Emotional Embraces in Art

These artworks depict intimate moments of affection, showcasing lovers in romantic settings and family teaching connections with a focus on light and shadow.

The mother , Mothers, Infants. Frank W. Benson (1862-1951). Prints and Drawings

Lohengrin and Elsa embrace each other in the bridal suite, Henri Fantin-Latour, 1886 print Paris paper Lohengrin or the Knight of the Swan, in German legend the son of Percival or Parsifal. opera. the wedding night. (lovers) embracing each other, 'symplegma'

Mother teaches her son, Louis Bernard Coclers, 1756 - 1817 print A mother sits at the table in a living room. In her hand she holds a book from which she teaches her son. The boy stands next to her and looks carefully at the book. In the corner there is a second child on a chair. On the table a candlestick with a burning candle. unknown paper etching child (at home). mother and child(ren), woman and child(ren) (family group). teacher and pupil (+ lesson, lecture)

She Fleeces Him (Le descañona) Francisco de Goya y Lucientes (Spanish, 1746-1828). She Fleeces Him (Le descañona), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

At Night III 1897 Anders Zorn Swedish. At Night III. Anders Zorn (Swedish, Mora 1860-1920 Mora). 1897. Etching; second state of three (Asplund). Prints

Une femme et des enfants.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Mignon and the harp player, Clemens Prosper Schreurs, 1842 print paper etching harp. lute, and special forms of lute, e.g.: theorbo. laying the hand on another person's shoulder

Mariana - Figure Sketch, 1850. Artist: John Everett Millais

The mother , Mothers, Infants. Frank W. Benson (1862-1951). Prints and Drawings

In Came a Storm of Wind, Rain and Spray - and Portia, 1869. Winslow Homer (American, 1836-1910). Wood engraving;

Sculptress - portrait of Iza Daniłowicz-Strzelbicka. Łopieński, Ignacy (1865-1941), graphic artist

This 1893 chalkithography by Henri de Toulouse-Lautrec depicts judges, emphasizing formal attire, posture, and courtroom setting.

Francisco Goya (1746-1828). Caprices. Plaque 32. Because she was susceptible. Prado Museum. Madrid.

Pierre Copies the Virgin from the Portal of the Church of Marly (Pierre Copie la Vierge du Portail de L'Église de Marly). Dated: 1885. Dimensions: plate: 17 x 10.5 cm (6 11/16 x 4 1/8 in.) sheet: 31 x 22.2 cm (12 3/16 x 8 3/4 in.). Medium: etching in black on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Judic , Actresses, Composers, Judic, Anna, 1849-1911, Dihau, Désiré. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Francisco de Goya (1746-1828), what a scratcher formaar, 1797-1798

François Nicolas figure (1825-1901). Illustration for "sea workers" in the Hetzel edition. "An echo in the hill". White gouache and wood engraving. 1869. Paris, house of Victor Hugo. 101107-6 Drawing, woman, gouache, illustration, illustration of literary work, young woman, literary work, character, white dress, novel, 19th 19th 19th 19th 19th 19th century, engraving

Raises a rose. Mehoffer, Józef (1869-1946), graphic artist

Vision of Helena; Woman in contemplation sitting in front of window and outside angel appears with cross.

Visioen van Helena, Marcantonio Raimondi (Possible), After Rafaël, 1515 - 1520 print paper engraving angels. the cross ~ symbols of Christ. the (nude) human figure; 'Corpo humano' (Ripa) (+ thinking, meditating)

In came a Storm of Wind, Rain and Spray - and Portia., from The Galaxy, December1869. Artist: Winslow Homer, American, 1836-1910

It Is Nicely Stretched (Bien tirada está) Francisco de Goya y Lucientes (Spanish, 1746-1828). It Is Nicely Stretched (Bien tirada está), 1797-1798. Etching, aquatint, and drypoint on laid paper, Sheet: 11 13/16 x 7 15/16 in. (30 x 20.2 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) tha

Duo des Troyens, 1894-1895. Henri Fantin-Latour (French, 1836-1904). Lithograph;

Dire qu'Arsionoé n'était pas contente d'être portraiturée.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Emma, Elsie and Gene , Artists, Spouses, Speicher, Eugene Edward, 1883-1962, Speicher, Elsie, -1959. George Bellows (1882-1925). Prints and Drawings

Anna Judic in his lodge Henri de Toulouse-Lautrec (1864-1901). Anna Judic in his lodge. Lithography.

The EveningLamp. Artist: Julian Alden Weir, American, 1852-1919

Jean Louis Forain, Recess of the Hearing, 1914 Recess of the Hearing

Francisco de Goya (1746-1828), in order to have given in for its consequences, 1797-1798

Les Troyens à Carthage. Acte III. Duo d'amour , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Pygmalion and Galatea; Francisco José de Goya y Lucientes (Francisco de Goya) (Spanish, 1746 - 1828); possibly about 1812 - 1820; Brush and sepia wash; 20.5 x 14.1 cm (8 1,16 x 5 9,16 in.)

Maid with burning candle, Pierre Louis Dubourcq, 1839 print Netherlands paper etching / drypoint maid ~ house personnel. chandelier, candelabrum (+ kindling a light; lit, burning light, lamp, candle)

Johannes van Vliet, The Backgammon Players, c 1630 The Backgammon Players

Two Women Sewing by Lamplight. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: plate: 5 3/4 x 4 1/8 in. (14.6 x 10.5 cm)sheet: 13 1/16 x 9 5/8 in. (33.2 x 24.4 cm). Date: ca. 1853. Museum: Metropolitan Museum of Art, New York, USA.

The stranger. Sterner, Albert, 1863-1946. 1916. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Un thé de douairières, Buhot, Félix Hilaire (1847-1898), 1874 - 1879, Tea, Etching and drypoint; state noted with standard reference number

Les Troyens à Carthage. Acte III. Duo d'amour , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Francisco De Goya (1746-1828), Goden Council, 1797-1798

No grites, Tonta /Dont scream, stupid; board No. 74 from: “Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

Bonifazio's Mistress - Compositional Study, 1856. Dante Gabriel Rossetti. Illustration of an episode from the story 'St Agnes of Intercession', by Rossetti, published in the Pre-Raphaelite magazine, The Germ.

Honoré Daumier, Mother and Baby Mother and Baby

The Print Enthusiast, after a drawing by Meissonier 1877 Jules-Ferdinand Jacquemart. The Print Enthusiast, after a drawing by Meissonier. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). 1877. Etching. Prints

Engraver: Unknown, Return from WesternExpedition, Mezzotint, sheet: 37.5 × 27 cm (14 3/4 × 10 5/8in.), Made in United States, American, 18thcentury, Works on Paper -Prints

Waiting. Dated: c. 1879. Dimensions: plate: 21.59 × 14.61 cm (8 1/2 × 5 3/4 in.). Medium: aquatint and softground etching in black. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Un Nid Dans UnBois.. Artist: Paul Gavarni, French, 1804-1866

Quien mas rendido (Which of Them Is the More Overcome), pl. 27 from the series Los caprichos. Artist: Francisco Goya, Spanish, 1746-1828

James McNeill Whistler, Annie, Seated, 1858 1859 Annie, Seated

Seated manual woman, Eugène François de Block, 1822 - 1893, paper, chalk, h 545 mm × w 333 mm

Paul! - un tete-a-tete enmenage…. Artist: Paul Gavarni, French, 1804-1866

Child in walking rack walks towards a boy who holds a dog, Joseph Gérard (attributed to), 1831 - 1895 print paper etching / drypoint child. dog. implements for learning to walk, go-cart - AA - girl. interior of the house

Hanged Pierrot (Pierrot pendu). Dimensions: 46.6 cm x 29.5 cm, 28 cm x 18.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: ADOLPHE WILLETTE.

Francisco de Goya y Lucientes / 'Mummys Boy'. 1797. Red chalk on ivory paper. Museum: Museo del Prado, Madrid, España.

Lohengrin. Acte III. Scène d'amour , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Gustave Doré, Poverty in London, 1873, etching on paper.

Old Woman at a Stove (Vielle Femme au Fourneau). Dated: 1893. Dimensions: image: 25.8 x 20 cm (10 3/16 x 7 7/8 in.) sheet: 29.5 x 23.3 cm (11 5/8 x 9 3/16 in.) support: 45 x 31.9 cm (17 11/16 x 12 9/16 in.). Medium: lithograph in black on tan wove paper; laid down. Museum: National Gallery of Art, Washington DC. Author: Edouard Vuillard.

LHeure Sainte. Artist: Paul Gavarni, French, 1804-1866

Et voila le grandissime secret que mon seigneur et maitre me cache depuis unmois!…. Artist: Paul Gavarni, French, 1804-1866

Ça pousse...fort l'opinion publique!. Honoré Daumier (1808-1879). Lithographs

Paul Gavarni, La Cantonnade, 1814-1866, lithograph on paper.

Interior with a Screen (L'intérieur au paravent). Dimensions: 27.7 cm x 38.1 cm, 25.2 cm x 31 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Dante Gabriel Rossetti, Jane Morris, British, 1828-1882, 1870, pen and iron gall ink with brown wash on laid paper; laid down on paperboard

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 21 (Bentley 27), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Conversation at Night 1898 France. Etching from a zinc plate on thick cream wove paper . Théophile-Alexandre Pierre Steinlen

This woodcut by Emil Orlik, created around 1900, depicts a seated lady reading a newspaper, showing domestic setting and attentive posture.

Henri Pierre Danloux, Two Figures in Classical Dress Two Figures in Classical Dress

A pencil and ink feather sketch by Hans Canon from 1870 depicting a figure study for 'Arms Dealer'.

They'll Get Their Desserts ("Buen pelo echará"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 6-3/4 x 5-1/4 in. (17.1 x 13.3 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

Confidences in the Garden Made 1894 United States. Transfer lithograph on cream laid paper . James McNeill Whistler

Philosoph, Bl. 3, vom Tode Zweiter Teil, op. XIII; Klinger, Max (1857-1920), Giescke und Devrient (Leipzig; Publishing House; 1852-); 1910 (1910-00-00-1910-00-00);Partage Plus, Sachs, Carl (1858-1943), Sachs, Carl (1858-1943) - collections, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, philosophy, philosophers, genius of painting (iconogr.), Mirrors , science, scientists, reflection, mirrors

Frontispiece for Les Flambeaux noirs by Emile Verhaeren Made 1890 France. Lithograph in black on ivory China paper laid down on white wove paper . Odilon Redon

Portrait of Meryon Sitting Up in Bed, 1858. Leopold Fleming (French). Photogravure;

Honoré Daumier, Mon pauvre azor qu'est mort! , 19th century Mon pauvre azor qu'est mort! ...

Cartoon on Thorbecke's refusal to encourage the arts by purchasing paintings, 1862, 1862 print Cartoon on Thorbecke's refusal to encourage the arts by purchasing paintings by the government. Cinderella sitting by the fireplace. See also the sequel in plate no. 50. Plate appeared at the Weekblad de Nederlandsche Spectator, no. 39, 27 September 1862. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper tales and fairy tales (with TITLE)

Les Actrices: Le Rôle, 1843. Paul Gavarni (French, 1804-1866). Lithograph;

Albert Besnard, La Poupée, 1888, etching on wove paper.

Alexandre-Théophile Steinlen (1859-1923), "Conversation on the doorstep", etching. Museum of Fine Arts of the City of Paris, Petit Palais. 25799-5 Conversation, woman, man, night, not door, nocturnal

Félix Hilaire Buhot, Liseuse à la Lampe (Woman Reading by Lamplight), 1879 Liseuse à la Lampe (Woman Reading by Lamplight)

The New Maid. Anders Zorn; Swedish, 1860-1920. Date: 1909. Dimensions: 298 x 198 mm (image/plate); 370 x 280 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Awakening, plate eight from A Love 1887 Germany. Etching and engraving on cream wove paper . Max Klinger

Illustration to "The Morning before the Massacre of St. Bartholomew" (Once a Week). Artist: After James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Date: 1862. Museum: Metropolitan Museum of Art, New York, USA.

In the Zoological Garden. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 11 1/8 × 14 11/16 in. (28.2 × 37.3 cm)Plate: 8 11/16 × 8 11/16 in. (22 × 22 cm). Date: ca. 1873. Museum: Metropolitan Museum of Art, New York, USA.

The Hammock 1880 James Tissot French. The Hammock. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1880. Etching and drypoint on laid paper; only state. Prints

REVERIE.. Artist: Paul Gavarni, French, 1804-1866

A woodcut by Edouard Manet titled 'Olympia', created between 1860 and 1870, depicting a reclining female figure in a domestic setting.

Évocation d'Erda (3e planche) , Gods, Goddesses, Odin Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Chemin de Toulon. Paul Gavarni (French, 1804-1866). Lithograph;

Nurse with a Boy/The Mother and the Crying Child. Edvard Munch; Norwegian, 1863-1944. Date: 1902. Dimensions: 163 x 113 mm (image); 172 x 121 mm (plate); 325 x 265 mm (sheet). Etching and drypoint on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

A Woman Standing at an Open Sash Window, a Small Boy Beside Her. Artist: Anthonie Andriessen (Dutch, Amsterdam 1746-1813 Amsterdam). Dimensions: sheet: 6 11/16 x 5 1/16 in. (17 x 12.9 cm). Date: mid-18th-early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Reading lady in Chaise Longue in an interior. .

'Miss Ida Heath, English Dancer', c.1894, (1946). Artist: Henri de Toulouse-Lautrec.

Mon bonne amie, puis-je entrer!.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

Vois-tu, Julien! vois-tu Julien! vois-tu!...Je vais faire des bêtises!... - Vous en avez le droit ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Maud Cassel (Mrs. Ashley) , Debutantes

Henri de Toulouse-Lautrec, Le Chatelaine ou le Tocsin, 1895, lithograph.

In an interior, a woman sits in front of a room divider at a table. A tea set is displayed on the table. Next to the woman is a teapot on a side table. Drawing is part of an album., Sitting woman at tea, draughtsman: David Bles, (signed by artist), 1831 - 1899, cardboard, pen, h 175 mm × w 176 mm

Au revoir, Ophélia!ne manquez pas de venir mardi soirc’est une réunion littéraire en petit comiténous lirons des élégies et nous ferons du bischoff! (Farewell, Ophélia! and don’t forget to come Tuesday evening it’s a literary meeting in an intimate circle we’ll read elegies and make mulled wine!), from Les bas-bleus (The Bluestockings). Artist: Honoré Daumier, French, 1808-1879 Publisher: Aubert et Cie, Paris, founded 1829

The Grape Gatherer, Les Bons Bourgeois. Honoré Victorin Daumier; French, 1808-1879. Date: 1847. Dimensions: 255 × 205 mm (image); 357 × 268 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Francisco de Goya y Lucientes / 'La huebera. Álbum C, 12'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

"Come!", 1869. Winslow Homer (American, 1836-1910). Wood engraving;

Vallkulla, 1912. Anders Zorn (Swedish, 1860-1920). Etching and drypoint;

Five OClock PL. Z Teki: women's studies, Le Bobe Vert, Paris 1896 Blanche, Jacques Émile (1861 1942), L'Estampe Original (André Marty), Printing LEMERCIER (SAY)

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