Elegant Historical Frames and Artifacts

Detailed images of ornate frames, religious artifacts, and intricate marble inlays showcasing craftsmanship from the 18th century to the Taj Mahal.

India, Agra, Taj Mahal. Famous landmark memorial to Queen Mumtaz Mahal, circa 1632. UNESCO World Heritage Site. Detail of marble inlay wall with carved flowers.

Seats (wooden stalls), by Marti Francesco, 1452 - 1457, 15th Century, wood carved and inlaid. Italy, Tuscany, Lucca, National Museum, Villa Guinigi. Detail. Seat inlaid stall with floral motifs.

Marble sarcophagus. Sarcophagi from the excavations of the city of Perge Antalya, Turkey - May 20, 2019: Marble sarcophagus. Sarcophagi from the excavations of the city of Perge. Scenes and symbols carved in the bas-relief on the walls of the sarcophagus. Museum of antiquity of Antalya. Copyright: xZoonar.com/LeonidxEremeychukx 14022831

Panel; wood, carved

Lamego, Portugal, Shrine of Our Lady of Remedies, relief sculpture

Cruz Procesional, 1380, Nº Inv. 577. Museo Arqueológico Nacional.

British, Neoclassical frame, Unknown framemaker, 4th quarter of 18th century, Wood and compo, later oil gilding and over original oil and water gilding

British, NeoClassical style frame, Unknown framemaker, late 18th to early 19th century, Wood and compo, later oil gilding over original gilding

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace, north wall. Detail. Justice of crown.

Flowers, marble relief, Taj Mahal, UNESCO World Cultural Heritage Site, Agra, Uttar Pradesh, India, Asia

St Pancras Hotel, London, United Kingdom. Architect: Sir Giles Gilbert Scott with Richard Griffiths Arc, 2011. Wall and ceiling painting and stucco.

Ottoman marble carving art in detail

Flowers, detail from the fresco by the Galliari brothers, 1750-1760, ballroom (Salone delle Feste), first floor (piano nobile), Villa Arconati, Castellazzo di Bollate, Lombardy, Italy, 18th century.

Choir, by Riva Giuseppe Antonio, 1749, 18th Century, carved walnut. Italy: Piemonte: Turin: Moncalieri: Santa Maria della Scala collegiate church. Detail. Choir wood decorations volutes rinceaux frames carvings

Detail of the Muses of the stage of the Palau de la Musica Catalana, 1908, modernism. Authors: Domenech i Muntaner. / Eusebi Arnau / Lluis Bru.

Leaf of the palazzo ducale, genoa, italy

Ceiling fresco, Persian and Arabic art, Desert castle Qusair Amra, Amman region, Jordan, Asia

Anonymous. Chinese decor from Juliette Drouet's house in Guernsey, West Wall. Two Chinese statuettes in literate costume. Ceramic. 1750-1850. Paris, house of Victor Hugo. 79112-1 Asian art, decorative arts, Chinese, ceramic, Chinese dog, Chinese dog, letter costume, decor, Chinese character, Chinese living room, statuette, 19th XIX 19th 19th 19th 19th century, 18th 18th 18th 18th 18th 18th 18th 18th century

Decoration on a door Frieze on a door, Naples, Italy Copyright: xZoonar.com/MassimoxLamax 8905620

Death of Marcus Curtius. (Francesco Fanelli; Florence 1577- 1657; Bronze)

British, Provincial Rococo frame, Unknown framemaker, mid-18th century, Carved wood, later oil gilding over original gilding and sanded frieze

VIRTUD TEOLOGAL. Location: CATEDRAL DE SANTA MARIA. ASTORGA. LEON. SPAIN.

Three-door commode, by Weisweiler Adam, Thomire Pierre-Philippe, 1809 - 1811, 19th Century, burr thuja and gilded bronze. Italy: Campania: Naples: Royal Palace. Whole artwork. Commode

Paris (8th arr.), France The exhibition of decorative arts, the French village under the direction of Charles Genuys, Church, architect Jacques Droz, built by the Société de Saint-Jean , 1925 - International Exhibition of Modern Decorative and Industrial Arts Paris (French - Paris ( VIIIe arr. ) , France L' Exposition des arts décoratifs , Le Village français sous la direction de Charles Genuys , Eglise , architecte Jacques Droz , construite par la société de Saint-Jean). Church, represented animal , fantastic animal, Christianity, candlestick, sculpture, painted decor, decorative arts, religious or votive inscription, exhibition, exhibition of decorative arts, door, carved decor, religious architecture, ephemeral architecture, Animal , Religion , Art , Inscription , information , Habitat , Architecture, EAD - Entrance to the Church of the French village - Octe 1925 France, Paris, Exhibition of decorative arts, entrance to the Church of the French village, details of the door

ORIENT EXPRESS TRAIN, PULLMAN CAR, LALIQUE

Musical automaton, a self-operating machine, or a machine or control mechanism, in the shape of an elephant by Martinet Hubert, active during the 18th Century.

Roman Art. Marble strigilated sarcophagus. Ca. 220. Severan period. Decorated with lion heads. Metropolitan Museum of Art. New York. United States.

Germany, Rhineland-Palatinate, Cochem, Mosaics

Clef de voute. Galeries latérales.. Louis-Émile Durandelle (French, 1839 - 1917)

Diafanorama, Anonymous, 1700 Diafanorama or Toneel van Hout, in which six windows, painted in oil paint as play, representing a big gazebo against a background with sea; Two windows represent four figures. wood (plant material). oil paint (paint) Diafanorama or Toneel van Hout, in which six windows, painted in oil paint as play, representing a big gazebo against a background with sea; Two windows represent four figures. wood (plant material). oil paint (paint)

Women working. Stirring pot. Ancient Greek relief.

Brühl, Augustusburg Palace/ Staircase, cartouche under the left lower vault, falconry

Saint Joseph church. Capital sculpture. Adam and Eve in Garden of Enden.

Stele erected by Cassia Cogitata in memory of her parents Cassius Felix and Cassia Lacaena, and her son Vetsidius Super. Decorated with reliefs of Medusa and a krater with vine branches. Dated to the middle of the 2nd century AD. From Archar (Ratiaria), Vidin province, Bulgaria. National Archaeological Museum. Sofia. Bulgaria.

Jacobsthal Johann Eduard (1839-1902), stage curtain for the Schauspielhaus Berlin (1889): View. Tusche watercolor on the box, 60.5 x 74.2 cm (including scan edges)

Cottbus, Branitz Palace Park/ Terracotta by Thorwaldsen on the pergola (Der Tag)

Charles Sprague Pearce, Study for a Border Design, 1890 1897 Study for a Border Design

Clock of Art Nouveau post office building, Dijon, France. Detail.

Cruz Procesional, siglo XV. Museu Nacional d'Art de Catalunya.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and ""dry"" tempera. Italy, Lombardy, Mantua, Ducal Palace. Detail. Dress suit sleeve wrist damask fabric: tissue decoration embroidery Barbara Gonzaga noblewoman woman.

The Sarcophagus of Constantina decorated with winged erotes who are harvesting grapes and making wine, along with sheep, peacocks and doves. Red porphyry. Sculpted around 340 AD. Pio-Clementino Museum. Vatican Museums. Vatican City.

Capital with a Basket-Weave Pattern and Rams Heads 5th-6th century The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small village, grew to consist of numerous complexes with residences, chapels, and service structures and two large churches profusely decorated with sculptures and paintings, often reused from other sites, all affiliated with the Coptic church. The more important buildings were decorated with courses of sculpted stone freely combining floral and geometric motifs inspired by classical art - rosettes, acanthus leaves, meander patterns - with more recent Christian themes. Basket-weave capitals were popular throughout the Byzantine world in this period.. Capital with a Basket-Weave Pattern and Rams Heads. 5th-6th century. Limestone; carved in relief. Said to be from Egypt, Bawit. Sculpture

Residential house Zum goldenen Helm, cantilevered oak staircase, balustrade with cartouches. Depictions of putti at the clothmaker's: Spinning (spinning wheel)

Interior detail from the Palazzo Vecchio, Florence, Italy. A massive, Romanesque fortress-palace designed by the architect Arnolfo di Cambio. Internally, The first courtyard was designed in 1453 by Michelozzo. In the lunettes, high around the courtyard, are crests of the Church and City Guilds. In the centre, the porphyry fountain is by Battista del Tadda. This image shows a lion's head on a marble pedestal.

Carolingian marble fragment, St., Saint, Saint

Native, Old relief carving on the gate of a former farmstead, today Heimat- und Hirtenmuseum, Hersbruck, Middle Franconia, Bavaria, Germany, Europe

Cambodia, , Siem Reap - near, Angkor Thom - Bas-relief at the Bayon Temple

DETALLE DEL SALON DE COMARES O EMBAJADORES DEL PALACIO DE COMARES - SIGLO XIV. Location: ALHAMBRA-PALACIO DE COMARES. GRANADA. SPAIN.

Table, by Sicily workmanship, drawing Mugnai Giovanni, 18th Century, . Italy: Sicily: Palermo: Royal Palace. Detail. Table head ram marble frieze leaves

Frank Lloyd Wright (1867-1959). American architect. Horse Show Fountain, 1909. Detail. It is attributed to both sculptor Richard Bock and architect Frank Lloyd Wright. The current fountain is a replica from 1969. It had to be completely rebuilt because of its deterioration, being relocated a short distance from its original location. Oak Park (near Chicago). State of Illinois, United States.

Manacor, municipal cemetery, Mallorca, Balearic Islands, Spain.

British Louis XV style frame, Unknown framemaker, 2nd and 3rd quarters of 18th century, Carved wood, successive later oil gildings over original gilding

Komsomolskaya Metro station in the Krasnoselsky District, Moscow. The station is noted for its being located under the busiest Moscow transport hub, Komsomolskaya Square. the first southern segment of the Koltsevaya line is dedicated to the victory over Nazi Germany, the northern segment is dedicated to the theme of post-war labour. Komsomolskaya, however, is a clear exception: lead designer Alexey Shchusev designed it as an illustration of a historical speech given by Joseph Stalin November 7, 1941. In this speech, Stalin evoked the memories of Alexander Nevsky, Dmitry Donskoy and other military leaders of the past, and all these historical figures eventually appeared on the mosaics of Komsomolskaya.

High crest morrion, Decorated with scene from the Battle of Pavia, 16th century, Álava Armory Museum, Vitoria, Basque Country, Spain.

Secretary-bird and cobra, by Unknown, 41 - 62, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Pompeii, House of the Epigrammes. Whole artwork. Secretary-bird snake black cobra.

Ornate decorative tablet in Bali

Harvest (bachic child carried away on a panther) Henri Lehmann (1814-1882). Harvest (bachic child swept over a panther). Charcoal and gouache. XIXth century.

Campania Napoli Naples S. Lorenzo Maggiore56. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

A map of the inhabited world, from Aj?ib al-makhl?q?t wa-ghar?ib al-mawj?d?t (Marvels of Things Created and Miraculous Aspects of Things Existing) by al-Qazw?n? (d. 1283/682). The copy was made in 1537/944, probably in western India. Neither the copyist nor illustrator is named.

Caribbean, Puerto Rico, Old San Juan. Painting of woman behind wrought-iron grill.

shield of the king of aragon, Mudejar ceiling, "Tanto Monta" hall, Old Episcopal Palace, 15th century, Huesca Diocesan Museum, Aragon community, Spain.

Four elements fountain at Coso Viejo Square, Antequera. The Fire

Antoni Gaudí / Detail of the colored glasses of the windows of the trust room, made by the Peligrí Workshops, on the noble floor of the Güell Palace, 1888, Barcelona, Catalonia, Spain. Museum: Palacio Güell, Barcelona, Cataluña, España.

The Golden Barge. Built in 1790, by order of Queen Maria I of Portugal (1734-1816), for the use of Princess Carlota Joaquina (1775-1830), wife of Prince John (Joao), the future King John VI (Joao VI). Detail of the decoration next to the prow. Maritime Museum. Lisbon, Portugal.

Can Calopa. Detalle del techo artesonado de la gran sala señorial con decoraciones de escudos y elementos simbólicos. Restauracion de Puig i Cadafalch. Argentona. Author: JOSEP PUIG I CADAFALCH.

Roman Art. Italy. Ara Pacis Augustae. Plastic model. Scale 1:10. Ceremonial front. Original West. Museum of the Ara Pacis. Rome. Italy.

Wall fountain. Artist: Simone Mosca (Italian, Settignano 1492-1553 Orvieto). Culture: Italian, Florence. Dimensions: H. 16'3" (4.953 m.); W. 12'9-1/2" (3.899 m.). Date: 1527-34.Born in the stone-working town Settignano and trained by the great architect Antonio da Sangallo (the younger), Simone Mosca worked with leading artists as a sculptor of architectural ornament. This fountain was carved along with a chimneypiece for the Palazzo Fossombroni in Arezzo, of a favored local stone, pietra serena. It vacillates delightfully between architecture and sculpture, striking a balance among the bases, columns, and entablature, on one hand, and the masks, scallops, and vegetal motifs on the other. In these same years, Mosca executed decoration for Michelangelo in the Medici Chapel; the subtle push and pull of surfaces across the fountain show Mosca's grasp of Michelangelo's intentions. Museum: Metropolitan Museum of Art, New York, USA.

Pere Bernés, Cruz de los esmaltes, 1360, Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

French medieval shield (may have been a gift or a prize in a tournament). Depicts a lady wearing a Flemish pointed headdress and a young knight kneeling at her feet. The figure of Death lurks behind him. The legend on the scroll above his head reads: 'vous ou la mort' ('you or death). About 1475-1500 Flanders or Burgundy. Wood, leather, gesso and paint

Rouen Cathedral, the Portal, Sunlight, Claude Monet, 1894, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

presbytery Baroque altarpiece, camarin of Mare de Deu de Bonany, a woodcarving tradition that attributes to medieval times, sitting in a chair with th...

Reconstruction of the polychromy used in the Early European medieval ages (Pre-Romanesque), with red, yellow, blue and green. Templon beam and pediment. Sopot, Croatia. 9th century. Museum of Croatian Archaeological Monuments, Split, Croatia.

Grotesque dedicated to the hunting, wood paneling on a blue background, by Angelo Vacca (1746-1814), hall of squires, Hunting residence (UNESCO World Heritage Site, 1997), by Filippo Juvarra (1678-1736), Stupinigi, Piedmont, Italy, 18th century, detail.

War (a group of exterminating demons, the sword and the torch in hands ...) Henri Lehmann (1814-1882). War (a group of exterminating demons, the sword and the torch in hands ...). Charcoal and gouache. XIXth century.

Woman wearing a basket of red fruits and a basket of mushrooms (decorative painting from the Café de Paris, formerly avenue de l'Opéra). Oil on canvas. Paris, Carnavalet museum. 37237-7 Mushroom, decoration, woman, red fruit, basket, wear, oil on canvas

Bronze relief, fountain in the cloister of Novacella Abbey, Vahrn, Eisack Valley, Trentino-Alto Adige, Italy.

Cup on Tripod in the Form of Winged Female Figures. 1890-1810 (). The Peterhof Imperial Lapidary Works. Malachite and bronze. Russian Imperial Style. Malachite Room. The State Hermitage Museum. Saint Petersburg. Russia.

coat of arms of the Vimiosos, 16th century, marble, originally located in the convent of Santa Catarina, Evora museum, Evora, Alentejo, Portugal, Europe.

Roman funerary sculpture of a wine-boat. Artist: Unknown

'Isabel of Bourbon, future Queen of Spain (detail)', ca. 1620, Oil on canvas, P07124. Author: RODRIGO DE VILLANDRANDO (1580-1622). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. ISABELLA VON FRANKREICH. ELISABETH OF BOURBON. ISABEL DE BORBON (1603-1644).

Bronze relief, gate of the Rosenhohe (public park) in Darmstadt (Germany)

Window with a female bust, anonymous, 1500 - 1600 Duit in an oval medallion of a female bust against a yellow background. Italy (possibly) glass. lead (metal).. silver stain Duit in an oval medallion of a female bust against a yellow background. Italy (possibly) glass. lead (metal).. silver stain

COFRADIA DEL SILENCIO (1340) ESTANDARTE DE LA COFRADIA RICAMENTE BORDADO. Location: EXTERIOR. Sevilla. Seville. SPAIN.

inscription SPA in golden letter, carved in stone, close up

Untitled 1961 by Lee Bontecou ( b. 1931), American artist. Steel, canvas, velour, leather, copper wire, soot, paint.

Kiyevskaya is a station on the Arbatsko-Pokrovskaya line of the Moscow Metro. Opened in 1953, it is lavishly decorated in the quasi-baroque style that predominated in the early 1950s. The square pylons are faced with white Ural marble and elaborately patterned ceramic tile and the plastered ceiling is decorated with a series of frescoes by various artists depicting life in Ukraine. A large mosaic at the end of the platform commemorates the 300th anniversary of the reunification of Russia and Ukraine. The architects were L. V. Lile, V. A. Litvinov, M. F. Markovsky, and V. M. Dobrokovsky.

St. George slaying a dragon, stucco relief, early baroque, Church of St Andreas, Duesseldorf, Rhineland, North Rhine-Westphalia, Germany, Europe

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