Embroidery and Textile Fragments

A variety of textile fragments and stencils showcasing intricate embroidery and decorative patterns from different historical periods and cultures.

Dresden, Stengel & Markert, Nine strips of 18th-century Brussels lace from the collection of the Kunstgewerbemuseum in Dresden, Germany, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 20., height 346 mm, width 262 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

At the source, c. 1932 copper (metal) etching

Album with 56 sketches in black chalk to paintings by Dutch Masters from the 17th century. Draughtsman: Leonaert Bramer. Dating: 1652 - 1653. Measurements: h 370 mm; w 485 mm × d 31 mm; w 980 mm; h 280 mm × w 400 mm. Museum: Rijksmuseum, Amsterdam.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Pencil sketch by Rudolf Weyr on transparent paper showing figure and object studies in compositional arrangements.

Dying template katagami; Dese from those who were in a complementary of stylized rabbits sitting in the grass (Japanese Usagi are Susuki); 19th/20th century (1701-00-00-1900-00-00);ISE-CATAGAMI, templates, purchase (provenance)

Obi with Repeating Floral Roundels and Birds late 19th-early 20th century Japan. Obi with Repeating Floral Roundels and Birds 73685

Spiral marble in blue, yellow, black and gray with gold on cut, anonymous, 1700 - 1850 marbled paper Spiral or whipping marble of a pebble marble in blue, yellow, black and gray with gold on cut. Used as a cover. paper. paint (coating). stone marbled paper / snail marbled paper

Drawing, Design for a Silk Damask; France; brush and white, brown, green, lilac, and red opaque watercolor (partly applied at the reverse) on oily traving paper; 46.5 × 18.8 cm (18 5/16 × 7 3/8 in.)

Ikat Textile Fragment 9th-10th century The striped textiles of Yemen were famous throughout the Islamic world. They were made in the resist-dye ikat technique to form patterns of chevrons and diamonds. This textile fragment consists of a plain-weave resist-dyed cotton foundation with simple brocaded decoration. Groups of three perpendicular stripes alternating with a medallion-like form comprise the design.. Ikat Textile Fragment 443604

The Cabinet des Beaux Arts, or collection of the most beautiful prints, engraved according to the original paintings, òu les Beaux Arts are represented, with the explanation of these same paintings, 1695 Album with 14 etchings and engravings on 36 album blades. The album contains prints with reproductions of the ceiling pieces of the Cabinet des Beaux Arts in the Hôtel Perrault, Rue Neuve des Bons Enfants, Paris. The ceiling pieces have the free arts as the subject. Charles Perrault was the client for the manufacture of this ceiling in his art cabinet. An explanation in French for the prints. This is the second edition of the work of Charles Perrault. This album contains copies of the prints from the first edition of 1690. Half -leather band covered with marbled paper with a bract in the front and in the back. Paris band: leather. band: marbled paper. paper etching / engraving / letterpress printing Album with 14 etchings and engravings on 36 album blades. The album contains prints wit

Bush Clover and Stripes, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Stylized bush clover carved from an abstract organic shape is placed on top of receding stripes. Silk threads are added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Mount for The Thames, Evening. Theodore Roussel; French, worked in England, 1847-1926. Date: 1897-1899. Dimensions: 297 × 270 mm (image/plate); 338 × 300 mm (sheet). Aquatint in yellow metallic ink on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Sea at Bognor. Theodore Roussel; French, worked in England, 1847-1926. Date: 1895. Dimensions: 44 × 140 mm (image); 103 × 155 mm (sheet; plate mark only partially visible). Monotype in two tones of blue gray ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

PLANTA DE INTERIOR - 1981 - PAPEL/AGUAFUERTE/AGUATINTA/RESINA - 76x56 cm. Author: JOAN HERNANDEZ PIJUAN (1931-2005). Location: MUSEUM OF FINE ARTS. GRANADA. SPAIN.

Increases of a man, Anonymous, 1630 - 1649 drawing With letters that indicate the different parts. Up to the top left: Fig. 3 lib. 8. Low Countries prepared paper. ink pen intestines

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Album, Album of Prints: Oeuvres diverses de Lalonde décorateur et dessinateur...1. Partie.; Designed by Richard de Lalonde (French, active 1780-96); Print Maker: Augustin Nicolas Foin (French, 1726-c. 1759), Pierre-Gabriel Berthault (French, 1737-1831), C. Le Meunié (French, active 1770-1786), François Hubert (French, 1744-1809), Angélique Gabrielle Sélincart (French, active late eighteenth century); Published by Jacques-François Chéreau (French, 1742 - 1794)

Fragment, before 1968. Unassigned, Probably Modern. overall: 16.8 x 21 cm (6 5/8 x 8 1/4 in.).

Sidewall Sample; machine-printed on paper; 22.5 x 22.5 cm (8 7/8 x 8 7/8 in.)

Court of Judgment in Geel, Red and Gray, Anonymous, 1850 - 1917 marbled paper Right -shadow marble on Adermarmer in yellow, red and gray. paper. paint (coating) spanish marbled paper / veined marbled paper

Stencil Japan. Stencil 70027

Wiertz, Antoine Joseph, Fierlants, Edmond, Photographic reproduction of Thoughts and visions of a severed head. Right panel: Third minute. In eternity by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 170 mm, width 108 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Marie Lutrell, Printed Calico, 1938 Printed Calico

Fragment. Japan. Date: 1775-1800. Dimensions: 27.6 x 22 cm (10 7/8 x 8 5/8 in.). Fancy compound twill, silk and gilt paper; 3 strips to m.m. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Women with luggage on the head, 1932 Verso: female nude. zinc etching

Sampler, Medium: silk embroidery, linen foundation Technique: tent stitch on plain weave, Detached motifs: Holy monogram. Crucifixion, birds, hearts, flowers with Greek fret., Mexico, 19th century, embroidery & stitching, Sampler

Charles Sprague Pearce, Study for a Border Design, 1890 1897 Study for a Border Design

Fragment Made 1000-1476 Peru. .

Decorative design with animal motifs. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 341 mm × w 285 mm. Museum: Rijksmuseum, Amsterdam.

Frame in red with lotus motifs, Théodore Roussel, 1857 - 1926 print paper etching frame of painting, etc.. lotus ~ ornament - AA - stylized

Dying template katagami with a karakus motif (stylized plastic); 1912-1926 (1701-00-00-1900-00-00);ISE-CATAGAMI, templates, vegetable, purchase (provenance)

Design for a Woven Fabric, Brush and gouache on oily tracing paper, Big-sized flower boughs staggered and of different designs in alternating horizontal rows are stuck into a rising undulated flower stem, from which boughs with leaves and blossoms grow into the remaining free space. White stripes laterally., France, 1825-1850, Drawing, Drawing

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

Bamboo in Four Seasons: Spring and Autumn, 1279-1368. China, Yuan dynasty (1271-1368). Hanging scroll, ink on silk; overall: 232.3 x 82.6 cm (91 7/16 x 32 1/2 in.).

'Thirty-nine Pyramids', 1989, Mixed media on canvas, 180 x 180 cm. Author: VICENTE ROJO ALMAZAN. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Decorative design, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil brush

Two designs for a chalice of pottery. .

Stencil 19th century Japan. Stencil 70716

Sample 1883-1900 Associated Artists Notice how the flowers on this textile fade in and out of the background. The clematis operate as impressions rather than direct representations. This effect is created by the use of a sophisticated weaving technique that created fabrics called "shadow silks" by designer Candace Wheeler. They were made by printing a pattern on the vertical threads (warp) of a fabric before the fabric was woven. Once the horizontal threads (weft) were pulled over the warp threads, the printed image was blurred and softened. This example expresses an atmospheric quality similar to French Impressionist painting that was popular during the period. Wheeler, the founder of her textile firm Associated Artists, was both an artistic visionary and a resourceful business woman dedicated to the cause of female economic independence.. Sample 14005

Drawing; brush and gouache on cream paper, lined; 30.9 x 16.8 cm (12 3/16 x 6 5/8 in.)

Curtain with flower design on yellow distance, le mirepère et fils, c. 1850 - c. 1860 Silk curtain with flower design on yellow stock from the small dance hall of Noordeinde Palace. manufacturer: LyonThe Hague silk. lampas (textile material) Silk curtain with flower design on yellow stock from the small dance hall of Noordeinde Palace. manufacturer: LyonThe Hague silk. lampas (textile material)

Album, Album of Prints: Fourth Book of Vases and Book of Arabesques by Aubert Parent; Designed by P. Aubert; Published by Chez Mondhare et Jean, Louis-Joseph Mondhare (French, 1734-1799), Pierre Jean (French, 1754-1829)

Embroidered Mantle Fragment 5th-2nd century B.C. Paracas. Embroidered Mantle Fragment 308106

Deraisme, Pierre -Georges (n.1859 - D.1932), Chérubin brooch (main title), 1899. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Piece 18th century Japan. Piece 71559

Brocade, 1700s or 1800s. India, Surat, 18th or 19th century. Brocade, "himru"; silk and cotton; overall: 67.3 x 81.3 cm (26 1/2 x 32 in.).

Fresco painting in church of Sant Miquel de Balansat, Es Amunts, Ibiza, Balearic islands, Spain.

Blow pattern of flowers, Anonymous, 1750 - 1900 Leaf with alternating spreading pattern of two types of flowers. paper. block printing (relief printing process) ornament derived from plant forms

Wooden panels or triptychon with bankers' receipts from the house of Lucius Caecilius Iucundus. Illustration drawn by Discanno and lithographed by Victor Steeger from Emil Presuhn's "Pompeji. Die Neuesten Ausgrabungen von 1874-1881," Weigel, Leipzig, 1882. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno and Miss Amy Butts, made exact copies of many wall paintings that are now lost.

Wooden stick artwork on pear wood from Albrecht Dürer's workshop, part of the "honorary gate" series, depicting History No. 9 picture for Emperor Maximilian I, created in 1515.

Sheet with overall splotchy pattern 19th century Anonymous. Sheet with overall splotchy pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Album

"Prince Hotaru and Tamakazura" from "The Tale of Genji". Date/Period: 1400/1499. Painting. Ink on paper, "hakubyo". Width: 57.4 cm. Height: 90.8 cm (mount). Author: Unknown Japanese.

Design for Ceiling, Hôtel de Boivin, Paris. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 7 x 6 7/8 in. (17.8 x 17.5 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

T 70-27. Jan Schoonhoven; Dutch, 1914-1994. Date: 1970. Dimensions: 448 x 293 mm. Pen and black ink over traces of graphite on cream wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Woodblock French 19th century

Album

Window with the birth of Johannes de Boper, Anonymous, 1550 - 1560 Stained glass with the image of the birth of John the Baptist, with the childbed in the background and washing in the foreground. glass. lead (metal). silver stain. Stained glass with the image of the birth of John the Baptist, with the childbed in the background and washing in the foreground. glass. lead (metal). silver stain.

World of Art (Vol. 13), 1891, Watanabe Seitei, Japanese, 1852 - 1918, 9 13/16 × 6 3/8 × 3/8 in. (24.92 × 16.19 × 0.95 cm), Woodblock print, Japan, 19th century

Letters, Bernard Willem Wierink, c. 1910 print paper letters, alphabet, script. fable of Reynard the Fox

Piece. Culture: Italian. Dimensions: 3 1/2 x 20 inches (8.9 x 50.8 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Album

Curtain, Medium: cotton Technique: printed on plain weave, Scrim-style curtain panel in dark green and ochre. Leafy pendants have heart-shaped compartments containing floral forms., USA, ca. 1905, printed, dyed & painted textiles, Curtain

Textile

Panel, 19th century, 26 x 26 in. (66.04 x 66 cm), Linen, silk; drawnwork; lace, Philippines, 19th century

Letter in Ta'liq Script A.H. 911/ A.D. 1505-6 Darvish 'Abdullah Munshi. Letter in Ta'liq Script. A.H. 911/ A.D. 1505-6. Ink, opaque watercolor, and gold on paper. Made in Iran. Codices

Ring chiebel marble in blue and brown, anonymous, 1700 - 1850 marbled paper paper. paint (coating) shell marbled paper

Colcha. Dated: c. 1937. Dimensions: overall: 48.3 x 73.5 cm (19 x 28 15/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Margery Parish.

Glyphs, by Mark Ari, watercolor painting, Private Collection, born 1954, 1988

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 27.2 x 20.1 cm (10 11/16 x 7 15/16 in.)

Järnefelt, Eero, Sketch book, ca. 1910, pencil, watercolor and pastel, drawing, 17 cm x 23 cm, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Fragment with Sempervivum tectorum motif 1475-1525 Italian, probably Milan. Fragment with Sempervivum tectorum motif 230313

Nurnberg. Stern an der Lorenzkirche.. Ferdinand Schmidt (German, 1840 - 1909)

Red paste book cover with wavy line design 18th century Anonymous. Red paste book cover with wavy line design. Anonymous , Italian, 18th century. 18th century. Relief print (wood or metal). Prints

Spiral marble in red, orange, blue and green, anonymous, 1900 - 2000 marbled paper paper. paint (coating). lacquer (coating) snail marbled paper

Handegtwaterval in hand, Zwitserland, Anonymous, 1855 - 1875 tissue stereograph Hand cardboard. paper albumen print waterfall Hand

Piece. Culture: Italian. Dimensions: 10 x 22 1/2 inches (25.4 x 57.2 cm). Date: first half 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Stencil 19th century Japan. Stencil 69224

Sidewall, Block-printed on handmade paper, Original document for 'Diamond Damask'. Blue diamonds in floral framework with brown striped overprinting. Printed on yellow ground., possibly USA, ca. 1820, Wallcoverings, Sidewall

Ceramic tiles with heraldic designs, Middle Ages. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

EL NUMERO Y LAS AGUAS I- 1993- 225,5x163,5- OLEO SOBRE LIENZO. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Textile Design with Undulating Vertical Strips of Overlapping Scales Separated by Undulating Ribbons and Pearls 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of undulating vertical strips of overlapping scales rendered with stipples of dark reddish-brown color over a light tan base separated by undulating ribbons of light tan color with red outlines and groups of four pearls colored with white.. Textile Design with Undulating Vertical Strips of Overlapping Scales Separated by Undulating Ribbons and Pearls. Anonymous, Alsatian, 19th century. 1840. Gouache

Album with fountains in and around Rome; Fontane di Roma; Fontane delle ville di Frascati; Fontane Ne Palazze E Ne Giardini di Roma; Fontane del Giardino Estense in Tivoli. Album with 107 shows on 110 album blades. It concerns 4 series with fountains in and around Rome. The first series 'Le Fontane di Roma' consists of 33 prints of which an anonymous title print, a print by Cesare Fantetti by order to Agostino Chigi and 31 prints by Giovanni Battista Falda. The second series 'Le Fontane delle Ville di Frascati' consists of 18 prints, an anonymous title print and print with assignment and 16 prints by Giovanni Battista Falda. The third series 'Le Fontane Ne Palazze E Ne Giardini di Roma' consists of 28 prints of which 23 by Giovanni Francesco Venturini, 1 by Louis Rouher and 4 by Giovanni Batista Falda. The fourth series 'Le Fontane del Giardino Estense in Tivoli' consists of 28 prints of which an anonymous title print and print with assignment and 26 prints by Giovanni Francesco Ventur

Frost Work.. Benjamin West Kilburn (American, 1827 - 1909)

Panel. France or Italy. Date: 1690-1699. Dimensions: 68.2 × 43 cm (26 7/8 × 17 in.)Repeat: 40 × 21.1 cm (15 3/4 × 8 3/8 in.). Silk, 4:1 satin damask weave. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sidewall, Machine-printed, Large stylized poppy and clusters of small flowers form the drop repeat motif. Finished with a wash which makes it a 'wash print' paper. This was the top one of six layers of wallpapers., USA, 1880-1900, Wallcoverings, Sidewall

Fragment of Coptic fabric unknown

Epitaph Tablet for Mok Seoheum (1571-1652), from a Set of 11 Korean. Epitaph Tablet for Mok Seoheum (1571-1652), from a Set of 11, ca. 1652. Porcelain with underglaze, 10 1/16 × 7 1/2 in. (25.5 × 19 cm). Asian Art ca. 1652

Two lanes of wallpaper painted on linen with vertical stripes alternately decorated with branches with berries and a flower vend, anonymous, c. 1785 - c. 1800 Two jobs in oil paint on linen painted wallpaper. Above a panel of broken white with blue -gray frames, gray -blue vertical vertical stripes are applied to a broken white stock, alternately decorated with scattered twigs with berries and a flower vank in red and blue. Northern NetherlandsNetherlands linen (material). oil paint (paint) Two jobs in oil paint on linen painted wallpaper. Above a panel of broken white with blue -gray frames, gray -blue vertical vertical stripes are applied to a broken white stock, alternately decorated with scattered twigs with berries and a flower vank in red and blue. Northern NetherlandsNetherlands linen (material). oil paint (paint)

Henri Le Sidaner (1862-1939). "The stained glass, Chartres". Museum of Fine Arts of the City of Paris, Petit Palais. 60401-1 Cathedral, Catholic, Chretian Christian, Illustration, Ornament, Biblical Scene, Symbolism, Glass

Blue tile with trunk, ears of corn, leaf, of chimney pilaster with 13 tiles, tree of bunches of grapes with birds, grain and leaves, foot of the pilaster is possible this tile, tile pilaster footage fragment earth discovery ceramics pottery glaze, archeology

Coverlet. Dated: c. 1936. Dimensions: overall: 51.2 x 48.2 cm (20 3/16 x 19 in.) Original IAD Object: 90 1/2" square. Medium: gouache, watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Dorothy Posten.

Meander and decorative frame, Anonymous, 1700 - 1850 Leaf with job pattern of meander and decorative frame. paper. block printing (relief printing process) ornament ~ meander

Anni Albers, Black-White_Gold I, Ark Pannels for Congregation BNai Israel, 1950, cotton, lurex and jute yarn, Bauhaus.

Desire, Ger Ladage, 1917 drawing Netherlands paper. watercolor (paint) brush Abstract, Non-representational Art

Sidewall, Leather, stamped, painted, gilded, Diapered field, varnished silver. Rococo vine, in green, with flowers in red and blue., Holland, ca. 1750, Wallcoverings, Sidewall

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Curtain, 1662-1722, L.6'7 3/4' x W.6'9 1/4', satin, grosgrain ribbon, silk, China, 17th-18th century

Sample of printed IInen Unknown, Wiener Werkstätte

Carving of the conclusion of a narrow axle with free columns on the honorary gate for Emperor Maximilian I, pear wood, Albrecht Dürer's workshop, 1515.

of 3