Elegant Sculptures in Marble

A collection of intricate marble sculptures portraying figures from history and mythology, featuring detailed carvings and dramatic poses.

Beautiful antique sculptures in the Louvre museum in Paris, France

Ganymede and the Eagle 1750-60 Saint James's Factory. Ganymede and the Eagle. British, London. 1750-60. Soft-paste porcelain. Ceramics-Porcelain

Lovers, bust, Duchess Anna Amalia Library, rococo hall, interior, Weimar, Thuringia, Germany, Europe

The Pieta C.1498 Michelangelo Buonarroti (1475-1564 Italian) Marble Sculpture St. Peter's Basilica, Vatican City

Between Two Loves. Albert-Ernest Carrier-Belleuse (France, Aisne, Anizy-le-Chteau, 1824-1887). France, Paris, 1867. Sculpture. Marble

Jasperware medallion of Hercules and the Nemean Lion. English. Staffordshire, Etruria, Wedgwood & Bentley 1774-80

Engelpaar, symbol of eternal love. Statue in the cemetery of Staglieno in Genoa, Italy. Engelpaar, symbol of eternal love. Statue in the cemetery of Staglieno in Genoa, Italy.

Marble, 130 A.C. According to the myth, Zeus disguised himself as swan to seduct Leda

USA, MICHIGAN, NEAR DETROIT,W. BLOOMFIELD, THE LARK RESTAURANT, GARDEN, ANGEL STATUE

Sculpture in the Ohlsdorf cemetery, Hamburg, Germany, Europe

The First Riding Lesson (La première leçon d'équitation) Jean-Honoré Fragonard (French, 1732-1806). The First Riding Lesson (La première leçon d'équitation), ca. 1778. Brown ink and graphite on laid paper, 13 11/16 x 17 3/4 in. (34.8 x 45.1 cm). In this scene doting parents and a patient dog help a child learn how to ride. Their gentle instruction makes a striking contrast with the negligent and compromised behavior of the impoverished parents amid urban squalor depicted by William Hogarth in his contemporaneous Gin Lane, on view nearby. Jean-Honoré Fragonards best-known works are playful scenes of lovers and happy families rendered with a lively touch. In addition to intimate paintings and large commissions for his elite clientele, he also produced many large-scale wash drawings like this one, which were considered finished works of art rather than preparatory studies for paintings. European Art ca. 1778

Marques de dos Aguas Palace with alabaster sculptures facade in Valencia Spain

Lion sculpture in Benrath Palace park (Schloss Benrath), Dusseldorf, North Rhine-Westphalia, Germany, 18th century.

Pales Statue, Palazzo Ducale, Parma, Emilia Romagna, Italy, Europe

Queen Victoria of great Britain. Marble bust dated 1850; by John Gibson 1791-1866

Head of Medusa by Gian Lorenzo Bernini, Capitoline Museums, Capitoline Hill, Rome, Lazio, Italy, Europe

West frieze of Parthenon, Acropolis of Athens. Greece. West frieze. Parthenon, Acropolis of Athens, Greece. W I , figure 1 (marshal) and W II, figures 2 -3 (horsemen). 5th century BC. Supervised by Phidias. Replica. Acropolis Museum. Athens. Greece. The original fragment is exposed in the British Museum in London.

Turkey Ephesus with the Ruins of Roman Times

Detail of a stone cherub in the walled garden at the National Trust's Colby Woodland Garden, near Amroth, Pembrokeshire, Wales

The Rodin Museum in Paris houses some of highlights of the artist's work.

Painting and Sculpture. Dated: 1774/1778. Dimensions: overall: 98.3 x 87.2 x 63.8 cm (38 11/16 x 34 5/16 x 25 1/8 in.). Medium: marble. Museum: National Gallery of Art, Washington DC. Author: Jean-Pierre-Antoine Tassaert.

'The Lamentation (The Piet )'. Italy. Florence, 17th century. Dimensions: height 45,0 cm; width 43,0 cm. Museum: State Hermitage, St. Petersburg.

Paris Musee du Louvre Statue of Eros and Psyche Antonia Canova Paris France Europe EU

Louis-Ernst Barrias (1841-1905). The Infant Mozart. 1891(1883). Ny Carlsberg Glyptotek. Copenhagen. Denmark.

Pieta in Milano monumental cemetery, Milan, Lombardy, Italy, Europe

Statue With Violin, Prague, Czech Republic

Fountain by Ulrich Holland from 1994, Gera, Thuringia, Germany, Europe

Statue outside Catherines Palace, St Petersburg, Russia (RF)

Madonna & Child (Tondo Pitti) 1504-05 Michelangelo Buonarroti (1475-1564 Italian) Marble Museo Nazionale de Bargello, Florence, Italy

la Primavera, homenaje a Jean Goujon, Janniot, Roma 1919-1924, caliza, Fundación Calouste Gulbenkian, («Fundaçío Calouste Gulbenkian»), Lisboa, Portug...

Sculpture of a Nymph. Svetlogorsk (formerly Rauschen), Russia, Europe

Triton-shaped central lid handle, detail from a bronze cylindrical food warmer, House of the Four Styles, Pompeii, Campania, Italy. Roman civilisation, 1st century AD.

Madalena di Canova in Villa Carlotta, Lake Como ..

Statue of the muse Melpomene, first century BC, Palazzo Massimo alle Terme, National Museum of Rome, Italy

Francisco Bayeu / 'Kneeling Female Figure'. XVIII century. White chalk, Black chalk on blue laid thin wrapping paper. Museum: Museo del Prado, Madrid, España.

Moon and Angel

Figure of Venus and Amor, Porcelain Manufaktur Frankenthal, c. 1755 - c. 1760 Image of porcelain, painted on the glaze in email colors and gold. The image represents Venus and Amor. A sitting dog for Venus. The pedestal is decorated with rocailles. Marked on the underside with the lion. Frankenthal porcelain. glaze. gold (metal) painting / gilding / vitrification Image of porcelain, painted on the glaze in email colors and gold. The image represents Venus and Amor. A sitting dog for Venus. The pedestal is decorated with rocailles. Marked on the underside with the lion. Frankenthal porcelain. glaze. gold (metal) painting / gilding / vitrification

John Magee Ellsworth 1876 Thomas Ball American In 1876 the family of John Magee Ellsworth (1874-1921) made a stop at Balls studio in Florence during their Grand Tour of Europe, resulting in a commission for full-length portrait of two-year-old Ellsworth. He is depicted nude, in a contrapposto pose, holding drapery in his left hand and raising his right one in greeting. The original accompanying mahogany pedestal (28 3/4 in. H) is identical to those favored by fellow American expatriate sculptor Hiram Powers, whose Florentine estate adjoined Balls property. It was quite possible fashioned by the same workers.. John Magee Ellsworth 14485

Child with Grapes ca. 1770-80 Real Fabrica de Buen Retiro The gift of the Hans Syz Collection in 1995 endowed the Museum with nearly three hundred examples of European and Asian ceramics meticulously acquired by Swiss-born collector Dr. Syz (1894-1991) to chart the migration of models and patterns from East to West. Documenting a continuous process of influence and adaptation, these pieces provide a discriminating review of the nuances of stylistic change resulting from three centuries of trade.. Child with Grapes 208515

Antonio Canovas statue Psyche Revived by Cupids Kiss, first commissioned in 1787, exemplifies the Neoclassical devotion to love and emotion

Musée National d'Athènes, 3335 Groupe d'Aphrodite, d'Eros et de Pan Délos , Sculpture, Antiquities, Gods, Goddesses, Aphrodite Greek deity, Eros Greek deity, Pan Greek deity. Nicholas Catsimpoolas Collection

ROME, ITALY - AUGUST 24, 2018: detail of Antonio Canovas Statue of Pauline Bonaparte, his masterpiece located in Villa Borghese

Anonymous German Master. Pieta. Sculpture. 15th century. The State Hermitage Museum. Saint Petersburg. Russia.

MILAN, ITALY - CIRCA JUNE 2020: Antonio Canovas statue The Three Graces (Le tre Grazie). Neoclassical sculpture, in marble, of the mythological three charites (made in Rome) (1814-1817)

White venus bust with pearls

Venus and Cupid (), c. 1800, Giuseppe Bernardino Bison; Artist: Gaspare Landi, Italian, 1762 - 1844, 21 1/8 x 15 5/8 in. (53.66 x 39.69 cm) (sheet), Pen and brush with brown ink, heightened in white, red chalk on laid tan paper, Italy, 18th-19th century

Childlike angel figure on the wall of a noble architecture in the villa district of Sassnitz, Mecklenburg-Vorpommern, Ruegen Island, Germany, Europe

Museum, the monumental complex of San Lorenzo Maggiore, Naples, Campania, Italy, Europe

Bronzeengel Bronzeengel

Marble statue of Metabus, King Volscian Raggi by Nicolas-Bernard (1790-1862), a French sculptor of neo-classical style. Dated 18th dynasty.

Reconstruction of the west pediment of the Parthenon according to a drawing by K. Schwerzek (1896) Acropolis museum, Athens. Legendary personalities from Athenian mythology fills the space out to the acute corners of the pediment.

Opera House, sphinx statue, Budapest, Hungary

Frederic Marès / Monument to Francesc Soler Rovirosa, 1930.

Przeszo Przyszoci unknown

Sculpture in Mozambique Island, Mozambique.

Athens Greece. The National Archaeological Museum

Friedrich-Elias Meyer (1723-1785). Wildlife embraced a nymph. Porcelain, 1760. Paris, Cognacq-Jay museum. 79170-14 Sitting, horn, hug, fauna, foliage, leaf, nudite, nymphe, porcelain, rock, statuette, 18th 18th 18th 18th 18th 18th century, couple

Noseless Telamon statue on city flagpole, Corso del Popolo, Chioggia, Venice, Italy, Europe

Head of a grieving angel, historic grave sculpture, Nordfriedhof Cemetery, Duesseldorf, North Rhine-Westphalia, Germany, Europe

Angel 18th-19th century Possibly by Angelo Viva In 1964, Loretta Hines Howard generously presented to the Museum over 140 Neapolitan crèche figures, dating from the second half of the eighteenth century. The varied assortment includes figures from the three traditional scenes of a complete Neapolitan presepio: the Nativity, with angels, shepherds, and sheep; the procession of the three Magi, with their colorful retinue of attendants; and the varied and gay crowd of country and town people thronging the tavern, or inn, of Bethlehem the diversorium mentioned by St. Luke, where on the Holy Night there was no place for Mary and Joseph. Averaging between twelve and fifteen inches in height, according to the position they were to take in perspective in the stage set, the figures are pliable and can be given poses at will, according to their facial expressions. Their bodies are made of tow and wire, their arms and legs are finely carved of wood, and their heads and shoulders are modeled of

Campania Salerno Nocera Inferiore S. Antonio7. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cottbus, Branitz Castle

White gypsum copy of ancient statue of Germanicus, Antinous and Venus head for artists on a dark textured background. Plaster sculpture of statue face.. Gypsum copy of ancient statue Germanicus, Antinous and Venus head on dark textured background. Plaster sculpture face.

Gypsum copy of ancient statue of Venus de Milo head for artists isolated on a black background. Plaster sculpture of woman face. Blue green toned.. Gypsum copy of ancient statue Venus head isolated on a black background. Plaster sculpture woman face. Blue toned.

Angel late 18th-early 19th century Italian, Naples. Angel. Italian, Naples. late 18th-early 19th century. Polychromed wood and terracotta, straw, cloth and silk. Crèche

detail from the statue of Augustus Prima Porta from the Villa Livia; near Rome 20 B.C. The statue has been coloured to approximate its' original style

Female nude fountain statue, Orszaghaz Utca, Castle Hill District, Budapest, Hungary

Mona Lisa - Detail Of Mouth Ca.1503-06 Leonardo da Vinci (1452-1519 Italian) Oil On Wood Panel Musee du Louvre, Paris, France

Detail of Fountain of Neptune (Biancone), Piazza Signoria, Firenze, UNESCO World Heritage site, Tuscany, Italy

Picture and image of the stone sculpture of a Jannet Duff and her gireving son. Sculpted by L Beltrami 1894. The monumental tombs of the Staglieno Monumental Cemetery, Genoa, Italy, Europe

Allegory of the Science of War, from the Hall of Commanders in the Zeughaus, to glorify the victory of Prussia in the Franco-Prussian War of 1870/71. Berlin, 1887. By Reinhold Begas (1831-1911)

Close-up of cherub statue in graveyard.

Domènech House (now Museum Cerdanyola), detail of the triptych "Ladies Cerdanyola" Modernism, 1910. Alsatian glazier work attributed to Ludwig von Dietrich Bearn, Cerdanyola de Valles, Barcelona. Museum: Museu d'art de Cerdanyola.

Contemporary art concept collage with antique sculptures head in a surreal style. Modern unusual art. Zine culture.. Contemporary art concept collage with antique statue head in a surreal style. Modern unusual art.

Statue of human covering face

ROME, ITALY - AUGUST 24, 2018: Gian Lorenzo Bernini masterpiece, The Rape of Prosperina, dated 1622

Cherub with Scarf., -, .

Bronze statue of Molly Malone, Grafton Street, Dublin, County Dublin, Eire Ireland, Europe

Collage with plaster antique sculpture of human face in a pop art style. Modern creative concept image with ancient statue head. Zine culture. Contemporary art poster. Retro design. Funky minimalism.. Collage with plaster antique sculpture of human face in a pop art style. Modern creative concept image with ancient statue head. Zine culture. Contemporary art poster. Funky minimalism. Retro design.

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