Elegant Historical Drawings

Intricate designs featuring classical motifs like a sphinx, putti, and animals in a delicate, ornamental style with watercolor hues.

Three Ossen, Jacobus Cornelis Gaal, after Pieter Gaal, 1854 print Netherlands paper etching bull

Design for a Grotesque Frieze, Filippo Marchionni, Italian, 1732-1805, Pen and black ink, brush and gray watercolor on cream laid paper, Horizontal frieze with a sphinx , putti and flaming censer., Italy, 1740-1775, ornament, Drawing, Drawing

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Koza leżąca nad wodą. Reinhart, Johann Christian (1761-1847), graphic artist

The same Ceballos mounted on another bull breaks short spears in the ring at Madrid) (El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf'ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Sea bull. Ninth issue of a suite of 23 pieces. (A. de Vesme 467; Dutuit 123) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Three Ossen, Jacobus Cornelis Gaal, after Pieter Gaal, 1854 print Netherlands paper etching bull

Lovis Corinth, Rape (Frauenräuber), 1920 Rape (Frauenräuber)

Trekos with yoke, Jacobus Cornelis Gaal, After Pieter Gaal, 1860 print Netherlands paper etching ox

Etching by Francisco Goya from 1815-1820 depicting figures defending themselves during war, showing postures, conflict, and detailed line work on paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Soldier on foot going down a mountain path by leading his horse by the bridle, preceded by a rider and a woman walking near his horse. Seventh issue of a suite of 23 pieces. (A. de Vesme 465; Dutuit 123) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Goya Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejón Francisco de Goya (Spanish, 1746 - 1828 ), Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Tor rejon (Dreadful events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), in or before 1816, etching, burnished aquatint, lavis, drypoint and burin first edition impression, Rosenwald Collection 1943.3.1640

Reclining Lion. Draughtsman: Rembrandt van Rijn (school of). Dating: c. 1660. Place: Amsterdam. Measurements: h 104 mm × w 184 mm. Museum: Rijksmuseum, Amsterdam.

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Landscape Koe.

Ploughs, draughtsman: Pieter de Josselin de Jong, 1871 - 1906, paper, h 310 mm × w 243 mm

Standing goat, to the left, draughtsman: Jean Baptiste Huet (le vieux), (possibly), draughtsman: François Boucher, (rejected attribution), draughtsman: Nicolaes Pietersz. Berchem, (rejected attribution), in or after 1767, paper, h 134 mm × w 207 mm

Koza i kozioł na łące. Reinhart, Johann Christian (1761-1847), graphic artist

Bliżej Kultury Michałowski, Piotr (1800 1855)

Jacques Callot, French (1592-1635), The Hooded Cripple, c. 1622, etching and engraving

Un chameau allant à gauche. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Liggers Geit, Hendrik Willem Schweickhardt, c. 1756 - c. 1797 drawing Netherlands paper. chalk

Saunders, John, inventor: Antonis van Dyck, Queen Henrietta of England, consort of Charles I, (1000 - 2000), copper engraving, graphics, plate width 19.5 cm, plate height 24.8 cm, leaf width 22 cm, leaf height 30.8 cm, picture width 10.5 cm, picture height 17.9 cm

Un nid dans les blés ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Head of a young man with turban; Small study of heads with oriental headwear. A young man with a turban, his head pronounced. Print from a series of sixteen.

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Rijn, Rembrandt van, Flinck, Nicolaes Anthoni, Landscape with a well and a wagon, Landscape with a man at a well, a wagon under a shelter made of tree trunks and hay and a farm., print, prent, prints, prenten, height 67 mm, width 132 mm, 1646 - 1723, print maker, prentmaker, 1659 - 1673, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, drypoint, dry needle, Noord-Nederlands, 1606-07-15 - 1669-10-08

Lady in the mountains. Sommier, François Clément (1844-1907), draughtsman, cartoonist

Copper engraving by Adriaen Matham showing a beggar with a wooden leg playing music while his wife sings, created between 1620 and 1652, highlighting social genre scene and Baroque technique.

TheWayfarer. Artist: Alphonse Legros, French, 1837-1911

The medical ass. (Ti)

Séparés ou Printemps simiesque. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching with aquatint

Pierrot drew pony with plume (sketch). Draughtsman: Leo Gestel. Dating: c. 1935 - before 1936. Measurements: h 212 mm × w 255 mm; h 110 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins at Rome, Grazing horses at the Pyramid of Cestius, verso - stamped, A landscape with two grazing horses in the foreground, a foal and two figures on the right. In the background the Pyramid of Cestius., print, prints, height 130 mm, width 133 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

GOYA Y LUCIENTES, Francisco de (1746-1828). Dreadful events in the front rows of the ring at Madrid and the death of the mayor of Torrejon in 1801. 1816. Plate 21 of 'The Art of Bullfighting'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1813-1816. Dimensions: 210 x 311 mm (image); 245 x 354 mm (plate); 321 x 445 mm (sheet). Etching, burnished aquatint and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Death of the mayor of Torrejon, Francisco de Goya, 1811 - 1816 print The first five rows of the stands in the Arena of Madrid. The bull, standing in the stands, has hit the mayor of Torrejon on his horns. A group of people tries to flee away in a panic. Spain paper etching / drypoint bullfight. violent death, being killed; being mishandled and maltreated; seeking death Madrid

Head of a man looking up; Recueil Dyck's testes d'Antoine (...). Numbered at the Top Right: 29.

Sled in the form of a winged dragon, c. 1654 - 1656 drawing A sledge in the form of a winged dragon. Dragon members are rare in paintings of ice entertainment, but have existed. Deventer paper. chalk

Amsterdam, Picart, Bernard, Wouwerman, Philips, Maas, Dirk, Soldaten en paarden, Soldats & Chevaux, Soldaat met geweer naar links, verso lower left - stamped, Kneeling soldier with rifle to the left, seen from the back. Over his shoulder a sword and on his head a hat with feathers. Third print from a series of twelve prints depicting soldiers and horses., print, prints, height 119 mm, width 135 mm, Dutch, 1659-09-12 - 1717-12-25, print maker, printmaker, 1710 - 1717, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1619-05-24 - 1668-05-19, after a design by, Publication (Event), Publication, 1673-06-11 - 1733-05-08, publisher

Spanish rider, c. 1647 - 1648 drawing draughtsman: Münsterdraughtsman: Zwolledraughtsman: Zwolleafter design by: Münster paper. pencil

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Print made by Samuel Howitt, 1756-1822, British, The Buck's Death Wound, 1818. Etching on medium, slightly textured, cream wove paper.

Francisco de Goya, La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), in or before 1816 La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)

Plate 15: a Polish nobleman, facing away, holding his horse covered in leopard skin, four men and a horse in background, from 'Diversi capricci'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 3 5/16 x 3 3/4 in. (8.4 x 9.6 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Series/Portfolio: 'Diversi capricci'. Date: ca. 1644-47. Museum: Metropolitan Museum of Art, New York, USA.

A Eugène Delacroix , Artists, Supernatural beings, Tombs & sepulchral monuments, Delacroix, Eugène, 1798-1863. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Dood Van Pepe -Hillo in Arena Van Madrid, Francisco de Goya, 1811 - 1816 print The Torero (bullfighter) Pepe-Hillo lying on the ground in the Arena of Madrid. He is painted on the horns of the bull. Another man tries to distract the bull with his cape. Spain paper etching / drypoint bullfight. violent death, being killed; being mishandled and maltreated; seeking death Madrid

Un léopard marchant vers la droite. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Fool's Folly, from Disparates. Francisco José de Goya y Lucientes (Spanish, 1746-1828); printed by François Liénard (French, active 1860s-1880s). Date: 1816-1819. Dimensions: 212 x 324 mm (image); 245 x 345 mm (plate); 283 x 375 mm (sheet). Etching and burnished aquatint in black on Japanese paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Umbria Perugia Bettona Palazzo Podesta1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescos, decorative arts Owner: Pinacoteca German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Caricature Showing Louis XVI as a Ram. Artist: Anonymous, French, 18th century. Dimensions: sheet: 4 1/2 x 3 7/8 in. (11.5 x 9.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

A Bullock Standing to the Right (on a Base). Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 5/16 x 9 11/16 in. (18.5 x 24.6 cm). Date: ca. 1760-61. Museum: Metropolitan Museum of Art, New York, USA.

Torture of Thieves in Hell; They are bitten by Poisonous Serpens. (The torments of thieves in hell, baked by the venomous snakes, from: The Divine Comedie du Dante ), in: Oeurvre de Flaxmann Collection of ITS Serious Composites by Reveil, With Analysis of the Dante Divine Comedie and Notice He Flaxman. Various Subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Man with horse and carriage with a village in the background. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 191 mm × w 215 mm. Museum: Rijksmuseum, Amsterdam.

Grazende Os, Jurriaan Cootwijck, after Pieter van Bloemen, 1724 - 1798 print The print is loose in an album, see page 126-128. Amsterdam paper etching ox

Ossen in Rodenstein and Seebach and a man from Fürth, 1876 Page 30 Recto from a sketchbook with 69 sheets. Seebach paper. pencil ox. standing figure Seebach. Rodenstein. Fürth (Hessen)

'Trios Dogs, A Graphic Tale, with a Moral, for those who can find it out!',1834. Prime minister Arthur Wellesley, 1st Duke of Wellington holding a bone labelled 'Power'; Governor-General of Canada John George Lambton, 1st Earl of Durham fighting with Lord Chancellor Henry Brougham, 1st Baron Brougham and Vaux; John Bull. Satirical cartoon on British politics by 'H.B.' (John Doyle). Thomas McLean, London, 1834

Ryland, William Wynne, inventor: Allan Ramsay, King George III of England, 1767, copper engraving, graphics, plate width 36.6 cm, plate height 54.1 cm, leaf width 37.4 cm, leaf height 55 cm

The Sow, Rembrandt van Rijn, 1643 print paper etching / drypoint

Louis-Candide Boulanger after Eugène Delacroix (French, 1806-1867), Le Lion et le tigre, c. 1830, lithograph on wove paper

Ossenkar, Java, Adrianus Johannes Bik, c. 1816 - c. 1846 drawing Java paper. chalk

Kop van Koe with collar, Dirk Dirksen, 1821 - 1882 print Rotterdam paper etching cow

Dromedary and Camel. Johann Adam Klein; German, 1792-1875. Date: 1817. Dimensions: 194 x 250 mm (plate); 229 x 296 mm (sheet). Etching in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Le cheval est un aliment sain.... Honoré Daumier (1808-1879). Lithographs

Etching by Carl Anton Reichel titled 'Sebastian and Shishi', created in 1916, showing two figures in dynamic interaction with detailed facial expressions.

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1814-1816. Dimensions: 202 x 309 mm (image); 246 x 355 mm (plate); 321 x 445 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Plate D from the 'Disparates': Fools-'or Little Bulls' - folly. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 9 5/8 × 13 3/4 in. (24.5 × 35 cm)Sheet: 10 13/16 × 14 15/16 in. (27.5 × 38 cm). Series/Portfolio: One of the four additonal plates prepared for but not published in the set titled Los Disparates (Los Proverbios). Date: ca. 1816-23 (published before 1877).One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',One of the four additonal plates prepared for the set but not included in the posthumous first edition published by the Academia de San Fernando in Madrid in 1864 under the title 'Los Proverbios',. Museum: Metropolitan Museum of Art, New York, USA.

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Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

Pencil drawing of enslaved figures, showing posture, anatomy, and interaction.

Bliżej Kultury Abramowicz, Benedyktowicz, Ludomir Ludwik (1844 1926), Posen, J., Pruszyński, Aureliusz

Mendiants.. 1843. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Italy, Tempesta, Antonio, His ducibus princeps celebraberis ore viroru illa homines beat haec sideribusq locat, Horses from different countries, Standing horse facing right, verso attachment sheet - stamped, Text in Latin in bottom margin., print, prints, height 141 mm, width 165 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1590 - 1590, paper, papier, etching, etchings, Work conception, after own design by

Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.) 1799 Goya (Francisco de Goya y Lucientes) Spanish This plate is captioned with the first part of a Spanish proverb, "Thou who canst not / carry me on your back," represented by two men, each struggling under the weight of a content donkey. Their footwear identifies the men as peasants or laborers. The print has been interpreted as a satire on the uselessness of the nobility and the clergy, whose upkeep had become a financial burden for the impoverished working population. In other prints from the Caprichos, the ass appears as a device to ridicule ignorance in professions such as medicine, education, and the law.. Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.) 370575

Caricature of the painter Stanisław Dębicki; verso: two humoristic scenes with Stanisław Dębicki. Song without words and Humorist painter.. Rembowski, Jan (1879-1923), draughtsman, cartoonist

() Isaac Cruikshank, 1756-1810, British, The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, 1794. Etching, hand-colored.

Lion head, draughtsman: Louis Ghémar, Charles Verlat, 1830 - 1873, paper, brush, h 192 mm × w 147 mm

Rickyard, Sir George Clausen (London, England, 1852 - 1944) 1900-1924

Waterpuwer of Notre-Dame in Paris with wings and excellent tongue, Marie Danse, 1888 print paper etching piece of sculpture, reproduction of a piece of sculpture. parts of church exterior and annexes. ornament ~ hybrid animals Our Lady

Mieris, Frans van, Brouwer, Cornelis, Amsterdam, Ploos van Amstel, Lying dog, verso - stamped, print, prints, height 75 mm, width 91 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, supervision, 1777 - 1777, paper, paper drawing, crayon method, carbon copy, 1735 - 1803-03-31, print maker, printmaker, intermediary draughtsman

UK, England, London, British Museum, Dreadful Events in the Front Rows of the Ring in Madrid and the Death of the Mayor of Torrejon, by Francisco de Goya, La Tauromaquia, 1825

Nat, Willem van der, Tweevarkens, verso - gestempeld, print, prent, prints, prenten, height 65 mm, width 113 mm, Nederlands, 1864-09-04 - 1929-07-11, print maker, printmaker, 1874 - 1929, paper, papier, etching, etchings, plaattoon

Lion and Serpent. Artist: Jules Laurens (French, Carpentras 1825-1901 Saint Didier); After Antoine-Louis Barye (French, Paris 1796-1875 Paris). Dimensions: Sheet: 13 7/8 × 18 3/8 in. (35.2 × 46.7 cm)Image: 9 5/8 × 12 15/16 in. (24.4 × 32.8 cm). Date: ca. 1868.This lithograph is a reproduction of Antoine-Louis Barye's watercolor, now in the Walters Art Gallery, entitled 'Lion et Serpent' (Zieseniss A36), completed circa 1840. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Czapski Hutten, Marian (1816 1875), Busse, Michał (1810 1881), Żupański, Jan Konstanty (1804 1883)

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Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Diversi Capricci. A cow drinking in a stone trough. Twelfth number of a suite of 24 rooms. (A. de Vesme 139; dutuit 139) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Francisco de Goya y Lucientes / 'Disparate de bestia . Otras leyes para el pueblo', 1815-1819, Spanish School, Etching; aquatint on paper, 243 mm x 355 mm, G03069. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

France, French crown, Paris, Henriet, Israel, Bella, Stefano della, Goyrand, Claude, Agreable diversity of figures, Diverse representations and figures, Two lance bearers, verso - stamped, print, prints, height 70 mm, width 101 mm, French, 1620 - 1662, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Work conception, Italian, 1610-05-18 - 1664-07-27, after print by, Publication (Event), Publication, 1590 - 1661, publisher, uitgever van privilege

The treacherous shot. Draughtsman: Dirk Stoop. Dating: 1628 - 1681. Measurements: h 192 mm × w 235 mm. Museum: Rijksmuseum, Amsterdam.

The Twelve Signs of the Zodiac - Capricorn. Artist: Philip Speakman Webb (d.1915). The 12 signs of the zodiac, designs for stained glass for a circular tracery light with a pencil diagram showing the position of each design in the tracery.

Ko In stable; Brodowski, Józef (1828-1900); 1896 (1896-00-00-1896-00-00);Purchase (provenance)

Paris besieged, 1870-1871. Artist: Anon

A Disabled Man Weaving a Hood. Jacques Callot (France, Nancy, 1592-1635). France, 1616. Prints; engravings. Etching with engraving

Hippocampus en vis (fantasiedieren). 1. Zee-Peerdt 2. Bruijn Visch (title on object). Draughtsman: Anselmus Boëtius de Boodt. Draughtsman: Elias Verhulst. Dating: 1596 - 1610. Place: Praag. Measurements: h 125 mm × w 245 mm. Museum: Rijksmuseum, Amsterdam.

The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, () Isaac Cruikshank, 1756-1810, British, 1794, Etching, hand-colored, Sheet: 9 x 15 5/16in. (22.9 x 38.9cm)

Herd of Swine Coming Out of a Wood. Charles Émile Jacque; French, 1813-1894. Date: 1849. Dimensions: 111 × 172 mm (image); 120 × 180 mm (chine); 144 × 207 mm (plate); 299 × 423 mm (sheet). Etching and drypoint on cream chine laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Children is coming now / to buy 't Osje Boe /' t is a guild -os exelent / gy can buy it for small money, 1781 - 1831 print Leaf with a large representation of a guild-os (also called Kermisos or Priceos), decorated with floral wreaths. The show is caught in a decorative frame with tendrils, sphinxes, coats of arms, putti and flowers. publisher: Amsterdamprint maker: Netherlands paper letterpress printing prize-ox. floral interlace ~ ornament. ox. cupids: 'amores', 'amoretti', 'putti'

Francisco de Goya y Lucientes / 'Fierce Monster!'. 1814 - 1815. Red chalk on cream laid paper. Museum: Museo del Prado, Madrid, España.

Nederlandse Leeuw for Wapentrophee, 1794, Pieter Gerardus van Os, 1794 print Vignette with the Dutch Lion for a weapon trophy with banners and the liberty hats. In the legs of the lion a shield with a inscription on a truce reached on October 18, 1794 (between Great Britain and France). Netherlands paper etching 'tropaion', i.e. decorative ornament ~ weapons

A fine 18th century depiction of the CAMELEOPARD, albeit with a somewhat exaggerated idea of its height... Date: 1768

Vignette, putto on a chariot shot by two cocks and putti on a goat

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