Embroidery and Textile Fragments

A variety of textile fragments and stencils showcasing intricate embroidery and decorative patterns from different historical periods and cultures.

Dresden, Stengel & Markert, Nine strips of 18th-century Brussels lace from the collection of the Kunstgewerbemuseum in Dresden, Germany, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 20., height 346 mm, width 262 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

Excerpt embroidery decorated with hearing abundance, 1740 - 1760 Fragment embroidery. On a cream -colored satin soil there is a hearing of abundance with flowers, a palm with and loose flowers with cream -colored silk. satin. silk Fragment embroidery. On a cream -colored satin soil there is a hearing of abundance with flowers, a palm with and loose flowers with cream -colored silk. satin. silk

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Edo period (1615-1868). Stencils

Excerpt red velvet brocade with a pattern of floral motifs, anonymous, c. 1900 - c. 1905 Fragment (three stuck parts) Red Silk Luwe with a pattern of horizontally ripened lobed leaves on braided stem between which pomegranates and rosettes of gold thread. Pattern has been supplemented. Maker: Italydraughtsman: Krefeld silk. Fragment (three stuck parts) Red Silk Luwe with a pattern of horizontally ripened lobed leaves on braided stem between which pomegranates and rosettes of gold thread. Pattern has been supplemented. Maker: Italydraughtsman: Krefeld silk.

Red paste paper book cover 18th century Anonymous. Red paste paper book cover. Anonymous , 18th century. 18th century. Paste paper. Prints

Dresden, Stengel & Markert, Nine strips of 18th-century Brussels lace from the collection of the Kunstgewerbemuseum in Dresden, Germany, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 20., height 346 mm, width 262 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

Two Velvet Fragments Sewn Together, 1400s. Italy, 15th century. Velvet (cut and voided); overall: 39 x 33 cm (15 3/8 x 13 in.).

Album (France); Sheet: 46.2 x 30.2 cm (18 3/16 x 11 7/8 in.)

Two herons standing in the water, Kaihoku Yusho, 1600 - 1799 Painting with a representation of two herons standing in the water. In wooden box. Japan paper. ink painting Painting with a representation of two herons standing in the water. In wooden box. Japan paper. ink painting

Stencil Japan. Stencil 69998

Stencil 19th century Japan. Stencil 70678

Two Velvet Fragments Sewn Together, 1400s. Italy, 15th century. Velvet (cut and voided); overall: 39 x 33 cm (15 3/8 x 13 in.).

Arm of a man, Johannes Körnlein (Possible), After Cornelis Visscher (II), 1766 - 1770 Arm of a man. The Calque is loose in an album, see page 19. Amsterdam tracing paper. chalk postures and gestures of arms and hands in general

Textile with Blue and White Pattern 13th-14th century Dated to either the thirteenth or fourteenth century, this plain-woven, block-printed, cotton textile fragment was once part of a much larger piece. This fragment exhibits the unique characteristics of technique and decoration associated with textile production in Western India, in the province of Gujarat, during the Middle Ages. The fragments bold design uses a single block to cover the textile with dotted diamond shapes and a stylized tendril pattern which fills the diamonds interiors. The decorative patterns and motifs are reminiscent of those found in Jain painted manuscripts and architecture from Gujarat. The vibrancy of the blue dye points to Western India, which at the time was a popular production center for richly dyed and block-printed textiles. Throughout the centuries, there was an international demand for such fabrics.Found near the site of Fustat, Egypt, these textiles have been preserved largely due to the arid and d

Textile, Medium: cotton on cotton Technique: embroidery, Border for an alb. Very sheer white cotton; embroidered in white cotton. Design symmetrically arranged, of delicate flowering vine, originating in an urn; below dogs and lions rampant, above birds. Second motif: shield with figure of a child on a wheel. Above shield, helmet with closed visor., Italy, late 17th century-early 18th century, embroidery & stitching, Textile

Fragment, Medium: silk Technique: cut and uncut supplementary warp pile (velvet) on satin ground, Fragment of red cut and uncut velvet on red satin ground. Portion of large-scale pomegranate motif., Italy, 17th century, woven textiles, Fragment

Sidewall, Leather, stamped, painted, silvered, Fragment of stamped and embossed leather; varnished silver, light and dark blue, red, green and white paint; rococo motifs of fruit and flowers., Flanders, ca. 1730, Wallcoverings, Sidewall

Kesa. Japan. Date: 1801-1850. Dimensions: 112.3 x 203.3 cm (44 1/6 x 80 in.). Silk and gold-leaf-over-lacquered-paper strip, warp-float faced 2:1 'Z' twill weave with weft-float faced 1:2 'S' interlacings of secondary binding warp and supplementary patterning wefts; lined with silk, plain weave. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Textile with Brocade. Culture: Italian. Dimensions: Overall: 6 5/16 × 4 1/8 in. (16.1 × 10.5 cm)Storage (Mat): 13 × 8 1/2 in. (33 × 21.6 cm). Date: 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Annunciation, cliché; Jasi Ski, Feliks Stanis AW (1862-1901), Burne-Jones, Edward (1833-1898); 1897 (1897-00-00-1897-00-00);Maria (Mother of Jesus Christ), Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, Annunciation of Maria (iconogr.), Angels (iconogr.), French (culture), French graphics, Polish graphics , reproductive graphics, auxiliary matrix on cello, Poland (culture), purchase (provenance)

Fragment; linen, silk

Drawing, Support for the Making of a Woman's Needle Lace Collar; pen,ink,parchment,paper; 49 × 35.5 cm (19 5/16 in. × 14 in.)

Fragment tkaniny. warsztat egipski, workshop

Two fragments of textile, textile fragment, Textile fragments, two, embroidery on brown silk., anonymous, Japan, 1655 - 1658, Meireki period, silk, height 28.4 cm × width 8.2 cm

Fragment early 16th century Spanish or Italian, Venice. Fragment 230628

Design for a Woven Fabric, Fragment, Brush and gouache on oily tracing paper, A plant with three blossoms, crossed by a pending indented leaf. Fragments., France, 1815-1840, Drawing, Drawing

Leaf with flowers and fruits, Johann Michael Munck, 1730 - 1760 brocade paper Leaf with flowers and fruits, used as a cover. Augsburg paper. paint (coating) relief printing ornament derived from plant forms

Irene Schaefer, Quilted Bedspread, c 1936 Quilted Bedspread

Album

Piece. Culture: China. Dimensions: 19 1/2 x 10 in. (49.5 x 25.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

Sidewall, Leather, stamped, silvered, painted, All that remains of design is some red scrolling foliage on an embossed background., Holland, ca. 1700, Wallcoverings, Sidewall

Iris motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Irise (shobu) clusters paired in groups of three are alternating between positive and negative silhouettes. Stylized leaves and stems form an abstract striated ground., Japan, mid 18th - early 19th century, textile designs, Stencil, Stencil

Five strips of German side from around 1770 and a wide strip of 18th-century German side, from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype lace Artificial museum

Wrath. Dated: 1552. Dimensions: plate: 10.5 x 6.2 cm (4 1/8 x 2 7/16 in.). Medium: copper plate. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

Shell Pattern Mount. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Sheet: 14 1/2 x 11 in. (36.8 x 28 cm). Date: 1897-99. Museum: Metropolitan Museum of Art, New York, USA.

Stencil 19th century Japan. Stencil 69314

Fragment (Japan)

Cover or Hanging () 15th century Italian. Cover or Hanging () 461468

Stencil Japan. Stencil 70042

The Cheerful Soil, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 510 × 394 mm (image); 660 × 504 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Stencil 19th century Japan. Stencil 69250

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

Blow pattern of flower pattern with tendrils and lines Fond, Anonymous, 1800 - 1900 Leaf with spreading pattern of floral pattern with tendrils over a vertical lines stock. paper. block printing (relief printing process) ornament derived from plant forms

Piece ca. 1720 Italian, Venice Panels such as thiswith its extraordinary patterns in long repeatswere called "bizarre" by the Danish scholar Slomann, who believed they were made in India. Most scholars consider them an exotic phase in the history of European silk weaving.. Piece 227373

SIN TITULO - 1990. Author: PEDRO MORA 1961/. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Sidewall, Leather, stamped, painted, silvered, Scrolling foliage and stylized flowers, trellis-patterned background., Flanders, ca. 1720, Wallcoverings, Sidewall

Sidewall, Block-printed on paper, Shaded wine red, baroque scrollwork, flowers on white ground. Printed in selvedge: 'Patented Jany 8, 1904.' Rococo revival style design., USA, 1904, Wallcoverings, Sidewall

Sidewall - Fragment (France); block-printed on handmade paper; 47.5 x 25 cm (18 11/16 x 9 13/16 in.)

Sample, Medium: silk, gilded paper Technique: plain weave with supplementary weft (), Brown gauze with asymmetrical spaced arcs and dots in gilded paper. Fabric in upper half in pale green strie; lower half is green with bold angular white decorative lines., Japan, 19th century, woven textiles, Sample

Machine-made openwork samples, Medium: cardboard, linen, silk, metallic Technique: linen embroidery with ground cloth dissolved Examples of embroidery on net produced by the Schiffli machine Metallic embroidery on net Machine-made openwork in imitation of hand-embroidered net Mostly floral and a few geometric patterns, some designs described as 'Spanish' Imitation hand-made filet Machine filet Imitation filet crochet Ploven (burnt-out lace) Fancy curtain lace made on the Levers machines Real filet (handmade) next to Machine-made filet Spotted curtain nets, made chiefly at Nottingham, England and Caudry, France., Samples of machine-made openwork and several examples of hand made lace mounted on boards. They imitate hand-embroidered net, crochet, or needlepoint. All are floral patterns plus a few of early 1920's geometric style., 'Embroidered net' produced by the Schiffli Machine., USA, ca. 1910, lace, Machine-made openwork samples

Piece 18th century Japan. Piece 71625

Stencil 19th century Japan. Stencil 69233

Panel 17th century Italian. Panel 461408

Volume 8, Front End Paper, Volume 8, Ceremonies et coutumes religieuses de tous les peuples du monde, Antique marbled paper, 1723-1743

Sadeler, Raphael (L'Ancient) (1560 - 1628), Recueilde de Gravures: Solitude or Life Fathers Eremicola (Title Principal), 1560. Reliere en Veau Jaspe. Gravures au Burin. Peun Palais, Musee des Beaux-arts de la ville de Paris.

Diana, c. 1880 - c. 1900 drawing Drawing consisting of three larger pieces and some paper fragments. Part of French artists' album. paper. pencil (story of) Diana (Artemis)

Fragment 17th-18th century Italian. Fragment 230601

Sidewall, Block-printed on handmade paper, Simulated moire silk, decorated with small bunches of flowers in drop repeat. Printed in colors on light blue ground., France, ca. 1785, Wallcoverings, Sidewall

Inferno XIII, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Fragment of Comforter. Dated: c. 1938. Dimensions: overall: 24.5 x 23.7 cm (9 5/8 x 9 5/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Donald Williams.

Textile (England); cotton

Fragment with Sempervivum tectorum motif. Culture: Italian, probably Milan. Dimensions: L. 22 x W. 11 1/4 inches (55.9 x 28.6 cm). Date: 1475-1525. Museum: Metropolitan Museum of Art, New York, USA.

Fragment, 1400s (). India, 15th century (). Drawn resist, painted mordant, dyed; cotton; overall: 26.7 x 25.7 cm (10 1/2 x 10 1/8 in.).

Fragment, Medium: silk, gilded animal membrane around linen core Technique: 4&1 satin and plain weave (lampas), Medallions holding addorsed hares in gold on dark blue., Italy, 14th century, woven textiles, Fragment

First design for the book band for Over Art, II, by R.N. Roland Holst, Richard Nicolaüs Roland Holst, 1878 - 1938 drawing paper. pencil brush book-cover, binding.

Blossoms, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Silhouettes of blossoms and leaves connect with overlapping stems. Silk threads have been added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Batikpapier, anonymous, c. 1900 - c. 1950 decorated paper Batik paper with pattern of squares with window as flat filling. paper. paint (coating) block printing (relief printing process) ornament ~ geometric motifs

Stencil 19th century Japan. Stencil 69327

La Cassolette, Block printed on handmade paper, Arabesque design with at top a bouquet of roses and other flowers. Below this is a medallion in brown tones showing cupids at play, atop which are quiver and arrows in a torch, crossed. At bottom, an incense burner or 'cassolette'. Panel assembled from three fragments: 1951-16-3-a,c, and -d. Originally included another fragment, -b. which was deaccessioned., France, ca. 1780, Wallcoverings, Sidewall, Sidewall

Cupid and Psyche - Psyche saved by the Dead Queen. - Uncut Woodblock. Artist: Sir Edward Burne-Jones

Fragment, Medium: cotton Technique: block printed on plain weave, Bolbec, France, ca. 1810, printed, dyed & painted textiles, Fragment

Sidewall (France); hand-painted on machine-made paper

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

Drawing, Textile Design: Nuance; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 8.9 cm (2 1/2 × 3 1/2 in.) Mat: 71.1 × 54.6 cm (28 in. × 21 1/2 in.)

'Designs for Rugs by the Allgauer Handwebeteppiche', c1928. Artist: Unknown.

Embroidered Leather. Dated: c. 1938. Dimensions: overall: 24.5 x 35.5 cm (9 5/8 x 14 in.) Original IAD Object: 8" long; 2 3/8" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Donald Williams.

Panel (Morocco); silk embroidery, linen foundation

Piece 18th-19th century Japan. Piece 66295

. Brown cover with leaf motif; 6 sheets with 12 prints on which images of copulating couple; Saved in blue cassette with pink spider web motif.

Stencil 19th century Japan. Stencil 69310

Yellow paste paper 18th century Anonymous. Yellow paste paper. Anonymous , 18th century. 18th century. Paste paper. Prints

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

Fragment zijdeweefsel, mogelijk onderdeel van een kledingstuk.Black fond with murkins of a reflection, which wavy vertical jobs in purple, interrupted by black, between whom flowers and two repeated Chinese women's figures.

Leaf with windscreen pattern of tendrils with flower as field filling (one of eight identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament derived from plant forms

Antoni Tapies / 'Oval', 1963, Color drawing, 49,5 x 35,6 cm.

Textile samples, from the Franko Prints series ca. 1928 Joseph Urban. Textile samples, from the Franko Prints series 483691

Deraisme, Pierre -Georges (N.1859 - D.1932), Foliage pommel (main title), 1900. Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Stencil with Bamboo and Falling Snow 19th century Japan. Stencil with Bamboo and Falling Snow 65311

Sidewall, Block-printed, Imbricated column, roses and leaves, printed in green and brown in mustard yellow ground, piquote with brown., USA, 1800-1825, Wallcoverings, Sidewall

Plum and bamboo. Origin: Japan. Period: Edo period. Date: 1615-1868. Ink, color, and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

A steamboat, Pieter Dupont, 1895 Etting plate of zinc for the etching 'a steamboat' 1895. (Dupont 35) Netherlands zinc etching

Drawing, Textile Design: Alaun; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 5.1 × 7.6 cm (2 × 3 in.) Mat: 71.1 × 31.8 cm (28 in. × 12 1/2 in.)

Drawing, Design for Woven Paisley; brush and orange-pink, yellow gouache, graphite on brown oiled translucent paper; 10.2 × 8.5 cm (4 × 3 3/8 in.)

Panel, 19th-20th century, 24 1/2 x 19 3/4 in. (62.2 x 50.2 cm), Raffia; cut -pile embroidery (musese), Democratic Republic of Congo, 19th-20th century

Fragment (Furnishing Fabric) Made 1750-1800 China. .

Showing board pattern leaf with saved motif and star, Anonymous, 1750 - 1950 paper. block printing (relief printing process) ornament ~ starforms

Stencil 19th century Japan. Stencil 69386

Design for a Woven Fabric, Fragment, Yellow and lateritious gouache on oily tracing paper, A hanging leaf bough and a lily-of-the-valley plant., France, 1815-1840, Drawing, Drawing

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