring of his power, and an

Standing man and woman, seen from behind, dressed in Roman () clothing, in front of a balustrade overlooking an eastern city. The man is wearing a helmet. In folder with 31 design drawings and sketches for illustrations, Couple looking out over oriental city., draughtsman: Bernard Willem Wierink, (signed by artist), 1908 - 1937, paper, brush, h 239 mm × w 200 mm

Valentine - Pine not thus my sister dear (...)

Antoni Piotrowski (1853-1924), Salome begins to dance; Wisła (Kraków), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948), Jabłoński, T. and Spółka (Kraków; Reproductive Department; 1890-1926); around 1915 (1910-00-00-1920-00-00);

Prince of Wales and Princess Alice. John Jabez Edwin Mayall; American, 1813-1901. Date: 1860-1869. Dimensions: 8.8 × 5.6 cm (image/paper); 10.5 × 6.2 cm (mount). Albumen print with applied coloring. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Wheelock Piano. Wheelock Piano

Poster for le Salon de la Rose Croix. Schwabe, Carlos (1866-1926), Artist.

For marriage to Hans Makarts with Bertha Linda,

Pleased Gouda, Jan Toorop, 1897 print Made on the occasion of the visit of Princess Wilhelmina to Gouda. Rear right portraits of Princess Wilhelmina and Queen Regents Emma. The women in the foreground wear attributes that have to do with various Gouda industries. The Hague paper paying tribute to a ruler. queen Gouda

Print (France)

The image for the cover shows a ball at the Savoy Hotel. Date: 3rd June 1911

La Pologne, voyez-vous, ne vous pardonnera jamais votre ingratitude! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Sarah Bernhardt, 1877, Emile Tourtin, French, active 19th century, 4 1/2 x 3 3/8 in. (11.43 x 8.57 cm) (image)13 5/8 x 10 3/8 in. (34.61 x 26.35 cm) (mount), Woodburytype, France, 19th century

BISCAYENNE.. Artist: Paul Gavarni, French, 1804-1866

New Year's wish for 1890, Anonymous, 1889 print Bottom left a sitting couple with a dog. At the top right a pierrot with a bouquet of flowers. paper engraving relations between the sexes. dog. types in 'commedia dell'arte': Pierrot. cut flowers; nosegay, bunch of flowers

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