Elegant Women in Portraits

Beautiful portraits of women in elegant dresses from the 18th and 19th centuries, highlighting detailed attire and expressive poses.

Portrait of Maria Dyakova by Dmitri Grigorievich Levitsky, oil on canvas, 1778, 1735-1822, Russia, Moscow, State Tretyakov Gallery, 61x50

Mlle. Alexandrine-Julie de la Boutraye, c. 1832-34. Eugène Delacroix (French, 1798-1863). Oil on fabric; framed: 94.5 x 81 x 10.5 cm (37 3/16 x 31 7/8 x 4 1/8 in.); unframed: 73 x 59.2 cm (28 3/4 x 23 5/16 in.).

Tempera on ivory portrait by Johann Nepomuk Ender depicting Duchess Claudine von Württemberg, born Countess Rhédey von Kis-Rhéde, created after 1831, showing her features and attire.

Presume portrait of Elisabeth Delpech, Marquise de Cailly Attributed to Nicolas de Largilli�re (1656-1746). "Presumed portrait of Elisabeth Delpech, Marquise de Cailly", 18th century. Oil on canvas. Paris, Cognacq-Jay Museum.

Jeremiah Meyer RA, 1735-1789, German, active in Britain, Portrait of an Unknown Lady, undated. Watercolor and gouache on ivory.

Presume portrait of Philiberte-Orleans Perrin Cypierre, Countess de Maussion Adelaide Labille Guard (1749-1803). "Presumed portrait of Philiberte-Orleans Perrin de Cypierre, Countess de Maussion". Oil on canvas, 1787. Paris, Cognacq-Jay Museum.

Portrait of Princess Belosselsky-Belozersky. Borovikovsky, Vladimir (1757-1825), painter, nieznany malarz rosyjski, painter

Marie Adélaïde de Savoie (1685-1712), Duchesse de Bourgogne 1710 Pierre Gobert French Gobert was accepted as a full member of the Académie Royale in 1701 and in 1704 sent portraits of members of the royal family to The Salon. He was favored at the court and Marie Adélaïde, the mother of Louis XV, sat for him on more than one occasion.. Marie Adélaïde de Savoie (1685-1712), Duchesse de Bourgogne. Pierre Gobert (French, Fontainebleau 1662-1744 Paris). 1710. Oil on canvas. Paintings

Portrait of Maria Countess Walewska (1786-1817) by Dubufe, Louis Edouard (1819-1883)/ Patrimoine comte Charles-Andre Colonna Walewski/ 1859/ France/ Oil on canvas/ Academic art/ Portrait

Stuart introduced into American art a painting technique based on spontaneous, yet strategically placed brushstrokes and layers of subtle, translucent paint that presents sitters as if bathed in mist. Commissioned five years after her marriage, this painting of Elizabeth Beltzhoover Mason (1781-1836) declares her stylishness by associating her with Stuart's fashionable manner. The portrait adapts to a small format the accessories of column and drapery traditionally associated with larger paintings, creating an effect of both intimacy and grandeur. Elizabeth Beltzhoover Mason, c. 1803-5. Gilbert Stuart (American, 1755-1828). Oil on canvas; framed: 90 x 78 x 8 cm (35 7/16 x 30 11/16 x 3 1/8 in.); unframed: 73.8 x 61 cm (29 1/16 x 24 in.).

Portrait of Maria Dyakova by Dmitri Grigorievich Levitsky, oil on canvas, 1778, 1735-1822, Russia, Moscow, State Tretyakov Gallery, 61x50

Young Woman in Fantasy Costume, Rembrant Harmensz van Rijn, 1633, Amsterdam, Netherlands.

Portret młodej kobiety. Schmeidler Carl Gottlob, painter

Portrait of Marie Genevieve BOUDREY Jean-Marc Nattier (attributed to). "Portrait of Marie Genevi�ve Boudrey". Oil on canvas. Paris, Cognacq-Jay Museum.

Portrait of Isabella Brant by Pieter Paul Rubens, oil on wood , circa 1615-1620, 1577-1640, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 60x49

Lady Elizabeth Stanley (1753-1797), Countess of Derby. Artist: George Romney (British, Beckside, Lancashire 1734-1802 Kendal, Cumbria). Dimensions: 50 x 40 in. (127 x 101.6 cm). Date: 1776-78.On November 27, 1776, Lady Derby first sat for this portrait. She returned to Romney's London studio ten times in the winters of 1777 and 1778. She was twenty-three with a son and had been married for two and a half years. The romantic background and her white dress are typical of Romney's portraits of women. Museum: Metropolitan Museum of Art, New York, USA.

Portret młodej dziewczyny. Lerebours, Favorin (1773-1816), painter

Markiza de Maintenon w młodości. unknown, painter

Portrait o Sara Catarine Lorentz. Berggren, Peter (1792-1848), painter

Unfinished female portrait. Simmler, Józef (1823-1868), painter

Thomas Gainsborough (1727-1788). English painter. Portrait of Maria, Lady Eardley (1743-1794), 1766, National Museum. Stockholm. Sweden.

George Engleheart, 1753-1829, British, Lady Grace Burnaby, 1790. Watercolor and gouache on ivory.

Portrait of Anna Szaniawska née Scypion (-1795). Bacciarelli, Marcello (1731-1818), painter

Marquise de SAN ANDRES, painted c. 1785

Mary Heberden. Date/Period: Ca. 1777. Painting. Oil on canvas. Height: 730 mm (28.74 in); Width: 622 mm (24.48 in). Author: Thomas Gainsborough.

Portrait of young woman Jean-Baptiste Carre. Portrait of young woman. Pastel.

Portrait of a woman by Drouais, Francois-Hubert (1727-1775) / Regional I. Kramskoi Art Museum, Voronezh / Rococo / 1786 / France / Oil on canvas / Portrait / 82x64

Frederica Louisa Wilhelmina (Louise; 1770-1819), princess of Oranje-Nassau. Daughter of Prince Willem V, wife of Carel George August, heirs of Brunswijk -Wolfenbüttel, Johann Friedrich August Tischbein, 1785 - 1795 drawing Portrait of Frederica Louisa Wilhelmina (Louise; 1770-1819), princess of Oranje-Nassau. Daughter of Prince Willem V, wife of Carel George August, heir prince of Brunswijk-Wolfenbüttel. Halved, to the right, regarded. Is part of a series of nine portraits of Prinsen and princesses from the house of Oranje-Nassau (SK-A-408/416). Part of the Pastels collection. parchment (animal material) historical persons - BB - woman

Lion, Julie Sophie.

Arabella Pershall, Lady Glenorchy. Date/Period: 1740. Painting. Oil on canvas. Height: 737 mm (29.01 in); Width: 610 mm (24.01 in). Author: Allan Ramsay.

Portret Eweliny Hańskiej z. Rzewuskich. Delmont, Felix (1794-1867), painter

Maria Ramona de Barbachano, Francisco de Goya, 1787-88, oil on canvas, Museo de Bellas Artes, Bilbao, Spain, Europe

Anna Maria Gool, Godfried Schalcken, 1699 - 1706 painting Portrait of Anna Maria Gool (died 1743). Bust, and face, in oval. canvas. oil paint (paint) historical persons - BB - woman

Henrietta Marchant Liston (Mrs Robert Liston) A14809 Painting; oil on canvas; overall: 74 x 61.3 cm (29 1/8 x 24 1/8 in.) framed: 92.4 x 79.7 x 8.3 cm (36 3/8 x 31 3/8 x 3 1/4 in.);

Mrs. Elizabeth Smith (née Elizabeth Chew) John Hesselius (American, 1728-1778). Mrs. Elizabeth Smith (née Elizabeth Chew), 1762. Oil on canvas, 28 1/4 x 25 1/8 in. (71.8 x 63.8 cm). American Art 1762

painter: Joannes Patriarchi, Snuffbox with portrait of woman, snuffbox holder wood walnut turtle leg tooth ivory paint watercolor ivory backing, Oval woman's portrait set inside narrow upright turtles edge on loose lid of round carrot box; box and lid on the inside with turtle lined Watercolor on ivory. Portrait of woman half face looking to the right background in blue-gray and orange tones and slightly luminous to the right of the head. Knotted white headscarf with orange-colored decorative border black loose hanging short curls. Folded white cloth revealing the right shoulder and the bosom transparent veil with fine circular decoration over shoulders front right in the background: Patriarchi fec. (first capital letter not really clear) erotica adorn documenting sniffing remember save tobacco tobacco box miniature animal material keratin

Portrait of a Woman in Blue, c. 1700. Peter Cross (British, c. 1645-1724). Watercolor on vellum in original ivory frame; framed: 9.2 x 7.3 cm (3 5/8 x 2 7/8 in.); sight: 8.2 x 6.4 cm (3 1/4 x 2 1/2 in.).

Portrait of Maria Christina Nijssen, Wife of Anthonie van der Hout, Christiaan Julius Lodewijk Portman, 1826

Quirina Catharina des H.R. Rijksbarones von Friesheim (1764-1822).Portrait of Quirina Catharina, Rijksgravin van Friesheim (1764-1822), second wife of Johan Herman de Lange van Wijngaarden. Half ahead to the left, considerably. Pendant of SK-A-2542. In the past considered as a portrait of Isabella Maria Smissaert (1752-1824), the second wife, since 1813, from Jacob Carel Abbema and widow of Willem Backer. Part of the pastels collection.

Lady Frances Savile, Later Lady Brudenell, Sir Peter Lely, 1618-1680, Dutch, active in England (from 1643), ca. 1668, Oil on canvas, Support (PTG): 30 1/4 x 25 1/8 inches (76.8 x 63.8 cm), costume, jewelry, oval, pearls, portrait, woman

GOYA, FRANCISCO DE. PINTOR ESPAÑOL. FUENTETODOS 1746-1828. LA TIRANA , 1792 . DETALLE. MUSEO ACADEMIA BELLAS ARTES SAN FERNANDO. MADRID.

Portrait of Sophia Alexeyevna Rayevskaya by Borovikovsky, Vladimir Lukich (1757-1825) / A. Pushkin Memorial Museum, St. Petersburg / Neoclassicism / 1813 / Russia / Oil on canvas / Portrait / 66,7x55,5

Madame Ingouf ca. 1790 Vincent French. Madame Ingouf 437907

Gerard Röver, Merchant and Shipowner in Amsterdam. Portrait of callichje hulft, wife of Gerard Röver, merchant and shipowner in Amsterdam. Bust in oval, in the background a forestish landscape.

Joseph Highmore, Portrait of a Lady, c 1730 1735 Portrait of a Lady

Portrait of Archduchess Maria Antonia of Austria (1755-1793), the later Queen Marie Antoinette of France by Ducreux, Joseph (1735-1802) / Musee de l'Histoire de France, Chateau de Versailles / 1769 / France / Oil on canvas / Portrait / 49,5x64,8 / Rococo

Domenico Duprà / 'Barbara of Braganza, Queen of Spain'. 1725. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Josina Clara Van Citters (1671-1753), Sister Of Anna Van Citters. Portrait of Josina Clara van Citters, sister of Anna van Citters. On the back the family crest and the figure 8.

ROSARIO FALCO (1854-1904) DUQUESA DE ALBA Y CONDESA DE SIRUELA - SIGLO XIX. Author: RAIMUNDO DE MADRAZO Y GARRETA (1841-1920). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Portrait of Margaretha Verkolje, Wife of Reinier Couturier. Dating: 1682. Measurements: h 21 cm × w 16.5 cm; d 5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Verkolje (I).

Portrait of Julia née Lubomirski Janowa Potocka, a copy according to the miniature; around 1900; around 1789 (original) (1785-00-00-1915-00-00);Potoccy, Krzeszowice - collection, Potocka née Lubomirski, Julia (1767-1794), Potocka née Lubomirskie, Julia (1767-1794) - iconography, aristocracy, copies (imitation), portrait exploits, miniatures, portraits, portraits, women's portraits, outfits eighteenth -century

Portrait of Anne Law (née Towry), 1st Lady Ellenborough, c. 1821. John Linnell (British, 1792-1882). Watercolor on ivory heightened with gum arabic; framed: 23.4 x 20.7 cm (9 3/16 x 8 1/8 in.); unframed: 11.3 x 8.5 cm (4 7/16 x 3 3/8 in.).

Girl with a rose. Jensen, Theodor (fl. ca 1850), painter

Alexandra Fyodorovna by Hyppolyte Robillard, Pastel on paper, 1840s, -after 1875, Russia, Kaluga, Regional Art Museum, 71x55

Portrait of Karolina née Sapieha 1v.potocka 2v.SOtykowa; Bacciarelli, Marcello (1731-1818), beginning of the 19th century (1801-00-00-1810-00-00);Potocka, Karolina (Fl. Ca 1800), Potocka, Karolina (Fl. Ca 1800) - iconography, jewelry, lace, feathers, portraits, women's portraits, women's costumes, purchase (provenance)

Louisa Isabella Alexandrina Augusta von Kirchberg (1772-1827). Wife of Frederik Willem, prince of Nassau-Weilburg, and sister-in-law of Augusta Maria Carolina van Nassau-Weilburg, Johann Friedrich August Tischbein, 1785-1895 drawing Portrait of Louisa Isabella Alexandrina Augusta von Kirchberg (1772-1827). Wife of Frederik Willem, prince of Nassau-Weilburg, and sister-in-law of Augusta Maria Carolina van Nassau-Weilburg. Sister of Prince Willem V. Ten Halven Lijve, and Face. Is part of a series of nine portraits of Prinsen and princesses from the house of Oranje-Nassau (SK-A-408/416). Part of the Pastels collection. parchment (animal material) historical persons - BB - woman

Portrait of Joanna Grudzińska (). nieznany malarz polski, painter

'Portrait of Jane Hale, Mrs Madan', 1746. Artist: Allan Ramsay.

Portrait of a Lady, Andrew Plimer, 1763-1837, British, undated, Watercolor and gouache on ivory, Image: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm) and Frame: 3 7/8 x 2 3/4 x 5/8 inches (9.8 x 7 x 1.6 cm), portrait

Portrait of a girl, probably a daughter of George II, king of England. Portrait of a girl, probably a daughter of George II, king of England (maybe Anna van Hanover (1709-59), the future wife of Prince William IV). Bust, right. Part of the portrait miniaturen collection.

Julia Bartet, Society of Comedie-Francaise, in the role of Mademoiselle du Vigan Daniel B�rard. "Julia Bartet (1854-1941), a member of the French comedy, in the role of Mademoiselle du Vigan, 1884". Oil on wood.

Portrait of a Lady. Dated: c. 1730/1735. Dimensions: overall: 91.6 x 71 cm (36 1/16 x 27 15/16 in.) framed: 108 x 88.3 x 5.7 cm (42 1/2 x 34 3/4 x 2 1/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOSEPH HIGHMORE.

Marie-Aurore of Saxony in Diane Marie-Aurore de Saxe (1748-1821) in Diane ". Pastel Anonyme. Paris, Museum of Romantic Life.

Portrait of Kovaleva-Zhemchugova by Nikolai Ivanovich Argunov, Oil on canvas, 19th century, 1771-after 1829, Russia, Moscow, State History Museum,

Portret Anny z Sapiehów ks. Adamowej Czartoryskiej (1799-1864). unknown, painter

Angelica Kauffmann / 'Portrait of Anna von Escher van Muralt', ca. 1800, German School, Oil on canvas, 110 cm x 86 cm, P02473. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Portrait of Catherine Pavlovna by Anonymous artist, Oil on copper, 1800s, Classicism, Russia, St. Petersburg, State Open-air Museum Pavlovsk Palace,

Young Woman with a Yellow Hair Ribbon, Pierre N. Violet, 1749-1819, French, ca. 1800, Watercolor on ivory, Overall: 3 3/8 × 2 1/2 × 1/4 inches (8.6 × 6.4 × 0.6 cm), dress, ribbon, woman

Lady Anne Horatia Waldegrave; about 1783; Oil on canvas Thomas Gainsborough; English; 1727-88

Portrait of Mary Ruthven (d.1649), Wife of Anthony van Dyck unknown

Portrait (Franciszka) Józefa Bergonzoni Hubal-Dobrzej, Marsza Kiewicz, Stanis AW (1789-1872); 1840 (1840-00-00-1840-00-00);Jewelry, women, Polish miniatures, portraits of en trois-quarts, women's portraits, costumes, purchase (provenance)

A portrait of a lady in a blue dress; Bardou, Paul Joseph (1745-1814); around 1780 (1780-00-00-1787-00-00);Wereszczakowa, Karolina (1861-1925), Wereszczakowa, Karolina (1861-1925)-collection, gift (provenance), German (culture), portraits, female portraits, eighteenth-century costumes

Hortense de Beauharnais, Queen of Holland, by Anne Louis Girodet-Trioson, c. 1805-09, French painting, oil on canvas. Hortense was Napoleonís stepdaughter and married to Louis Napoleon, the King of Holland. Girodet-Trioson was a pupil of Jacques-Louis David (BSLOC_2016_2_251)

Elisabeth Christine of Brunswick-Wolfenbüttel (1691-1750), wife of emperor Charles VI, against clouds. Meytens, Martin van (1695-1770), painter

Abigail Inskeep Bradford. Rembrandt Peale; American, 1778-1860. Date: 1803-1808. Dimensions: 68.6 × 55.9 cm (27 × 22 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, USA.

Dona Isabel de Porcel, by Francisco de Goya, before 1805, National Gallery, London, England, UK, GB, Europe

Portrait of a woman en grisaille; Kosiak Ski, Józef (1753-1821); 1797 (1797-00-00-1797-00-00);Women, Polish miniatures, landscapes, portraits of en trois-quarts, women's portraits, costumes, purchase (provenance)

Maria Linley. Date/Period: Ca. 1784. Painting. Pastel on paper mounted on canvas. Height: 30.5 cm (12 in); Width: 25.4 cm (10 in). Author: THOMAS LAWRENCE.

Portrait of Alexandrine ÉmilieBrongniart. Artist: Baron François-Pascal-Simon Gérard, French, 1770-1837

Dorota book Lubomirska (1807-1832); Boni, Blanca (Fl. 1800-1845), 1820. (1820-00-00-1820-00-00);Artists, aristocracy, women, foreign miniatures, heaven, portraits of en trois-quarts, women's portraits, message (provenance)

Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782-1850) 1823 Anne Louis Girodet-Trioson French This work, one of Girodets last, betrays the meticulous technique characteristic of the neoclassicism of his teacher, Jacques-Louis David, as well as the perfected forms of the Florentine Renaissance. Letters exchanged between Girodet and the sitter indicate that they knew each other well, and that every detail of the portrait was worked out beforehand. Madame Reizets husband was a prominent government official; her son, Marie-Frédéric de Reiset, was a curator at the Louvre who later became director of the French National Museums.. Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782-1850). Anne Louis Girodet-Trioson (French, Montargis 1767-1824 Paris). 1823. Oil on canvas. Paintings

'Portrait of Prinsess Tatyana Yusupova'. France, Second half of the 18th - early 19th century. Dimensions: 63x57 cm. Museum: State Hermitage, St. Petersburg. Author: Jean Louis Voille.

Portrait of the Infanta Maria Luisa of Bourbon, 1764, by Anton Raphael Mengs (1728-1779), oil on canvas, 45x33 cm.

Portrait of a Woman, Probably Susanna Lunden, Peter Paul Rubens, circa 1625-1627, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

'Female Portrait'. Germany, 1807. Dimensions: 71x52,5 cm. Museum: State Hermitage, St. Petersburg. Author: JOHANN FRIEDRICH AUGUST TISCHBEIN.

fine arts, Giovanni Battista Tiepolo (1696 - 1770), painting, portrait of his wife, Museum Lazaro, Galdiano, Madrid,

Portrait of a woman. Portrait of a woman in half in a painted oval.

Portrait of Helena Fourment (1614-1673). Dating: 1630 - c. 1640. Measurements: h 75 cm × w 56 cm; d 12 cm. Museum: Rijksmuseum, Amsterdam. Author: Peter Paul Rubens (workshop of).

portrait of woman by Francisco de Goya, oil on canvas, 1810, 1746-1828, Russia, St. Petersburg, State Hermitage, 71x58

$Portrait of Countess Varvara Ivanovna Golitsyna (-1804), nee Shipova by Anonymous \ Private Collection \ 1790s \ Oil on canvas \ Painting \ Portrait$

Portrait of Peasant Woman, Christina from Torzhok, by Vladimir Lukic Borovikovskij, 1757-1825, Russia, Moscow, Tretyakov Gallery

Print made by John Dean, 1754-1798, British, Mrs. Mary Kent, 1779. Mezzotint on medium, moderately textured, cream laid paper.

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley An Unknown Woman, Called Lady Hippisley, signed and dated 1785 Signed and dated in ocher-color paint, left center: "POMPEO : DE | BATONI PINX. | ROMA 1785" possibly later addition, Pompeo Batoni, 1708-1787, Italian

Portrait of Charlotte Aglae of Orleans by Pierre Gobert, Oil on canvas, 1720s, 1662-1744, Latvia, Riga, State Museum of Foreign Art of Republic Latvia

Portrait of Margaret Hughes (c. 1630-1719), Lely, Sir Peter (1618-1680)

Portrait of Mrs. Robert Sandilands by Pompeo Batoni (1708-1787) Italian painter. Dated 18th Century

Portrait of Carolina Murat, by Wicar Jean-Baptiste, 1809, 19th Century, oil on canvas. Italy, Umbria, Perugia, National Gallery of Umbria. Whole artwork. Woman half length garland crown neckline Empire style broach precious stones earrings embroideries white red gold chignon.

Portrait of Countess Tatyana Vasilyevna Yusupova, née von Engelhardt (1769-1841), Mosnier, Jean Laurent (1743/44-1808)

Portrait of Alexandra Pavlovna, Russia, Yaroslavl , State Art Museum, 57, 5x45

The Honourable Mrs Graham (1757 - 1792). Date/Period: 1775. Painting. Oil on canvas. Height: 2,370 mm (93.30 in); Width: 1,540 mm (60.62 in). Author: Thomas Gainsborough.

Mrs. John Haskins (née Hannah Upham) Joseph Badger (American, 1708-1765). Mrs. John Haskins (née Hannah Upham), 1759. Oil on canvas, 35 13/16 x 28 3/8 in. (91 x 72 cm). Joseph Badger, a self-taught house painter turned artist, was a popular portraitist of middle-class Bostonians during the 1750s. Badger worked in a modest style, characterized by a simple palette of blues and browns and a sparing use of paint. This portrait of Hannah Haskins was most likely commissioned as a pendant pair with that of her husband, John Haskins, at the left. Mrs. Haskins followed the Congregationalist faith while her husband was a devout Episcopalian, and on Sundays they led separate contingents of their children to their respective churches. Though the staid appearance of the portraits may be a result of Badgers limited training, the style suits the pious couple. American Art 1759

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