Elegant Female Portraits

Delicate portraits of women from different eras, highlighting features such as elegant attire and accessories, often framed in ornate designs.

Bust of a lady with hat, Jean -Augustin Léveillé, 1776 - 1802 print Bust of a woman, and profil to the right, with a large hat decorated with feathers. In an oval frame. print maker: Francepublisher: Paris paper etching classical history (+ profile). adult woman (+ sideview, profile)

Portfron van lodewijk xiv, Joseph Fulcran Barcran Barcran Roger, After Charles Ethienne Month Altaining, After J. Croizier, 1777 - 1840 print paper etching historical persons. king

Miss. Taglioni, in the sylph.

Portrait of a Lady 1813 William P. Sheys. Portrait of a Lady. William P. Sheys (active 1813-21). American. 1813. Watercolor on ivory

Portrait of the Gorgon Medusa, with head of snakes, Greek mythology, on chalcedony in the Strozzi collection in Rome. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.

Stuart, Anne .

Portrait of Marie Thérèse Charlotte van France, Anonymous, Veuve Delpech (Nudet), in or after 1818 - in or before 1842 print Paris paper historical persons

Portrait of a Woman Continental Painter Continental. Portrait of a Woman 435936

Portrait of the Gorgon Medusa, with head of coiled snakes and eagle wing, Greek mythology, on cornelian in Thomas Dundass' collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.

Statue of girl with triangle. Unknown maker

Madame Borghi-Mamo. André Adolphe-Eugène Disdéri (French, 1819 - 1889)

A watercolor by Karl August Bielschowski from 1842 depicting Minna playing chess, with white heightening, gold paint traces, and details of hair and armchair over pencil.

Steel engraving and etching by Tommaso Benedetti illustrating an allegory of sincerity, created between 1810 and 1863.

Copper engravings and etchings by Philipp Kilian from the 17th century showing portraits, with attention to facial features, posture, and attire.

Hortens, Queen of Holland.

Portrait of Cecyla Potocka (1822-1893), daughter of General Antoni Potocki; Ehrlich, A. (Dresden); 1840-1850 (1840-00-00-1850-00-00);Potocka, Cecylia (1822-1893), Przewłocki, Janusz (1927-2007)-collection, portraits, purchase (provenance)

Greenhill, John .

Ann Zingha, Queen of Matmba.

Portrait of a woman, anonymous, c. 1775 miniature (painting) Portrait of a woman. Bust, to the left. Pendant of SK-A-2177. Part of the portrait miniatures collection. Northern Netherlands paper. metal. wood (plant material). glass anonymous historical person portrayed - BB - woman

Lewis, Marianne .

La jalousie ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Female, Teresa

At the Piano 1900 Anders Zorn Swedish. At the Piano. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1900. Etching; second state of two. Prints

Bustes of Empress Julia Titi, 1636 - 1647 print Two portrait busts by Empress Julia Titi. In both busts the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. female persons from classical history

Portrait of an old woman in a white cap; Stohl, Michael (1813-1881); around 1840 (1835-00-00-1845-00-00);Caps, armchairs, women, curtains, krynolins, books, foreign miniatures, headgear, landscapes, portraits of en trois-quarts, female portraits, sitting characters, costumes, dresses, scarves, interiors, purchase (provenance)

Chaworth, Mary Anne .

Plaster print of the sculpture holy cecilia by donatello, c. 1875 - c. 1900 photograph Florence cardboard. photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture). the virgin martyr Cecilia of Rome; possible attributes: falcon, musical instruments, organ, wreath of roses and lilies Florence

Copper engraving by Godefroy & Aubert showing portraits of women in medallion format, created in 1821, highlighting 19th-century portraiture style and engraving technique.

Portrait, Medium: silk Technique: warp-dyed velvet, Portrait of Princess de Lamballe in a Gregoire velvet., France, late 18th-early 19th century, printed, dyed & painted textiles, Portrait

Cul-de-Lampe of a woman with a basket of fruit on the head and two dolphins, Claude Mellan, 1639-1643 print print maker: Franceprinter: Paris paper engraving decoration of printed matter. dolphin ~ ornament

Aux Jeunes French // Bara Para SA Valbea Son Courage and Son Zele, / de Nos Jeuces Guererse Modelle.

Gilles Demarteau, the Elder after Jean Baptiste Hüet, I after Jean Augustin Léveillé, Allegorical Portrait of Jean Baptiste Hüet, c 1775 Allegorical Portrait of Jean-Baptiste Hüet

Snyder's sic Wife, by van Dyck. Robert Howlett (British, 1831 - 1858)

Half Foolish Face April 1808 Thomas Rowlandson. Half Foolish Face. A Lecture on Heads. Thomas Rowlandson (British, London 1757-1827 London). April 1808. Etching. Prints

Gigers, Gijippins.

1912. text. 1911 - 1913. General Research Division. Art , Poland

A girl with a pitcher, arranging flowers in it (according to Giovanni Francesco Barbieri, called Guercino). Guercino, Giovanni Francesco Barbieri (1591 1666), Romero, Francesco (1840 1906)

PortraT van Sultan Pakoe Nata Ningrat, Christian Heinrich Gottlieb Steuerwald, 1822 - 1863 print Dordrecht paper. historical persons

The verdict (you)

George Constantine, Figurehead, c 1938 Figurehead

Michael Deising, Adolf Friedrich Kunike , Artist

Corday d´Armont, Charlotte de .

Jeanne Bournel, lady in waiting to the Dauphine d'Auvergne, at court in 1371. She wears an armorial robe with the coats of arms of her husband Gilles de Nedonchal (blue with silver band) and her father Jean Bournel de Theimbronne (green parrots), crakows or poulaines. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Galerie Francaise de Femmes Celebres, Paris, 1827.

Portrait of Wilhelmina van Prussen. Portrait of wilhelmina in an ornamented circle. On a pedestal her name, her titles and her date of birth.

Etching by Domenico Cunego from 1783 showing the head of a boy from the School of Athens, including facial features and classical styling.

Talma, Francois Joseph .

Kind, Kind and Gentle is She 1835-1845 United States. Lithograph on paper . Currier & Ives

Mörikofer, Johann Kaspar.

Woman in deep red dress holding a book to her chest, standing next to a table, behind which is a crucifix. Watson, Stewart, active 1843-1847. 1840. Watson, Stewart, active 1843-1847. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , Italy, Grand tours (Education)

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Mrs. Hannah Sparke, undated. Stipple engraving and etching in brown ink on medium, smooth, cream laid paper.

Maria Theresia mit Joseph II, ALS KIND, INV,-Nr,

The main figure of the king of the Jagiech from his tombstone in the Wawel Cathedral in Krakow; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Wawel Cathedral (Kraków), Kraków (Lesser Poland Voivodeship), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Emiljan Stanisław (Baron-1847-1912), Lesser, Emiljan Stanisław ( Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, tombstone of Władysław Jagiełło (Kraków - Wawel), Władysław Jagiełło (King Polish - Ca 1351-1434), Władysław Jagiełło (Polish King - Ca 1351-1434) - iconography, 15th century, gift (provenance), details, figures, tombstones, gothic (style), tombs, heads, kings, tombstones , personalities, Polish personalities, sculpture (artist), ruler

Figure of Rudolf and Habsburg from his tombstone in the cathedral in Spira; Lesser, Aleksander (1814-1884); 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Germany, Rudolf I (King of Germany - 1218-1291), Rudolf I (King of Germany - 1218-1291) - iconography, spira, 13th century, gift (provenance), tombstones, cathedral of the Assumption of the Blessed Virgin Mary and Saint. Szczepana (spira - Germany), kings, tombstones, personalities, foreign personalities, sculpture (artist), sepulchral sculpture, clothing, men's clothes

Portrait de Mme. Kemp (3rd plate), de face (Litho) , Alphonse Legros (1837-1911)

Elizabeth Bland Mayo Fulton of Powhattan Seat Charles Balthazar Julien Févret de Saint-Mémin (French, 1770-1852, active United States, 1793-1814). Elizabeth Bland Mayo Fulton of Powhattan Seat, ca. 1808. Charcoal, black crayon, red and white chalk, and pastel on paper coated with pink opaque watercolor and pastel mounted to wood-pulp board, sheet: 21 1/2 x 15 7/16 in. (54.6 x 39.2 cm). American Art ca. 1808

Bliżej Kultury Hanfstaengl, Franz (1804 1877)

Portraits of Ozoro Esther, wife of Ras Michael, her daughter Tecla Mariam and chief Kefla Yasous of Abyssinia, in head ornament worn after the victory of all Kasmatis. Copperplate engraving from James Bruce's "Travels to Discover the Source of the Nile: in the Years 1768, 1769, 1770, 1771, 1772, and 1773," London, 1790. James Bruce (1730-1794) was a Scottish explorer and travel writer who spent more than 12 years in North Africa and Ethiopia. Illustration engraved by James Heath after an original drawing by Bruce.

Seated Middle-aged Woman Dressed in Finery. Artist: William Hardy Kent (American, England 1819-1907 England). Dimensions: Image: 9 x 6.3 cm (3 9/16 x 2 1/2 in.)Plate: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.)Frame: 12.1 x 9.2 cm (4 3/4 x 3 5/8 in.). Date: 1854-60. Museum: Metropolitan Museum of Art, New York, USA.

Souvenir ca. 1777-89 Miniature by Nadine Vallin In eighteenth-century Europe, Paris led the production of high-quality luxury goods. Parisian goldsmiths made a wide range of small, personal articles such as snuffboxes; étuis to hold sealing wax, tweezers, or utensils for sewing; souvenirs, which contained thin ivory tablets for note taking; and shuttles for knotting lace. Gold snuffboxes and boxes decorated with portrait miniatures were prized and frequently given as royal gifts, often to ambassadors or members of the court in lieu of cash payments for their services. Coveted and admired, these boxes were produced from a variety of materials. The best were skillfully made of gold and embellished with diamonds, enameled decoration, lacquer, and other luxurious materials. By the middle of the century, the taking of snuff had become an entrenched social ritual, and the snuffbox, too, had become an important social prop. Snuffboxes were considered highly fashionable accessories, with some

Eleonora Gonzaga, Duchess of Urbino, 1543. She wears the fashion of noble Italian women of the first half of the 16th century. A marten skin hangs on a golden chain from her girdle. From a painting by Titian in Florence. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Lithographed by C. Regnier. Dr. Jakob Heinrich von Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Portrait of Catharina van Braam Houckgeest, c. 1790 Achterglas painting with portrait of Mrs. Catharina Cornelia Geertruida van Braam Houckgeest, born van Reede van Oudtshoorn. The portrait has the shape of a painted medallion that is stopped by an allegorical female figure (de Hoop). The hope is on a balustrade that partially hides behind a (probably) peach carpet. In the balustrade, a farewell scene has been sculpted in Relëf: two women dismiss a ship, including the text 'Vota Sequuntur Euntem', our good wishes accompany the one who leaves. The weapons of the spouses can be seen on the right of the balustrade. On the carpet an incense burner (Asia). The top of the painting is a (now weathered) speigel. Canton glass. oil paint (paint). gypsum painting Canton Achterglas painting with portrait of Mrs. Catharina Cornelia Geertruida van Braam Houckgeest, born van Reede van Oudtshoorn. The portrait has the shape of a painted medallion that is stopped by an allegorical female figure (de Ho

Embroidered Picture (England or United States); silk embroidery with painted paper and wool appliqué on wool foundation; Frame H x W x D: 43.8 x 40 cm (17 1/4 x 15 3/4 in.)

Portrait of Antinous, Bithynian Greek youth and lover of the Roman emperor Hadrian, on cornelian from Lord Bessborough's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.

Tile tableau with portrait Queen Frederika Wilhelmina with inscription: Frederika Louisa Wilhelmina van Prussen Gemalinne van Willem den Eersten. Tile tile of 12 tiles (4 x 3) with a multicolored (purple, green and orange) portrait of Queen Frederika Wilhelmina surrounded by a laurel wreath. On the inside of the wreath, the inscription: Frederika Louisa Wilhelmina van Pruissen Gemalinne van Willem den Eersten. See pendant, bk-nm-5204-a.

Portrait of an unknown woman, Manuel Herrero, 1855 photograph. frame copper (metal). glass. wood (plant material) historical persons. adult woman

Neuhaus, Eva Christina Freine of.

To Commemorate the Visit of the Tsar Nicholas II and the Tsarista to Paris in 1902 1902 Medalist: Louis Eugêne Mouchon French. To Commemorate the Visit of the Tsar Nicholas II and the Tsarista to Paris in 1902 188918 Artist: Medalist: Louis Eugne Mouchon, French, Paris 18431914 Montrouge, To Commemorate the Visit of the Tsar Nicholas II and the Tsarista to Paris in 1902, 1902, Bronze, struck and silvered, 2 1/4 1 5/8 in. (5.7 4.1 cm). The Metropolitan Museum of Art, New York. Gift of the Artist, 1904 (04.19.3)

Images of the common Volks zu Vienna , Blatt , Celebral female, La femme aux patins au lait, Kipfelweib, Kipferl seller, Jakob Jacob Adam -, artist

In short, Antonietta.

Portrait of Woman Threading a Needle Unknown. Portrait of Woman Threading a Needle, mid-19th century. Watercolor on ivory portrait in gilt wood frame, Image (sight): 4 5/16 x 3 1/2 in. (11 x 8.9 cm). American Art mid-19th century

Bliżej Kultury unknown

Malanotte, Adelaide .

Therese crowns, Josef Kriehuber -, Lithographer

Benjamin Franklin. Artist: After Charles Nicolas Cochin II (French, Paris 1715-1790 Paris). Culture: French. Designer: Probably designed by Emile Dupont-Zipcy (1822-1885). Dimensions: 9 1/4 x 9 3/8 in. (23.5 x 23.8 cm). Date: 1877. Museum: Metropolitan Museum of Art, New York, USA.

Condé, Luise Princess.

Derelitta (peintre). Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Fantastic Rosellini, Massimina.

Kauffmann, Angelika Painter: Important, Andreas Leonhardstecher: Bause, Johann Friedrich

At the Ball (recto); La femme à l'éventail, after Goya (verso), 19th century. Constantin Guys (French, 1805-1892). Pen and black ink and brush and gray wash; sheet: 24.9 x 19.6 cm (9 13/16 x 7 11/16 in.).

Anefo photo collection. Bust Princess Wilhelmina from Professor Wenckebach. January 22, 1953

World Exhibition , The History, sculpture by Antonio Tantardini No, György Johann Justus Georg Klösz Kloess -, Photographer, Viennese Photographer Association, Publishing House

Buste van Maria, M.C. Khonraad, c. 1830 - c. 1880 print paper 'portraits' of Mary

Shown here are the six wives of England's King Henry VIII. They are from left (top bottom): Catherine Parr painting in National Gallery in London, Catherine of Aragon painting in the National Portrait Gallery in London; middle (top, bottom): Anne Boleyn: sketch by Hans Holbein in Windsor Castle, Anne of Cleve painting by Hans Holbein in Louvre in Paris; to right (top, bottom): Catherine Howard painting in National Gallery in London, Jane Seymour painting by Hans Holbein in Royal Museum in Prague.

The Norman artist, 1874 magazine paper printing / collotype

Ex libris of Jan Walch, Lodewijk Schelfhout, 1917 print A figure with halo. In the background buildings with towers. Netherlands paper drypoint head (human) - AA - female human figure. nimbus, halo ~ radiance emanating from persons or things

Portrait of a Girl in a Round Pendant late 18th-early 19th century The enamels of Qajar Iran are figurative, and closely resemble in style oil paintings produced during the same period. Scenes of youth and lovers are typical subjects depicted on these enamels. Both the oil paintings and enamels are valuable documents of prevalent styles in costume and jewelry. Round or elliptical enamel plaques such as this were commonly set into water pipes or other utilitarian objects. The engravings on the back of this pendant, however, may indicate that it was used as a talisman. The top line of engraving consists of a series of arrowlike signs separated by vertical strokes; the next six lines consist of an uninterrupted series of from nine to sixteen numbers, probably of occult significance. The bottom three lines contain the inscription: "Allah! Allah! Muhammad the Prophet/'Ali ibn Abi-Talib/ (Quli?)." Whether or not the bottom line is a signature (the word quli means "slave" and was a common n

Pallerini, antonietta.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Power of Beauty. Line engraving.

Head of a maiden 19th century Giuseppe Girometti Italian. Head of a maiden 198620

Fugger by Glött, Johann Ernst Graf.

Mustapha Bey Chogikan, son -in -law of the Ottoman envoy in Vienna, Johann Hieronymus Delete Kohl -, publishing house

SilhouetTportTRUT VAN THE HER BASEDOW, JOHAN FRIEDRICH LANGLOB HUNDER, 1778 print print maker: Germanypublisher: Berlin paper engraving historical persons

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