Elegant Portrait Prints

Intricate portraits of notable women, rendered with fine detail in engraving and etching, showcasing fashion and artistry from the 18th and 19th centuries.

MARIE ANTOINETTE in profile Date: 1755 - 1793

Portrait of Henriette in an oval In the lower margin her name and titles, Portrait of Henriette van Nassau-Weilburg, print maker: anonymous, publisher: Artaria & Co., (mentioned on object), print maker: Netherlands, publisher: Vienna, 1815 - 1899, paper, engraving, etching, h 262 mm - w 208 mm

Miss Rosamond Croker, 1828. Samuel Cousins (British, 1801-1887), after Thomas Lawrence (British, 1769-1830). Mezzotint, etching and roulette;

Lady Charlotte Dundas (née Fitzwilliam), James McArdell, ca. 1729-1765, Irish, after Sir Joshua Reynolds RA, 1723-1792, British, 1754, Mezzotint on medium, slightly textured, beige, laid paper, Sheet: 11 1/2 × 8 7/8 inches (29.2 × 22.5 cm) and Image: 10 9/16 × 8 7/8 inches (26.8 × 22.5 cm)

Print made by Richard Houston, ca. 1721-1775, British, Oysterinda (Native Meltons), ca. 1756. Mezzotint.

Meysenbug, Klara Elisabeth of.

Portret van Hélène Fourment, Frédéric Auguste La Guillermie, After Peter Paul Rubens, 1897 print paper etching / engraving / drypoint historical persons - BB - woman

Print made by Charles Wilkin, 1750-1814, British, The Right Honourable Lady Charlotte Campbell, 1799. Stipple engraving on moderately thick, moderately textured, cream wove paper.

Portrait of Ann Denman Flaxman 1789-1830 England. Graphite, with red pencil, on cream laid paper, laid down on board . George Henry Harlow

Butler, Elizabeth Lady .

Lucy Hardinge (née Long), Thomas Watson, 1743-1781, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1780, Mezzotint on moderately thick, moderately textured, cream, laid paper, Sheet: 20 3/8 × 15 3/16 inches (51.8 × 38.6 cm), Plate: 18 × 12 15/16 inches (45.7 × 32.9 cm), and Image: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)

Attributed to Adèle Hugo, née Foucher (1803-1868). Portrait of Madame Victor Hugo. Graphite and pastel pencil on paper. 2nd quarter of the 19th century. Paris, house of Victor Hugo. DRAWING

Madame de Pompadour.

La Curuche Cassée. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Keppel, Frederic & Co. (Nowy Jork, Paryż ; wydawnictwo, galeria, sprzedawca rycin ; fl. ca 1875-ca 1931), publishing house, Greuze, Jean-Baptiste (1725-1805), painter

Portrait of a young woman; Scharf, Georg (1788-1860); 1808 (1808-00-00-1808-00-00);Hesja (Germany), Hessen und Bei Rhein, Ernst Ludwig (Grossherzog - 1868-1937) - collections, women, foreign miniatures, portraits, women's portraits, costumes, dresses, dresses, hairstyles

Portrait of Curly Haired Woman in Oval Frame. William Baxter Closson (United States, 1848-1926). United States, circa 1894. Prints; woodcuts. Wood engraving

Portrait of Lady Essex Finch. Lady Essex finch, Countess of Nottingham, is sitting on a terrace. In addition to her a bowl with flowers.

Bliżej Kultury Lawrence, George R. (1868 1938)

Orger, Mary Anne .

John Dean, 1754-1798, British, Lady Mary Cadogan, undated. Mezzotint on moderately thick, moderately textured, beige, laid paper.

Print made by John Dean, 1754-1798, British, Elizabeth, Countess of Derby, 1780. Mezzotint (only state) on medium, slightly textured, cream wove paper.

Lady Lyndhurst, Print made by Samuel Cousins, 1801-1887, British, after Sir Thomas Lawrence, 1769-1830, British, Published by Hodgson & Graves, ca. 1812-1892, British, 1836, Mezzotint (first published state) on medium, slightly textured, cream wove paper, Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm), Plate: 12 × 9 inches (30.5 × 22.9 cm), and Image: 8 1/4 × 6 1/2 inches (21 × 16.5 cm), brooch, chair, curtain, figure study, shawl

Cosway, Maria Louisa Catherine Cecilia .

Esterházy-Galantha, Valentine Gräfin.

Portret kobiety w zielono-niebieskiej sukni na ciemnym tle. unknown, painter

Portrait of Mrs. Pond, Jonathan Spilsbury, 1766 print London paper etching historical persons - BB - woman

Portrait of Maria II Stuart. Portrait of Maria II in an oval. In the undermaster her name and title.

Portrait of a woman, Anonymous, c. 1805

Young Lady with a Pink Bow on Her Bodice, 1792. John Downman (British, 1750-1824). Brush and black chalk wash and watercolor, heightened with white chalk; image: 20.3 x 16.7 cm (8 x 6 9/16 in.); secondary support: 25.2 x 21.7 cm (9 15/16 x 8 9/16 in.).

Portret (Franciszki) Józefy Bergonzoni Hubal-Dobrzańskiej, żony Łukasza Wincentego (ślub 1826). Marszałkiewicz, Stanisław (1789-1872), painter

Mary, Queen of Scots ca. 1833 William Home Lizars British, Scottish. Mary, Queen of Scots. William Home Lizars (British, Edinburgh, Scotland 1788-1859 Galashiels). ca. 1833. Hand-colored reproductive engraving with lozenge and dot technique. Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

La Curuche Cassée. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Keppel, Frederic & Co. (Nowy Jork, Paryż ; wydawnictwo, galeria, sprzedawca rycin ; fl. ca 1875-ca 1931), publishing house, Greuze, Jean-Baptiste (1725-1805), painter

Her Royal Highness Augusta Princess of Wales, 1751, John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, after Thomas Hudson, 1701-1779, British, 1751, Mezzotint, Sheet: 12 9/16 x 8 3/4in. (31.9 x 22.2cm)

Portrait of Lady Marjorie Jenkins, John Downman, 1750-1824, British, 1798, Black chalk with watercolor and stumping on moderately thick, moderately textured, beige laid paper, Sheet: 11 x 8 1/2 inches (28 x 21.6 cm), curls, gown, headpiece, lady, nobility, oval, portrait, woman

Spring: a young woman holding flowers in her cloak 1775 Richard Houston. Spring: a young woman holding flowers in her cloak. Richard Houston (Irish, Dublin 1721/22-1775 London). 1775. Mezzotint. Carington Bowles I (British, 1724-1793). Prints

Ladies, Anne Seymour.

Bigottini, Emilie.

Portrait of a Woman, Daniël Bruyninx, 1764 miniature (painting) Portrait of a woman. Bust, to the left. Part of the portrait miniatures collection. ivory. watercolor (paint). metal. cardboard. glass historical persons not known by name - BB - woman

Empress Eugenie, Passerat Fils & Cie, French, Medium: silk Technique: jacquard woven, Woven portrait of Empress Eugenie (1826-1920) of France., France, mid- 19th century, woven textiles, Portrait, Portrait

Drawing of Erzherzogin Maria Klementine von Österreich, executed in chalk in 1795.

Felicia Dorothea Hemans (1793-1835), English Poet, Head and Shoulders Portrait, Steel Engraving, Portrait Gallery of Eminent Men and Women of Europe and America by Evert A. Duyckinck, Published by Henry J. Johnson, Johnson, Wilson & Company, New York, 187

Anthony Cardon, 1772-1813, Flemish, Mary Isabella, Duchess of Rutland, 1812. Stipple engraving on thick, slightly textured, cream, wove paper, with cream, chine collé.

Portrait of a Lady. Artist: Adolph Ulrich Wertmuller (Stockholm 1751-1811 Naamans Creek, Delaware). Dimensions: 3 5/8 x 2 7/8 in. (9.2 x 7.3 cm). Date: ca. 1805. Museum: Metropolitan Museum of Art, New York, USA. Author: Adolph Ulrich Wertmuller.

Portrait of a young woman with a moon-shaped head-band (Diana). Etching by S. Ireland after W. Hogarth.

Portrait of the Louise, Governing Duchess to Saxony-Koburg-Saalfeld

Her Grace the Duchess of Devonshire, Print made by William Whiston Barney, active 1805-1817, British, after Thomas Gainsborough RA, 1727-1788, British, Published by Thomas Palser, active 1803-1843, British, 1808, Mezzotint on thick, slightly textured, cream laid paper, Sheet: 28 1/4 × 18 3/4 inches (71.8 × 47.6 cm) and Image: 25 7/8 × 16 7/8 inches (65.7 × 42.9 cm)

Richard Purcell, active 1746-1766, Irish, Frances, Countess of Essex (d. 1759). Mezzotint.

Schintling, Amalia of.

Mrs. Gabriel Manigault (Margaret Izard) ca. 1795 Walter Robertson Irish Margaret Izard (1768-1824) of Charleston married the planter and amateur architect Gabriel Manigault in 1785. This portrait relates to the oil by Gilbert Stuart in the Albright-Knox Gallery, Buffalo, New York.. Mrs. Gabriel Manigault (Margaret Izard) 11931

Noblet, Lise .

Scudéry, Madeleine de.

Portrait of Grand Duchess Adelheid of Oldenburg, Princess of Anhalt-Bernburg-Schaumburg-Hoym. In the margin her name, titles and date of birth. Portrait of Adelheid of Anhalt-Bernburg-Schaumburg-Hoym, print maker: Frederik Christiaan Bierweiler, (mentioned on object), after: Wilhelm Tischbein, (mentioned on object), publisher: A. Garlichs, (mentioned on object), print maker: Altona, publisher: Bremen, 1819, paper, engraving, h 437 mm × w 307 mm

James McArdell, ca. 1729-1765, Irish, Jane Countess of Hyndford. Mezzotint.

FERNAN CABALLERO, pseudónimo de Cecilia Böhl de Faber (Morges,1796-Sevilla,1877). Escritora española. Autora de "La gaviota" (1845), "Lágrimas" (1850) y "La farisea" (1863). La Ilustración Española y Americana. Grabado coloreado.

Emily Countess of Kildare, Print made by James McArdell, ca. 1729-1765, Irish, after Sir Joshua Reynolds RA, 1723-1792, British, 1754, Mezzotint on moderately thick, slightly textured, cream, laid paper, Sheet: 14 1/8 × 10 1/8 inches (35.9 × 25.7 cm) and Image: 12 9/16 × 9 13/16 inches (31.9 × 24.9 cm)

Margot Wheatley. Date/Period: 1786. Painting. Oil on canvas. Height: 368 mm (14.48 in); Width: 292 mm (11.49 in). Author: Francis Alleyne.

Portrait of a lady. Portrait of a lady. Bust, turned the head to the left. Part of the portrait miniaturen collection.

Valentine Green, 1739-1813, British, Louisa Finch (née Thynne), Countess of Aylesford, 1783. Mezzotint on moderately thick, moderately textured, beige, laid paper.

This 1903 image shows the Duchess of Devonshire, from a painting by Gainsborough. Georgiana Cavendish, Duchess of Devonshire (died 1806) was an English socialite, political organizer, style icon, author, and activist. Thomas Gainsborough (died 1788) was an English portrait painter and landscape artist. He was a founding member of England's Royal Academy of the Arts. Among his best known works are The Blue Boy, Portrait of Mrs. Graham, The Painter's Daughters, and Cottage Girl with Dog and Pitcher. Huntington Library in California.

Portrait of woman, portrait medallion miniature painting footage gold ivory paint watercolor ivory (daily size), Oval copper frame hanging ring on eyelet glass plate. Portrait of woman's signature along left outer edge

Print made by John Raphael Smith, 1752-1812, British, Lady Elizabeth Compton, 1780. Mezzotint on moderately thick, moderately textured, cream laid paper.

Frederica Carolina van Brandenburg (1735-91). Daughter of Hertog Franz Josias van Saksen Coburg Saalfeld, Anonymous, 1755 - 1799 miniature (painting) Portrait of Frederica Carolina van Brandenburg (1735-91). Daughter of Hertog Franz Josias van Saksen Coburg Saalfeld. Halved, to the left. In the left hand a jewel of three pearls. Part of the portrait miniatures collection. Germany ivory. metal. glass

Luise, Prinzessin von Sachsen-Gotha-Altenburg, Prinzessin Luise Pauline Charlotte Friederike Auguste von Sachsen-Gotha-Altenburg, geb. 21. Dezember 1800, gest. 30. August 1831, durch Heirat eine Herzogin von Sachsen-Coburg-Saalfeld, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4903284

Miss Nelly O'Brien, Charles Spooner, c.1720-1767, Irish, after Sir Joshua Reynolds RA, 1723-1792, British, undated, Mezzotint on medium, moderately textured, cream, laid paper, Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm) and Image: 12 3/8 × 9 7/8 inches (31.4 × 25.1 cm)

Portrait of unknown lady, Bernard Vaillant, 1678 drawing paper. anonymous historical person portrayed alone

Daxenberger, Regina.

Large Female Head Made 1788 Flanders. Marie-Gabrielle Capet (1761-1818) was a student and disciple of FranÁois-AndrÈ Vincent and AdÈlaÔde Labille-Guiard, two artists who later married. Capet lived with the two outside Paris, managing their home and holding Vincent in her arms when he died in 1816. An idealized portrait drawing of Capet, by Vincent was copied in this color engraving by Gilles-Antoine Demarteau, who was part of a Parisian dynasty of ornamental engravers famous for chalk-manner prints.. Crayon-manner etching and engraving in red and black ink from two plates on ivory laid paper . Gilles Antoine Demarteau, the Younger

'Portrait of Countess Ekaterina Shuvalova'. France, 1770s. Dimensions: 60x50 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE GREUZE.

Portret van Henriëtte Amalia van Anhalt-Dessau, Peter Aeneas, 1683 - 1699 print Portrait of Henriëtte Amalia van Anhalt-Dessau in an oval with edge. In the lower margin her name, her titles and two columns with two lines each Latin text. Northern Netherlands paper

Stael-Holstein, Germaine free from.

Stael-Holstein, Germaine free from.

Portrait of Anna De Hooghe. Portrait of Anna de Hooghe (1645-1717), fourth woman from the artist.

Portrait of a Young Woman Unknown. , ca. 1820s-1830s. Watercolor on ivory portrait in wood frame under glass, Image (sight): 4 7/8 x 4 in. (12.4 x 10.2 cm). European Art ca. 1820s-1830s

Mathilde Karoline of Bavaria (1813-1862). Daughter of King Ludwig I of Bavaria. Grand Duchess consort of Hesse and by Rhine by her marriage to Grand Duke Ludwig III (1806-1877). Drawing by C. Legrand. Lithography by J. Donón. "Reyes Contemporáneos" (Contemporary Kings). Volume II. Published in Madrid, 1852. Author: Julio Donón. Spanish artist active from 1840 to 1880. Luis Carlos Legrand (fl. 1829-1858). Spanish draughtsman and lithographer.

. Bust of a young woman with a pearl necklace around her neck and in her hair. An oval frame decorated with leaves and grape fees.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Hon. Miss Bingham, after 1786. Mezzotint, etching, and stipple engraving on medium, moderately textured, cream laid paper.

Rebecca Wetherill ca. 1849 George Hewitt Cushman The sitter was a sister of the artist's wife, Susan Wetherill.. Rebecca Wetherill 10605

Portrait of Salomea Zofia Anna Radziwiłł née Sapieha, wife of Jerzy IX Radziwiłł. Drukarnia Radziwiłłowska (Nieśwież ; drukarnia ; 1750-1791), printing house, Leybowicz, Hirsz (1700-post 1785), graphic artist

Portrait of a lady with a rose in her hair. Muszyński, Stanisław (fl. ca 1836), painter

The Countess of Jersey, Print made by Thomas Watson, 1743-1781, British, after Daniel Gardner, 1750-1805, British, 1774, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 10 1/8 × 7 9/16 inches (25.7 × 19.2 cm) and Image: 8 1/2 × 7 9/16 inches (21.6 × 19.2 cm)

Portrait of El Bietkiewicz from the Radziwi (Post 1766-1803); unknown Polish painter; beginning of the 19th century (1801-00-00-1810-00-00);Kościesza (coat of arms), Niebowiż (Belarus), Radziwiłł (family), Radziwiłł, Elżbieta (post 1766-1803), Trumpets (coat of arms), portraits against the sky, portraits with inscription, message (provenance)

Portrait of a woman, Samuel Cooper, 1643 miniature (painting) Portrait of a woman. Bust, to the left. Part of the portrait miniatures collection. parchment (animal material). gold (metal). glass historical persons not known by name - BB - woman

Miss Elizabeth Greenway, James Watson, 1740-1790, British, undated, Mezzotint on medium, slightly textured, beige, laid paper, Sheet: 13 1/8 × 9 1/8 inches (33.3 × 23.2 cm) and Image: 11 1/4 × 8 7/8 inches (28.6 × 22.5 cm)

Portrait of Wilhelmina of Prussia, print maker: Charles Howard Hodges, Dublin, 1790 - 1837, paper, h 420 mm × w 301 mm

Mrs. Cholmondley, C. Corbutt, Irish, after Sir Joshua Reynolds RA, 1723-1792, British, undated, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 15 9/16 × 10 11/16 inches (39.5 × 27.1 cm), Plate: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm), and Image: 12 7/16 × 9 7/8 inches (31.6 × 25.1 cm)

Catherine Clifton, later Lady Borough (Lady Borow), Wife of William Lord Borough. Second daughter of Edward Clifton, Earl of Lincoln. Recently thought to be Catherine Parr, last wife of KIng Henry VIII. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Jeremiah Meyer RA, 1735-1789, German, active in Britain, Portrait of a Lady, undated. Watercolor and gouache on ivory.

Cornaro, Elena Lucrezia.

Lady Almiria Carpenter, James Watson, 1740-1790, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1768, Mezzotint on medium, moderately textured, beige, laid paper, Sheet: 16 × 12 1/4 inches (40.6 × 31.1 cm) and Image: 13 5/8 × 11 inches (34.6 × 27.9 cm)

A watercolor portrait by Jean-Baptiste Isabey depicting the artist's mother wearing white top caps, rendered on ivory between 1800 and 1808, showing facial features and clothing details.

Sally Etting. Date/Period: 1808. Painting. Oil on canvas Oil on canvas. Height: 762 mm (30 in); Width: 635 mm (25 in). Author: Thomas Sully.

Signora Baccelli, Print made by John Jones, ca. 1745-1797, British, after Thomas Gainsborough RA, 1727-1788, British, Published by John Jones, ca. 1745-1797, British, 1784, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 21 × 14 inches (53.3 × 35.6 cm)

Octagonal portrait on blue paper by Jean Tortebat, executed in black chalk with white heightening, ink, and brush, depicting Jean-Charles Parent.

Maria Theresia, Princess of Naples-Sicily Schabürstler: Pichler, Johann Peter (1765) Factural place of origin: Vienna

BUSTE VAN BLOSWWH, GILLES DISCOUNTU, nearly jab Baptists (Le Vieux), 1732 - 1776 print paper etching

Portret van Elizabeth Bridgetta Gulston, Richard Earlom, 1752 - 1822 print paper historical persons. writer, poet, author

Duchess Louise of Mecklenburg-Strelitz, Luise Auguste Wilhelmine Amalie, 10 March 1776, 19 shore clingfish (1810), was as woman of King Frederick William III the German Royal Wife of Prussia, Historical, digital reproduction of a 19th century original

Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782). Artist: George Romney (British, Beckside, Lancashire 1734-1802 Kendal, Cumbria). Dimensions: 29 3/4 x 24 7/8 in. (75.6 x 63.2 cm). Date: 1781. Museum: Metropolitan Museum of Art, New York, USA.

A late 18th-century watercolor by Archduchess Marie Christine of Habsburg-Lorraine depicting the head of a girl.

A half-length portrait of a lady by Ottavio Leoni with a large top collar, drawn in reddish chalk and ocher pencil with white highlights on blue paper, dated 1627.

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