Emotional Embraces in Art

These artworks depict intimate moments of affection, showcasing lovers in romantic settings and family teaching connections with a focus on light and shadow.

The mother , Mothers, Infants. Frank W. Benson (1862-1951). Prints and Drawings

A woman developing butter; Dressler, Adolf (1833-1881); 1879-1880 (1879-00-00-1880-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, women, work, German drawings

La Muse (TheMuse). Artist: Henri Fantin-Latour, French, 1836-1904

Spinner at work At work , print maker: Ferdinand Oldewelt, (mentioned on object), Netherlands, 1872 - 1935, paper, etching, drypoint, h 230 mm × w 172 mm

Dancers in Their Dressing Room. Dated: c. 1876. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Woman Sitting Half-Dressed Beside a Stove. Other artists instructed their models to pose as characters in famous historical or mythological scenes. Rembrandt, in contrast, chose to make a direct reproduction of the models in front of him. The woman in this etching is presented with a nude upper body, sitting unostentatiously in a domestic interior near a stove. Rembrandt remained true to his principle, namely seeking inspiration in daily life.

A Lady Reading. Sir Francis Seymour Haden (England, London, 1818-1910). England, 1858. Prints; etchings. Etching

Masyutin, Vasili Nikolayevich (1884-1955) Private Collection Graphic arts Genre Lady of the manor. From the Series The Seven Deadly Sins

Tamara and Demon. Illustration to the poem 'The Demon' by Mikhail Lermontov by Vrubel, Mikhail Alexandrovich (1856-1910)/ State Tretyakov Gallery, Moscow/ 1890-1891/ Russia/ Watercolour and white colour on paper/ Symbolism/ 96x65/ Mythology, Allegory and

The bribe selling the apple at the lighthouse; Scholtz, Julius (1825-1893); 1848 (1844-00-00-1844-00-00);Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - Dar, Biedermeier (Style), Trade, Apples, Women, Street Lanters, Brokes, German drawings

The murderer (Il Bravo), 1660 print An armed man grabs his victim by the shoulder, hiding a dagger behind his back. The other man, with wingerd leaves in his hair, turns around. This print is part of an album. paper etching / engraving murderer

"I don't dare take them down...it would hurt him too much.". Dated: c. 1892. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Les camelots de la Pensee (proof for titlepage). Artist: Maurice Delcourt, French, 1879-1916

Francisco de Goya y Lucientes / 'Dream 21. Since I told him se moves nicely, he can't speak without wriggling'. 1796 - 1797. Indian ink wash, Black chalk, Pencil, Iron gall ink on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Netherlands, Kruseman, Jan Diederikus, Interior of a liturgical building, verso - stamped, A man in a robe walks through a room. There is a picture on the wall and in the corner is a piece of furniture, possibly a cupboard., print, prints, height 96 mm, width 61 mm, 1828-08-15 - 1918-06-08, print maker, printmaker, 1838 - 1918, paper, papier, chine collé, etching, etsen

Greeting scene - He kissed her hand" - Illustration for the Wędrowiec" periodical. unknown, graphic artist, Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

The Breakfast Made 1898 Sweden. Soft ground etching on light blue laid paper . Anders Zorn

Pregnant Woman Contemplating Suicide (recto), c. 1926. Käthe Kollwitz (German, 1867-1945). Black chalk or charcoal (rubbed in places); sheet: 64.3 x 49.7 cm (25 5/16 x 19 9/16 in.).

Etching by Emil Orlik, 1895, depicting a girl engaged in sewing work, with detailed line work and textured shading.

Albert Besnard, Woman Reading in the Studio (La Lecture dans l'atelier), 1887 Woman Reading in the Studio (La Lecture dans l'atelier)

Woman in front of a door, Reinier Craeyvanger, 1822 - 1880 print A woman stands in front of a door and turns the key. On the right a staircase down. On the left is a vegetable against the wall. A hat and a jacket hanging on the wall. paper etching closed door. opening the door. adult woman. shrubs: broom

Arthur-Joseph Guéniot (1866-1951). Woman seated, long hair, her head pressed in the left hand. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Self -portrait of Taco Scheltema (), With a young woman behind his chair, Taco Scheltema (I), 1770 - 1837 drawing paper. pencil. ink pen / brush portrait, self-portrait of artist. painter at work, in his studio

Woman Strolling (Une élégante). Georges Seurat (French, 1859 - 1891)

Netherlands, Steelink, Willem (II), Crying woman by a bed, verso - stamped, A woman sits with her head in her hands by a bed. At the bottom left in the margin the sprig of a thistle., print, prints, height 229 mm, width 174 mm, 1856-07-16 - 1928-11-27, print maker, printmaker, 1886 - 1886, paper, papier, chine collé, etching, etsen

Pretty Teachings (Bellos consejos) Francisco de Goya y Lucientes (Spanish, 1746-1828). Pretty Teachings (Bellos consejos), 1797-1798. Etching, aquatint, and burin on laid paper, Sheet: 11 15/16 x 7 15/16 in. (30.3 x 20.2 cm). European Art 1797-1798

No te escaprás. (You Will Not Escape.), pl. 72 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Desperate woman. Rembowski, Jan (1879-1923), graphic artist

Woman and Jester(?). Artist: Thomas Nast, American, 1840-1902

Jean-Louis Forain (French, 1852-1931), "I don't dare take them down it would hurt him too much.", c. 1892, lithograph

The love letter, draughtsman: Jan Veth, after: Johannes Vermeer, 1874 - 1925, parchment (animal material), h 255 mm × w 209 mm

Beasts from the portfolio: Xięga of idolatry SCHULZ, Bruno (1892 1942)

EXHIBITION OF THE NEW SOCIETY OF PAINTERS IN WATER COLOURS, 'JOAN OF ARC.' PAINTED BY JOHN ABSOLON

Honoré Daumier, Un français peint par lui même, 19th century Un français peint par lui-même

Shadow and Substance (from Wayside Posies: Original Poems of the Country Life). Artist: After George John Pinwell (British, London 1842-1875 London). Dimensions: Image: 6 1/2 × 4 13/16 in. (16.5 × 12.3 cm)Sheet: 9 5/8 × 7 5/8 in. (24.4 × 19.4 cm). Engraver: Dalziel Brothers (British, active 1839-1893). Publisher: George Routledge & Sons (London). Date: 1867.A young woman stands by a pond and fishes with a simple rod, as an older woman sits and reads behind her, and a girl kneels and leans on a chair, the forms reflected in the still water below. The wood engraving was made for a book edited by Robert Buchanan, with original illustrations by G. J. Pinwell, J. W. North, and Frederick Walker, engraved by the Brothers Dalziel, and published by Routledge as a Fine Art gift book. Museum: Metropolitan Museum of Art, New York, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). They've already got a seat. 1799. Plate 60 of 'Los Caprichos', etching and burnished aquatint. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Italian Dancers. Dimensions: plate: 31.9 x 22.8 cm (12 9/16 x 9 in.) sheet: 44.5 x 31.2 cm (17 1/2 x 12 5/16 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Henri Charles Antoine Baron.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), how therefore the director, I cannot refuse inside for my brother, which I have already granted to Trade for dad! - You can be quiet dear friend, your husband will have his situation, with a kind woman like you: the state is me (title given by the author), 1906. Black Pierre and blue watercolor on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Sitting woman at round table lifts with fan curtain. Draughtsman: David Bles. Dating: 5-Jan-1881. Measurements: h 331 mm × w 423 mm. Museum: Rijksmuseum, Amsterdam.

Interior with a Child. Lothar Linde. Edvard Munch; Norwegian, 1863-1944. Date: 1902. Dimensions: 177 x 112 mm (image); 192 x 120 mm (plate); 328 x 268 mm (sheet). Etching on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Fariboles 2 board 200 (title registered (letter))

Holmberg, Werner, work, Sketch book, drawing, 22.5 cm x 29 cm, Holmberg, Werner

1893 Art Work - At the Folies-Bergere: The Modesty of Monsieur Prudhomme - Henri de Toulouse-Lautrec.

The Evening Lamp Julian Alden Weir (American, 1852-1919). The Evening Lamp, ca. 1890. Drypoint, etching on blue-gray laid paper, 5 1/4 x 3 7/8 in. (13.3 x 9.8 cm). American Art ca. 1890

The Supper Made 1861 France. Etching on ivory laid paper . Alphonse Legros

The ladies' game (La partie de dames). Dimensions: 27.1 cm x 36 cm, 15.8 cm x 20 cm, 15.4 cm x 19.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: NORBERT GOENEUTTE.

Ella, aka Cinderella, dressed in a ragged, patchwork dress looks longingly out of a window, dreaming perhaps of a handsome prince. Date: 1919

Little Arthur. Dated: c. 1857/1858. Dimensions: plate: 8.41 x 5.08 cm (3 5/16 x 2 in.) sheet: 15.88 x 12.07 cm (6 1/4 x 4 3/4 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Folies-Bergere: The Censors of M. Prudhomme (Folies-Bergère: Les pudeurs de M. Prudhomme). Dated: 1893. Dimensions: sheet: 37.5 x 27 cm (14 3/4 x 10 5/8 in.). Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Actor Posing in Front of a Mirror. Dimensions: overall: 29.6 x 25.8 cm (11 5/8 x 10 3/16 in.). Medium: pen and black ink with crayon and watercolor on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Instructions for the Day. Jean Louis Forain (French, 1852-1931). Lithograph;

Jules Bastien-Lepage, Return from the Fields, 1878, etching on cream laid paper.

Harmonica Spelling boys, August both, After Heres Hein Burgers, 1858 print A boy leans against the balcony of a house and plays a pull harmonica. A girl is listening in the doorway. Next to her is a small vase with a flower and a bird cage hangs on the wall. print maker: Amsterdamprinter: The Hague paper children playing musical instruments. accordion - CC - out of doors. loggia, verandah, porch

"Sketch sheet by Rudolf Weyr executed in pencil and partially wiped. The work shows preliminary studies focusing on line, shading, and composition."

Wife leaning over a underneath, Cornelis Ploos van Amstel, after Rembrandt van Rijn, 1765 print Amsterdam paper etching divided door, upper part opened. adult woman

Two studies of Princess Juliana. Draughtsman: Thérèse Schwartze. Dating: 15-Mar-1910 - 17-Mar-1910. Measurements: h 595 mm × w 480 mm. Museum: Rijksmuseum, Amsterdam.

Lacing the Sandal, 1886. Frank French (American, 1850-1933). Wood engraving;

Biondina (La Femme aux chats) Charles Hazelwood Shannon (British, 1863-1937). Biondina (La Femme aux chats), 1894. Lithograph on Japan paper, 8 7/16 x 9 7/8 in. (21.4 x 25.1 cm). European Art 1894

L'Estampe Moderne: La Servante, 1899. Ferdinand Jean Luigini (French, 1870-1943). Color lithograph; sheet: 40.2 x 30.2 cm (15 13/16 x 11 7/8 in.); image: 33 x 22.1 cm (13 x 8 11/16 in.).

Sister Buonaventura in the stairway of the hospital in Kleve. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: 1851 - 1924. Measurements: h 149 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Vous ne magacerez, voyez-vous, avec ces facons de penser la, que jusqua un certain poing!. Artist: Paul Gavarni, French, 1804-1866

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Mały Argonauta Little Argonaut; from: `Wędrowiec` 103, no. 2 (January 10th), p. 21 (title page). Hanfstaengl, Franz Kunstverlag (Monachium ; firma wydawniczo-fotograficzna ; 1852-1980), photo studio, Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Frédérique Follows Her Husband, Illustration for Frédérique Everett Shinn (American, 1876-1953). , 1906. Black crayon (probably Conté) on beige, medium-weight, slightly textured wove paper., Sheet: 15 5/8 x 21 in. (39.7 x 53.3 cm). This drawing is one of sixteen by the artist commissioned to illustrate Charles Paul de Kocks 1907 novel Frédérique, a tale of love and adultery in Parisian society. In this image, Frédérique, disguised in mens clothing, pursues her husband on his evening outing to confirm his extramarital escapades. Everett Shinn juxtaposed a precise rendering of the protagonist in the foreground with loose, rapid strokes of crayon in the architecture and pavement to heighten the mystery and gloominess of this nighttime scene. American Art 1906

Two embroiders at a table by the window, Henri Fantin-Latour, 1898 print Paris paper embroidery (ornamentation). adult woman. human figure at (open) window, seen from inside

Framley Parsonage - Was it not a Lie,1860. John Everett Millais (d.1896) and Dalziel Brothers .

Fisherman at Saint Ives 1891 Anders Zorn Swedish. Fisherman at Saint Ives. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1891. Etching; first state of two. Prints

Marguerite Gachet in Lantern Light (Marguerite Gachet à la lanterne). Dimensions: 37.9 cm x 27.5 cm, 21.1 cm x 16.9 cm, 20.4 cm x 16.2 cm. Museum: Van Gogh Museum, Amsterdam. Author: NORBERT GOENEUTTE.

Invitation for an exhibition of modern graphics at the book and art trade of Edmond Sagot, in Or Before 1903 print A woman looks at a print hanging on the wall, resting her elbow on a plinth or fireplace with some objects. paper drypoint print, e.g.: engraving, etching, lithograph. art dealer

Wedding portrait of Isaac Abrahamsz Massa (1586-1643) and Beatrix van der Laen (1592-1639), married in Haarlem on 25 April 1622..

Marble hearts according to the image of Hans Makart. Makart, Hans (1840-1884), Monogramista P.

Edouard Vuillard, Women Sewing, French, 1868-1940, c. 1912, glue on paper on canvas

Child Holding a Doll. Artist: John Downman (British, Ruabon, Wales 1750-1824 Wrexham, Wales). Dimensions: Sheet: 9 in. × 7 7/16 in. (22.9 × 18.9 cm). Date: 1780. Museum: Metropolitan Museum of Art, New York, USA.

Ne faut pas baguenauder dans le bois, mon douxMosieu….. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Actor Posing in Front of a Mirror Honoré Daumier (French, 1808 - 1879 ), Actor Posing in Front of a Mirror, , pen and black ink with crayon and watercolor on heavy laid paper, Rosenwald Collection 1943.3.3242

Saly, Jacques Francois Joseph, France, Lalive de Jully, Ange Laurent de, marquis de Rémoville, Collection of caricatures drawn by J. Saly and engravings by AL De Lalive DJ, Caricatures after J. Saly, Caricature of a woman with a meal, verso - stamped, print, prints, height 276 mm, width 193 mm, 1725 - 1779-03-18, print maker, printmaker, 1745 - 1779, paper, papier, etching, etchings, Work conception, French, 1717-06-20 - 1776-05-04

On the Beach - Two are Company, Three are None - Drawn by Winslow Homer (Harper's Weekly, Vol. XVI). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)sheet: 10 3/4 x 15 13/16 in. (27.3 x 40.2 cm). Publisher: Harper's Weekly (American, 1857-1916). Date: August 17, 1872. Museum: Metropolitan Museum of Art, New York, USA.

Room of CN Storm from 's-Gravesande on the Nieuwe Parklaan in The Hague. Draughtsman: Carel Nicolaas Storm van 's-Gravesande. Dating: Feb-1905. Place: The Hague. Measurements: h 318 mm × w 229 mm. Museum: Rijksmuseum, Amsterdam.

Paul Sandby RA, 1731-1809, British, London Cries: "Black Heart Cherries...", ca. 1759. Watercolor and graphite on medium, cream, slightly textured laid paper.

The Return from the Laundry. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1912. Dimensions: 400 × 380 mm (image/plate); 597 × 439 mm (sheet). Aquatint, soft ground and etching from a zinc plate in 4 colors (gray, brown, black and orange) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Édouard Vuillard, Landscapes and Interiors: The Game of Checkers, 1899, lithograph on paper.

Departure for Greenwich (Depart pour Greenwich). Dated: 1891. Medium: etching, aquatint, and drypoint. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

The Wine-Glass. Dated: 1859. Dimensions: plate: 8.26 × 5.4 cm (3 1/4 × 2 1/8 in.) sheet: 20.64 × 14.61 cm (8 1/8 × 5 3/4 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Marches Macerata Tolentino S. Nicola da Tolentino5. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

The counterbassist. (Title Title) | The cries of Paris. (Title of the whole)

Spain, Urrabieta Vierge, Daniel, Servants in conversation in front of a house, verso - stamped, print, prints, height 103 mm, width 86 mm, Spanish, 1851-03-05 - 1904-05-10, print maker, printmaker, 1861 - 1904, paper, papier, etching

Reproduction of a painting Axentowicz, Teodor (1859-1938), Immersed in lecture; from: "Tygodnik Ilustrowany". Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

GOYA Y LUCIENTES, Francisco de (1746-1828). Proverbs. Female riddle. 1815-1824. Plate 1 of 'Proverbs'. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Lzaro Galdiano Foundation.

Portrait bust of Louis Bernard Coclers with black hat, to the right. Portrait bust of his son, upper left, and his niece, lower left. Portrait bust of his sister, bottom right. Top right an image of a print he made showing a poultry store., Study sheet with portraits of Louis Bernard Coclers and his family, print maker: Louis Bernard Coclers, (mentioned on object), Leiden, 1780, paper, etching, h 159 mm × w 128 mm

Ostende. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1857. Prints; lithographs. Lithograph

Engraving depicting a woman using a battery-powered electric sewing machine

Edouard Manet, French (1832-1883), At the Prado (Au Prado), 1865-1868, etching and aquatint

She only likes pure blood. / N ° 13. (Title registered) | Paris and its Parisians. (Title of the whole)

Ida Heath at the Bar 1894 France. Color lithograph on ivory wove paper . Henri de Toulouse-Lautrec

Colonial Table, Cos Cob,1915. Artist: Childe Hassam, American, 1859-1935

A little girl in Elizabethan costume stands in a room trying to thread a needle. Etching by A. Boulard the younger after Laura Alma Tadema.

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Henry, George (1858 1943)

'Prepare, America!' , Gestures. George Bellows (1882-1925). Prints and Drawings

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chevalier, French, 1804 - 1866). Bird of Passage, 1853. From Les Partageuses, album 2; Masques et Visages. Lithograph.

They've already got a seat (i.e. bottom). Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

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