Elegant Portrait Prints

Intricate portraits of notable women, rendered with fine detail in engraving and etching, showcasing fashion and artistry from the 18th and 19th centuries.

MARIE ANTOINETTE in profile Date: 1755 - 1793

Portret młodej dziewczyny. Theer, Robert (1808-1863), painter

Print made by unknown artist, eighteenth century, The Fair Penitent, 1781. Mezzotint on medium, slightly textured, cream laid paper.

Portrait of a woman. Sidorowicz, Zygmunt (1846-1881), painter

Portrait of Madame Aymon, or La Belle Zelie - 1806 - 59x49 cm - oil on canvas. Author: JEAN AUGUSTE DOMINIQUE INGRES. Location: MUSEUM OF FINE ARTS. ROUEN. France. AYMON MADAME. LA BELLA ZELIE.

'Portrait of Countess Anna Bobrinskaya'. Russia, 1806-1807. Dimensions: 68,0x54,0 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, late 18th century.

Marie-Anne Charlotte de Corday d'Armon, 1768-1793, known as Charlotte Corday, figure of the French Revolution, 1880, historical illustration, France, Europe

Portrait of a Woman Joseph Blackburn (American, active ca. 1750-1780). Portrait of a Woman, ca. 1762. Oil on canvas, 44 x 35 13/16 in. (111.8 x 91 cm). American Art ca. 1762

Madame Cail as a Bacchante by Louis-Marie Sicardi (1746-1825), 1912. Artist: Unknown

Portrait of a Woman in a Rose Dress French Painter French These pendants, presumably of a husband and wife, are typical of a format and style popularized by Pierre Gobert (1662-1744) who looked to French Renaissance precedents even as many of his contemporaries were turning to the lighter, animated portraits of Anthony Van Dyck (1599-1641). The sitters faces, including his five oclock shadow, are rendered admirably, but their costumes are comparatively schematic, particularly around his shoulder and her drapery and jewelry, making the attribution of these works difficult.. Portrait of a Woman in a Rose Dress 436398

Autumn as a woman with fruit basket for a balustrade, James Mcardell, 1752 - 1764 print On the right, five people are gathered apples from a tree. London paper autumn, fall, 'Autumnus'; 'Autunno' (Ripa) (+ allegorical or symbolical representation of seasons and months). fruits: apple. carrying something in basket, bag, rucksack, etc.

Portrait of Natalija Obrenovich byb Adele Riche, Oil on canvas, 1875-1877, Neoclassicism, 1791-1878, Russia, St. Petersburg, State Hermitage, 68,5x55

Box with portrait miniature of a Nun. Date/Period: Ca. 1775. Box with portrait miniature of a Nun. Watercolor, ivory, wood. Author: RICHARD COSWAY.

Mrs. Clark ca. 1770-73 Henry Benbridge. Mrs. Clark. Henry Benbridge (American, Philadelphia, Pennsylvania 1743-1812 Philadelphia, Pennsylvania). American. ca. 1770-73. Watercolor on ivory

Euterpe 1869 Joseph Fagnani. Euterpe. Joseph Fagnani (1819-1873). American. 1869. Oil on canvas

Bust of a girl in traditional costume, print maker: Willem van Senus, Hendrik Greeven, 1824.

Bust of a girl in traditional costume B Jeune fille de la Nordhollande (title on object), print maker: Willem van Senus, (mentioned on object), intermediary draughtsman: Hendrik Greeven, (mentioned on object), Netherlands, 1824, paper, etching, h 131 mm × w 82 mm

Portrait of a Woman', by jean baptiste van loo, 18th century.

After-dinner. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gilles Edme Petit (French, Paris 1694-1760 Paris). Dimensions: sheet: 12 5/16 x 8 9/16 in. (31.3 x 21.7 cm). Museum: Metropolitan Museum of Art, New York, USA. Author: after François Boucher. Gilles Edme Petit.

Portrait of Anna Maria van SCHURMAN, born Cologne November 5, 1607, writer and poet in Utrecht, deceased Wiewerd 5 May 1678. Bust on the right, with headscarf, the right hand on an open book, in ovaal, with list.

Mary Philipse, 1730, 1825, First Love of George Washington, Illustration from Gallery of Historical Portraits, published around 1880, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Portrait of a Lady. Dated: c. 1855/1860. Dimensions: overall (oval): 76.2 x 63.8 cm (30 x 25 1/8 in.) framed: 103.2 x 90.5 x 11.4 cm (40 5/8 x 35 5/8 x 4 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: American 19th Century.

Portrait of a Woman. Mathias Stoltenberg, attributed to; Norwegian, 1799-1871. Date: 1815-1825. Dimensions: 24 13/16 x 18 1/2 in. (62.7 x 47 cm). Oil on canvas. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

United States: c. 1873 An engraving by Johnson, Wilson & Co of Marie Antoinette from a painting by Alonzo Chappel.

Professional or study of woman in bust Constantine Guys (1802-1892). Professional or study of a bust woman. Wash and feather.

Mrs. A. L. Clements (Mary Louisa Wells) 1838 John Wood Dodge American The artist entered this piece in his record book for 1838: "Oct. 20 Ms Mary Clements / oval 21st & 9th Avenue 60.00." The previous June, Dodge had painted a miniature of Mr. A. L. Clements.. Mrs. A. L. Clements (Mary Louisa Wells). John Wood Dodge (1807-1893). American. 1838. Watercolor on ivory

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa9. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Charlotte Corday (1768-1793). French aristocrat and figure of the French Revolution. Executed by guillotine for the assassination of Jacobin leader Jean-Paul Marat due to the radicalization of the course of the Revolution in the political purge of the Girondins. Portrait. Engraving. Colored.

Portrait of an Unknown Woman, by Anonymous, 18th Century, 1780, oil on canvas, cm 88 x 70

Grafin Sophie Nariskine by Moritz Michael Daffinger, Austrian miniature painter and sculptor (1790-1849)

Jeanne-Françoise Julie Adélaïde Récamier, 4. Dezember 1777, 11. Mai 1849, bekannt als Juliette, war eine französische Prominente, deren Salon Pariser ...

Portrait of Doña María de Cervantes Ozta y de Velasco Unknown. Portrait of Doña María de Cervantes Ozta y de Velasco, ca. 1835. Oil on canvas, 32 1/4 x 24 9/16 in. (81.9 x 62.4 cm). European Art ca. 1835

Portrait d'une dame de la cour de Henri II.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Lady in a Mob Cap, Thomas Gainsborough, circa 1763, Indianapolis Museum of Art, Indianapolis, Indiana, USA, North America

'Die Mutter Goethes 1731-1808. - Gemälde von Gérard', 1934. Artist: Unknown.

Marie-Louise von Österreich geb. 12. Dezember 1791 in Wien gest. 17. Dezember 1847 in Parma, eigentlich Maria Ludovica Leopoldina Franziska Therese Josepha Lucia, Erzherzogin von Österreich, ab 1817 auch Maria Luigia dAsburgo-Lorena, Duchessa di Parma, Piacenza e Guastalla, war die Tochter von Maria Theresia von Bourbon-Sizilien und Franz II./I., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4942014

Mary, Lady of Richmond, daughter of Thomas Howard, 3rd Duke of Norfolk. Later Mary FitzRoy, Duchess of Richmond and Somerset, wife of Henry VIII's illegitimate son Henry Fitzroy. Handcoloured copperplate engraving by Francis Bartolozzi after Hans Holbein from Facsimiles of Original Drawings by Hans Holbein, Hamilton, Adams, London, 1884.

Marie Daffinger, 1808-1880, Historical, digital reproduction of an original from the 19th century, original date not known

Portrait of Zuzanna from Poltz links (FL.Ca 1720-1749) Daniel of the court painter August III; Mirys, Augustine (1700-1790); around 1754 (1750-00-00-1760-00-00);Lesser-Blattetejowa, Julia (ca 1900-2000)-collection, cap, gift (provenance), cape, female portraits, wives of artists

Marie Antoinette at the Temple Jean-Louis Prieur (the young) (1759-1795). "Marie Antoinette at the Temple". Oil on canvas.

Jane Storm Teller A28062 Painting; oil on canvas; overall: 83.7 x 68.5 cm (32 15/16 x 26 15/16 in.) framed: 93.3 x 78.1 x 7.6 cm (36 3/4 x 30 3/4 x 3 in.);

Barely Legal Room, critique of consumption and the capitalist model, 2006 in Los Angeles, Banksy, exhibition on the street artist, Muelheim, Germany, Europe

RETRATO DE MARIA CRISTINA REINA DE ESPAÑA - LITOGRAFIA S XIX. Author: ANTONIO MARIA ESQUIVEL. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN. Maria Christina of the Two Sicilies. MARIA CRISTINA DE PARMA. PARMA MARIA CRISTINA DE. ESPOSA DE FERNANDO VII-REINA DE ESPAÑA.

Marie Antoinette at the Conciergerie, after a painting by Alexandre Kucharski - ca. 1792/99 - oil on canvas. Author: SOPHIE PRIEUR. Location: MUSEE CARNAVALET. MARIE ANTOINETTE. LUIS XVI FRANCIA ESPOSA.

MONSEÑOR ALEJANDRO FRANCHI - SIGLO XIX. Author: FEDERICO DE MADRAZO Y KUNTZ (1815-1894). Location: MUSEO DEL TRAJE. Aranjuez. MADRID. SPAIN.

Portrait of Mrs. William Strachan Charles Willson Peale (American, 1741-1827). Portrait of Mrs. William Strachan, ca. 1770-1772. Oil on canvas, 30 13/16 x 25 in. (78.3 x 63.5 cm). American Art ca. 1770-1772

Cameo. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 6 5/16 × 5 3/8 in. (16 × 13.6 cm)Plate: 3 15/16 × 3 3/16 in. (10 × 8.1 cm). Date: 1922.Portrait of Emma Loveland Laumeister Haskell, Ernest Haskell's second wife. Museum: Metropolitan Museum of Art, New York, USA.

'Rubens' Second Wife', (mid-late 18th century). Creator: Francesco Bartolozzi.

Portrait of a Lady (possibly Mrs. John Hubbard, née Elizabeth Gooch, later Mrs. John Franklin) John Greenwood (American, 1727-1792). Portrait of a Lady (possibly Mrs. John Hubbard, née Elizabeth Gooch, later Mrs. John Franklin), ca. 1748. Oil on canvas, 35 13/16 x 28 1/16 in. (90.9 x 71.3 cm). American Art ca. 1748

George Romney, British (1734-1802), Lady Arabella Ward, 1783-1788, oil on canvas

Museum of Louvre, the Renaissance sculpture gallery, vintage engraving. Museum of Louvre, the Renaissance sculpture gallery, vintage engraved illustration. Magasin Pittoresque 1857. Copyright: xZoonar.com/PatrickxGuenettex 10673809

Hannah More 1745 to 1833 English religious writer and benefactor, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Mrs. John Haskins (née Hannah Upham) Joseph Badger (American, 1708-1765). Mrs. John Haskins (née Hannah Upham), 1759. Oil on canvas, 35 13/16 x 28 3/8 in. (91 x 72 cm). Joseph Badger, a self-taught house painter turned artist, was a popular portraitist of middle-class Bostonians during the 1750s. Badger worked in a modest style, characterized by a simple palette of blues and browns and a sparing use of paint. This portrait of Hannah Haskins was most likely commissioned as a pendant pair with that of her husband, John Haskins, at the left. Mrs. Haskins followed the Congregationalist faith while her husband was a devout Episcopalian, and on Sundays they led separate contingents of their children to their respective churches. Though the staid appearance of the portraits may be a result of Badgers limited training, the style suits the pious couple. American Art 1759

Louisa W. Dixon 1833 William Lewis The sitter (1814-) was the daughter of Thomas Dixon of Cambridge, Massachusetts. The portrait was a gift to Lazarus M. Goldsmith.. Louisa W. Dixon 15096

Ciociaran (Central Italian) woman, by Giustiniano degli Avancini (1807-1843).

Portrait of a Woman, 1865, Alexandre Abel de Pujol, French, 1816-1884, 14 7/8 × 11 9/16 in. (37.8 × 29.4 cm), Black, red, and white chalk on green paper, France, 19th century, The son of the celebrated academician of the same name, Alexandre Abel de Pujol began drawing in the cradle and received a rigorous artistic training in his fathers well-attended studio. The young Abel de Pujol, like his father, had a successful painting career, frequently exhibiting works at the Paris Salons. Yet today he is best remembered for his skillful and lifelike portrait drawings like the present sheet, which are often mistaken for his fathers work.

'Portrait of the Queen of Navarre (Feanne d'Albert Reine de Navarre)'. France, circa 1546. Dimensions: 28,5x19,5 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist, mid-16th century.

Tiberius and his first wife Agrippina

Portrait of Sophie Juliane von der Schulenburg 1521-1754 Italy. Black chalk with stumping, heightened with touches of white chalk, over traces of charcoal, on blue-gray laid paper, discolored to cream, laid down on cream wood pulp board . Giovanni Battista Piazzetta

Jane Seymour 1509-1537 Third woman of Henry VIII of England from the book Crabbs Historical Dictionary from 1825, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Philippa of Hainault Queen consort of Edward III of England 1314 to 1369. From The National and Domestic History of England by William Aubrey published London circa 1890

He loves me, he loves me not, historical illustration, circa 1886

The Winter Exhibition, Pall-Mall: "Morning", by Dicksee, 1862. Engraving of a painting. '...the morning of life...just opening from the maiden bud into the flower of womanhood...that pretty modern modification of the Montero hat, and its buckled black plumes dancing at every step, which, worn by young persons, gives by contrast such brilliancy to the peachlike complexion; lastly, held in the hand, that single spray of lily of the valley - fit emblem of sweet-scented innocence and spotless virginal purity - all telling in rainbow tints and dulcet harmonies of hope, youth, health, of w

García y Baena / 'Female Portrait'. Ca. 1835. Museum: Museo del Prado, Madrid, España.

Saved, 19th century, 11 1/16 x 8 7/8 in. (28.1 x 22.54 cm) (sheet), Watercolor over graphite and black chalk sketch on white wove paper, England, 19th century

Vrouwen Portletje, Pieter Gerardus van Os (attributed to), 1786 - 1839 drawing parchment (animal material). deck paint. watercolor (paint) brush anonymous historical person portrayed alone

Portrait of a Lady Corneille de Lyon (Dutch,1500/10-1575, active in France). Portrait of a Lady, 1553-1557. Tempera on panel, 7 1/2 x 5 3/4 in. (19.1 x 14.6 cm). European Art 1553-1557

Portrait of Virginia Sartorelli, 1843, by Michelangelo Grigoletti (1801-1870), oil on canvas, 72x59 cm.

Aida, woman as a character from the opera by Giuseppe Verdi, after a painting by E. Eismann-Semenowsky, Historical, digital reproduction of an original from the 19th century

Joan Of Arc (c. 1412-1431) French National Heroine Engraving

Sir Isaac Newton born January 4, 1643 in Woolsthorpe-by-Colsterworth in Lincolnshire, died March 31, 1727 in Kensington was an English physicist, astronomer and mathematician at the University of Cambridge and head of the Royal Mint, historical, digitally restored reproduction of a template from the 19th century, Record Date not Stated,

SEÑORA - BORDADO - SIGLO XX. Author: SERRES. Location: PRIVATE COLLECTION, MADRID, SPAIN.

Portrait of an older woman (unidentifiedsitter). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Kash, Anna Luise Eraser: Lips, Johann Heinrich

Portrait of Matylda Werner. Simmler, Józef (1823-1868), painter

Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1) February 1, 1790 Francesco Bartolozzi Italian Intended to portray Edward IV's mistress Jane Shore, this print appeared in "Shakespeare Illustrated by an Assemblage of Portraits and Views Appropriated to the Whole Suite of our Author's Historical Dramas," published by Edward and Silveser Harding between 1789 and 1793. The image derives from paintings at Eaton College and Kings College, Cambridge now thought to represent Diane de Poitiers, a lover of the French king Henry II. Lines from "Richard III" link the image to Shakespeare, and those familar with English history will likely recall that Richard's many cruelties included forcing his deceased brother's mistress to walk barefoot through London in penance for adultery.. Jane Shore: "Give gentle mistress Shore one gentle kiss the more (Shakespeare, Richard III, Act 3, scene 1) 376602

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