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Elegant Historical Women's Fashion

Illustrations of women in historical dress from the early 19th century, featuring intricate gowns, accessories, and hairstyles, showcasing elegance and style.

Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 15 octobre 1819, (1850): Chapeau de satin, bottom centre in the margin - engraved, Woman, seen from the back, dressed in a dress of 'gros d'été' with trimmings of silk 'gances'. On the head a hat of satin. Belt of 'gaze de soie'. Long gloves, one of which is loose in the hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, costume- en modeprenten, Costume Parisien., top centre in the margin - engraved, Chapeau de satin. Robe de gros d'été: Le corsage à shall devant et derrière, garnitures de gances de soie. Ceinture de gaze de soie., height 176 mm, width 109 mm, print maker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher
Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costumes Parisiens, 15 octobre 1819, (1850): Chapeau de satin, bottom centre in the margin - engraved, Woman, seen from the back, dressed in a dress of 'gros d'été' with trimmings of silk 'gances'. On the head a hat of satin. Belt of 'gaze de soie'. Long gloves, one of which is loose in the hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, costume- en modeprenten, Costume Parisien., top centre in the margin - engraved, Chapeau de satin. Robe de gros d'été: Le corsage à shall devant et derrière, garnitures de gances de soie. Ceinture de gaze de soie., height 176 mm, width 109 mm, print maker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher
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Costume Français, 1795, no. 7: Demoiselle S'Amusant Avec Son Carlin (...). Standing unmarried woman playing with her mophound. Over the curled hair she is wearing a long veil of side. She is dressed in a dress with trail, which is closed under the bust, with pleated 'Tour de Gorge' above. Accessories: necklace, bracelet, shoes with pointed noses. The print is part of a series of at least 20 suit prayers, issued by Basset, Paris, without date (ca. 1795).Costume of the Bayeux area, near the sea. The bonnet is called a "dormeuse" or sleeper. Servants often wear false sleeves in a contrasting colour. The red rosettes on the black shoes are coquettish. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Journal des Luxus und der Moden 1786, Band I, T. 5.Two women's busts in circles under each other with a new type of bonnet and new fichus. Above: Hat 'à la Laitière', earrings 'and plaquettes', simple Fichu. Below: Bonnet 'à la Figaro' with a white and a purple spring and pearls. Fichu 'and Gorge Angloise'. Earrings "Anneaux Unis". Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826.Elegantia, or magazine of fashion, luxury and taste for women, August 1807, no. 19: Chapeau de Paille Coupée ..., 1807 According to the accompanying text (p. 264): dress of colored mouseline. 'Ceinure-Corset' and gloves 'Amaranthe'. Apron of embroidered Swiss nettle cloth. 'Casque' of white straw garnished with yellow ribbons and a bundle of flower buds. Collier 'and Corail'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 264): dress of colored mouseline. 'Ceinure-Corset' and gloves 'Amaranthe'. Apron of embroidered Swiss nettle cloth. 'Casque' of white straw garnished with yellow ribbons and a bundle of flower buds. Collier 'and Corail'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingElegantia, or magazine of fashion, luxury and taste for women, September 1808, no. 57: Coeffure Formée de Bandes de Tulle ..., Anonymous, 1808 According to the accompanying text (p. 288): dress of printed cotton batist (percale). 'Capote' from strips of tulle and Remplis. 'Fichu à Mouches d'Or' (gold -colored dots). According to the caption: 'Coeffure' formed by tires of tulle and remplis. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 288): dress of printed cotton batist (percale). 'Capote' from strips of tulle and Remplis. 'Fichu à Mouches d'Or' (gold -colored dots). According to the caption: 'Coeffure' formed by tires of tulle and remplis. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingA married woman from France; Galla Mulier; Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti. A married woman from France, on the back, dressed according to the fashion of approx. 1550. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Re-published from 1569 of the first edition 1563.Maria Anna Christine Victoria of Bavaria, 1660-1690, Dauphine of France by marriage to Louis, Grand Dauphin. Hair in ringlets, beauty spot, off-the-shoulder gown, lace tucker, puff sleeves, bodice, velvet gown, petticoat with frills, holding a fan. Marie Anne de Baviere, Dauphine. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.News French and English News Store, October 20, 1787, 34th notebook, 2nd year, pl. 1.Standing Woman Dressed in a Pierrot with Polka Dot Pattern and A Bodice 'From Patte' From White () Silk. Skirt with dot pattern. Around The Neck has done. Accessories: 'hat at theodore', Long Yellow Gloves, Help, Chatelaine. The Print is part of the 34th Cahier, 2nd year, from the new French and English new modes store. The Series consists of 172 Fashion Prints, published by Buisson, Paris, November 20, 1786 - December 21, 1789.Maid from Flanders, 1569 Woman with basket on the arm, to the left, round hat on the head. Dienstbode from Flanders, dressed according to the fashion of ca. 1550. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Re -issue from 1569 of the first edition from 1563. paper engraving fashion plates. maid ~ house personnel. head-gear: hat (+ women's clothes). apron (+ women's clothes) FlandersServant girl in Caen. She wears a tall bavolet bonnet, and carries a basket. In the background can be seen the fish market and part of the church of Saint Pierre. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Newspaper of Ladies and Modes, Paris Costume, December 17, 1797, (15 (bis)): Hat-Casqu (...).'Chapaat Casque and Paille', straw hat decorated with a hat ribbon of velvet, with buckle. Wig with pipe curls. Long transparent mantle set on a high waist dress. Further accessories: glove, large muff from fur with bow, flat shoe with pointed nose and square buckle with sequins. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.French costume, then new Parisian costume 1799-1810, No. 17: Mesulmane dress (...), 1799 - 1810 Woman, seen on the back, dressed in a 'Robe à la Mesulmane'. On the head a 'chapeau à la denisette'. A scarf around the shoulders. Flat shoes with crossed tires and pointed noses. The print is part of a series of 142 fashion prints, of which 115 have been identified, published by J. Chéreau, Paris, 1799-1810. paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes)Journal of ladies and fashions. Parisian costume, board 438. "Coast garnished in swans". 1802-03. Engraving. Galliera, fashion museum of the city of Paris. Young woman in Parisian costume, wearing a cozy white swan, supported on a bed of directory/empire style and reading a letter. An XI, Consulate, Parisian costume, swan, cozy, young woman, ladies and fashions newspaper, reading, reading leaf, female mode, female model, board 438, engravingCostume of a native girl of Tahiti. Her short hair is perfumed with coconut oil and herbs, adorned with flowers. She wears a long tunic over a gown. Fille de Taiti. Handcoloured copperplate engraving by J. Laroque after a design by Jacques Grasset de Saint-Sauveur from his Encyclopedie des voyages, Encyclopedia of Voyages, Bordeaux, France, 1792.Jacob Gielens, Doll Black Mama, c 1938 Doll: Black MamaJournal of the ladies and fashions, Parisian costume, 1805, year 13 (638) hat at the bottom of Taffeta ..., Horace Vernet, 1805 Woman walking to the right, with a small child 'on the line'. She is wearing a white dress over which a deep red scarf. On the head a hat of taf side and black straw, decorated with bows. paper engraving Woman walking to the right, with a small child 'on the line'. She is wearing a white dress over which a deep red scarf. On the head a hat of taf side and black straw, decorated with bows. paper engravingHabit of a noble matron of Rome in 1581. Dame Romaine.. Boissard, Jean Jacques, 1528-1602. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Italy , Rome , 1500-1599BODIN. "Léontine Fay costume in the role of Justine of the Perverted peasant (gymnasium 1838)". Watercolor. Paris, Carnavalet museum. French actress, costume, theater gymnasium, watercolorHabit of an English lady in spring, 1641. Dame Angloise en habit de printemps.. Hollar, Wenceslaus, 1607-1677. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , England , 1600-1699Girls of Parma and Cremona, leaf from 'A Collection of Dresses by David Allan Mostly from Nature', David Allan (Alloa, Scotland, 1744 - 1796) 1776Habit of a Spanish lady of Montevideo in South America in 1764. Dame Espagnolle de Montevideo.. Pernety, Antoine-Joseph, 1716-1801. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Spaniards , Clothing & dress , 1700-1799, Women , Clothing & dress , Uruguay , Montevideo , 1700-17991831 Women's fashion in nineteenth-century Paris. Boutet, Henri, 1851-1919. Prints, Illustrations, Fashion design drawings. 1902. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture CollectionCostume of Cherbourg. This young woman appears to be from a rich family. In Cherbourg, the bavolet bonnet is only worn by old women. Hand-colored fashion plate illustration by Lante engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.French woman wearing the fashion of February 1790. She wears a royalist top hat, full wig, large fichu (neckerchief) and fitted jacket over a wide skirt. Handcoloured etching by Auguste Etienne Guillaumot Jr. from "Costumes of the French Revolution, 1790-1793," Bouton, New York, 1889. From the collection of contemporary costume prints of Victorien Sardou.Costume of Bois d'Embourg. Rear view of the tall bavolet bonnet with lace tails. The model is the mother of the girl in plate 32. Hand-colored fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1827/1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Habit of the Princess Dowager of Conty in 1700. La Princesse de Conty Douairiere.. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Princesses , France, Women , Clothing & dress , France , Conty , 1700-1799Queen Anne of Austria, wife of Louis XIII. La Reyne Anne d'Autriche Femme de Louis XIII.. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , France , 1600-1699, AnneHabit of a woman of Ingria subject to Russia in 1764. Femme d'Ingrie.. Le Prince, Jean-Baptiste, 1734-1781. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Russia , Ingria , 1700-1799News Modes News and English, November 10, 1787, 36th notebook, 2nd year, pl. 2.Woman in a Shapon of Light-Purple 'Beijing', 'English cut'. Apple-Green Bodice and Apple Green Long Gloves. Around The Neck has done. Accessories: 'half-bend' Decorated with Ribbons and Rosette, Walking Stick, Chatelaine. The Print Is Part of the 36th Notebook, from The News Modes and English Series Modes Store. The Series consists of 172 Fashion Prints, published by Buisson, Paris, November 20, 1786 - 21 December 1789.Costume of a woman from the area near Dieppe. Hand-coloured fashion plate illustration by Pecheux engraved by Gatine from Louis-Marie Lante's 105 Costumes of the Departments along the Seine, Durand Aine, Paris, 1827.Journal des Ladies et des Modes, Costume Parisien, 15 Mars 1799, AN 7, (95): Chapeau à Fond Plissé (...). Woman seen on the back with a child going on. On the head a hat, from behind pleated, decorated with flowers: 'Demi-Guirlande'. She carries a spencer deposited with velvet. She holds her skirt with the right hand. Shoes with crossed ribbons and pointed noses. The print is part of the fashion magazine Journal des Laden et des Modes, published by Sellèque, Paris, 1797-1839.Small mail of the ladies, 1824 nr. 252: mourning costume ..., 1824 Print from the fashion magazine Petit Courrier des Dames (1821-1868). Paris paper engraving Print from the fashion magazine Petit Courrier des Dames (1821-1868). Paris paper engravingA Curiosity in Ireland C.W. , British Museum catalogue title: Lady seated by the fire.. British Cartoon Prints Collection (Library). Women,Clothing & dress,Ireland,1810-1820.French costume, then new Parisian costume 1799-1810, No. 97: clothing to climb (...), 1799 - 1810 Woman to the right, in Amazon costume (Rijkostuum), consisting of a spencer and 'Canezou' on a skirt with a sleep. On the head a top hat of fur (). Further accessories: gloves, whip, flat shoes with pointed noses. The print is part of a series of 142 fashion prints, of which 115 have been identified, published by J. Chéreau, Paris, 1799-1810. paper engraving / etching fashion plates. head-gear: hat (+ women's clothes). clothing for the upper part of the body: blouse (+ women's clothes). skirt (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). gloves, mittens, etc. (+ women's clothes). shoes, sandals (+ women's clothes). whip. ensembles of pieces of clothing (RIDING COSTUME) (+ women's clothes).Elegantia, or magazine of fashion, luxury and taste for ladies, Okotber 1809, No. 92: Chapeau de Paille ..., Anonymous, 1809 According to the accompanying text (p. 320): Redingote van Blauw Laeken with six collars. 'Brodequins' (boots) from Laeken. Black straw hat with satin ribbons and five feathers 'and diadème'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 320): Redingote van Blauw Laeken with six collars. 'Brodequins' (boots) from Laeken. Black straw hat with satin ribbons and five feathers 'and diadème'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engravingCostume, clothing, woman from Strauburg in 1703, France, copperplate engraving by Caspar Luyken from 1703, digitally restored reproduction from an original from the 18th century.Merchants wife of Denmark 1626. Femme d'un marchand de Dannemarck.. Speed, John, 1552-1629. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Denmark , 1600-1699Fashion, France 17th century - Woman with shawl or fichu, engraving by Nicolas Bonnart, 1688Regency woman in full evening dress with two children. French gored gown of celestial blue crape over a gossamer satin slip, Spanish slashed sleeves, neckerchief of French net, deep fan frill collar, Eastern style hair with ringlets. Plate 17, September 1 1810. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, London.Journal of the ladies and fashions, Parisian costume, 1805, year 13 (590) Great adornment costume, Anonymous, 1805 Sitting woman in 'Costume de Grande Parure': dress with puffed sleeves, with pattern of flowers. Long white gloves. Like jewelry earrings, a necklace and a bracelet that sits around the upper arm. On the head a bonnet with a coque 'Plissé and Gueule de Loup' from the front .... There is a large blue shawl over the seat line. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839 paper engraving Sitting woman in 'Costume de Grande Parure': dress with puffed sleeves, with pattern of flowers. Long white gloves. Like jewelry earrings, a necklace and a bracelet that sits around the upper arm. On the head a bonnet with a coque 'Plissé and Gueule de Loup' from the front .... There is a large blue shawl over the seat line. The print is part of the fashion magazine Journal des Dames et des Modes, published byGazette of good tone. Art -Modes & Frivolités, 1923 - No. 5: Mme Ida Rubinstein in the Lady aux Camélias / Dress, De Worth, George Barbier, 1923 Actress Ida Rubinstein in a theater piece to 'La Dame Aux Camélias' by Alexandre Dumas Fils. She is dressed in a dress from Worth; Skirt with three wrinkled strips and decorated with a garland. In the hair a diadem. A bouquet in the left hand. Planche 19 from Gazette du Bon Ton 1923, No. 5. paper letterpress printing fashion plates. dress, gown (+ women's clothes). necklace (+ women's clothes). ear-rings (+ women's clothes). bracelet, wristlet (+ women's clothes). diadem, tiara (+ women's clothes). cut flowers; nosegay, bunch of flowers. curtainsCollection of English Original Watercolour Drawings: Morning Dress 1788. Ann Frankland Lewis (England, mid-17th to mid-18th century). England, 1788. Drawings; watercolors. Watercolor on paperHabit of a lady of Naples. Fille de Naples.. Weigel, Hans, 1549-approximately 1578. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Italy , Naples , 1500-1599Anne Rogier de Beaufort, Vicomtesse de Turenne 1435-1479. Handcoloured lithograph after a stained-glass window in the church of Cordelieres de Nantes in Roger de Gaignieres' portfolio VI 11 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.Fashion Plate, 'A French Lady on Horseback' for 'La Belle Assemblée'. England, London, early 19th century. Prints; etchings. Hand-colored etching on paperHabit of a Spanish lady of quality in 1700. Dame Espagnolle.. Weigel, Hans, 1549-approximately 1578. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Spain , 1700-1799Habit of a woman of Cologne in 1640. Femme de Cologne.. Hollar, Wenceslaus, 1607-1677. Prints. 1757 - 1772. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Costume , History, Women , Clothing & dress , Germany , Cologne , 1600-1699Fashion Plate, 'Walking Fashions to be worn in December 1808' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, December 1, 1808. Prints; engravings. Hand-colored engraving on paperThe First Fashion Magazine.The Cabinet des Modes ou les Modes Nouvelles first appeared on 15 November 1785. As the first real fashion magazine, it was published on a regular basis and wholly dedicated to news from the world of fashion. It was available by subscription only and distributed both in France and abroad. Each eight-page edition contained three hand-coloured engravings. After a year in print, the magazine changed its name to Magasin des Modes Nouvelles Françaises et Anglaises. Instead of three loose sheets, it now included a single fold-out plate depicting clothes and accessories. Publication of the Magasin ceased abruptly in 1789; after this, it was most likely succeeded by the Journal de la Mode et du Goût.Costume Français, 1795, No.19: Demoiselle and Robe Longu (...). Standing unmarried woman with a squirrel on a line. She is wearing a clot with a pleated neck collar (fraise), long sleeves and drag. The hair is 'a la titus'. Accessories: earring in the left ear, shoe with pointed nose. The print is part of a series of at least 20 suit prayers, issued by Basset, Paris, without date (ca. 1795).Journal des Dames et des Modes, Costume Parisien, 1805, An 13 (649) Négligé pour la Promenade..Woman with small parasol in hand, dressed in a white dress for the walk, which a red jail. Long gloves, red flat shoes. On the head a straw hat over a bonnet.Journal of the ladies and fashions, Parisian costume, June 29, 1801, year 9, (311): Cornette with points (...), 1801 Woman sitting on a chair, with a 'cornette' with points and a 'bouffette' (bow) on the head. She wears a 'Canezou' with a geometric pattern on a dress. Flat shoes with bows. Sketchbook and a drawing pen in the hands. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). drawing, sketch. head-gear (CORNETTE) (+ women's clothes). armchair, seat. shoes, sandals (+ women's clothes). clothing for the upper part of the body: blouse (+ women's clothes).Journal of the ladies and fashions, Parisian costume, January 15, 1805, year 13 (611): velvet hat (...), 1805 Woman in Amazonezit on horseback on the head a hat of velvet. She is wearing an Amazon costume (Rijkostuum) with a 'Jabot Tournant' and yellow gloves. A riding whip in the right hand. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. head-gear: hat (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). skirt (+ women's clothes). riding a horse, ass, or mule; rider, horseman (+ sitting on animal with both legs on one side, riding side-saddle). ensembles of pieces of clothing (RIDING COSTUME) (+ women's clothes). whip (+ sitting on animal with both legs on one side, riding side-saddle)English damsel; Ancient Habiti, et modern and around the world .... Noble Young Woman with flower in Hand. Small Around Hat; Dressed Decorated With Golden Brooches.Journal des Ladies et des Modes, edition Frankfurt 30 Octobre 1808, Costume Parisien (44). The accompanying text (p. 133 and 134) states: FIG. 1: Haircut 'à la Titus'. Amber necklace. Japon of Perkale, (aan de zoom) topped with a wide strip. White gloves and white shoes. FIG. 2: Bonnet van Tule. Jap of Perkale with long sleeves. Scarf from green silk. (poppy) red shoes. The print is part of the fashion magazine Journal des Laden et of the modes, published in Frankfurt as a copy of the French edition of Pierre de la Mésangère, (1798-1848).Fashion, Italy, 18th century. Women's fashion plate from the fashion periodical ""La donna galante ed erudita. Giornale dedicato al Bel Sesso"" (The gallant and learned woman: journal dedicated to the fair sex), Venice, 1787.Spouse Nob. Paris., 1592 - 1594 print Uit: Pietro Bertelli. paper engravingTulip flower fairy, Tulipa gesneriana, with bodice of petals and dress of leaves. Handcoloured lithograph by Louis Lassalle from Louise Leneveux' Les Fleurs Parlantes (The Talking Flowers), Louis Janet, Paris, 1848.Journal des Ladies et des Modes, Costume Parisien, 9 Juillet 1800, AN 8 (229): Demi-Paysan (...). Hat with the name 'Demi-Paysane'. Striped dress with short pleated sleeves: 'Robe de Guingam'. Flat shoes. A hat decorated with flowers on the hat stand. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.Small mail of the ladies 1824 (226), 1824 Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engraving Print from the fashion magazine Petit Courrier des Dames (1821-1868). paper engravingJewish noblewoman and young Jewish girl with waterjug. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1797).Blanche (d.1310), daughter of Jean, knight and seigneur d'Atteinville.. . Adelaide of Vermandois (944~975). Married Lambert, count of Chlon-sur-Saône around 955, and later married Geoffroy I, count of Anjou in 959.. . "The tunic of the Franks extended from the neck and fell to the feet, in a fashion to hide the, or at least partly. It hugged the body very closely, making visible all the contours of an elegant waist. It can be seen in figures 101 and 102.". . "In fig. 101, her veil is positionedWoman of Caux in white dress, tall blue bonnet with long lace veils, carrying a bouquet of roses in the village of Yvetot.. Hand-coloured fashion plate illustration by Benoit Pecheux engraved by Gatine from Louis-Marie Lante's "Costumes des femmes du Pays de Caux," 1885. With their tall Alsation lace hats, the women of Caux and Normandy were famous for the elegance and style.Purple mantle with guipure pelerine and tassels, pale purple dress with star pattern. Date: 1861Miss Carline in the role of Zilia, in 'the Negress Jean-François Janinet (1752-1814). Mademoiselle Carline in the role of Zilia, in the comedy entitled "The Negress, or the power of recognition". Comedy of C. François Lescot (Composer), Jean-Baptiste Radet and Pierre-Yvon Barré (Limitegetists). Costumes and annals of the great theaters of Paris. Estampe, 1787.Woman of Slovenia (Carniola) in summer festival dress, 18th century. She is wearing a zavijacka, a silk cap with silk band in a different colour, white shift and gray bodice tied with colourful ribbons. Villageoise de Carniole en habit de fete. Handcoloured copperplate engraving after an illustration by William Alexander from J-B. Eyries L'Autriche: Costumes, Moeurs et Usages des Autrichiens, Austria: Costumes, Manners and Mores of the Austrians, Librairie de Gide Fils, Paris, 1823. Jean-Baptiste Eyries(1767-1846) was aFrenchgeographer, author and translator.Fashion, France, 17th century. Country Pleasures (Les plaisirs de la Campagne). Engraving by J. B. Scotin.Peasant Woman dressed in the Lombard fashion, Pieter Lastman, Anonymous, Johannes Covens and Cornelis Mortier, 1720-1772.Costume of a Kokkin from Dresden, Samuel Gränicher, 1803 - 1808 print Dresden paper etching folk costume, regional costume. cook - CC - female cook DresdenFrench Girl, leaf from 'A Collection of Dresses by David Allan Mostly from Nature', David Allan (Alloa, Scotland, 1744 - 1796) 1776Princesse de Valaquie. Vanmour, Jean-Baptiste, 1671-1737. 1714. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Clothing and dress , Turkey, Princesses , Romania , WallachiaPortrait of an unknown woman in traditional costume of Goes, Zeeland, Andries Jager (Possible), 1860 - 1890 photograph This photo is part of a cover with 48 photos on 12 sheets. Amsterdam cardboard. photographic support albumen print Europeans (with NAME). folk costume, regional costume (+ women's clothes). historical persons - BB - woman NetherlandsFashion, Austria, 18th century. Women's fashion plate depicting Tyrolean attendant costume, 1787Cabinet of modes or new modes, January 1, 1786, pl. I kopie, 1786 - 1788 Lady in Baljapon, consisting of a body in pink and blue and a blue skirt, trimmed at the bottom with a pink tire. Pouf of Gaze d'Italie with pink ribbon. Black satin mask in the right hand. paper. printing ink. watercolor (paint) etching fashion plates. clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). black velvet or satin mask, 'loup', 'cachenez' (+ women's clothes). head-gear (+ women's clothes). bow (ornamental part of clothing) (+ women's clothes).Woman in checked dress, seated | Library of CongressEDITORIAL La Promeneuse Mélancolique. The Melancholy Walker. Robe d'après-midi, de Beer. Afternoon dress by Beer. Art-deco fashion illustration by French artist George Barbier, 1882-1932. The woCard game sheets with professional representations, Tailleur, Kleidermacher, Tailor, Unknown