Emotional Portraits and Domestic Scenes

Prints portraying intimate moments between figures, often depicting women and children in sentimental settings with rich textures.

A lady in catnip, a letter lies on her lap. In front of her, an embroidery lies on a chair and her maid looks at her with folded hands, concerned. In the background, a crib., Woman in a Bliss, print maker: Pieter de Mare, (mentioned on object), intermediary draughtsman: Frans van Mieris (I), (mentioned on object), Leiden, 1768 - 1784, paper, etching, engraving, h 292 mm × w 258 mm

A Sibyl Reading. Raphael, 1483-1520. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A lady in catnip, a letter lies on her lap. In front of her, an embroidery lies on a chair and her maid looks at her with folded hands, concerned. In the background, a crib., Woman in a Bliss, print maker: Pieter de Mare, (mentioned on object), intermediary draughtsman: Frans van Mieris (I), (mentioned on object), Leiden, 1768 - 1784, paper, etching, engraving, h 292 mm × w 258 mm

Jacobus Frans Eduard, Prince of Wales, as a child, Pieter Schenk (I), 1688 - 1713 print Jacobus Frans Eduard, Prince of Wales, at a young age. He is in his cradle and looks at a vase with flowers. A nanny moves his cradle. Amsterdam paper engraving cradle, crib. cut flowers; nosegay, bunch of flowers

Joseph Announces to Mary the Order to Leave, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

Kissing couple, Anonymous, 1650 - 1750 print In a departure, a knight says goodbye to a woman. They kiss each other. A painting of a man on horseback hangs on the wall. paper (lovers) kissing each other. picture, painting

Sibille. A sibille sitting with the head supporting in her hand. In addition to her an inkwell with a writing spring.

Ugo da Carpi after Raphael, A Sybil A Sybil

Joseph Telling Mary about their Flight into Egypt. In a dream an angel instructs Joseph to flee with his wife and child to Egypt. This is the first print in the series Idee pittoresche sopra la fuga in Egitto (Picturesque ideas about the flight into Egypt) by Tiepolos eldest son. The Tiepolos usually pulled their etchings from copper plates wiped clean of excess ink. Here, however, some ink was left on the plate, creating an atmospheric, misty effect.

The Resentment of Queen Catherine (Paul de Rapin, History of England) 1790 John Ogborne. The Resentment of Queen Catherine (Paul de Rapin, History of England) 707779

Jacques Firmin Beauvarlet after Pierre Antoine Baudouin, L'amour a l'epreuve L'amour a l'epreuve

Bacchus in his car. The Bacchus wine god seated in his car, let his wine glass filled by a woman. In the background drinking people.

Two sewing women, Geertruydt Roghman, Johannes Covens and Cornelis Mortier, 1721 - 1866

A family picking fleas off each other's heads; to the left a baby is harnessed by a rope to the wall, to the right a boy picks fleas off a dog. Etching by B. Pinelli.

Lust, Jan van der Bruggen, 1681 - 1689 print The lust. A man is aging to a woman. He holds his hand on her bosom while she was defensing. Paris paper engraving Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins. defence of chastity

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Rest On The Flight Into Egypt, Jacques de Gheyn (II), After Cornelis Cornelisz. van Haarlem, 1589 - 1638 print Maria is sitting on a tree with a bare chest and the Christ child; Joseph leans at her right shoulder on the tree stump. Under the show a two -line Latin text. print maker: Netherlandspublisher: Amsterdam paper engraving rest on the flight into Egypt

The Holy Family with Saint John, Simone Cantarini, Italian, 1612 - 1648, Etching on paper, Reverse of composition of 1931-94-211., Italy, after 1648, Print, Print

Lovelace Vocras Clarissa, Daniel Nikolaus Chodowiecki, 1784 print Numbered at the top right: No. 11. paper etching Literature. fainting, swooning. bedroom

Sezeter with a guitar surrounded by Five figures; Under a coat of Meetin; The work of Antoine Watteau, painter of the king and his academy roil painting and sculpture (...). .

A Sibyl Reading a book facing right Attributed to Ugo da Carpi Italian After Raphael (Raffaello Sanzio or Santi) Italian ca. 1517-18 View more. A Sibyl Reading a book facing right. Attributed to Ugo da Carpi (Italian, Carpi ca. 1480-1532 Bologna). ca. 1517-18. Chiaroscuro woodcut from two blocks in brown. Prints

Johanna van Aragon at the corpse of Philip De Schone, 1506. Johanna van Aragon is bending on the corpse of the just died Philip the Schone, September 25, 1506.

The Face, Cornelis Dusart, 1670 - 1704 print Three men look at a woman who holds a candle. One of the men wears glasses. The print is part of a series of five prints with the five senses. Haarlem paper engraving eyeglasses, spectacles. sight, looking (one of the five senses). candle

Three men near a money box, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

Three putti at a tree. Draughtsman: anonymous. Draughtsman: Jacob de Wit (rejected attribution). Dating: c. 1705 - c. 1754. Measurements: h 251 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Scene from the Tempest (VI), Caroline Watson, 1760-1814, British, after Francis Wheatley, 1747-1801, British, 1795, Stipple engraving on moderately thick, moderately textured, cream, wove paper, Sheet: 24 3/4 × 18 7/8 inches (62.9 × 47.9 cm), Plate: 22 3/8 × 16 5/16 inches (56.8 × 41.4 cm), and Image: 19 7/16 × 14 5/16 inches (49.4 × 36.4 cm), literary theme, The Tempest, play by William Shakespeare, theater (discipline)

Jan van de Velde II, Death Taking a Couple by Surprise Death Taking a Couple by Surprise

Minerva rewards or honors man for his work, in Cartouche, Abraham Delfos, 1755 print Minerva sitting on throne rewards or honors a man with laurel wreath and document for his work, in the background image of Justitia on Balustrade, in cartouche with motto and! Laboris Praemium and Doctorsmuts. Leiden paper etching (story of) Minerva (Pallas, Athena)

A lady is somewhat surprised to find there's a dragon in her bed Date: circa 1770

Susanna and the Elders, Print made by Richard Earlom, 1743-1822, British, after Rembrandt van Rijn, 1606-1669, Dutch, Published by John Boydell, 1720-1804, British, 1769, Mezzotint and etching on moderately thick, slightly textured, beige wove paper, Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm), Plate: 15 1/8 x 11 3/16 inches (38.4 x 28.4 cm), and Image: 14 5/16 x 11 3/16 inches (36.4 x 28.4 cm), bathing, beards, cloth, earrings, fear, garden, gesture, jewelry, lust, men, nude, religious and mythological subject, slippers, stairs, the elders making advances towards Susanna, turbans, voyeurism, woman

The Empty Quiver Artist's working dates 1666-1727 France. Etching and engraving in black ink on white laid paper . Nicolas Delaunay

Death of Seneca. On order of Nero, the philosopher Seneca, with his feet in a bath, and his wife Paulina through their veins.

Researcher in Hertfordshire; Virtuoso and a fly; Genre scenes from different parts of England and Wales; EcCentric Excursions or Literary & Pictectorial Sketches or Counanance, Character and Country. A man reads a book for an open window, with his hands he hunts a fly away on the page. A stuffed crocodile hangs on the ceiling and hanging insects on the wall in a list. At the top left numbered: Plate 41.

Illustration for Wezel's 'Wilhelmine Arend'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1781. Prints; etchings. Etching

The Persian Sibille, Michele Greco, After Michelangelo, 1534 - 1609 print The Persian Sibille with a book and two boys. Print Maker: ItalyaFter Painting by: Vatican City paper etching Persian sibyl. sibyls

The Rising. Jean Massard (French, 1740-1822); after Pierre Antoine Baudouin (French, 1723-1769). Date: 1771. Dimensions: 382 × 271 mm (image); 401 × 298 mm (plate); 415 × 302 mm (sheet). Line engraving (etching and engraving) on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A man kneels before a woman lying in bed and, in the presence of two other women, gives her a hand kiss. Below the depiction is a one-line caption in French. Print marked top left and right: 3e. Part - Page 57., Kneeling man at the bedside of his beloved Illustrations for the love novel by J.J. Rousseau (series title), print maker: Jacob Folkema, (mentioned on object), Hubert François Gravelot, (mentioned on object), 1761, paper, etching, h 166 mm × w 120 mm

Marguerite a léglise (Marguerite in Church), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Man pays a woman, Bernard Picart, 1705 print A man touches a woman and puts coins on her lap. She wears a dress that leaves her breasts uncovered and pushes his hand away. Paris paper etching / engraving lovers; courting, flirting. whore, prostitute

The Idolatry ofSolomon. Artist: Master M. Z., German, active 1500-1503

A child is being encouraged to be friendly with a dog, but is a little nervous. Lithograph by C. Motte after A. Deveria.

Le Theatre Italien Gabriel de Saint-Aubin French. Le Theatre Italien 369083

Willem Panneels. The daughter of Herodiade holding the head of Saint John the Baptist, according to Rubens (Dutuit 40). Eat, 2nd quarter of the 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Antwerp, Enden, Martinus van den, Rubens, Peter Paul, Southern Netherlands, Bolswert, Schelte Adamsz., Annunciation, print, prints, height 456 mm, width 335 mm, 1586 - 1659-12-12, print maker, printmaker, 1596 - 1659, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, issuer

July - The apricot merchant François Queverdo (1748-1897). July: the apricot merchant. Engraving.

A masked woman in festive attire is carried by the hand by a masked man in festive attire with a torch. This print is part of a series of nine numbered prints, on which two or three masked and/or dressed figures are depicted in full., A masked woman carried by the hand by a masked man with a torch The masquerades (series title), print maker: anonymous, Jacob de Gheyn (II), publisher: Assuerus van Londerseel, (mentioned on object), Netherlands, 1596 - 1635, paper, engraving, h 236 mm × w 172 mm

Print made by Jacob Gole, 1660-1737, Dutch, King Lyncus Turned Into a Lynx by Ceres, between 1675 and 1700. Mezzotint on moderately thick, moderately textured, beige laid paper.

Lycidas and Phillis, Print made by Bernard Lens, 1659-1725, British, undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 6 9/16 × 5 1/8 inches (16.7 × 13 cm), Plate: 6 3/16 × 4 3/4 inches (15.7 × 12.1 cm), and Image: 5 7/8 × 4 11/16 inches (14.9 × 11.9 cm)

A man and a woman seated in a wood. Etching, unfinished.

A young girl cries while a servant sweeps the floor. A dirty bonnet and coat lie on the table and chair. O! this Slovenliness is a nasty thing. Pl. 1, Vol. 1. Copperplate engraving by William Blake after an illustration by Daniel Nikolaus Chodowiecki from Mary Wollstonecraft's translation of Christian Gotthilf Salzmann's Elements of Morality, London, 1791.

A Sibyl Reading a book facing right ca. 1517-18 Attributed to Ugo da Carpi Italian. A Sibyl Reading a book facing right. Attributed to Ugo da Carpi (Italian, Carpi ca. 1480-1532 Bologna). ca. 1517-18. Chiaroscuro woodcut printed from two blocks in brown. Prints

Print made by John Chalon, 1738 - 1795, Study, 1789-1790. Etching on medium, slightly textured, cream laid paper.

Erotic scene in a bedroom with naked man caressing a fully clothed woman, 18th century. Woodblock engraving from John Cleland's Fanny Hill, Amsterdam & Paris, 1880s. After the original erotic illustrations by Antoine Borel, circa 1748.

Three richly dressed children with cherries in a window, L. Angélique Martinet, after Johann Eleazar Schenau, 1741 - c. 1780 print Paris paper etching / engraving human figure at (open) window, seen from outside. child. fruits: cherry

Vertumnus and Pomona, Jan Brouwer, After Thomas van der Wilt, 1688 print Vertumnus, the Italian God and protector of gardens and orchards, and Pomona sit in front of the stone gate of a garden on a couch under a tree. Vertumnus, in the form of an old woman, seduces Pomona. print maker: Amsterdampublisher: Leiden paper engraving Vertumnus and Pomona

Vatican City, Urban VIII, Italy, Guercino, Pasqualini, Giovanni Battista, Denial of Peter, verso - stamped, In the presence of a soldier, Peter is recognized as a follower of Christ by a slave girl of Caiaphas. Peter denies that he is one, thereby denying Christ. After Peter has denied three times, the cock will crow. Latin text with Bible quotation from Matthew 26 and dedication in the lower margin., print, prints, height 253 mm, width 205 mm, Italian, 1585 - 1634, print maker, printmaker, 1627 - 1627, paper, engraving, engraving (printing process), 1591-02-08 - 1666-12-22, after, after painting by, 1568 - 1644-07-29, granter of privilege

The wife and mother of Floris de Montmorency, baron de Montigny, beg Anna of Austria to intercede for Montigny, who is being held prisoner in Spain. Draughtsman: Jacobus Buys. Dating: 1788 - 1790. Measurements: h 150 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Hendrik Goltzius (1561-1641). "The Holy Family (Bartsch 20)". Chisel. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-30 Goal

Warning against vanity. Vanity is sitting on a chair and plays a lute. She has rich clothing and is next to a mirror. A young woman is led away by an angel of the vanity. Illustration with a text from the book Christellycke Offerande from 1640. In the text is warned for the vanity.

Judit and Holofernes. Judit is about to chop Holofernes his head in his army tent. Next to her hair served with a lantern.

Maria Theresia, Princess of Naples Sicily.

Pero sucks the chained Cimon in prison, Johannes Wierix, 1583 - 1650 print Pero gives her father Cimon de Borst in his prison collar (Caritas Romana). Cimon is chained to a stone on which the Wolvin with Remus and Romulus is depicted. A man is secretly watching through the bars. The story is an example from the classical literature of the love of children for their parents. In the margin a three -faced caption in Latin. Antwerp paper engraving Pero suckling Cimon ('Caritas romana'). Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'

Bad news unknown

The Embrace. Master M.Z.; German, active 1500-1550. Date: 1503. Dimensions: 158 × 115 mm (sheet trimmed within plate mark). Engraving in black on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: Master M. Z.

The Amorous Nun between the Abbot and the Monk. Dated: c. 1560. Dimensions: sheet (cut within image): 24.2 x 30.4 cm (9 1/2 x 11 15/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Hans Collaert.

A man groped the chest of a young woman. .

Vatican City, Paul V, Rome, Villamena, Francesco, Italy, Barocci, Federico, Ciamberlano, Luca, Christ Appearing to Mary Magdalene (Noli me tangere), verso - stamped, Mary Magdalene kneels before Christ in a barn. He leans against a fence, the wound in his side visible. Next to Mary Magdalene is her jar of ointment. In the background a view of Golgotha with the three crosses. Text in bottom margin., print, prints, height 394 mm, width 270 mm, Italian, 1570, print maker, printmaker, 1609 - 1609, paper, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, 1528 - 1612-09-30, after a design by, after, after a painting by, Publication (Event), Publication, 1566 - 1624-07-07, publisher, 1552 - 1621, granter of privilege

Joseph and Potiphar's Wife 1510-50 Georg Pencz German. Joseph and Potiphar's Wife 334959

The Full of the Honeymoon, Print made by Robert Laurie, 1755-1836, British, after Francis Wheatley, 1747-1801, British, Published by Robert Sayer, 1725-1794, British, 1789, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 26 × 19 7/8 inches (66 × 50.5 cm), Plate: 24 × 17 7/8 inches (61 × 45.4 cm), and Image: 21 3/4 × 17 7/8 inches (55.2 × 45.4 cm), candle, couple, genre subject, letter, night

The winter; The four Seasons. A young couple skates hand in hand on the ice. The figures are elegantly dressed according to the mode of approx. 1600. At their feet a dog walks over the ice.

A mother looking out of an open window, one child clings to her, the other seems to be asking her something. Engraving by H. Rolls after H. Corbould.

The love letter. Draughtsman: Jan Veth. After Johannes Vermeer. Dating: 1874 - 1925. Measurements: h 255 mm × w 209 mm. Museum: Rijksmuseum, Amsterdam.

Astrology. Artist: Anonymous, Italian, 17th century; After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 6 3/8 x 4 3/16 in. (16.2 x 10.7 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Ethel and Orderer surprised by the lieutenant of Ahlefeld Georges-Antoine Rochegrosse (1859-1938), French painter and illustrator. Ethel and order surprised by the lieutenant of Ahlefeld. Charcoal, white gouache, feather. Ink, lavis, graphite mine on beige paper. 1884. Paris, Victor Hugo House.

Old reading man and young handicraft performing woman in a cell. .

Paris, Desmarest, Ghendt, Emmanuel Jean Nepomucene de, Baudouin, Pierre Antoine, Le midi, Middagrust, A noble woman is resting in a park. She is lying stretched out on the ground. Next to her is a parasol and a book, probably of an erotic nature. One of her hands lies suggestively near her crotch. In the background are garden ornaments and a statue bust of a youth. After a painting by PA Baudouin. The print has a French caption., print, prints, height 369 mm, width 270 mm, South Netherlands, 1738 - 1815-05-17, print maker, printmaker, 1765 - 1765, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1723-10-17 - 1769-12-15, after, after painting by, Publication (Event), Publication, publisher, uitgever, Publicatie

Farmer's wife opposes advances of a lover, Bernard Picart, 1705 print A farmer's wife (Claudine) almost opposes a lover trying to kiss her. While she is hanging his hands and lips, she laughs. Her basket hangs on the branch of a tree. Paris paper etching / engraving farmers. farmers - AA - female farmer, farmer's wife. being refused, the proposal rejected. lovers; courting, flirting. unsuccessful love affair; seduction

Louis Dennel, S'il m'étoit aussi fidel, 1751-1806, etching and engraving on wove paper.

Concert with Nine Persons. Medium: mezzotint. Museum: National Gallery of Art, Washington DC. Author: Wallerant Vaillant.

Charlotte Corday stabs Marat, 1793, French Revolution.

fine arts, Goya y Lucientes, Francisco de (1746 - 1828), graphic, etching, ""Bien tirada esta"", from the series ""Los Caprichos"" (The caprices), 1796 / 1797, 18.6 cm x 12.5 cm, private collection, 18th century, print, prints, graphics, woman, women, youth, adolescence,

Schilderij Jung Werner at Count Door C. Karl Schweninger Jr., Illustrate Bij Joseph Victor Scheffel The trumpeter of Säckingen; The trumpeter of Säkkingen ..

La philosophie endormie. Dated: 1778. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Michel Moreau after Jean-Baptiste Greuze.

Family at breakfast, Johann Jacob Haid (Possible), after François Boucher, 1740 - 1767 print With caption in German and French. Augsburg paper etching breakfast. (playing with) dolls. rocaille ornament. hobby-horse

The Young Woman and the Jester ca. 1640-50 Copy after Jacob Jordaens Flemish. The Young Woman and the Jester. Copy after Jacob Jordaens (Flemish, Antwerp 1593-1678 Antwerp). ca. 1640-50. Black chalk and pen and brown ink, red chalk, and gray wash, heightened with white (oxidized). Drawings

Shakspeare. King John, act IV, scene I : A prison : Arthur, Hubert & attendants , Castles & palaces, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King John. Thomas Pennant Barton Collection

Memoriepent for Hendrik Hooft Daniëlsz., 1794 print The Amsterdam city virgin mourns at the grave of the Amsterdam mayor Hendrik Hooft Daniëlsz. An angel supports her in the grief and points her to the immortality of the deceased. On the tomb is a portrait bust van Hooft Daniëlsz. In antique style. Amsterdam paper etching / brush personification of a city, town-patron(ess). grave, tomb Amsterdam

Kneeling young man in a woman, Anonymous, After Paul van Somer (II), 1680 - 1713 print A young man kneels for a woman of light morals. He holds a shoe in his hand. There is a painting on the wall on which a night face with two men wearing a cross. Amsterdam paper engraving shoes, sandals (+ women's clothes). stockings, socks (+ women's clothes). veil (+ women's clothes). shoes, sandals (+ undressing, taking off clothes). picture, painting. undressing oneself, getting undressed - AA - female human figure

Couple that embrace each other, Bernard Picart, 1683 - 1733 print A woman embraces a man and tickles his chin. He put his arm around her waist. paper etching / engraving lovers; courting, flirting. whore, prostitute

Offering a gift, Jan Caspar Philips (attributed to), after Jan Caspar Philips, 1740 - 1760 print Interior with male and woman next to each other on chair, placing a gift on her lap. Print no. 4 in a series of twelve prints with two -line verses about the Dutch habits at the marriage around 1750. Northern Netherlands paper etching / engraving courting. bringing gifts; exchanging gifts

Decapitation of Saint John the Baptist: the executioner presenting the head to Salome. Etching by W. Unger after C. Fabritius.

Drawing, Cleopatra Pleading with Caesar; Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brown wash, over black chalk, ruled border in pen and brown support: thick white wove paper; 53.5 x 37.5 cm (21 1/16 x 14 3/4 in.) dimensions vary Mat: 71.1 x 55.9 cm (28 x 22 in.)

Jeanne d'Albret with the child Henry de Bourbon. Jeanne d'Albret with the child Henry de Bourbon, at the tomb of her husband Antoine de Bourbon, king of Navarra. Bottom right: bl. 39.

Love Tormented by Considerations Great and Small. Dominique-Vivant Denon; French, 1747-1825. Date: 1817-1820. Dimensions: 231 × 244 mm (image); 362 × 335 mm (sheet). Lithograph (pen and ink style and crayon style) in black on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing by Guercino depicting a genre scene with two parents shown as half-figures and two children, three figures wearing hats. Executed in pen, ink, and wash.

Mars, Venus and Cupid 1700-1725 France. Black chalk, with stumping, heightened with white chalk, on blue laid paper with blue fibers, laid down on ivory laid paper, edge mounted on cream card .

Beatrice, Hero and Ursula, John Jones, ca. 1745-1797, British, after Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), c. 1771, Mezzotint, before title, Sheet: 21 5/8 x 17 7/8in. (55 x 45.4cm)

Urban VIII., papa .

Caritas Romana: Cimon feeds her father Pero, Claude Mellan, After Simon Vouet, 1624 - 1636 print paper engraving But Suckling Cimon ('Roman Caritas')

L'Education fait tout. Dated: 1791. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Jean-Honoré Fragonard.

Democritus and Heraclitus. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: c. 1782 - c. 1837. Measurements: h 270 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

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