Emotional Engravings of Intimacy

Artworks conveying themes of intimacy and emotion through copper engravings, often illustrating romantic or mythological interactions.

A lithograph by Alfred Léon Lemercier, created in 1829, titled Young Greek Defending His Father. The image depicts a young Greek figure protecting his father, executed with lithographic printing techniques.

Etching by Philip Lambert Spruyt from 1742-1801 depicting church equipment in Mechelen, including St. John the Evangelist, with detailed figures, gestures, and composition.

Copper engraving print by Hendrick Goltzius from 1596 depicting the five senses, showing figures, gestures, and symbolic representations for each sense.

Copper engraving and etching by Gaspard Duchange showing the death of Dido, created in 1719.

Copper engraving and etching by Jacques Chéreau the Younger titled Replace and Pomone, created between 1710 and 1776, representing 18th-century French mythological engraving.

Etching and copper engraving by Étienne Fessard between 1734 and 1774 titled 'A Kiss, or Your Rose,' showing two figures in an intimate gesture.

Copper engraving and etching by Marcantonio Bassetti, created between 1500 and 1650, depicting Christ in a springtime scene with symbolic and religious figures.

Etching by Coryn Boel created between 1640 and 1668 showing a shepherd and a shepherdess in a pastoral scene with interaction suggesting seduction, set in a rural landscape.

Etching by an unidentified artist depicting Abraham's victim, created in the 17th century, showing a human figure in a narrative scene.

A lithograph by Alfred Léon Lemercier, created in 1829, titled Young Greek Defending His Father. The image depicts a young Greek figure protecting his father, executed with lithographic printing techniques.

Copper engraving by Pierre Alexandre Aveline depicting a winter landscape, including snow-covered terrain, trees, buildings, and figures in seasonal activity.

Etching by Benoit Audran from 1681-1721 depicting Alexander the Great in bed, showing figure, posture, and detailed composition.

Jacob de Gheyn II engraved a copper print between 1591 and 1592 depicting Philip, illustrating a religious figure from Christian tradition.

Etching by Giuseppe Diamantini depicting the holy family with a cat, produced between 1650 and 1700.

Frontispiece engraving by Bernard Picart from 1718 showing an allegory featuring Minerva and Roma, executed in copper engraving and etching with dotting manner, including symbolic figures and classical motifs.

Copper engraving and etching by Abraham Delfos from 1752 showing a kitchen interior with a dealer distributing wild game. The scene includes a detailed kitchen setting, food preparation elements, and figures engaged in culinary activity.

Copper engraving and etching by Géraud Vidal around 1784 depicting 'Scrupulous Nymphs' with mythological female figures in detailed composition.

Copper engraving and etching by Bernard Picart, 1776, illustrating the title page of 'The Treaty of Re Aedificatoria' with ornamental and figurative details.

Copper engraving and etching by Pierre-Philippe Choffard from 1782 depicting illustrations for Rousseau's Émile/About Education, including figures, symbolic motifs, and typographic decoration in 18th-century European book art.

Copper engraving by Nicolas de Poilly from 1633 to 1696 depicting Saint Ursula, showing her figure, attire, facial features, and 17th-century religious composition.

Etching by Giacopo Giovannini from 1694 depicting riders visiting St. Benedict, showing historical and religious figures in a narrative composition.

Copper engraving and etching by Grégoire Huret between 1640 and 1670 depicting the child Jesus in the arms of Mary crowning King Louis XIV, showing figures, gestures, and religious symbols.

Etching by Pierre Alexandre Aveline between 1720 and 1772 depicting a title leaf with putti and children, showing decorative figures and ornamental detail.

An etching by Giuseppe Maria Mitelli from 1678 illustrating the proverb 'Anyone who can be guided by their virtue will never fall', showing symbolic figures and allegorical representation.

Etching by Bartolomeo Pinelli around 1823 depicting scenes from the life of brigands in Italy, showing figures, actions, and landscapes of rural and urban environments.

Etching by Pieter Rodermondt depicting the Lens Court, created between 1660 and 1706.

Etching by Pierre Mignard from the 17th century depicting a king on his throne, showing royal figure, ceremonial posture, and regal iconography.

An etching by Nicolaes Pietersz. Berchem from 1652 depicting a flute player and a woman holding a spindle.

Etchings by Joachim Martin Falbe depicting the adoration of the shepherds and a philosopher in his library, produced between 1729 and 1782, illustrating religious and scholarly scenes.

A copper engraving by Johann Sadeler the Elder depicting the personifications of Evening and Night, created in 1582, illustrating allegorical representations of times of day.

Copper engraving by Pieter de Bailliu depicting Saint Jerome (Hl. Hieronymus), created between 1623 and 1660, showing figure, attire, and compositional elements.

Copper engraving and etching by Jean Charles Le Vasseur from 1754-1816 depicting domestic scenes with figures representing 'The Fruit of the Household' in 18th-century interiors.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting the recent court and the six works of mercy, created in 1552.

Etching by Christian Friedrich Boetius from 1766 showing an old man writing, seated at a desk with detailed posture, gesture, and writing materials.

Copper engraving by an anonymous artist depicting Hercules and Dejanira with detailed figures, gestures, and mythological narrative, produced around 1597.

Etching by Adriaen van der Cabel depicting a title sheet with a stele and a sleeping figure, 1650-1705.

Etching by Giuseppe Diamantini depicting Mercury and Argus from Roman mythology, created between 1650 and 1700.

Etching by Giuseppe Diamantini depicting the birth of Christ, produced between 1650 and 1700.

Copper engraving and etching by Pierre Laurent, created around 1803, depicting Kalliope, the Muse of epic poetry.

Copper engraving by Pieter de Jode depicting a charlatan performing music, created between 1590 and 1634.

Copper engraving and etching by Gérard Audran from 1680-1728 depicting Judith holding Holofernes' head, with dramatic composition, figures, and detailed expressions.

Etching by Nicolas Henri Tardieu around 1723 depicting Don Quixote and Sancho Panza mounted on a wooden horse in a fantastical episode from Cervantes' novel.

Rest on the flight to Egypt, Cornelis Galle (II), c. 1640 - c. 1678 print Rest on the flight to Egypt. One print from Prentalbum with nineteen devotional prints on parchment. parchment (animal material). montage: paper engraving rest on the flight into Egypt

Copper engraving by Claude Mellan in 1662 depicting the infant Jesus in a crib, surrounded by clouds and putti, showing religious symbolism.

Etching and copper engraving by Giovanni Luigi Valesio created between 1583 and 1650 depicting the coat of arms of Bologna with allegorical accessories, illustrating early seventeenth-century Italian heraldic art.

Etching by Romeyn de Hooghe allegorically representing the personification of time alongside portraits of Jan and Cornelis de Witt circa 1672, including symbolic elements.

François-Antoine Aveline (Engraver) Male act. etching 1730-1775 , 1730/1775

Etching by Franz Ertinger created between 1676 and 1690 showing three nymphs and a satyr in a mythological woodland scene.

Copper engraving and etching by Antoine François Dennel created between 1760 and 1815 depicting women with dogs, illustrating 18th- and early 19th-century French figurative and animal study engraving techniques.

Pencil drawing by Louis Marin Bonnet created between 1760 and 1793 depicting playful cherubic figures.

Etching by Lambert Hopfer illustrating the biblical scene where Herodias receives the head of John the Baptist, produced between 1525 and 1550.

Copper engraving by Justus Chevillet from 1750-1802 depicting a kitchen scene, showing figures, utensils, and interior details of a domestic environment.

Copper engraving and etching by Johann Sadeler d. Ä. from 1550-1600 showing St. Hieronymus in a wasteland with rocks, vegetation, and symbolic elements.

Copper engraving and etching by an unknown engraver, created between 1700 and 1762, depicting Venus with nymphs and L'Amour Enfant in a classical mythological scene.

Etching by Bernard Picart from 1734 depicting Venus with Amor and the Rape of the Sabine Women, illustrating 18th-century French mythological engraving techniques.

Copper engraving and etching by Jean Dambrun, 1761-1814, depicting the capture of Seianus, showing figures, architectural elements, and narrative composition.

Copper engraving and etching by Hendrick Goltzius from 1730-1762 depicting the judgment of Paris, showing figures, gestures, and mythological symbolism.

Photo production of happy times by Antoine Wiertz, Edmond Fierlants, after Antoine Joseph Wiertz, c. 1863 - in or before 1868 photograph photographic support albumen print parental agreement ~ marriage. couple of lovers

Copper engraving by Jacobus Neeffs depicting Hell, showing tormented figures and symbolic elements representing the biblical concept of the afterlife from the mid-17th century.

Copper engraving and etching by Charles Nicolas Cochin the Younger in 1737 depicting a pharmacy scene.

An engraving by Jan Broedelet depicting Kephalos and Prokris, created between 1670 and 1700.

Copper engraving by Hendrick Goltzius depicting the mythological wedding of Cupid and Psyche, showing figures, gestures, and symbolic composition, produced in 1587.

Copper engraving by Nicolas Poussin from the 17th century depicting the scourging of Christ with figures, instruments, and architectural background.

Charles Nicolas Cochin's etching (1730-1790) depicts the biblical story of Jacob and Laban, showing figures, gestures, and domestic setting.

Copper engraving and etching by Jean Baptiste Patas depicting Jupiter's childhood, created between 1780 and 1817, showing mythological figures in early life scenes.

Group people, William Baillie, After Rembrandt van Rijn, 1753 - 1810 A man in a cloak, seen on the back. Among other things, a woman with a baby in her arms, a child and a dog. Fragment of cut a hundred guilders print. The print is part of an album. paper etching / drypoint A man in a cloak, seen on the back. Among other things, a woman with a baby in her arms, a child and a dog. Fragment of cut a hundred guilders print. The print is part of an album. paper etching / drypoint

Etching by Giovanni Battista Mercati depicting Saint Antonius with the Christ child, created between 1610 and 1645.

Louis Desplaces' etching (1700-1739) depicts the goddess Diana bathing, emphasizing classical figure and setting.

Copper engraving by Pieter de Jode depicting St. Francis in ecstasy, created between 1585 and 1634, illustrating the saint in a religious vision, in European late 16th-early 17th century engraving style.

Etching by Jean Michel Moreau depicting The Gateau des Rois and S. Carolus Borromeus, showing architectural and ceremonial details, created between 1740 and 1801.

A 1679 copper engraving by Johann Jakob von Sandrart depicting Marforius, showing a historical or mythological figure with symbolic elements and formal posture.

Etching and aquatint by Johann Adam von Bartsch, created 1782-1783, depicting scenes with seated figures in interiors and landscapes.

Copper engraving by an unidentified engraver from the 17th century depicting the biblical Denial of Peter, showing figures, gestures, and expressive composition.

Etching by Jan de Bisschop depicting five women playing music in a Sacra Conversazione setting, created around 1671.

Copper engraving by Hendrick Goltzius depicting Frederik de Vries, created between 1668 and 1693.

Copper engraving and etching by Pieter de Jode II from 1636 depicting figures in an allegorical scene with symbolic gestures, produced in 1636.

Copper engraving print by Jean Picart from 1626 depicting an allegorical scene celebrating the wedding of Gaston de Bourbon and Marie de Montpensier with figures and symbolic elements.

Etching by Jacques Gabriel Huquier depicting a sick woman and a firework display, created between 1740 and 1805, illustrating human figures and celebratory events.

Design with Shepherd and Shepherdess in a Garden, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, François de Cuvilliés the younger, German, 1731 - 1777, Etching and engraving on off-white laid paper, Germany, 1745, figures, Print, Print

Etching by Nicolas Chaperon between 1631 and 1665 depicting a collection of bacchanalian scenes with mythological subjects.

This etching by Georg Philipp Rugendas depicts a portrait of Karl Wilhelm Ferdinand on horseback, highlighting equestrian posture and attire between 1686 and 1742.

Copper engraving by Jean Le Blond I from 1614-1666 showing a portrait of Henri of Lorraine, highlighting facial features and attire.

Etching by Cornelis Visscher (1628-1658) depicting a young shepherd and a girl near a tree, showing figures, clothing, trees, terrain, and rural environment in 17th-century Europe.

Copper engraving by Adrian van Melar depicting Solomon running, created between 1650 and 1667, showing the biblical figure in motion with attendants and architectural elements.

Etching by Orazio Borgianni titled 'The Civilization of Christ', created in 1615, illustrating scenes from the life and teachings of Christ with multiple figures.

Copper engraving and etching by François de Poilly the Elder depicting Mary with a veil and a boy, created between 1640 and 1693.

Etching by Pierre Brebiette from 1618-1642 depicting the Triumph of Bacchus, showing mythological figures and celebratory scenes.

Copper engraving by Frans van der Steen depicting a drunken Silenus, created between 1645 and 1672, showing a mythological figure in a narrative scene.

Etching depicting shepherds standing in front of a pillar, showing figures, clothing, and landscape elements. Produced between 1653 and 1712, emphasizing rural life and composition.

Copper engraving by Zacharias Dolendo depicting the biblical event of the Fall of Man, created between 1581 and 1604.

Copper engraving by Theodor Galle depicting Saint Jerome, created between 1591 and 1633. The print shows the saint with traditional attributes including a skull, book, and red robe.

Copper engraving and etching by Jean de Poilly depicting Pallas with a wound, including figures, gesture, drapery, and classical architectural elements, dated 1719-1757.

An etching by Angelika Kauffmann depicting the allegorical figures of Moderation and Love, created in the late 18th to mid-19th century. The work emphasizes allegorical composition and figures.

Copper engraving and etching by Benoit Audran showing Acis and Galatea, created between 1681 and 1721.

Etching by Heinrich Friedrich Füger from 1770-1821 depicting the genius of Emperor Joseph II addressing people, symbolizing honesty, with figures and allegorical elements.

Etching by Bartolomeo Pinelli depicting Virgil's Aeneid in 1811, showing epic battles, characters, and mythological scenes from the poem.

Etching by Nicolas Chaperon from 1639 depicting Venus and Bacchus, showing figures, gestures, and classical iconography.

This copper engraving by Johann Sadeler d. Ä. illustrates the themes of Spring and Summer, created between 1570 and 1600. The print showcases Sadeler's ability to depict seasonal changes with artistic flair.

Copper engraving, etching, and punch stitch by Charles Dupuis depicting threading activities, showing textile work, hands, and tools, created between 1718 and 1781.

Copper engraving and etching by Jacob Houbraken depicting various portraits, created between 1713 and 1780.

This copper engraving by Cornelis van Dalen, produced between 1653 and 1664, depicts children representing the four elements, emphasizing allegorical symbolism and figure composition.

of 4