Elegant Fountains in Historical Gardens

A collection of prints featuring grand fountains in opulent courtyard and garden settings, showcasing architectural elegance and serene landscapes.

Jacques Callot (1592-1635). "Le Parterre de Nancy or Jardin de Nancy" (Lieure 566, Meaume 622). Etching. 1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99600-5 Etching, engraving

Round fountain supported by sphinxes in a courtyard; Artis Perspectivae (...). In the center of a courtyard there is a round fountain on a basis of sphinxes. The fountain is awarded a bow of rollerwork and supported by two hermen. Around the courtyard palaces and corridors of railing. This print is part of an album.

Fontein in the gardens of Paleis Het Loo, Jan van Call (I), 1694 - 1697 print Elegant dressed ladies and gentlemen are relieved at the large fountain on the east side of the large garden of the Loo. Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. Amsterdam paper etching garden fountain. French or architectonic garden; formal garden Palace Het Loo

Jacques Callot (1592-1635). "Le Parterre de Nancy or Jardin de Nancy" (Lieure 566, Meaume 622). Etching. 1625. Museum of Fine Arts of the City of Paris, Petit Palais. 99600-5 Etching, engraving

Soliman. 3e Acte (Soliman. 3rd Act), from Soliman 1620 Jacques Callot French. Soliman. 3e Acte (Soliman. 3rd Act), from Soliman. Soliman. Jacques Callot (French, Nancy 1592-1635 Nancy). 1620. Etching and engraving. Prints

View of the Campidoglio as re-designed by Michelangelo from the 'Speculum Romanae Magnificentiae' 1569 Etienne DuPérac French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one

Solimano, Act IV. Dated: 1620. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1773 The Temple of Peace, 1773 The Prima Macchina for the Chinea of 1773: The Temple of Peace

Print (France)

De Nuttiges, en Nuttelooge Koopman Openbaring XVIII:-2 De Kooplieden der Aarden zullen weene en Rouw maaken over haar om dat nimant haare waaren meer koopt The useful and the useless merchants. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Illustration at the first act of the tragedy 'Il Solimano'. On a square or wide street with large buildings there are three Eastern dressed figures with short indications of their names at their feet (characters in the tragedy 'il solimano'), surrounded by many other actors, arranged in four blocks and two rows.

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Seconda Macchina for the Chinea of 1759 A Deliziosa with a Bacchanal, 1759 The Seconda Macchina for the Chinea of 1759: A Deliziosa with a Bacchanal

Scene on which Eendracht enclosing the discord in prison, 1582. Scene at the St. Michiels monastery at the palace on which a group of allegorical figures and below the unemtra that luck fails in prison. Plate XVIII in the description of the arrival of the Duke of Anjou in Antwerp, 19 February 1582.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and scenes of Mirame tragicomedia, a scene from the 5th act: 17 characters. Sixth number of a series of 6 pieces (A. de Vesme 941. Dutuit 74) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Fontein and fishing pond in the gardens of the Villa Montalto in Rome, Giovanni Francesco Venturini, 1653 - 1691 Numbered below: 17. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Montalto. Rome Numbered below: 17. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Montalto. Rome

Speculum Romanae Magnificentiae: Circus Flaminius. Artist: Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()); After Pirro Ligorio (Italian, Naples ca. 1512/13-1583 Ferrara). Dimensions: sheet: 14 9/16 x 21 7/8 in. (37 x 55.5 cm). Publisher: Michele Tramezzino (Italian, active Venice and Rome, 1526-died 1561). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1553.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafrer

View of the garden of Ouderhoek, Daniël Stopendaal, 1719 print paper etching rural housing, e.g. country-house, villa, cottage. French or architectonic garden; formal garden Vecht

Destruction of aristocracy, decoration on the Westermarkt, 1795; Ten plates of the decorations at the Alliance party in Amsterdam in 1795. The destruction of aristocracy, allegorical decoration established on the Westermarkt in Amsterdam at the Alliance party on 19 June 1795. Hercules (the Dutch people) beats seven-member Hydra (aristocracy and family admission). Part of a series of ten plates.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various views of remarkable places from Italy and France. Book containing the views and perspectives of the chapel and house of Sorbonne. (A. de Vesme 868; Dutuit 165) (main title), 1649. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

View of the starry forest in the garden of Duinrell country house; Gesight from Duynrel from the Middown-Padt Vande Groote Tuyn Westwaerts by 't Sterrebosch / Conspectus Duynreliae Ex Femita Media Horti Magni Occidentem versus; Faces at the Duinrell country estate. View of the starry forest in the garden of Duinrell, seen towards the West. In the middle the middle path of the garden with a few figures. Leged numbered: 10. Print from a series of sixteen prints of Duinrell.

Huys van Sint Annaland, Jan van Call (I), 1698 - 1703 drawing Design for a print. paper. ink pen / brush Sint Annaland

Bella, Stefano della, Altar of the Blessed Sacrament, verso - stamped, On the left a procession in which the Blessed Sacrament is carried under a canopy, followed by the young King Louis XIV and his mother Anne of Austria. The procession leads to a large building with three arches, with an altar under the central arch and on top a large crown carried by angels. Next to the building a crowd of spectators kneeling in front of tapestries (after the tapestries of Raphael in the Vatican). Text in French and a coat of arms in the lower margin., print, ornamental print, prints, D, height 340 mm, width 480 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1648 - 1648, paper, papier, etching, etchings, Expression creation

Fountain in the gardens of the Palace Het Loo; DELECTENE SIGNED OF THE MISTRY MANAGEMENT LOO LOW AND OTHER PRISPLE HOUSE; Admirandorum Quadruplex Spectaculum. Elegantly dressed ladies and gentlemen plenty of the big fountain on the east side of the large garden of the Loo. Print from a series of 71 prints with Rhine landscapes, faces on regal palaces and cityscapes from The Hague and Amsterdam.

Veue et perspective du jardin de Veau le Viconte, Perelle engravings of Paris, royal residences, chateaux of France with additional s by Silvestre and Aveline, Perelle, Adam, 1638-1695, Silvestre, Israël, 1621-1691, Etching, 1640-1700

Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect), The Preparation of Theriac in Venice, for the Chinea Festival, 1773 The Preparation of Theriac in Venice, for the Chinea Festival

Print (France)

Print, DÉCORATION DU SALON COMPOSÉ DE TRANSPARENTS. Qui a eté élevé sur deux batteaux placés sur la Seine le 29 Aoust 1739, jour de lillumination et des Feux dArtifice ordonnez par Monsieur Turgot Prevôt des Marchand et Messieurs les Echevins de la Ville de Paris, Exécutée sur les desseins du Chevalier Servandony, et rempli par les Musiciens qui ont Conserté devant leurs Majestez, aussitost quelle ont été placées sur le Trône qui leur avoit été dressé au pavillon du Jardin de lInfante, vis-à-vis du quel étoit ce Salon; Designed by Giovanni Niccolo Servandoni (Italian, active in France, 1695 - 1766); Published by François Baillieul (French, 1697? - 1754), Jacques-Philippe Le Bas (French, 1707-83); France; etching on laid paper

A Reconstruction of the Temple of Janus (above) and a View of the Ruins (below). Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 13 x 8 1/8 in. (33.0 x 20.6 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Terrace in the garden of House Te Maarssen; UYT UYT HEYS to the terrace; The old Adelyk Huys and Ridderhofstad ter Meer. View on the terrace in the French garden of House Te Maarssen. In the foreground is a coach with six horses, watch figures all around. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

ALTAR TEATRO CON MOTIVO CANONIZACION DE SANTO TOMAS DE VILLANUEVA EN 1658 - GRABADO SIGLO XVII. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Binnenplaats Van Palazzo Farnese Te Rome, Giacomo Lauro, After Antonio da Sangallo (II), After Giacomo Barozzi Vignola, After Michelangelo, 1638 print The print is part of an album. print maker: Italyafter design by: Romeafter design by: Romeafter design by: Romepublisher: RomeVaticaanstad paper etching palace. inner court of palace or 'hôtel'. faí§ade of inner court Palazzo Farnese

Print (France)

Landscape with Roman Temple and Wagon 18th century Louis Philippe Joseph, duc de Chartres. Landscape with Roman Temple and Wagon. Louis Philippe Joseph, duc de Chartres (French, 1726-1785). 18th century. Etching. Prints

The March from the Palace of the Annunciation to Florence, from The Caprices 1617-1627 France. Etching on ivory laid paper . Jacques Callot

Print (France)

Katrine Poort in Utrecht

View of the garden of Buitenplaats Duinrell, Anonymous, 1675 - 1711 print View of the garden of Buitenplaats Duinrell, seen from the upper room of the house. A few figures in the garden. Numbered in the bottom right: 6. Print from a series of sixteen prints from Duinrell. Amsterdam paper etching country-house. French or architectonic garden; formal garden. garden fountain Buitenplaats Duinrell

Venus Genitrix: Fireworks, Louis-Joseph Le Lorrain, French, 1715-1759, etching on off-white laid paper, laid down on frame of white laid paper, France, Italy, 1747, theater, print, print

unknown artist, seventeenth century, Lullingstone Castle, ca. 1670. Pen and brown ink with brown and gray wash, over graphite on medium, slightly textured, cream laid paper.

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

View of the country estate, Anonymous, 1696 print View of the country estate at Koudekerke on Walcheren, in a nutshell perspective. To the left of the middle the castle, to the right of the middle the gardens. Around the orchards. In the background the dunes and sea. At the top left two putti with the weapon of owner Jacob Nachtegael, in the middle a banderole with the title, two putti with the weapon of his wife Susanna Macaré. paper etching / engraving castle. country-house. orchard. French or architectonic garden; formal garden. gate, entrance. armorial bearing, heraldry. dune coast There lived

Gate in the park of Enghien, Romeyn de Hooghe, 1685 print Walkers and beggars at a stone gate or triumphal arch, crowned with statues and flanked by high hedges. Under the show a Dutch -speaking and a French -speaking legend. This print is part of a series of 16 prints (17 incl. Title print) of the Park of Enghien (Edingen), where a pamphlet belongs. Print Maker: Haarlem Publisher: Amsterdam paper etching triumphal arch. gate, entrance. public gardens, park. park Park of Enghien. Edingen

Print (France)

Man with dog and cows in mountain landscape; Figures in landscapes; 4 D Morceaux The Caprices à Varves Usages. There is a man with a dog in a mountain landscape and are two cows. On the left in the background Two riders on horseback and architecture. Around the show a frame with shell motifs and agricultural objects.

The Duke of Anjou honored in Antwerp, 1582, 1782 - 1784 print Honing of Anjou in Antwerp, February 19, 1582. On a stage he gets the cloak and hat of the Duke of Brabant. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Antwerp

Cave and the fountain at Rosendael Castle, Anonymous, 1675 - 1711 print Amsterdam paper etching cave, grotto. garden fountain Castle Rosendael

The pleasures of the Isle Enchantee, first day - walk of the king and his knights, with all their suites around the camp of the Range of Ring, Representing Roger and the other Knights Enchant in the Isle d'Alcine Israel Silvestre (1621-1691). "The pleasures of the enchanted island, first day - walking of the king and his knights, with all their suites around the camp of the Running Race, Representative Roger and the other Enchanted Knights on the island of Alcine". Engraving.

Grotfontein in the herb garden of Palace Het Loo; The cave jump in the herb court; Neerlandse Veldtbracht, or 't Lust Hof founded by Z.B.M. Willem III at 't Lo (...). View of the Grotfontein in the herbal garden of Palace Het Loo. Print is part of an album.

Veüe du Grand Parterre et de la Demie Lune de Richelieu. Artist: Adam Perelle (French, Paris 1640-1695 Paris). Dimensions: sheet: 8 11/16 x 12 11/16 in. (22 x 32.3 cm)plate: 7 1/16 x 10 7/8 in. (18 x 27.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

First Intermezzo of the Veglia of the"Liberation of Tyrsenus and Arnea". Jacques Callot (French, 1592-1635); after Giulio Parigi (Italian, 1571-1635). Date: 1617. Dimensions: 285 × 195 mm (image); 318 × 243 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print (France)

View of the Buitenhof in The Hague, Isaac van Haasterert, c. 1770 - c. 1790 print View of the Buitenhof in The Hague with the court and the Hofvijver in the background. In the foreground several figures with various daily activities, at the bottom in four lines the title in the four languages Dutch, French, Italian and German. print maker: Delftpublisher: Augsburg paper etching / brush villagers; villeins (Dutch: 'dorpers') Buitenhof

Royal Palace in Madrid and Portrait of King Philip V, 1726; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of the Royal Palace and some other sights in Madrid and a portrait of King Philip V. Plate No. 410 in Part XVII of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 hand-numbered plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Bottom right traces of the polished number: 259.

Prospect of a garden and hood in the Joseph Stadt Josefstädter Straße, from, True and accurate illustration , part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus -, Copper Engraver, Johann Andreas the Pfeffel -, publisher

Looting of the house of A.M. Van Arsssen in Amsterdam, 1748; Plundering the house from A.M. Van Arssen, on the Cingel at the Huiszittensteeg in Amsterdam, on Tuesday, June 25 and 1748. The looting of the house of taxpacht a.m.. Van Arssen and the warehouses and cellars on it at Singel 187 during the tenant robper. Figures throw all kinds of household goods from the house from the house on the street and in the canal.

Veduta della Piazza di Monte Cavallo (View of the Piazza di Monte Cavallo now the Piazza del Quirinale with the Quirinal Palace), from Vedute di Roma (Views of Rome). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Duke Frederik van Württemberg by Jacobus I to Knight in the order of the garter, 1603; Series 4: French, German and English events, 1576-1610. Duke Frederik van Württemberg by Jacobus I to Knight in the Order of the Garter, November 16, 1603. In the show in German. With caption of 14 lines and legend A-E in German. Left below numbered: 347. The print is part of an album.

View of the Grasperk in the garden at Kasteel Zuilenstein, Daniël Stendaal, 1682 - 1726 print View of the Grasperk and the cabinet in the garden on the west side of Kasteel Zuilenstein in Leersum. Elegant figures in the foreground. Amsterdam paper etching French or architectonic garden; formal garden Zuilenstein Castle

Paris - Piedestal project of the statue of Louis XIV Pedestal project of the statue of Louis XIV on Louis-le-Grand Place (Vend�me), 17th century. Anonymous drawing.

Whixley, plate 78 from Britannia Illustrata Published 1707 Netherlands. Etching and engraving in black on cream laid paper . Johannes Kip (Engraver)

Age up to sixteen; the composite order; USQ UE AN 16. / 1. Composita; Six ages of man / six construction orders; Theatrum Vitæ Humanæ. Walled inner garden with arsen, fountains and pergolas. The fountain under the arbor depicts a woman with breasts full of milk. Children play around her. The kids toll and hoop or have a stick horse, a doll in a car etc. Left front is a boy drawing. The boy is in the middle of his studies. On the right two boys fight. In the margin a four-line text in two columns, in Latin. The print is part of an album.

Netherlands, Amsterdam, Ratelband and J. Bouwer, The heirs of the widow J., Letter of greetings with people wishing each other a happy new year, verso - stamped, Letter of greetings with blank cartouche within a decorative frame with representations of playing children and people wishing each other a happy new year. Numbered top right: No. 30., print, popular print, wish letter, prints, popular prints, height 406 mm, width 329 mm, height 395 mm, width 317 mm, Publication (Event), Publication, Dutch, publisher, 1782 - 1793, paper, papier, etching, etchings, kleuren, print maker, printmaker

Count Floris IV killed during a joust, 1234, Simon Fokke, 1782 print Count of Holland Floris IV killed during a jousting during a knight tournament in Corbie in France on July 19, 1234. De Graaf is deadly injured on the floor in front of the Castle of Corbie. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death. tournament Corbia

Fontein awarded Round Temple on Plein, Joannes van Doetechum (I), After Hans Vredeman de Vries, 1568 print Square with a round fountain, consisting of a pelvis with three water spitting children or men. In the pelvis there is a round temple of two floors in which a woman with three lions is under her feet. Around the fountain men and women with jugs. A corridor of grille work around the square. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. village square, place

Numbered lower right 30. Bacchus fountain in the gardens of Versailles Fontaine de Bacus repr, print maker: Maurice Baquoy, (mentioned on object), intermediary draughtsman: Girard, (mentioned on object), publisher: Gilles de Démortain, (mentioned on object), print maker: France, publisher: Paris, in or after 1714 - 1747, paper, etching, h 282 mm × w 413 mm

An etching by Stefano della Bella showing the horse ballet 'The Competition of the Seasons' in Modena on April 10, 1652, depicting riders, horses, spectators, and ceremonial arrangements.

Print (France)

View on the back of Landhuis Weltevreden, A. de Nelly (Possibly), 1762 - 1783 drawing View on the back of the Weltevreden country house in Batavia seen from the other side of a bridge. In the foreground on the bridge a group of women and children. Left behind the tree a statue of Poseidon. To the Landhuis Rijen trees and the wings of the building. Batavia paper. ink pen / brush country-house Batavia. Well -satisfied

Le Parterre de l'Orangerie de Chantilly. Artist: Adam Perelle (French, Paris 1640-1695 Paris). Publisher: Published by Nicolas Langlois (French, Paris 1640-1703) , Paris. Date: 1680s. Museum: Metropolitan Museum of Art, New York, USA.

A View of the Obelisk and Saint John in Lateran (above) and a View of an Egyptian Site () (below) before 1704 Jan Goeree Dutch. A View of the Obelisk and Saint John in Lateran (above) and a View of an Egyptian Site () (below) 336108

Rome, Mascardi, Giacomo, Lauro, Magesyn der Italiaense Gebouwen, Antiquae Urbis Splendor, Antiquity Monuments, Thermae Antonianae apud aedem S. Sixti, Baths of Antoninus at Carthage, Text in Latin in the lower margin. Numbered top right: 71. The print is part of an album., print, prent, albumblad, prints, prenten, height 179 mm, width 235 mm, Italian, print maker, printmaker, 1612 - 1628, paper, etching, etchings, 1567 - 1634, printer

Boog by Janus te Rome, Giacomo Lauro, in or after 1637 print View of Janus's bow in Rome. Text in Latin in STUDMARGE. Numbered at the top right: 27. The print is part of an album. paper etching representation of real building (either existing or having existed). triumphal arch Boog by Janus

View of a fountain with Fama at Versailles, Gabriel Perelle, 1664 - 1703 print Print is part of an album. publisher: ParisFrance paper etching French or architectonic garden; formal garden. garden fountain. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Garden of Versailles

Anatomical theater of the University of Leiden. Numbered top right: Tom XI. The Leiden Anatomical Theatre Prospetto della sala dell' Anatomia della Citta di Leyden , print maker: Giuseppe Filosi, publisher: Giambattista Albrizzi, print maker: Italy, publisher: Venice, 1742, paper, etching, h 171 mm × w 205 mm

Face Lock Ulvsunda, Jean Marot (I), 1670 The print is part of an album. paper etching Slot Ulvsunda The print is part of an album. paper etching Slot Ulvsunda

Speculum Romanae Magnificentiae: Vatican Tournament 1565 Master HCB This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed

Fictional being in ruined town by Jacques Callot, Etching, 1617-1618, 1592-1635, Bibliotheque Nationale de France, 20, 4x28, 9

Upstorance of the cheese and breadling te Haarlem, 1492. Uprising of the cheese and breadling in Haarlem, 1492. Riots through farmers on the Grote Markt, the town hall is looted. On the right, Baljuw Claes van Ruyven is murdered.

Temple of Peace, Center of the fireworks set off on December 9, 1721, Anonymous, 1721 print Preparations around the Temple of Peace, the center of the fireworks set off on December 9, 1721 on the Binnen-Amstel at the Kloveniersburgwal in memory of the Peace of Nystad closed between Russia and Sweden on September 10, 1721. On the other side of the Water De Toren Swygh Utrecht. The fireworks delivered on behalf of Christoffel van Brants, representative of the Russian Kroon in Amsterdam. In the caption a verse in two columns. print maker: Northern Netherlandspublisher: Amsterdam paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Swych Utrecht. Binnen-Amstel. Kloveniersburgwal

Italy, 18th century. Bergamo, The Exhibition Hall.

Del Serenmo Gran duca di toscana Palazzo et giardino nel monte Pincio in Roma, Garten des Großherzogs der Toskana auf dem Monte Pincio. Villa Medici a...

Print made by Michael van der Gucht, 1660-1725, Flemish, A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, undated. Etching on medium, slightly textured, cream laid paper.

A naumachia staged by theemperor Nero in a floodedamphitheatre near the siteof the Vatican : the crews -prisoners or criminals -fought to the deathDate: circa 60

La Piera del Bando. 1701 - 1800. Canaletto, 1697-1768. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print (France)

Tempel van Minerva te Troje, Bernard Picart (workshop of), after Bernard Picart, 1733 print In the foreground the temple with the Trojan cult image of Minerva (Palladium). In the background a face on the city. In the margin the title in French, English, German and Dutch. The performance is decorated with an ornamental edge. Amsterdam paper etching / engraving the Temple (in general) ~ Jewish religion. (story of) Minerva (Pallas, Athena). scrollwork, strapwork ~ ornament

VEININAN VENISIN IN DETON IN DECEN VALLE D'Éte Seto, Giovanni Francesco Venturini, 1653 - 1691 Fontein with the robbery of Proserpina in the middle by Pluto, king of the underworld. Numbered below: 19. The print is part of an album. Italy paper etching Villa d'Este. Tivoli Fontein with the robbery of Proserpina in the middle by Pluto, king of the underworld. Numbered below: 19. The print is part of an album. Italy paper etching Villa d'Este. Tivoli

Eroeboog for Willem III, at the Buitenhof in the Buitenhage, 1691. Erobow set up at the Buitenhof for the visit of King Willem III to the Hague, 5 February 1691. Design for a print.

Plate from "Scenographiae...". Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); After Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()). Dimensions: sheet: 6 7/16 x 8 7/16 in. (16.3 x 21.5 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1560. Museum: Metropolitan Museum of Art, New York, USA.

Fountain in the gardens of the Villa Aldubrandini in Frascati; Ultimo Prospetto di Fontane del Teatro della Villa AldoBrandina (...); Fontane delle ville di Frascati; Fountains of Frascati. The print is part of an album.

The murder of Willem van Oranje, 1584. Willem van Oranje killed by Balthasar Gerards, July 10, 1584. View of Interieur Prinsenhof: behind the Prince Gerards in a room, the prince will be shot in the foreground. On the left, Gerard tries to escape and is imprisoned. With caption of 4 lines in Latin. Numbered 156. Printed on the back with text in Latin.

Fireworks in The Hague, 1691; England's spectres represent the main events in Yrland from the year 1690 to the Velttogt of S: K: Mayesteit of Great Britain 1691. Fireworks lit on the water on the occasion of the arrival of King Willem III in The Hague, 5 February 1691. Plate Nr. 18 in the 'England's spectreous' series on the war between Willem III and Jacobus II in the years 1690-1691 after the Glorious Revolution, (third part). This truncated exem plate without the captions in Dutch and French, but with a handwritten caption.

Fountain crowned with round temple on square, 1568 print A round fountain is crowned on a square with a two -storey round temple. There is a statue of a woman in the temple. The basin is supported by four naked water -spying men. At the fountain there are figures with jugs. A corridor of grille work around the square. This print is part of an album. paper etching ornamental fountain. piece of sculpture, reproduction of a piece of sculpture. village square, place

A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

Sesta Scena di Tutto Cielo. Dated: 1637. Dimensions: sheet (trimmed to plate mark): 20.5 x 28.5 cm (8 1/16 x 11 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Stefano Della Bella after Alfonso Parigi II.

Celebration of the meeting of the States of Brabant on May 31, 1787, Anonymous, 1787 print View of the Grote Markt in Brussels where the people gathered to cheer the States of Brabant on May 31, 1787. With captions in Dutch and French. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Brussels paper etching / engraving revolutionary government Brabant. Large market

Podium for the fireworks at the celebration of the second century celebration of the Leidse Hogeschool, 1775, Cornelis Bogerts, After Hendrik Keun, 1775 print Scaffolding for the lighting of the fireworks on the occasion of the second century festival of the founding of the University of Leiden, 8 February 1775. Podium in the form of a temple decorated with allegorical figures, built in the water of the Oude Rijn, a grandstand on the right For the public and a windmill. Northern Netherlands paper etching commemoration of the founding of a university. bonfire, fire-works - AA - festivities on the water To lead. Old Rhine

Schouwburg with theater decor: Het Bosch, Jan Punt (attributed to), after Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the scenes of the Bosch with scene from: the century -tide of the Amsteldam Schouwburg. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

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