Elegant Garden Ornaments

Etchings of ornate garden structures, including obelisks and decorative candlesticks, reflecting classical architectural styles and ornamental designs.

Garden ornament with obelisk Examples of the pleasure gardens, zynde pyramids, honorary acids and other byworks (series title), A garden ornament in the form of an obelisk with a portrait of an acclaimed person and a vase. Putti with torches surround the medallion. Women, obelisks (garden ornaments) standing on the corners around the pedestal, Jacobus Schijnvoet (mentioned on object), 1695 - 1733, paper, engraving, h 307 mm × w 206 mm

Garden ornament with obelisk; Examples of the Lusthof-Cieraaden, Zynde Pyramids, Eerzuylen and other BY works. A garden ornament in the shape of an obelisk with a portrait of a cleaved person and a vase. There are putti with torches around the medallion. On the corners around the pedestal standing.

Garden ornament with obelisk, Jacobus Schijnvoet, after Simon Schijnvoet, 1695 - 1733 print A garden ornament in the form of an obelisk with a portrait of an acclaimed person and a vase. Putti with torches are around the medallion. Women standing on the corners around the pedestal. paper etching / engraving obelisks (garden ornaments)

Garden ornament with obelisk Examples of the pleasure gardens, zynde pyramids, honorary acids and other byworks (series title), A garden ornament in the form of an obelisk with a portrait of an acclaimed person and a vase. Putti with torches surround the medallion. Women, obelisks (garden ornaments) standing on the corners around the pedestal, Jacobus Schijnvoet (mentioned on object), 1695 - 1733, paper, engraving, h 307 mm × w 206 mm

Palhaver Met Tables, BertHault, EFER COUNCREDs Roubiquese, 1771 print An ornamented candlestick with garlands and a tablet with figures around Christ on the underside. Paris paper etching / engraving chandelier, candelabrum. adult Christ together with mortals

Monument project to the Republic by Gautherin, Bernard and Larche. Photograph by Louis-Emile Durandelle (1839-1917). Paris, Carnavalet museum. Paris, Carnavalet museum. 123625-2

An ornate garden obelisk decorated with urns and statues. Etching by J. Schynvoet after S. Schynvoet, early 18th century.

Catfalk with obelisks, 1772 - 1780 print Front view and map of a cata lime with two small and one large obelisk with a vase. Below that a triangular pediment with coat of arms and a semicircular niche with a grave with two figures and a vase. Print number CLXXXV. Paris paper etching catafalque, 'castrum doloris' (~ public funeral). needle, obelisk (marking grave)

Unknown architect, grave monument for Privy Councilor Koch in Thale. Monthly competition November 1877 (11.1877): Both designs in the front view. Ink on paper, supplemented with pencil, 47.8 x 34.3 cm (including scan edges) N.N. : Grabdenkmal für Geheimrat Koch, Thale. Monatskonkurrenz November 1877

Design for an Altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Above is the elevation, below, separated by a wide dark strip the plan. Above steps stand four columns and support the half-circular entablature, above which four figures stand and a half dome rises; on top a figure with a cross. The mensa with the tabernacle stands at the back wall. Colored background. At the reverse are some colored oblongs., Rome, Italy, ca. 1790, architecture, Drawing, Drawing

The triumphal arch at the Buitenhof, 1691, 1700 - 1724 print The triumphal arch set up at the Buitenhof for the arrival of Stadholder-King Willem III in The Hague, 5 February 1691. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Buitenhof

Memorial for the Peace of Rijswijk 1697, 1792 - 1799 print Gedenmemdaald in the Rijswijkse Bos founded in 1792 where the house in Nieuburch used to be, where the Peace of Rijswijk was closed on September 20, 1697 between France and the Allies. print maker: Netherlandspublisher: The Hague paper etching monument, statue Huis ter Nieuburch. Rijswijk

Design for the monumental statuary displayed here was carved for the park of the Chteau de Marly. Most of the works were commissioned by Louis XIV at the end of his reign. However, the courtyard is dominated by Guillaume Coustou's celebrated Horses of Marly, completed in 1745 under Louis XV.

Sir Robert Smirke the younger, 1781-1867, British, Sketch of the High Alter of the Church of, Il Redentore, 1802-1804. Watercolor, and graphite on moderately thick, moderately textured, beige, wove paper.

A sketch sheet by Rudolf Weyr depicting a monument using pencil, emphasizing architectural details and perspective.

Design for a column in Roman order. Artist: Maximilian Hardmuth (Austrian, Vienna (), ca. 1824-1876). Dimensions: sheet: 19 1/2 x 12 1/2 in. (49.5 x 31.8 cm). Date: 1844-76. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Elevation of a Fountain in Honor of Andrea Doria; Italy; pen and ink, brush and watercolor on off-white wove paper

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1301, with less details and ornamentation. The flames burn in urns. The inscription is in the band above the entablature. The figure with the scross is a variation of 1938-88-1300. Beside her are the symbols of the Evangelists., Rome, Italy, 1793, architecture, Drawing, Drawing

Design For a Clock, pl. XIX from 'Recueil d'Ouvrages Curieux de Mathematique et de Mecanique, ou Description du Cabinet', Gaspard Grollier de Seviere II, French, 1677 - 1745, Engraving on paper, France, 1719, Print, Print

The Saint-Ovide Fountain

Design for the National Monument, Maurits Verveer, 1864 photograph Fragment of the award-winning design for the National Monument 1813-1863 motto Eben-Haezer in The Hague, of J.Ph. Koelman and W.C. van der Waeyen Pieterse The Hague paper. photographic support. cardboard albumen print sculpture

The Werder monument for Freiburg i, The monument for General August von Werder in Freiburg i, from over country and sea, General illustrated newspaper , Unknown

Sketch of a Classical Pedestal 1776-79 Attributed to Thomas Hardwick British. Sketch of a Classical Pedestal 367196

. The honorary port placed on the fish market. Fishing, fishing nets and an obelisk. Part of the illustrations of the festive inauguration of Stadholder William IV as a Markgraaf van Veere on 1 June 1751. Numbered at the top right: 5.

Memorial to Jane Hatley from Stanwell Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm), architectural subject, church, memorial, England, St Mary's Church, Stanwell, Surrey, United Kingdom

Thür Georg (1846-1924), grave monument for Privy Councilor Koch in Thale. Monthly competition November 1877 (11.1877): 2nd draft: Upper front view; Scale bar. Tusche watercolor on the box, 57.1 x 43.2 cm (including scan edges) Thür Georg (1846-1924): Grabdenkmal für Geheimrat Koch, Thale. Monatskonkurrenz November 1877

Structure for the fireworks on the Hofvijver in honor of the coronation of Emperor Frans I Stefan, 1746; Disagreement for the illumination and fireworks by Zyne Excell: Mr. Baron van Reischach etc. Ter Front prescription opportunity, the 19 January 1746 in 's Hage Get / Représentation de l'Edifice pour l'Illumination et le feu d'artifice Donnés à la Haye Le 19 Janvier 1746 Par Son Excell: LR. Le Baron de Reischach, à l'occasion Mentionée Ci-Devant; Description description description description description, faiten à la Haye, a l'occasion du Couronnnement de (...) François I / DELIVERY of the main joy-wives in 's Gravenhage on the occasion of the Krooning of Zyne Keizerlyke Majesty Franciscus I. Building ( Temple or deductible) for fireworks lit on January 19, 1746 at the Hofvijver in The Hague on behalf of the German Minister and HANDER BARON from Reischach on the occasion of the coronation of Frans I Stefan to Keizer on 4-6 October 1745.

Doric order, pedestal and part of column; Prem.er Ordre Marqué A; Parallèle de l'Architecture Antique et de la Modern (...). Pictured with proportions.

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

Grafmonument Van Dante; P.E 1.a No. 2097 Florence - Church of S. Croce. Monument to Dante Alighieri. (Prof. Stefano Ricci.). Monument Met Drie Beelden in De Santa Croce Te Florence.

THE GERMAN NATIONAL MONUMENT ON THE NIEDERWALD, 1883: THE GERMANIA STATUE

Monument for Johannes Henricus van der Palm, Jan Baptist Tetar van Elven, 1843 - 1853 print A man and a boy look at the monument with the bust of the poet, theologian, statesman and professor Johannes van der Palm (1763-1840), in the Pieterskerk in Leiden. paper steel engraving grave-building, monumental tomb

Memorial to Richard Taylor from Chiswick Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1 × 27 cm), architectural subject, church, memorial, Chiswick, England, Greater London, London, St. Nicholas Church, United Kingdom

Peter von Cornelius, The Cornelius monument in Düsseldorf from About Land and Sea, General Illustrated Zeitung, Richard Brendamour -, Xylographer, after, Wilhelm Gause -, artist

Tomb erected at Ecbatana for a favorite of Alexander the Great still image. Reconstructions. 1785. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Tombs & sepulchral monuments

August Tiede (1834-1911): Grave monument. Monthly competition November 1856

. Allegorical statue for Johan van Oldenbarnevelt, died 13 May 1619. The national lawyer with freedom hat and privilege in hand, standing in triumph on Prince Maurits and envy personification. On the pedestal a verse of four lines, resting on the heads of the 24 judges of Oldenbarnevelt sentenced to death with the animals corresponding to this. On the large square of the Binnenhof. In the background a farmer and a gentleman, both patriots, discuss the statue. Under the show a verse in two columns in which Van Oldenbarnevelt compared to the Amsterdam mayor Hendrik Hooft Danielsz. In his role as a defender of the interests of the bourgeoisie in 1787.

Hofer, Andreas .

Erwin of Steinbach.

Karl Xiv. Johann, King of Sweden.

Unknown architect, holder for a flag mast. Monthly competition May 1875 (05.1875): View; Scale bar. Pencil on paper, 31.5 x 24.6 cm (including scan edges) N.N. : Halter für einen Flaggenmast. Monatskonkurrenz Mai 1875

Fountain for the facade of the town hall at the entry of Willem IV and his Gemalin in Breda on September 13, 1737. Fountain for the facade of the town hall at the entry of William IV and its Gemalin in Breda on September 13, 1737. At this design of Hof architect Pieter de Swart is a statue of Justitia.

Two candlesticks, Jean François Forty, 1775 - 1790 print Two ornamented candlesticks. Left with goat heads and garlands, right with women's heads and draperies. Below that the serial title. Paris paper etching / engraving Chandelier, a candlestick

Bülow-dennewitz, Friedrich Wilhelm Graf.

Copper engraving and etching by François Denis Née depicting the funeral monument of Henri IV, created between 1732 and 1817, showing architectural and sculptural details of the monument.

Grafmonument voor prins Willem V, 1806.Allegorical grave monument for Prince Willem V, died on April 9, 1806. Graftombe surrounded by plants, awarded a urn, against the grave a zeis, extinguished torch and oil lamp. On the pedestal an inscription in six lines.

Tables set for Liqueur, the Saint-Morien ,, After Richard de Lalonde, 1789 print An ornamented etagère consisting of three levels with liqueur glasses of different size. Paris paper etching / engraving Center-foot, Speed, 'especially', 'medium-of-table'. liquor

Drawing, Sepulchral Monument of James III (1688-1766); ITALY & FRANCE; pencil, pen, wash, chinese ink

Netherlands, Meer, Noach van der (II), De Revolutie, Op 't Burger Plein, decoration on the Koningsplein, 1795, verso - stamped, allegorical decoration erected on the Koningsplein in Amsterdam. Hercules breaks the yoke of the aristocratic government. From the booklet with images of the decorations erected in the city at the celebration of the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19, 1795. The print comes with a loose sheet with an explanation., print, prints, Frederik Muller Historieplaten, height 220 mm, width 145 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1795 - 1795, paper, papier, etching, hand coloring

Drawing, Elevation of a fountain; Italy; black chalk, pen and ink, brush and watercolor on paper ; 26.6 x 20.8 cm (10 1/2 x 8 3/16 in.)

Daniel Lysons, 1762-1834, British, Memorial to James Eckersall and his wife Catherine and his second wife Catherine and his second wife Jane from Drayton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Flight from Willem V, decoration in the plantation, 1795; The swift from Willem de V. in the Plantagie. The flight of Prince Willem V, allegorical decoration established in the Plantage in Amsterdam. The booklet with images of the decorations established in the city in the celebration of the installation of the representatives and the alliance closed between the French and the Batavian Republic, 19 June 1795. At the print, a separate sheet with explanation.

Nathaniel Lord Delamer and Henry and George Booth from Hampstead Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper (mounted on medium, slightly textured, cream wove paper), Sheet: 11 3/8 × 9 3/8 inches (28.9 × 23.8 cm), architectural subject, church, memorials, tomb, England, Greater London, Hampstead, London, St John-at-Hampstead Church, United Kingdom

Print (France)

Elevation of a Pulpit, Side View, R. Edmundson & Sons early 19th century Anonymous, British, 19th century British. Elevation of a Pulpit, Side View, R. Edmundson & Sons 386785

Gravestone for C. S. Duytsch deceased November 7, 1795, F.E. Duytsch, 1795.

The stairs of old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, are mentions and women between the ages of 0 and 100. Under the bridge a cartouche with text. On either side of the show a curtain.

The stairs of the old age, 1831 - 1854 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a cartouche with fresh. A curtain on either side of the show. Numbered at the top right: No. 1. Amsterdam paper letterpress printing the ages of man represented by a staircase. human life divided into stages

Man stands in front of Joan Melchior Kemper, Anonymous, Leendert Springer (I), 1835 - 1871 print A man with a top hat stands in Pieterskerk in Leiden for the burial monument of Joan Melchior Kemper, inaugurated in 1835. Leiden paper grave, tomb Pieterskerk

No. 1877. Tomb of Giuliano de Medici (Florence). .

The fountain of the Square of the School Demolie in 1855. Leon Symneye (1803-1879). La Fontaine de l'Ecole Demolie in 1855. Pencil, 1853.

Grafhard Heinrich van Senden in Zwolle, Antoine Franciscus Cornelis Hoffmann, after Wilhelmus Cornelis Chimaer van Oudendorp, in or before 1854 - in or before 1859 print On the grave is an obelisk with a portrait in a medallion on it. A burning oil lamp on top of the obelisk. Under the image a six -line poem by F. F. C. Steinmetz. print maker: Netherlandsafter design by: Netherlandsprinter: Zwollepublisher: Zwolle paper. grave, tomb. obelisk, needle. oil-lamp (+ kindling a light; lit, burning light, lamp, candle)

Tuckermann Wilhelm (1840-1918), fountain in a garden. Monthly competition October 1865 (10.1865): floor plan, tearing; 2 scale strips. Tusche watercolor on the box, 52.7 x 36.1 cm (including scan edges)

Netherlands, Meer, Noach van der (II), Het Volks Bewind Gevestigd, op het Amstelveld, Het Volksbewind Gevestigd, decoration on the Amstelveld, 1795, verso - stamped, allegorical decoration erected on the Amstelveld in Amsterdam. From the booklet with images of the decorations erected in the city at the celebration of the installation of the representatives and the alliance concluded between the French and the Batavian Republic, June 19, 1795. The print comes with a loose sheet with an explanation., print, prints, Frederik Muller Historieplaten, height 220 mm, width 145 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand coloring

Architectural Fantasy with Fountain and Obelisk, Louis-Joseph Le Lorrain, French, 1715-1759, Black chalk, brush and gray wash on off-white laid paper, A fountain, an obelisk, and a statue of a horse are shown against parts of a colonnade. Enlarged at the bottom and at left by the artist who wrote his signature in one of th eparts surrounding the fountain. Strips of paper have been added to the top and bottom of the drawing., France, 1762, architecture, drawing, drawing

Speculum Romanae Magnificentiae: The Antonine Column 1589 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed

Statue of Columbus- entrance to Old Public Garden- Lima. Photographs. 1865. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Lima (Peru), Chincha Islands (Peru)

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Some tombstones of our nasich,

Drawing for an Inkstand. Attributed to Robert-Joseph Auguste (French, 1723 - 1805, master by royal order 1757)

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1289. Beside the steps are at left a tripod with a bowl and a flame, at right a candelabrum with a burning candle. The front of the upper part of the lower pedestal represents that of the sarcophagus bearing an inscription. The upper edge is similar to 1938-88-1297. The lower part of the upper pedestal is decorated with a festoon. The column has no calyx. The angel is kneeling. In the upper right corner: '58.' Center below is a small plan of the monument., Rome, Italy, ca. 1795, architecture, Drawing, Drawing

Johann Esaias Nilson, Cartouche Moderne with Emblems of Death Cartouche Moderne with Emblems of Death

Memorial for Jakob Keith at Hochkirch, Copper engraving, from 1758

Melanchthon, Philipp.

Memorial to Lucy Smith and Anne Wilton from Chelsea Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 3/4 inches (38.1 × 27.3 cm), architectural subject, church, memorial, Chelsea, England, Greater London, London, Old Chelsea Church, United Kingdom

Daniel Lysons, 1762-1834, British, Tomb of Watts Family, from West Ham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Rodrigo Diaz de Vivar (c.1043-1099), known as El Cid. Castilian nobleman, military leader and diplomat. Sepulcher in the Monastery of San Pedro de Carden_a, near Burgos. Engraving by Paris. "La Ilustracion Espanola y Americana", 1872.

Ludwig Xiv., King of France Print of Jean Dolivar

Image of Freedom, Theodoor Koning, After Jacobus van Meurs, 1758 - 1829 print In a park a man shows a picture of freedom to a boy and a girl. The image is on a piercing stable. Amsterdam paper etching Freedom, Liberty; 'Freedom' (ripa). Monument statue

Cartoon in which the Belgian people deposit their money on an altar on which a statue of Van der Noot stands. The money rolls into the skirts of a woman (La Pinau) standing with Van Eupen to the right of the statue. Just visible in the background are the outlines of a gallows near Van der Noot. With three-line caption in French. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., Belgians bring their money to Van der Noot Les Belges Sinçeres et trop crédules (...) Brabant Revolution, 1787-1790 (series title), print maker: anonymous, Belgium, 1787 - 1800, paper, etching, engraving, h 204 mm × w 179 mm

Netherlands, Ten decorations at the Alliance Festival in Amsterdam in 1795, Image of the Decoration on the Amstelveld in Amsterdam, Erected on the occasion of the Alliance with France MDCCXCV, Het Volksbewind Gevestigd, decoration on the Amstelveld, 1795, verso - stamped, allegorical decoration erected on the Amstelveld in Amsterdam at the Alliance Festival on 19 June 1795. Column crowned with a liberty cap and the flags of the Netherlands and France. Chassinet in which the Dutch Virgin welcomes seven children representing the seven provinces. Part of a series of ten plates., print, prints, Frederik Muller History plates, height 245 mm, width 305 mm, print maker, printmaker, 1795 - 1795, paper, etching, hand colouring

Base in a river landscape, Jan Caspar Philips, After Cornelis Ploos van Amstel, 1767 print A base flanked by vineyards in a river landscape. There are two coats of arms, a fishing network and vines on top of the pedestal. Title print of an eleven -part series of prints with faces along the Rhine. Amsterdam paper etching river Rhine

A 1771 copper engraving and etching by Benigno Bossi showing the title plate of a Greek masquerade, emphasizing lettering and decorative elements.

The well in a courtyard of Beaune Hospital, France. Etching by L. Gaucherel and C. Sauvageot after A. Verdier.

Design for "The Three Captains Memorial" ca. 1784 Joseph Nollekens British A leading neoclassical sculptor, Nollekens was commissioned to design an important marble monument in Westminster Abbey to commemorate British naval valor in the recent Anglo-French war. Begun around 1784, and finally erected in 1793, the related 25 foot high monument remains on view in the north transept. It commemorates William Bayne, William Blair and Lord Robert Manners, three captains of the Royal Navy all killed during the Battle of Les Saintes in the West Indies, a four day conflict in 1782 known to the French as the Bataille de la Dominique. Relief portraits appear on a central column with the officers' names and ages inscribed, and the design is embelished with allegories of Fame, Neptune riding a seahorse, and Britannia supported by a lion. An inscribed plaque in the base credits Admiral Sir George Brydges Rodney as commander, and George III and Parliament for funding the monument.. Design for "The Thr

Amsterdam, Overbeek, Bonaventura van, Reliquiae antiquae urbis Romae, Agonalis obelisk with the Fontana dei quattro fiumi, verso - stamped, print, prints, height 400mm, width 264mm, Northern Netherlands, 1660 - 1706, print maker, printmaker, 1708 - 1708, paper, papier, etching

Zuil van Marcus Aurelius.The column of Marcus Aurelius, here called the column of Antoninus Pius, with a bronze statue of Paul on top. At the bottom left of the coat of arms of Pope Sixtus V. Above text in Latin in two columns. At the bottom right of a cartouche with text.

Trophie der Nederlandsche Handel-Maatschappij at the World Exhibition in Weenen in 1873, 1873 print Trophy, a building made up of products from the Dutch East Indies, founded by the Dutch Trading Company at the World Exhibition in Vienna in May 1873. At the bottom of the two medals won. Amsterdam paper world fair, world exhibition Vienna. Dutch East Indies, The

General reinforcement, decoration on the Kadijksplein, 1795; Image of the decoration on the Kadyks square in Amsterdam. Established on the occasion of the Alliance with Vrankryk MDCCXCV; Ten Decorations at the Alliance Party in Amsterdam in 1795. The general reinforcement, allegorical decoration established on the Kadijksplein in Amsterdam at the Alliance party on 19 June 1795. Medieval castle standing on rocks, on the towers of astronomy, hydrography and geometry, on it Chassinet In the underpass, freedom is raised by Batavian and French sailors on a shield. Part of a series of ten plates.

Design of the Monument to Polish Legions. Sierakowski, Sebastian Alojzy (1743-1824), designer, Mansfeld, Johann Georg (1764-1817), graphic artist, Stachowicz, Michał (1768-1825), draughtsman, cartoonist

Attributed to Daniel Lysons, 1762-1834, British, Font and Memorial to John Carter from Hornsey Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

The Clerk's Well, Clerkenwell, unknown artist, nineteenth century, after unknown artist, undated, Engraving, Sheet: 5 x 4 1/4in. (12.7 x 10.8cm)

Destruction of Stadholder, Decoration in the Plantage, 1795, A. Schol (II), 1795 print The destruction of the stadholder, Allegorical decoration founded in the Plantage in Amsterdam at the Alliantie festival on June 19, 1795. Pyramid with a footpace on which a chassinet with the presentation of a Batavian and a Frenchman who cuts the Oranjeboom. Part of a series of thirteen records. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities). woodcutting, woodcutter ~ forestry Amsterdam. Plantation

Basle. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Monument to the Battle of Waterloo, 18 June 1815, in Braine l 'Alle. Monument to the Battle of Waterloo, 18 June 1815, in Braine l 'Alle. Image of a lion on a pedestal. There is a number of figures around it.

Marc Aurèle, statue équestre sur la Place du Capitole. James Anderson (British, 1813 - 1877)

Locksmith, Friedrich Johann Heinrich.

Graf monument of Gerard Meerman, Anonymous, Pieter Willem Marinus Trap, 1864 print Graf monument from Gerard Meerman with obelisk and portrait medallion in a niche in the Pieterskerk in Leiden. Leiden paper grave, tomb Pieterskerk

Gerhard Ludvig Lahde (1765-1833), Andreas Christian Hviids Gravminde, 1801 - 1811

BRONZE STATUE OF THE LATE VISCOUNT HARDINGE, TO BE ERRECTED IN TANK-SQAURE, CALCUTTA, Reiterstandbild, geplant in Kalkutta, von Henry Hardinge, st Viscount Hardinge, Generalgouverneur in Indien aus Illustrated London News, Unknown

Grave monument of Archduchess Maria Christina in the Augustinian church of Canova, Built in , Vienna , Carl Karl Ledermann jun, Producer

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