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Elegant Historical Women's Fashion

Illustrations of women in historical dress from the early 19th century, featuring intricate gowns, accessories, and hairstyles, showcasing elegance and style.

Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 15 octobre 1819, (1850): Chapeau de satin, bottom centre in the margin - engraved, Woman, seen from the back, dressed in a dress of 'gros d'été' with trimmings of silk 'gances'. On the head a hat of satin. Belt of 'gaze de soie'. Long gloves, one of which is loose in the hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, costume- en modeprenten, Costume Parisien., top centre in the margin - engraved, Chapeau de satin. Robe de gros d'été: Le corsage à shall devant et derrière, garnitures de gances de soie. Ceinture de gaze de soie., height 176 mm, width 109 mm, print maker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher
Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 15 octobre 1819, (1850): Chapeau de satin, bottom centre in the margin - engraved, Woman, seen from the back, dressed in a dress of 'gros d'été' with trimmings of silk 'gances'. On the head a hat of satin. Belt of 'gaze de soie'. Long gloves, one of which is loose in the hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, costume- en modeprenten, Costume Parisien., top centre in the margin - engraved, Chapeau de satin. Robe de gros d'été: Le corsage à shall devant et derrière, garnitures de gances de soie. Ceinture de gaze de soie., height 176 mm, width 109 mm, print maker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher
477 assets in this story
Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century; The prex�x�e Louis-Philibert Debucourt (1755-1832). Modes and ways of the day in Paris at the end of the 18th century and at the beginning of the nineteenth century. The presex (short tunic and transparent skirt). Engraving (color-water).A farm girl from Pavia, Italy, carrying baskets of vegetables, 1581. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.Fashionable woman in "petite maitresse" style: pink dress ornamented with green flower rosettes, bonnet with flowers.. Francois-Claudius Compte-Calix (1813-1880) was a French painter and illustrator. A regular exhibitor at the Salons, he illustrated numerous books and several romantic books of poetry, and for many years contributed to the fashion magazine "Modes Parisiennes".. Handcolored lithograph of an illustration by Francois-Claudius Compte-Calix from "Les Modes Parisiennes sous le Directoire" (Paris Fashions under the Directory 1795-1799) 1865.Cabinet of modes or new modes, September 15, 1786, pl. I, A.B. Duhamel, after L, 1786 Amazon costume. According to the accompanying text, the woman is wearing a rijkstuum or Amazon costume. It consists of a jacket with three shoulder collars, a vest and a skirt of apple -green silk. Knotted neck cloth. Stockings. Accessories: hat of yellow wool felt decorated with feathers, gloves, whip, shoes with heels and bows. The print is part of the 21st cahier from the Cabinet des Modes Ou Les Fodes Nouvelles series. The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785 - November 1, 1786. Paris paper engraving Amazon costume. According to the accompanying text, the woman is wearing a rijkstuum or Amazon costume. It consists of a jacket with three shoulder collars, a vest and a skirt of apple -green silk. Knotted neck cloth. Stockings. Accessories: hat of yellow wool felt decorated with feathers, gloves, whip, shoes with heels and bows. The print is part of theWoman in a pierrot jacket and petticoat in striped satin, bonnet-hat with satin ribbons and plumes, and a muff made of swan feathers. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.Journal des Dames et des Modes: Ladies Fashion. After the turbulent years of the French Revolution, in 1797 a fashion magazine was finally published again: the Journal des Dames et des Modes. Under the direction of Pierre de La Mésangère, it developed a cosmopolitan flair. The very best draughtsmen were recruited to produce the fashion illustrations, called Costumes Parisiens. They visited spots all over Paris to ensure they saw the latest styles. These included high-waisted gowns with low necklines, ‘Greek slippers with cross-laces 1, genuine Kashmiri shawls 2, reticules 3 (small stylish handbags), poke bonnets 4 and full-length English coats knowns as redingotes 5.A gray ink drawing by Katharina Sperling showing a female servant returning from the market in Augsburg, part of 36 costume sheets.Petit Courrier des Dames, 1827, No. 472 : Chapeau de paille de riz (...).Hat from 'Paille de Riz'. Jap of 'Percale' gnawed with wrinkled strips of fabric decorated with Entre-Deux. 'Canezou' of tulle decorated with 'point de bruxelles' (side). Further accessories: gloves, bracelet, flat shoes with bows. Children's clothing: 'Tunique à la grecque' on long pants. Accessories: hat (or beret), Knotted scarf, boot with row closure. Print from the fashion magazine Petit Courier des Ladies (1821-1868).Francoise-Athenais de Rochechouart de Mortemart, Marquise de Montespan. Madame de Montespan, mistress of King Louis XIV. Handcoloured lithograph by Breton after a miniature in the collection of Louis Marie Lante from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Mujer de Silesia. Grabado en color de 1805.1833 Women's fashion in nineteenth-century Paris. Boutet, Henri, 1851-1919. Prints, Illustrations, Fashion design drawings. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture CollectionCollection of English Original Watercolour Drawings: The Dress of the Year 1775. Ann Frankland Lewis (England, mid-17th to mid-18th century). England, 1776. Drawings; watercolors. Watercolor on paperJournal of the ladies and fashions, Parisian costume, June 2, 1798, year 6, (41): gas cornette (...), 1798 'Cornette' from Tulle, decorated with flowers and a trim of 'Zéphir'. Fichu, whose slipper under the belt () Have been crossed out. Klangon with short sleeves and in the middle of a linging closure. Further accessories: around the neck two chains, bracelet around the wrist, fan, stockings, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear (CORNETTE) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). fan (+ women's clothes). necklace (+ women's clothes). shoes, sandals (+ women's clothes). bracelet, wristlet (+ women's clothes)Journal of ladies and fashions, Parisian costume, January 10, 1801, year 9, (272): applied velvet garnishes, 1801 Standing woman in front of a pass mirror, seen on the back, dressed in a dress appliqued with garrisons of velvet. Short sleeves and drag. A ribbon in the raised hair. flat shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839 paper engraving fashion plates. dress, gown (+ women's clothes). styles of hairdress - AA - ~ women. shoes, sandals (+ women's clothes). looking in the mirror; contemplation of own beauty. ornamental parts of clothing (+ women's clothes)Marie Eleonor d'Este. Princesse de Moden (...) .. Marie Eleonor d'Este, dressed in a Jap with loose (court) trail. High hairstyle of curled hair with three long curls over the shoulders. Accessories: bead collier (pearl necklace), gloves and a range.Robe en foulard gros grains (sic), mantelet garni d'étoffe, chapeau - de paille orné de velours, tour de tête orné de fleurs en papier du - magasin de Chaulin, rue St-Honoré, 218 ,. Paul Gavarni (1804-1866). Lithographs and Other WorksGallerie of French modes and costumes, 1786, EEE 312: La Minaudiere Marinett (...), 1786 According to the caption, Marinette takes a walk with her favorite dog. She wears a light morning gown, the skirt of which is draped on the back. On the head a 'Chapeau a la Zinzara'. Further accessories: Ceintuur, shoe or mouth with heel and rosette. From series Eee. 49th Cahier de Costumes Français, 43rd Suite d'Habillements à la Mode and 1786, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: morning dress (+ women's clothes). skirt (+ women's clothes). head-gear: hat (+ women's clothes). head-gear (CHAPEAU A LA ZINZARA) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). sleeves (+ women's clothes). belt, girdle, waistband (+ women's clothes). border, ribbon, braid (+ women's clothes). walking the dog. shoes, sandals (+ women's clothes)Recueil des modes de la cour de France, 'Fille de Qualité en habit Désté'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paperGallery des Modes et Costumes Français, 1781, oo 219: coeffure Dite à la Princess (...). Women's bust with deep neckline, in oval. "Coeffure à la Princesse." The hair is strampled high with small curls and three curls on either side of the head. In the hair a headband of ribbon, a 'pouf' of tulle, roses and on the left an egret. Earring in the right ear. Roos in the décolleté. Print from the OO series. 38th Cahier des Costumes Français, 9th Suite des Coeffures à la Mode EN 1781, Gallery des Modes et Costumes Français.News French and English News Store, October 10, 1787, 33rd notebook, 2nd year, PL. 2.Standing Woman Dressed in a Red Camis We have white skirt. On The Head has 'hat at Tarare' (). Walking Stick of Bamboo in the right hand. The Print is part of the 33rd notebook, 2nd year, from the new French and English new modes store. The Series consists of 172 Fashion Prints, published by Buisson, Paris, November 20, 1786 - December 21, 1789.Habit of Queen Elizabeth from Holbein in 1551. La reine Elizabeth d'aprés Holbein.. Holbein, Hans, 1497-1543. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , England , 1500-1599, Elizabeth, of France, Queen, Consort of Philip II, King of Spain, 1545-1568Coiffure en cheveux natés ornée de perles (). Fashion magazines advised their readers on what jewellery to wear with specific dress. At the beginning of the 19th century, gold, carnelian, and agate were popular materials. The lady in this print wears a pearl parure (a set of jewels worn together), which includes two bracelets. According to the magazines, pearls were more appropriate for young ladies and diamonds for older women.Mademoiselle de la Valliere, vintage engraved illustration. 12th to 18th century Fashion By Image.Gallery des Modes et Costumes Français, 1778, J 53: Bourgeoise Élégant (...). An elegant civilian woman walking in the countryside. She is wearing a "Robe à la Polonaise" for the morning, over which a mantle set of tafipers with hood. A 'Bonnet à l'Ameriquaine' ('according to the latest taste') on the highly uphilled hairstyle. Range in the right, walking stick with ribbons in the left hand. Further accessories: bracelets, ring, chatelaine and shoes with heels and rosettes. Print from series J. 9th Cahier des Costumes Français, 3rd suite d'Habillemens à la Mode, Gallery des Modes et Costumes Français.Costume of a lady in the reign of King Henry III of France, 1580. In small-brimmed hat, gown with high collar and embroidered sleeves and bodice. Costume de Dame sous le Regne de Henri III. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Journal des Dames et des Modes 1830, Parisian costumes (2842), 1830 Satin hat. Velvet dress. Boa de Marte. paper etching Satin hat. Velvet dress. Boa de Marte. paper etchingWoman of the Puster Valley, Tyrol, Switzerland, 19th century. She wears a large crepe hat over a small muslin bonnet. The scissors and belt is a family heirloom passed from mother to daughter. She is tending a rose bush in a pot. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.Elegantia, or magazine of fashion, luxury and taste for women, December 1808, no. 64: Toque de Velours ..., Anonymous, 1808 According to the accompanying text (p. 384): Velvet 'Redingote'. Toque of the same fabric and color (black or dark blue). Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 384): Velvet 'Redingote'. Toque of the same fabric and color (black or dark blue). Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingFashionable lady in a parlor with palm pot plant, Paris, 1863. In hat tied with ribbon, gown with fitted bodice, full skirts, decorated with ribbons. Standing in front of a mirror in a room with floral wallpaper. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.Sophonisba Act V, Scene 7, 1778 Portrait of the actress Mrs Ann Barry (1734-1801) in the role of Sophonisba during Act V, Scene 7, in the Sophonisba theater piece. She wears a dress with long sleeves, richly decorated with ermine () And brushes. On the high hairstyle a crown, decorated with feathers and a veil with bows. In the right hand the poison cup. The Tragedy of Sophonisba is a mourning game written in 1730 by the poet James Thomson (1700-1748). The print was published on 1 June 1778. paper engraving fashion plates. styles of hairdress - AA - ~ women. dress, gown (+ women's clothes). cup. crown (symbol of sovereignty)Costume of Granville. A woman in her finery. Rear view of the conine headdress showing the tasteful manner of folding the tails. A woman in capot is seen at left. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Woman wearing a Jardy dress in Drap fabric, jacket with lapels, creation by High Life Tailor, engraving from La Mode Illustree, No 41, October 8, 1905.Rear view of a French woman in mid-18th century town costume. Long velvet gown with puff sleeves and train, gloves, fan and floral headdress. Costume de Dame a la ville. Regne de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Woodcut by Jost Amman from 1577 illustrating the Trachtenbuch, showing figures in traditional costumes with detailed depiction of clothing and accessories.Fashion Plate, 'Morning Dress for April, 1801' for 'Lady's Monthly Museum'. England, London, 1801. Prints; engravings. Hand-colored engraving on paperQuality lady in coat of Este.dame Met Fontange, Open Waaier, Naar LinksFanny Elßler as Fenella in the Music from Portici costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artistSmall ladies' mail 1825 (296); Small ladies 'mail, or new newspaper of modes, theater, literature and arts.Prent uit Het modetijdschrift Small ladies' mail (1821-1868).Ms. Dugazon in the role of Sophie de Ville-Hardouin in 'Sargines' (dummy title) | Costumes and annals of the great theaters of Paris. (IFF 69) (set of all)Gallery des Modes et Costumes Français, 1785, No. 1, Copy to CC 162: Lévite Ornée de Brandebourgs (...). Standing woman dressed in a lévite with trail, decorated with brandebourgs and decorative tire. The skirt is trimmed with a wide band and is just like the decorative tire and the BrandeBourgs in a contrasting color. Accessories: a hat with feathers: 'Chapeau à la Devonshire' or 'à la Spa', walking stick with golden button and ribbon, scarf around the waist, handkerchief, shoes. According to the caption, the hat was fashion to the French court and was worn by Mme Devonshire. Copy to CC 162 from Serie CC. 27th Cahier de Costumes Français, 21st Suite d'Habillemens à la Mode and 1779, Gallery des Modes et Costumes Français.Woman wearing an afternoon dress in burgundy Drap, skirt with ruffles, blouse corset with lace sleeves and a hat with feathers, creation by Mauban and Dudgale, colored engraving from La Mode Illustree, No 36, September 6, 1908.Journal des Dames et des Modes, editie Frankfurt 11 novembre 1821, Costumes allemand et françois (46).The accompanying text (p. 543) states: FIG. 1: French costume. Turban van Gaze, decorated with golden olives and a bird of paradise. Jap of cashmere with sleeves of muslin. Decape of satin. White gloves. White shoes. FIG. 2: German fashion: hairstyle (front and back shown) with three-part braid, flared with pink ribbon. Model by Mr Philip van der Heyden, women's hairdresser at the large Korenmarkt in Frankfurt am Main. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, Paris, 1797-1839.Fashionable woman with watering can. She wears a percale cotton bonnet and percale dress with striped shawl. Capote de perkale, robe de perkale. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1815.Costume de Melle. Leroux, rôle d'Henriette, dans Nathalie ou La laitière suisse, ballet, Académie royale de musique, 1832. Additional, Laitière suisse., 1832., Paris. Publisher, chez Hautecoeur Martinet. single unit. Laitière suisse (Choreographic work Taglioni). Ballet, Prints (Graphic arts). 19th century. Leroux, Pauline, 1809-1891. Engravings., Vignette in line border, colored, border 15.7 x 10.3 cmA woman is holding a basket with money in it and sheets of music on her arm. Coloured lithograph.A fashionably dressed apothecary's wife. Coloured etching by M. Darly, 1774.A black and gray ink and watercolor sketch by Albrecht Dürer depicting a Nuremberg woman wearing a house dress, emphasizing attire and figure.Journal of luxury and fashions, 1796, T 29, 1796 Standing woman dressed in a tunic on a dress with a tow. The hem decorated with a flower and leaf motif. A strict cord with brushes around the high waist. Further accessories: hat decorated with dotted fabric and plume, necklace, fan. Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. paper etching dress, gown (+ women's clothes). head-gear (+ women's clothes). fashion plates. fan (+ women's clothes). necklace (+ women's clothes). ornamental parts of clothing (+ women's clothes). clothing for the upper part of the body (+ women's clothes)Journal des Ladies et des Modes, Costumes Parisiens, 1837, (3489): Redingote de Mousselin (...). Woman sitting on a sofa dressed in a rescueote of muslin. Belt scarf from mousseline, deposited with lace. On the head a hat. Bouquet of flowers in hand. Girl dressed in a chon of Organize by Prévost. Long pants. Gloves. The print is part of the Moldijdschrift Journal des Laden et des Modes, Paris, 1797-1839.Standing woman in Italian traditional costume, to the right, Abraham Teerlink, 1810 - 1857 drawing paper. pencil brush folk costume, regional costume ItalySignora Tadolini as Adina in the opera LElisire damore costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Matthäus Kern -, artistAnother bridal habit of a lady of Cologne in 1588. Autre habit noce d'une dame de Cologne.. Rutz, Caspar, active 1567-1582. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Germany , Cologne , 1500-1599, Brides , Germany , 1500-1599Woman wearing a dark blue Drap walking dress, long jacket decorated with trimmings and a hat with ribbon, creation by High Life Tailor, colored engraving from La Mode Illustree, No 10, March 8, 1908.French woman with her hair up, in a dress with draped bodice, trimmed with chicory. Robe a Corsage drape, garnie en Chicoree. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1813.Marie LouiseTwo fashionable women in a salon, WWI.. Woman in dark blue jacket and matching skirt, with masculine top hat, cravatte and walking stick. Woman in billowing cape behind her. Handcoloured lithograph by Fattorini & Crespin from Alain Thierys fashion magazine Journal des Demoiselles, 79 Boulevard Saint-Germain, Paris, France, January 1, 1918.Small mail of the ladies, 1824, No. 246: Mousselin dress (...), 1824 Woman, sitting on a swing, dressed in a mousseline dress, trimmed with pointed fabric with a tulle border. The body is decorated with tulle ruffles. On the head a hat of crepe, decorated with peonies and ribbons. Further accessories: gloves, belt with square buckles, shoes with pointed noses and crossed tires. On the left is a woman, seen on her back, dressed in the same dress. Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving fashion plates. dress, gown (+ women's clothes). gloves, mittens, etc. (+ women's clothes). head-gear: hat (+ women's clothes). ornamental parts of clothing (+ women's clothes). belt, girdle, waistband (+ women's clothes). shoes, sandals (+ women's clothes). swing1813 Women's fashion in nineteenth-century Paris. Boutet, Henri, 1851-1919. Prints, Illustrations, Fashion design drawings. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture CollectionUntitled portrait of a woman wearing a dress, 1850-1900, maker unknown.Journal de la Mode et du Goût, 10 octobre 1792, 23e cahier, pl.1.Standing woman, seen on the back, dressed in a purple striped pierrot and skirt, which is deposited with ruffles. She is wearing a Fichu, which is tied on the back. On the curled her a hat. The print is the left half of the 23rd Cahier, 3rd Année, from the fashion magazine Journal de la Mode et du Goût ou amusemens du salon et de la Toilette, Paris, 25 February 1790-19 April 1793.Marie de Medici, 16th century. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.Ladies and Modes 1830, Parisian costumes (2839). Pelisted velvety velvet sheet closed by pates lined with braids. Habit a velvet collar. Casimir pants.Woman wearing a blue silk muslin dress with small folds, loose-fitting corset with tulle and lace, taffeta overcoat decorated with ribbons and buttons and a hat with flowers, creation by Drecoll, colored engraving from La Mode Illustree, No 30, July 25, 1909 .Dienstbode shipped Viaanderen; Or the gall nut, keep the flandrens; Almost all the people of our age habit never had this aediti.Woman with basket on the arm, to the left, round hat on the head. Dienstbode from Flanders, dressed according to the fashion of approximately 1550. Part of the costume book entitled 'The loyalty of our age is about attitude, never before this Aediti', Venice 1569. Reference from 1569 of the first edition from 1563.Small ladies' mail 1826 (420); Small ladies 'mail, or new newspaper of modes, theater, literature and arts.Prent uit Het modetijdschrift Small ladies' mail (1821-1868).Fashionable woman in casual outfit reading an almanack, French Revolutionary era. She wears a bonnet, shawl, and gown with full skirts. Jeune Dame en demi neglige. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Woman of Naples with her face veiled and a feather fan in her hand, 16th century.. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811 . Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.Habit of a countess of Holland and Zealand in 1200 sic Comtesse de Hollande et de Zelande.. Le Petit, Jean François, 1546-approximately 1615. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Netherlands , 1600-1699Traditional costume of Hindeloopen.traditional costume or a woman from Hindeloopen. Plate II in a Series of Four Illustrations of Market Forces in The Netherlands in 1792.Store of new French and English modes, September 20, 1787, 31st notebook, 2nd year, pl. 1, A.B. Duhamel, after Defraine, 1787 Standing woman dressed in a redingote. A mesh fichu around the neck. Bamboo walking stick in the right hand. The print is part of the 31st Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, 20 Novembre 1786 - 21 Décembre 1789. paper engraving fashion plates. dress, gown: redingote (+ women's clothes). head-gear: hat (+ women's clothes). walking-stick, staff, cane (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes).Doll - "Abbie". Dated: 1935/1942. Dimensions: overall: 35.7 x 26.5 cm (14 1/16 x 10 7/16 in.) Original IAD Object: 13 1/2" long. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Edith Towner.Habit of a country woman of Pavia in 1581. Villageoise de Pavie.. Boissard, Jean Jacques, 1528-1602. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Italy , Pavia , 1500-1599Rear view of a French woman in hat and riding coat. Plumed hat in terry velvet, wool coat with three capelets over the shoulders. Chapeau de velours epingle, redingote de merinos. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1813.Journal of the ladies and fashions, Parisian costume, 1805, year 13 (662) top of oak leaf comb, Horace Vernet, 1805 Woman to the right, in white dress with tow. Blue scarf over the right arm. The hair is stretched tightly back and has pipe curls on the back of the head. Earrings. paper engraving Woman to the right, in white dress with tow. Blue scarf over the right arm. The hair is stretched tightly back and has pipe curls on the back of the head. Earrings. paper engravingFanny Elssler in the favorite dance La cachucha Cachucha. Prints. 1838 - 1846. Jerome Robbins Dance Division. Cachucha (Choreographic work : Elssler), Ballet , 19th century, Elssler, Fanny, 1810-1884Gallery of French Modes and Costumes, 1785, Nr. 5, Nr. 9, Kopie Naar G 39: Small Mistress in Polish dress (...) .. A Fashionable Young Woman gold 'Little Mistress', Read a letter. She is dressed in a dress at the Polish of Painted Fabric, Garnished with Muslin. Sleeves and hoof. On The Head has Hat golden with egret. Further Accessories: Cord to Neck, Bracelets, Ring, Chatelaine, Shoes with Heels and Buckles. Copy to g 39 from Series G. 7th French costume notebook, 1st suite of fashionable women's dress, gallery French modes and costumes.Habit of a country woman of Clabria in 1768. Paysanne de la Calabre.. Greuze, Jean-Baptiste, 1725-1805. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Italy , Calabria , 1700-1799Little courier of the ladies, 1829 Nr. 649.print from the Fashion Magazine Small Courier des ladies (1821-1868).Le fandango. Hahnemann, Mélanie, 1800-1878. Prints. 1850 - 1859. Jerome Robbins Dance Division. Fandango (Dance), Costume , Spain, Castanets1869 Women's fashion in nineteenth-century Paris. Boutet, Henri, 1851-1919. Prints, Illustrations, Fashion design drawings. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture CollectionGreat costume of the Empress and Queen // 3Woman with closed impeller; Dutch costumes. Woman in a landscape, dressed according to Dutch fashion from 1710-1720. Fut out, turned to the right. Cap on the head and a closed range in hand. The print is part of a sixteen-part series of prints with representations of Dutch costumes.Habit of a citizen's wife of London in 1640. Une bourgeoise de Londres.. Hollar, Wenceslaus, 1607-1677. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , England , London , 1600-1699Mother and daughter on the way to the church; A citizen woman and daughter, to the church going / unne femme Bourgeoise & Sa fille, Allant à l'Eglise.a Civilian Woman and Her Daughter Walking to the Church. Woman with a Bible, And Her Daughter With A Range in hand look back. Part of a Bound Edition of the Series of Twenty-Four Plates of Dutch Costumes at the Kingdom of the Netherlands at the Beginning of the Nineteenth Century by Maaskamp, 1829.Habit of a young market woman of Octha in Russia in 1765. Jeune marchande d'Octha.. Le Prince, Jean-Baptiste, 1734-1781. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Russia , Octha , 1700-1799COLECCION DE TRAJES DE ESPAÑA-1777-MENESTRALA-GRABADO S XVIII-TIPOS POPULARES. Author: CRUZ CANO Y OLMEDILLA JUAN DE LA. Location: PRIVATE COLLECTION. France.Journal of the ladies and fashions, Parisian costume, December 11, 1799, year 8 (179): morning caps, 1799 Two women's busts, above or under each other, with hats for the morning: 'Bonnets du Matin'. Upstairs: Woman, seen on the back, in a dress with short sleeves and linging closure. Fan in hand. Below: woman in a dress with long sleeves and high waist. A green scarf with decoration at the hem around the left shoulder. Further accessories: Collier, Ceintuur (). Behind the print is another page with text, they are part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). fan (+ women's clothes). head-gear: morning cap (+ women's clothes). necklace (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes)Virgin unmasked. British Cartoon Prints Collection . Women,Clothing & dress,1780-1790. , Nudes,1780-1790.Fashion Plate, 'Morning Walking Dresses' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, November 1, 1808. Prints; engravings. Hand-colored engraving on paperPetit Courrier des Ladies, 20 Janvier 1827, No. 443: Redingotte de Gros de Naples .... Redingote van 'Gros de Naples' garnished with satin. Cap of 'crepe lisse' with serrated zoom off with black satin trim. The woman is holding a jewelry box (). Sitting figure, seen on the back, in the same resurrectionote. Print from the fashion magazine Petit Courier des Ladies (1821-1868). Bound (with a few pp. Le Journal des Laden et des modes). January 15, 1827 to March 20, 1830. Incomplete.Illustration of a woman selling fresh lavender on the streets of London. Circa 1820Woman wearing a Pekin silk beach dress, skirt with ruffles, corset with large pink embroidered collar, creation by Desbuissons and Hudelist, colored engraving from La Mode Illustree, No 31, August 5, 1906.Costume of Honfleur. The bonnet is poorly set, but that is the fashion in this region. The port is visible in the background. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Journal des Dames et des Modes, Costume Parisien 1799, An 7, (138.) : Coeffure à l'Antique..Woman sitting on a stone with a bouquet of flowers in the left hand. "Coeffure à l'Antique". She is wearing a purple dress with short striped sleeves and drag. Accessories: bracelet, flat shoes with pointed noses. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Dlle, Henriette Carl as Antonina in the opera Belisar costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artistGallery des Modes et Costumes Français. A lady with two hands on the skirts, three-quarters walking to the left on a tiled floor. Caption: "Habit the ball, Le Corsage et Le Juppon Retrysés avec des Glands .......". Sign. Le Clerc del., DuPui SC.Fashionable woman with chair, 1798. She wears a satin hood cap decorated with clovers and feathers, a cut garland on the side. Velvet belt criss-crossed over the bust. Capote en satin ornee de Trefles et deux plumes. Guirlande decoupee sur le cote. Velours croise formant ceinture. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Modes et Dames, Paris, 1798. The illustrations in volume 1 were by Carle Vernet, Claude Louis Desrais and Philibert Louis Debucourt.Marie of Brittany, Viscountess of Rohan, 14441506. Married to John II, Viscount of Rohan. In headdress with mesh caul, gown with ermine front, puff sleeves, armorial skirt. Marie de Bretagne, vicomtesse de Rohan, Regne de Louis XI, 1460. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.Quality lady in scarf, Anonymous, After Bernard Picart, c. 1695 - C. 1697 Lady, standing on a landing, to the right, dressed according to the fashion of approx. 1695. She is wearing a manteau with towing over a red and yellow underskirt. Fontangemuts on the head. Both hands in a coil of fur with bow. Paris paper engraving fashion plates. dress, gown: manteau (+ women's clothes). necklace (+ women's clothes). styles of hairdress (with NAME) - AA - ~ women. muff (+ women's clothes). head-gear: fontange (+ women's clothes)Woman wearing a Liberty satin dress and a hat with feather, creation by Cheruit, colored engraving from La Mode Illustree, No 15, April 14, 1907.