Elegant Furniture Designs

Detailed sketches of furniture, including chairs, tables, and cabinets, showcasing classic design elements and intricate details from 18th and 19th centuries.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 4e Cahier, Seating furniture, Tabouret à la Duchesse, Gondole à la Daupine, Chair and ottoman, verso - stamped, An ottoman and a chair with striped upholstery. Print number 20., print, ornamental print, prints, ornamental prints, height 204 mm, width 320 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Wilkinson Tracing, Design for a chair, two foot stools, and a table leg, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Design for Square Pianoforte, Louis Quatorze Style. Artist: Robert William Hume (British, London 1816-1904 Long Island City). Date: 1835-1900. Museum: Metropolitan Museum of Art, New York, USA.

Drawing (Italy)

A sketch sheet by Rudolf Weyr using pencil and brown ink, showing small figure and object studies with attention to line and form.

Design for a Case with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, At top, the elevation for a case furniture. Scrolling foot and pilaster decorated with bellflowers. Alternative finials at top include a double headed eagle. Plan at bottom below., Italy, 1760-1790, furniture, Drawing, Drawing

Print (France)

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 4e Cahier, Seating furniture, Tabouret à la Duchesse, Gondole à la Daupine, Chair and ottoman, verso - stamped, An ottoman and a chair with striped upholstery. Print number 20., print, ornamental print, prints, ornamental prints, height 204 mm, width 320 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Design for a Wrought Iron Balcony, Pencil, pen, ink, brush, and Chinese black on paper, Central section: an escutcheon is flanked by scrolls. left section suggests a triangular form over a shield form, the triangle intended to have a symmetrical counterpart in the right section. Right section: Shield form, upon a base. Scales at the bottom and at right. Includes alternative suggestions for the lateral sections., France, ca. 1750, Drawing, Drawing

Print (France)

Print, Piédestal pour figure Equestre; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Print

Convenient Met Masker, Nicolas Dupin, after just Nathan François Boucher, 1772 - 1779 print An ornamented commode with six drawers, with women's face in a shell motif. Print number 43. Paris paper etching / engraving ornamental cupboard. mask, mascaron ~ ornament

Print (France)

Frederick Jackson, Highboy, 1935 1942 Highboy

Print (France)

Poelzig Hans (1869-1936), Werkbund exhibition Stuttgart-Weißenhof. Single -family house type C 7 (08/08/1927): Living room: Lehnstuhl A 1:10. Light break on paper, 35.1 x 41.6 cm (including scan edges) Poelzig Hans (1869-1936): Werkbund-Ausstellung, Stuttgart-Weißenhof. Einfamilienhaus Typ C 7

Drawing, Design for Cabinet in Oak; Designed by A.N. Davenport Co.; graphite on thin cream paper; 27.6 x 21.0 cm (10 7/8 x 8 1/4 in. )

Due sedi in forma di tripode, ed un sofa eseguiti per un gabinetti della R. Villa de Monza, Alcune decorazioni di nobili sale ed altri ornamenti di Giocondo Albertolli Professore Nella Reale Accademia Della Bella Arti in Milano, Albertolli, Giocondo, 1742-1839, Mercoli, Giacomo, 1745-1825, Engraving, 1787, identified as Plate 6.

Print

Duise in favor of delight, Anonymous, afters Jean Charles dept sausses, 1745 print A Duchesse in two parts with striped upholstery and ornamented with garlands, a wreath and torch and a pigeon. Paris paper engraving couch, sofa, settee

Bookcase. Dated: 1935/1942. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Henry Meyers.

Print (France)

Two designs for Prie-Dieu's, Anonymous, c. 1825 - c. 1839 drawing Two designs for prie-dieu's (prayer chairs), without upholstery, with richly decorated carving. The leaf on the back numbered: 50, the opposite sheet with information (missing here) about the designed furniture numbered: 50 bis. Part of an album with 80 sheets with drawings and a print of veneered and lacquered furniture, as well as seating furniture. Paris (possibly) paper. ink. watercolor (paint). pencil pen / brush kneeling-chair. furniture for special use (+ wood and other phytogenic material)

Cabinet, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XCI in the 1754 and 1755 editions, renumbered as plate CXX in the 1762 edition.. Cabinet, from Chippendale Drawings, Vol. II. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). 1753. Black ink, gray wash

The Gentleman's and Cabinet-Maker's Director, Thomas Chippendale, 1718 - 1779, Etching on off-white laid paper, England, 1755, furniture, Print, Print

Print (France)

Design for a grave monument with rider image, Leone Leoni (Possible), 1520 - 1590 drawing paper. ink. chalk pen

Chair. Dated: 1935/1942. Dimensions: overall: 28 x 21.5 cm (11 x 8 7/16 in.). Medium: pen and ink and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Harold Smith.

Drawing, Design for Large Oak Hall Table; Designed by A.N. Davenport Co.

Cabinet, from Chippendale Drawings, Vol. II. Artist: Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). Dimensions: sheet: 8 3/4 x 13 3/4 in. (22.2 x 34.9 cm). Published in: London. Date: 1753.Preparatory drawing for Thomas Chippendale's 'Gentleman and Cabinet Maker's Director'. Published in reverse as plate XCI in the 1754 and 1755 editions, renumbered as plate CXX in the 1762 edition. Museum: Metropolitan Museum of Art, New York, USA.

A red chalk drawing by Baldassare Franceschini showing a wall grave or epitaph for a knight with an oval font medallion and a sarcophagus with straight sides.

Différentes manières de construire les accoudoirs des fauteuils, M. Roubo (André Jacob), 1739-1791, 1769 - 1774, Paris, Publisher, De l'imprimerie de L.F. Delatour, Carpentry, Joinery, Engravings

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 9e Cahier, Secretaires en dressers, Sécretaire à la Chanceliére, Secretaire with floral motifs, verso - stamped, An ornamented secretaire with floral motifs. Print number 50., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 197 mm, width 323 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Print, Elévation d'un Sallon en face des Croisées; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792); Published by Jacques-François Chéreau (French, 1742 - 1794); France; engraving on laid paper

In the center is an armchair, seen from the front, with upholstered seat and oval back. The supports of the arms have triglyph shape. The back has laterally two framing pillars with floral candelabra. At left: above a sketch of an armchair, seen from the front. With upholstered seat and back. The latter is laterally and above framed by a kind of escutcheon. Below is a chair, seen from the side, the back being at right. The arms are straight and are supported in front and at the back by curved boards. At right: above is a chair, seen from the side, the back being at right. The arms are supported at the front by supports with a bird's head. They form the upper frame of a rectangle, with an inscribedl ozenge. Below: an armchair in the same position. The arm is a scroll springing from the back, with a spiral upon the frame of the seat. Usual background. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: ca. 1785-1790. Museum: Cooper Hewitt, Smithsonian Design Mus

Study of an armchair. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Sofa, Zamor, After Victor Joseph Quétin, 1832 - 1877 print A canapé in the Louis XVI style. Print from 29th Livraison. paper seating furniture

Print (France)

Design for Furniture 19th century Anonymous, French, 19th century French. Design for Furniture 358878

Print, Cheminée à la Moderne; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean-Baptiste Bichard (French, 1722 - 1774); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

Badkamer, Pierre Gabriel Berthault, after just Nathan François Boucher, 1752 - 1794 print Design and map of a bathroom with a bath in a niche with draperies. Left and right cupboards with panels with flowers above it in a vase. Paris paper etching / engraving bathroom. bath-tub. hangings and drapery. furniture for storage. flowers in a vase

A plate from 'Primiere Suite de Vases', Charles de Wailly, French, 1730-1798, Etching on paper, Five vases on the top of each of two consoles, one underneath. The console at right has goblets between curcing supports on either side. At bottom, plans of top and bottom levels and 'Pre Suite de Vases inventé et gravé par Dewailly'. Framing line., France, 1780-1790, Print, Print

Round and Rectangular Table, Pierre Gabriel Berthault, After Juste Nathan François Boucher, 1772 - 1779 print An ornamented round table on the left and an ornamented rectangular table on the right. Print number 85. Paris paper etching / engraving table

Warsaw. Multicolour wood table from the 4th quarter 18th century, from the equipment of the White House at the Royal Łazienki Park - front and top views in the scale of 1:5 and bronze details. Sobecki, Jan Ludwik (1875-fl. 1939), draughtsman, cartoonist

Drawing, Design for a Round Table on Plain Legs; Designed by A.N. Davenport Co.; pen and black ink on thin, cream paper; 21.0 x 27.6 cm (8 1/4 x 10 7/8 in. )

Ladies work tables.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 9e Cahier, Secretaires en commodes, Sécrétaire a la Dauphine, Secretaire with mask, verso - stamped, An ornamented secretaire with a woman's face and garlands. Print number 51., print, ornamental print, prints, ornamental prints, height 196 mm, width 321 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

Design for the Decoration of Ceiling and Boxes of Ornani Theater, Rome, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Sketch showing decoration of outside of boxes and several details., Italy, 1784, architecture, Drawing, Drawing

Design for a Renaissance Style Table 19th century Anonymous, British, 19th century British. Design for a Renaissance Style Table 386555

Print

Warszawa. Konsola z drewna mahoniowego z wyposażenia Pałacu Belwederskiego w 1915 roku - widoki z przodu i z dołu w skali 1:5. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Studies of furniture. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Hitzig Friedrich (1811-1881), Otto´scher Zirkus, Berlin. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 10, 1860.) (1860-1860): Details. Stitch on paper, 45.3 x 29.2 cm (including scan edges) Hitzig Friedrich (1811-1881): Otto´scher Zirkus, Berlin. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 10, 1860)

Design for a Console Table, Graphite, pen and bistre, brush, and watercolors on white laid paper, A design for a console table showing front and left side elevations. The marble table top is supported by two legs in front designed to resemble lion chimaeras, with elaborately designed ornamental wings that curve back toward the rear supports. The frame is decorated with rosettes and palmettes. Below is the scale: Palmi Romani., Verso: in graphite, sketch of the plan of a sparsely furnished room., Italy, ca. 1820, furniture, Drawing, Drawing

Sofa, Jean Baptiste Fay, after Richard de Lalonde, 1784 - 1796 print An ornamented sofa with leaf and shell motifs, draperies and two sphinxes. Paris paper etching couch, sofa, settee

Design for Armchair, François Premier Style 1835-1900 Robert William Hume British. Design for Armchair, François Premier Style 391723

Design for a Console Table, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. Design for a console table shown in elevation, the legs in the shape of a 'trapez-ophoron,' the upper part of the body of a winged girl holding an arrow springing from an acanthus calyx, which forms the upper part of a griffon's leg. In the center below the upper frame of the table, the same medallion that appears in 1938-88-560, an oval topped with a crown with the letter 'N' inside. Scale in pen and ink at bottom., Naples, Italy, ca. 1810, furniture, Drawing, Drawing

Design for a Window Hanging, Pen and black ink, brush and watercolor, graphite on off-white laid paper, Simply delineated window case and frame for tall casement windows. Window treatment consists of blue fabric dotted with pink spots, gathered in center and corners to create short festoon and pleats on either side. This valence lays over a pale pink curtain, also gathered just above the center of the window frame on either side, yielding a soft drape and pleats. Both curtains and valence are ornamented with yellow fringe having darked eneds. Tiebacks match fringe., France, 1775-1800, architecture, interiors, Drawing, Drawing

Drawing..

Print (France); Print Maker: Pierre Claude Delagardette (French, 1745 - 1792)

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 4e Cahier, Seating, Banquette de Croisée à la Dauphine, Low sofa, verso - stamped, A low ornamented sofa with striped upholstery, on four legs. Print number 22., print, ornamental print, prints, ornamental prints, height 198 mm, width 322 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Design for Three Chairs, Jean Démosthène Dugourc, French, 1749-1825, Brush and watercolor, pen and black ink, graphite on white laid paper. Ruled borders in pen and black ink., Left: Side chair, upholstered in blue. Elongated back splat with lyre-form configuration as back rest. Fluted rails and legs., Center: Same description as above upholstered in green., Right: Same description as above, upholstered in blue., France, France, 1790, furniture, Drawing, Drawing

Design for Red Curtains with a Gothic Style Gold Pediment early 19th century Anonymous, British, 19th century British. Design for Red Curtains with a Gothic Style Gold Pediment 387011

Design for a Window Hanging. Date/Period: 1775-1800. Drawing. Pen and black ink, brush and watercolor, graphite on off-white laid paper. Author: UNKNOWN.

Window frames, 1781 print Design for a window frame with garlands, flower motifs and an oval shield. Paris paper etching / engraving ornaments ~ art (+ framing decorations)

Design for an Armchair, Pen and ink, brush and watercolor on paper, Vertical rectangle. Design for an armchair shown from the front at left and obliquely from the left side at right. More detailed version of the design in 1901-39-1506. The seat, the back, and parts of the arms are upholstered in lilac. The arms and the frame of the back are devised as one curved moulding. Some gilded mountings on chair frame., Italy, late 18th century, furniture, Drawing, Drawing

Ronde Bank, Marcal, 1885 - 1895 print A round bank with a sculpture group in the middle. Print from 280th Livraison. paper seating furniture

Settee. Dated: c. 1936. Dimensions: overall: 23 x 30.2 cm (9 1/16 x 11 7/8 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Rosa Burger.

Credensmeubel, Léon Laroche, 1885 - 1895 print A Renaissance credit furniture. Print from 272nd Livraison. paper furniture for storage

Drawing, Coin chest; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink on off-white laid paper; Image: 26.7 x 19.1 cm (10 1/2 x 7 1/2 in.)

The Encyclopedia of Diderot - Ebenist Workshop Denis Diderot and Jean The Rond of Alembert. The encyclopedia or dictionary reasoned science, arts and trades by a society of literature, 1771 - Collection of planks on science; Liberal arts and the mechanical arts with their explanation - Volume IV / plank 1: Workshop cabinetmaker .

Twee Ronde Tafels, Pierre Gabriel Berthault, after just Nathan François Boucher, 1772 - 1779 print Two ornamented round tables on three legs. Print number 86. Paris paper etching / engraving tripod

Print, Upholstered Furniture; Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching on white laid paper; Overall: 34 x 22.5cm (13 3/8 x 8 7/8in.) Platemark: 27.2 x 18.3 cm (10 11/16 x 7 3/16 in.)

Design for a Chandelier, Pen and black ink, brush and yellow-brown, green-blue watercolor, graphite on paper, Vertical rectangle. Design for a chandelier. Below are four metal rings of increasing diameter, each with glass drops. The fourth ring from the bottom is the largest one; to it are fastened eight pairs of arms--five are shown--supporting the socket for the burning candles. Above it is a smaller ring, which forms the rim of a diamond glass bowl. To it are fastened sixteen arms--eight are shown, which support sockets, in which alternately glass and burning candles stick. The glass candles are connected by a glass chain. One more light is shown in the center, its exact position unclear. Above are more drops suspended. At the upper edge are traces of a caption. Below is the scale., Austria, ca. 1830, lighting, Drawing, Drawing

Amsterdam, Poster, Johannes Roelof, Netherlands, Verkerk, A., Ten plates of the decorations at the Alliance Festival in Amsterdam in 1795, Upcoming Unity and Indivisibility, of the Batavian Commonwealth and the Alliance, decoration on the Town Hall on the Dam, 1795, verso - stamped, De Alliantie concluded between the French and the Batavian Republic on 16 May 1795 and the Future Unity and Indivisibility of the Batavian Commonwealth. Two allegorical decorations on the facade of the Town Hall on the Dam in Amsterdam at the Alliance Festival on 19 June 1795. Part of a series of ten plates., print, prent, prints, Frederik Muller Historieplaten, height 219 mm, width 271 mm, Dutch, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand colouring, Publication (Event), Publication, publisher

Design for a Round Renaissance Style Table. Artist: Anonymous, British, 19th century. Dimensions: sheet: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Reading lectern with landscape and ink stand with inkwell with quill pens. Lithograph from Anna Barbara van Meertens Penelope, Or Maandwerk aan het Vrouwelijk Geslacht Toegewijd (Penelope, Monthly Magazine dedicated to the Female Sex), G.J.A. Beijerinck, Amsterdam, 1821. Van Meerten was an educator, writer and pioneer in womens rights in Holland.

Drawing, Design for Serving Table with Alternate Design Sketch; Designed by A.N. Davenport Co.; pen and black ink on thin cream paper; 18.4 x 27.0 cm (7 1/4 x 10 5/8 in. )

Design for a candlestick, anonymous, c. 1765 - c. 1775 Design for a candlestick in the form of a smell of smell with two sitting women, each wearing a three -armed candeletry on the head. Paris paper. ink. chalk pen / brush

Table designs. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 296 mm × w 189 mm. Museum: Rijksmuseum, Amsterdam.

Design for Easy Chair, François Premier Style 1835-1900 Robert William Hume British. Design for Easy Chair, François Premier Style 391720

Gazette du Bon Ton, 1920 - No. 5: Le Tabouret et Les Cache-Clous. A footstool and a curtain rod. The print is part of a series of four sketches entitled 'Aminagement d'Une Loge d'actress'. Croquis No. 26 from Gazette du bon ton 1920, no. 5. Explanation about the furniture on page "Explication des Planches".

Drawing, Garden or Terrace Table in Metal; graphite on white tracing paper

Design for a table. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 165 mm × w 256 mm. Museum: Rijksmuseum, Amsterdam.

Library Table, from Chippendale Drawings, Vol. II 1753 Thomas Chippendale British. Library Table, from Chippendale Drawings, Vol. II. Thomas Chippendale (British, baptised Otley, West Yorkshire 1718-1779 London). 1753. Black ink, gray wash

Armchair. Dated: c. 1936. Dimensions: overall: 30.4 x 22.5 cm (11 15/16 x 8 7/8 in.) Original IAD Object: none given. Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Simon Weiss.

Candle Mold. Dated: c. 1936. Dimensions: overall: 23.1 x 30.8 cm (9 1/8 x 12 1/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Vincent P. Rosel.

Print, Lambris du dessein de Mr. Le Roux Architecte; Architect: Jean-Baptiste Leroux; Published by André Basset (French, active 1749 - 1787); France; etching and engraving on laid paper

Cabinet-making: designs for a sideboard. Etching by J. Verchère after himself, 1880.

Print (France)

Design for Two Small Breakfast Tables, Angelo Mezzetti, Italian, Pen and black ink, brush and watercolor, gold paint on white paper, lined with blue paper, Sheet of designs for a table divided horizontally into two parts. At the upper part, an elevation (left) and section (right) of a table with four legs, connected by crossed laths. Round wooden top frame with round marble top. Inscription below each elevation and section. At the lower part, there are three renderings: a marble top, round, with inscribed rectangle (left); a plan of the wooden top frame with a red horizontal line with the letters A and B and a dotted circle around, C (center); a marble top with a circle in the frame (right); there are captions below each drawing; the indication of scale is placed along the bottom of the sheet. At the top of the sheet is another inscription. The sheet is signed at the lower right corner., Rome, Italy, early 19th century, furniture, Drawing, Drawing

Warszawa. Taboret z drzewa dębowego z wyposażenia bonifratrów p.w. św. Jana Bożego - widoki z boku w dwóch wariantach i z góry łączenie nóg w skali 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Anonymous. Boutique by Mr Marais Herbalist Rue Neuve Equality N ° 12. Colored etching. Paris, Carnavalet museum. Empire, French Empire, Imperial Periode, First Empire, Imperial Regime, 19th XIXth 19th 19th 19th 19th century, engraving

List of oak leaves and acanthus leaves, Berthault ,, After Richard de Lalonde, 1784 - 1785 print An ornamented list of oak leaves and acanthus leaves. Paris paper etching / engraving ornaments ~ art (+ framing decorations)

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