Elegant Women in Soft Colors

Paintings of women in flowing dresses posing elegantly. The mood is contemplative with soft color palettes, capturing grace and elegance throughout the scenes.

The Guitar Player; 1908 Oil on canvas Joseph Decamp American; 1858-1923

Woman in Arbor with Monkey. Date: n.d. oil on canvas. Museum: Smithsonian American Art Museum.

Retrospection. Artist: Thomas Eakins, American, 1844-1916

The Arrival. Eduardo Leon Garrido (1856-1949). Oil on panel. 81.3 x 65.5cm.

Alfred Stevens (1823-1906). "Woman holding a book". Oil on wood. Paris, Carnavalet museum. 35735-3 Cheminee, woman, oil on wood, book, portrait, dress

'Femme en bleu', 1874, (1939). Artist: Jean-Baptiste-Camille Corot.

Alfred Stevens, Young Woman by the Sea, 1886, oil on panel.

Portrait of Mademoiselle Dubois, 1884, Alfred Stevens, Belgian, 1823 - 1906, 27 1/2 x 21 7/16 in. (69.85 x 54.45 cm) (sight)33 1/2 x 27 7/16 in. (85.09 x 69.69 cm) (outer frame), Oil on canvas, Belgium, 19th century, Alfred Stevens built his reputation based on paintings of sumptuously attired, anonymous beauties who were representative of a type-la belle Parisienne. The Portrait of Mademoiselle Dubois, in contrast, is a bold statement built upon direct observation of one of his students with whom he was well acquainted. Her appraising and direct gaze, as well as her relaxed posture and confident demeanor, is a daring concoction and testifies to the artist's appreciation of her intelligence and character. These qualities are thrown into high relief by the stark expanse of awning behind her. Stevens' use of such a bold foil is an innovative touch of modernity that parallels those of his close friend, Edouard Manet. The compressed space also betrays Stevens' interest in Japanese spatial

Russia, Saint Petersburg, Hermitage State Museum, Portrait of Princess Olga Orlova, Valentin Serov, 1911

The Guitar Player; 1908 Oil on canvas Joseph Decamp American; 1858-1923

A Circus Boy. Artist: Antonio Mancini (Italian, Albano 1852-1930 Rome). Dimensions: 59 5/8 x 28 1/2 in. (151.4 x 72.4 cm). Date: 1872.Sporting tattered tights and juggling rings, this ragamuffin entertainer reflects Mancini's fascination with the picturesque realm of street performers. The canvas, the first of several that he devoted to acrobats in the 1870s, was probably inspired by the Cirque Guillaume, a French troupe that toured his hometown of Naples. Not long after Mancini created this work, he travelled to Paris, eager to make a name for himself in the capital of the art world. This painting, presented to the Metropolitan in 1892, was the first by the artist to enter a museum. Museum: Metropolitan Museum of Art, New York, USA.

Francisco Masriera Manovens (1842-1902). Spanish painter. The Painter's Studio, 1878. Oil on panel, 37 x 46 cm. Detail. Prado Museum. Madrid. Spain.

Portrait of a girl. Szymanowski, Wacław (1859-1930), painter

Portrait of a Female by Aleksandr Golovin. Aleksandr Yakovlevich Golovin (1863-1930) a Russian artist and stage designer.

Portrait of Henrietta Hirshmann by Serov, Valentin Alexandrovich (1865-1911) State Tretyakov Gallery, Moscow 1907 Tempera on canvas 140x140 Russia Russian Painting, End of 19th - Early 20th cen. Portrait Painting

COLECCION LOS CINCO SENTIDOS - LA VISTA - DAMA CON PRISMATICOS - 1906. Author: CARLOS ANGEL DIAZ HUERTAS (1866-1937). Location: CIRCULO DE LA AMISTAD-SALON DE LOS SENTIDOS. CORDOBA.

Dawn. oil on canvas. Date: 1907. Museum: Smithsonian American Art Museum.

Listening, by Tranquillo Cremona (1837-1878).

Madame Paul Escudier (Louise Lefevre) 1882 United States. In this depiction of Frenchwoman Louise Escudier, John Singer Sargent undercut traditional portrait conventions by prioritizing the dramatic effects of light and dark in a Parisian apartment. The picture grew out of a series of atmospheric views of working-class women in darkened interiors that the artist produced on two trips to Venice between 1880 and 1882. It combines the Impressionistsí gestural brushwork with a heightened chiaroscuro (light and shade) drawn from Spanish Old Masters such as Diego Vel·zquez. These compositions helped to establish Sargentís reputation in Paris as a daring and original painter.. Oil on canvas . John Singer Sargent

The Satin Rose. Joseph Frederic Charles Soulacroix (1825-1879). Oil on canvas. 64.2 x 36.3cm.

The Artist's Studio, late 19th century, by Amerino Cagnoni (ca 1853-1923), oil on canvas, Palazzo Spinola, Milan, Lombardy, Italy.

The Hortensia, or The Two Sisters - 1894 - 73,5x60,5 cm - oil on canvas. Author: BERTHE MORISOT (1841-1895). Location: MUSEE D'ORSAY. France.

Portrait of Dora Wheeler, 1882-83. William Merritt Chase (American, 1849-1916). Oil on canvas; framed: 180.6 x 188.6 x 11 cm (71 1/8 x 74 1/4 x 4 5/16 in.); unframed: 159.8 x 166.4 cm (62 15/16 x 65 1/2 in.).

Mariana. Date/Period: 1851. Painting. Oil on mahogany wood. Height: 59.7 cm (23.5 in); Width: 49.5 cm (19.4 in). Author: JOHN EVERETT MILLAIS.

Woman sitting on sofa by Georges Clairin, 1876, oil on wood, 1843-1919, France, Petit Palais, Musee des Beaux-Arts de la Ville de Paris

Marie Samary of the Odéon Theater, c. 1881. Jules Bastien-Lepage (French, 1848-1884). Oil on canvas; unframed: 52 x 44.8 cm (20 1/2 x 17 5/8 in.).

Robert Henri, Young Woman in White, 1904 Young Woman in White

Reverie. Czachórski, Władysław (1850-1911), painter

Mrs Massimino, by Boccioni Umberto, 1908, 20th Century, oil on canvas. Private collection. Whole artwork. Female portrait woman sitting book reading window light blue: azure white.

Woman in room by Edouard Vuillard, oil on cardboard, 1892-1893, 1868-1940, Russia, St. Petersburg, State Hermitage, 29, 5x23, 5

KLIMT, GUSTAV. PINTOR AUSTRIACO 1862-1918. " RETRATO DE SONJA KNIPS " AÑO 1898. GALERIA AUSTRIACA DE VIENA.

Salome, Henri Regnault, 1870, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Arranging the Tulips. oil on canvas. Date: before 1928. Museum: Smithsonian American Art Museum.

Portrait Of Lizzy Ansingh, weighted Swimmer, 1902 painting Portrait of the painter Lizzy (Maria Elisabeth Georgina) Ansingh (1875-1959). Halved, with a black hat on the head, sitting with the right elbow leaned on the back or arm of a chair. Netherlands canvas. oil paint (paint) historical persons - BB - woman. portrait, self-portrait of painter

Cinderella and her Wicked Sisters. Emile Meyer (1823-1910). Oil on canvas. Signed and dated 1892. 113 x 125.7cm.

John Singer Sargent, Nonchaloir (Repose), American, 1856-1925, 1911, oil on canvas

'Inconsolable Sorrow', 1884, (1965). Creator: Ivan Kramskoy.

Art 19th century. France. Manet, Edouard (Paris, 1832-Paris, 1883). Impressionist French painter and engraver. Woman with Fan, 1862. Museum of Fine Arts. Budapest, Hungary.

L'Hortensia 1894 Berthe Morisot (1841-1895/French) Musee d'Orsay, Paris, France

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Opper, Ernst (1867 1929)

painting of a girl

Autumn Flowers. Date/Period: 1867. Painting (canvas). Oil on canvas. Height: 745 mm (29.33 in); Width: 550 mm (21.65 in). Author: Alfred Stevens.

Mrs. James Guthrie. Date/Period: 1864 to 1865. Painting. Oil on canvas. Height: 2,108 mm (82.99 in); Width: 1,384 mm (54.48 in). Author: 1st Baron Leighton Frederic Leighton.

A Woman Called Anne, the Artist's Wife. Date/Period: Ca. 1795. Painting. Oil on canvas. Height: 297 mm (11.69 in); Width: 246 mm (9.68 in). Author: George Morland.

Remembrances. Jules Cayron (1868-1940). Oil on canvas. Signed and dated 1897. 167 x 120.6cm.

In Dream. Oil. Museum: Círculo del Liceo, Barcelona. Author: JUAN BRULL.

Pierrot with drunk people by Thomas Couture, oil on canvas, 1850s, 1815-1879, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 32x41

CREMONA, Tranquillo (1837-1878). Loving Silence. 19th c. Oil on canvas. ITALY. LOMBARDY. Milan. Galleria d'Arte Moderna (Gallery of Modern Art).

The hours of the day: five o'clock in the morning Achille Deveraia (1800-1857). "The hours of the day: five o'clock in the morning".

The Hat Shop, 1892 Henry Tonks, Costume, Oil Painting, Costume, Hat, Art Movement, Impressionism, Costume, Fashion

'Portrait of Josephine, the Wife of Napoleon'. France, 1801. Dimensions: 178x174 cm. Museum: State Hermitage, St. Petersburg. Author: François-Pascal-Simon Gérard.

A Woman with an Urn. Boulanger, Gustave Clarence Rodolphe (1824-1888). Oil on canvas. Painted in 1888. 73.6 x 50.9cm.

Portrait of Princess Olga Orlova. Date/Period: 1911. Painting. Oil on canvas Oil on canvas. Height: 2,375 mm (93.50 in); Width: 1,600 mm (62.99 in). Author: Valentin Serov.

Woman Ironing, Edgar Degas, circa 1869, Neue Pinakothek, Munich, Germany, Europe

Charlie Is My Darling 1864 John Everett Millais (1829-1896 British)

Aurora (The painter and his girlfriend), by Previati Gaetano, 1884, 19th Century, oil on canvas. Private collection. Whole artwork. Portrait woman girlfriend young man self-portrait painter twilight chiaroscuro light cap white plume foulard jacket black skirt pink armchair chair brown lovers

Visit to the Little Dead (Sketch), by Cosola Demetrio, 1880, 19th Century, oil on panel. Private collection. Whole artwork. Visit the little dead girl sketch dress/robe/garment white flowers crown pink brown

Sad Farewell, Tissot, James Jacques Joseph, 1871

Elena Karamihaylova (1875-1961). Bulgarian painter. Girl with Doll, ca. 1915. Oil on canvas. National Gallery. Sofia, Bulgaria.

'Madame Juillard' In Red, 1912. Artist: Giovanni Boldini

The Communion; La Communiante. Jean-Denis-Antoine Caucannier (born ca. 1860, died 1905/1906). Oil on panel. 70 x 48.5cm.

The Orange Girl, 1854. By John Phillip

fine arts, Simm-Mayer, Marie (1851 - 1912), painting, ""Ida"", circa 1880, oil on canvas, Stadtmuseum, Munich,

June 1911 John White Alexander

Portrait of the Comtesse de Noailles (1876-1933) - 1913 - 151x196 cm - oil on canvas. Author: IGNACIO ZULOAGA. Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN. NOAILLES CONDESA DE. CONDESA MATHIEU DE NOAILLES.

Gallery , Fine Art

Sir Lawrence Alma-Tadema, Hopeful, 1909, oil on panel.

EL HIJO DE FORTUNY EN EL ESTUDIO DEL PINTOR - SIGLO XIX. Author: JOAQUIN SOROLLA Y BASTIDA. Location: PRIVATE COLLECTION. MADRID. SPAIN. FORTUNY MADRAZO MARIANO.

Francesc Masriera. Primavera, 1890. Museo Palau de Mercader, Cornella de Llobregat.

Elisaveta Konsulova-Vazova (1881-1965). Bulgarian painter. Portrait in Pink (Venka Sarainova-Orahovatz), 1924. National Gallery. Sofia, Bulgaria.

The Secret 1858 William Henry Fisk (1827-1884 British) Private Collection

Elena Karamihaylova (1875-1961). Bulgarian painter. In front of the mirror, 1912. Sofia City Art Gallery (Participation of the "Lada" Exhibition, 1912). Sofia. Bulgaria.

William Merritt Chase, A Friendly Call, 1895 A Friendly Call

A Friendly Call, by William Merritt Chase, 1895, American impressionist painting, oil on canvas. The 'visit' took place in Chase's own studio at his summer home near Shinnecock, Long Island. The painter's wife, Alice Gerson Chase, greets an unidentified c (BSLOC_2016_5_214)

A Pensive Moment F. Sydney Muschamp (-1929 British) Private Collection

Margit, Zorn, Anders Leonard (1860-1920)

Lady in Violet, 1874, Pl Szinyei Merse, (1845-1920/Hungarian), Hungarian National Gallery, Budapest

The Goldfinch John Russell (1745-1806 British)

ARTE S. XIX. ESPAÑA. MIRALLES, Francesc (Valencia,1848-Barcelona,1901) Pintor español, cuyas pinturas más destacadas son aquellas que se aproximan al primer impresionismo. "INVITACION AL VALS" (1894). Oleo sobre lienzo. Círculo del Liceo. Barcelona. Cataluña.

In the Garden by Makovsky, Konstantin Yegorovich (1839-1915)/ State Russian Museum, St. Petersburg/ 1870s/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 51x44/ Genre

The Pink Dress, by Berthe Morisot, 1870, French impressionist painting, oil on canvas. Morisot began studying painting at age 16, and was influenced by Corot to paint landscapes 'en plein air' in the early 1860s. This canvas was painted two years into her artistic friendship with Manet, when she adopted the impressionist style (BSLOC_2017_3_125)

Woman with a Letter (Femme a la lettre) 1895 Pierre-Auguste Renoir (1841-1919/French) Musee del' Orangerie, Paris

The Artist's Studio. Henri Pierre Hippolyte Dubois (1837-1909). Oil on canvas. Signed and dated 1874. 73.7 x 59.6cm.

The Pompeian, 1871, by Federico Maldarelli (1826-1893), oil on canvas.

The China Cabinet, 1903. By Henry Tonks

In the study, by Vito d'Ancona (1825-1884).

The Cradle 1872 Berthe Morisot (1841-1895 French) Oil on canvas Musee d'Orsay, Paris, France

Portrait of Mme. L.L. , Fine Art

Muse. Mehoffer, Józef (1869-1946), painter

Wilhelm Marstrand (1810-1873), Frier's visit, About 1857

'The Keepsake', c1902. Artist: Joseph Walter West.

Sonja Knips, Gustav Klimt, 1897-1898, Osterreichische Galerie, Belvedere Museum, Vienna, Austria

Giuseppe De Nittis 1846-1884 Lady with fan 1882, 26.7 x 41 cm oil on panel.

Portrait of a Woman, by Luigi Conconi (1852-1917), oil on canvas, 50x60 cm.

GISBERT, ANTONIO. PINTOR ESPAÑOL. ALCOY 1835-1901. " DAMISELA CON PERRITO ", OLEO. MUSEO BELLAS ARTES. LA HABANA.

Unable to Wait - The Letter, Signorini, Telemaco (1835-1901)

According to Brueghel, Jan I, image reference: S0009100, museum/owner: SFF, name: Allegory of Water, 36x47 cm, painting, original: 32102.830, photo: Lukumaa, Jaakko /KKA, AgfaT5000+/ PS 6.0, data input: JVAINIO, 12.09.01

Mozart's Cherubino (Le chérubin de Mozart), Blanche, Jaques-Èmile (1861-1942)

The Woman with a Parasol, La Femme a L'Ombrelle, Aristide Maillol, circa 1895,

Young Lady in 1866, by Edouard Manet, 1866, French impressionist painting, oil on canvas. Some have suggested this is an allegory of the five senses: nosegay (smell), orange (taste), parrot (hearing), and the mans monocle she fingers (sight and touch) (BSLOC_2017_3_9)

The Coquette. Daniel Hernandez (1856-1932). Oil on canvas. 55.3 x 38.1cm.

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