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Emotive Etchings

Dramatic etchings depicting laborers and poignant scenes, characterized by rich textures and dark contrasts, capturing human emotions and experiences.

Allegorie op de Prentkunst, François Nicolas Chifflart, 1879 print paper etching / drypoint print, e.g.: engraving, etching, lithograph. symbolic representations, allegories and emblems ~ the graphic arts
Allegorie op de Prentkunst, François Nicolas Chifflart, 1879 print paper etching / drypoint print, e.g.: engraving, etching, lithograph. symbolic representations, allegories and emblems ~ the graphic arts
253 assets in this story
6145-50561619
Goetterdoemmerung. Siegfried et les Filles du Rhin (2e planche) , Fictitious characters, Heroes, Siegfried Legendary character, Wagner, Richard, 1813-1883. Ring des Nibelungen. Götterdämmerung. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints
6145-45515234
Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)
4409-17515465
Worker is a capitalist. Draughtsman: Jan de Waardt. Dating: 1890 - 1909. Place: Netherlands. Measurements: h 329 mm × w 267 mm. Museum: Rijksmuseum, Amsterdam.
1746-111525339
The Bathers 1910; (pastel) by Ludwig Von Hofmann (1865-1945)
4409-17484910
Siegfried and the Rhine Maidens. Dimensions: overall (approximate): 47.8 x 37.2 cm (18 13/16 x 14 5/8 in.). Medium: black crayon on paperboard. Museum: National Gallery of Art, Washington DC. Author: HENRI FANTIN-LATOUR.
6145-50561576
Le Paradis et la Péri. Début (1re planche) , Fictitious characters, Angels, Schumann, Robert, 1810-1856. Paradies und die Peri. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints
6145-29861588
Henri Fantin Latour, Manfred and Astarte (2nd plate), 1881 Manfred and Astarte (2nd plate)
4409-17565547
Larvae So Bloodless and So Hideous, plate 5 of 6. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 180 × 171 mm (image/chine); 429 × 312 mm (sheet). Lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.
4409-17533366
Two labourers at rest. Draughtsman: Esaias Boursse. Dating: 1662. Place: Sri Lanka. Measurements: h 148 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.
6145-45642533
The sleep of reason continues samples; El Sueño de la Razon Produce Monstruos; Los Caprichos. A man has fallen asleep above his work. His head rests on his arms, while pen and paper are unemployed on the table. Above his head, owls and bats come up, their silhouettes are threatening against the background. There is a cat behind the chair.
6145-29845183
Albert Besnard, Cast of a Net (Le coup de filet), 1900 Cast of a Net (Le coup de filet)
4409-17468566
Chicken Vendor, Trinidad. Dated: 1923. Medium: drypoint with sandpaper in black. Museum: National Gallery of Art, Washington DC. Author: George Overbury (Pop) Hart.
6145-29896094
Cloth or winter, 1892 (dummy title)
4409-17291913
Francisco de Goya y Lucientes / 'Con la musica à otra parte. Album C, 75'. 1808 - 1814. Wash, Brush, Pencil, Bistre, Grey-brown ink, Iron gall ink, Scraping out on laid paper. Museum: Museo del Prado, Madrid, España.
4443-73195290
Amsterdam, Scheltema & Holkema's Boekhandel, Tresling & Comp., Netherlands, Bauer, Marius, Chronos-Blauwbaard, Cartoon on Father Time or Chronos who, as the fairy-tale figure Bluebeard, drags the corpse of his bride, the year 1896, to the secret room to hang it up there. Published in the supplement of 'De Kroniek' of January 3, 1897., print, prent, cartoon, prints, prenten, height 305 mm, width 405 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1897-01-03 - 1897-01-03, fourth quarter 19th century, vier kwart 19e eeuw, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher
4409-17457263
Leaving the Bath (La sortie du bain). Dated: c. 1879/1880. Dimensions: sheet: 23 x 18 cm (9 1/16 x 7 1/16 in.). Medium: electric crayon, etching, drypoint, and aquatint. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS.
4409-17553752
The Adoration of the Shepherds: A Night Piece. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1652-1662. Dimensions: 152 x 198 mm (image/sheet, cut within plate mark). Etching, drypoint, and burin in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.
4409-17446630
Head of a Man. Dimensions: overall (approximate): 7.8 x 6.5 cm (3 1/16 x 2 9/16 in.). Medium: watercolor. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
4409-17407798
Man with Sword. Artist: Charles-Albert Arnoux Bertall (French, Paris 1820-1882 Paris). Dimensions: 4 7/8 x 3 1/8 in. (12.4 x 7.9 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.
6145-29081745
Identity, 1887. Stephen Greeley Putnam (American, 1852-after 1938). Wood engraving;
6145-59016063
Emile Bernard (1868-1941). Continuation of original etchings, in 1st state on Japan, for "the end of Satan. First state of etchings. N ° 29." The BRIGAND Barabbas is in prison ". Eau-tie et aquatinte. 1935. Paris, Paris, House of Victor Hugo. 101109-9 Years thirty 1930 30, aquatinte, brigand, cell, chain, drawing, etching, illustration, litter work, prison
6176-67050345
'I Rushed To The Door', 1892. Artist: Sidney E Paget.
6145-50521939
Sunshine and shadow , Nudes, Wading, Seas. Charles H. Woodbury (1864-1940). Prints
6145-59001495
François Nicolas figure (1825-1901). "The kissing of these two shadows". Albumin paper. 1868. Paris, house of Victor Hugo.
4409-36021
GUERRA CIVIL ESPAÑOLA (1936-1939). Españoles confinados en el CAMPO DE CONCENTRACION DE ARGELES-SUR-MER (Sur de Francia). Aguafuerte de Antonio RODRIGUEZ LUNA.
4409-17567511
Poppy in a Vase. Theodore Roussel; French, worked in England, 1847-1926. Date: 1890-1895. Dimensions: 97 × 66 mm (image/plate); 102 × 66 mm (sheet, with signature tab). Soft ground etching, aquatint, and drypoint in black on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.
4443-19568286
n.d., Etching, platemark: 12.1 × 9.1 cm (4 3/4 × 3 9/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints
6145-29759950
A Woman Fishing 1884 Georges Seurat French. A Woman Fishing 334174
4409-17400558
Nebuchadnezzar Recovering His Reason. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and engraver: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 17 13/16 x 14 1/16 in. (45.2 x 35.7 cm). Date: October 20, 1782. Museum: Metropolitan Museum of Art, New York, USA.
1746-30018793
Drawing of John Reed. John "Jack" Silas Reed (October 22, 1887 - October 17, 1920) was an American journalist, poet, and Communist activist. Reed first gained prominence as a war correspondent during the first World War, and later became best known for his coverage of the October Revolution in Petrograd, Russia, which he wrote about in his 1919 book Ten Days That Shook the World.
6145-52836745
Etching and aquatint 'The Disasters of War: Sad Feelings That Have to Happen' by Francisco Goya, circa 1820, first edition 1863, depicting figures, war scenes, and suffering.
4443-21184488
Alphonse Legros, Man Climbing a Wall (L'escalade), French, 1837 - 1911, etching
4409-28961425
A Violet Note. Date: 1885. Origin: United States. Chalk and pastel on grey paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
6145-30189711
The Flight into Egypt Crossing a Brook Made 1654 Holland. Etching and drypoint on ivory laid paper . Rembrandt van Rijn
6145-59499592
From Scylla to Chaybdis, Marius Bauer, 1896 Cartoon on Mr. Treub who sends his ship safely between Scylla and Chaybdis, an imagination of the difficult choice of Treub between aldermanship and professorship in Amsterdam. In the caption, reference is made to his candidacy for the Central Board of the Society for the use of General. Published in the addition of 'De Kroniek' of February 16, 1896. print maker: Netherlandsprinter: The Haguepublisher: Amsterdam paper Ulysses passes Scylla and Charybdis; Scylla devours six of these men. Scylla and Charybdis Netherlands
4220-21837394
An incubus in the form of a bird perches upon its helpless victim. Date: 1863
4409-17467323
The Haul (Le coup de filet). Dated: 1900. Dimensions: plate: 13.8 x 10.8 cm (5 7/16 x 4 1/4 in.) sheet: 45 x 31.7 cm (17 11/16 x 12 1/2 in.). Medium: etching in black on Van Gelder Zonen wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.
6145-30338765
after James Barenger, 1780-after 1831, British, Doll, A Celebrated Pointer, 1818. Etching and line engraving on medium, slightly textured, cream wove paper.
6145-29201827
In Full Sunlight 1881 James Tissot This print reverses the composition of Tissots painting of the same title (2006.278). In translating the painted motif, the artist made significant changes, most notably to the background. He eliminated the plunging perpendicular garden path in favor of a closed floral border, though the small black cat appears in both versions. Another related print "On the Grass" (56.630.17) shows the three central figures arranged in a different configuration and against an alternate backdrop. Comparison of these three works reveals the highly constructed nature of Tissots garden pictures.. In Full Sunlight. James Tissot (French, Nantes 1836-1902 Chenecey-Buillon). 1881. Etching and drypoint; published state. Prints
6145-44126516
Eyeleges and kutnal-in theningsEyeleges and kutnal. In the sounds
6145-59580027
The journey of Colinet, William Blake, 1820 - 1821 print Colinet walking on a path, shepherd's staff in hand. Along the road a stone with a milestone with "LXII Miles to London" on it. paper illustration ~ printed matter, book. milestone. walking
1075-385
Three Graces Charvot, Eugene(1847-1924 French) Engraving Cummer Museum of Art & Gardens, Jacksonville, FL
4443-73261838
Paris, Salmon, Alfred, Veyrassat, Jules Jacques, Eaux-fortes par J. Veyrassat, Interieur d'étable, Stalin interior with a white horse and chickens, recto lower right - handwritten, print, prints, verso - stamped, Cheval à l'écurie, height 73 mm, width 100 mm, 1828-07-02 - 1893-07-02, print maker, printmaker, 1866 - 1866, paper, papier, etching, etchings, French, 1825, printer, drukker
6145-30135055
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4443-3379
'CHILDREN OF THE SEA,' BY L. DUNCAN, IN THE GENERAL EXHIBITION OF WATER COLOUR DRAWINGS, 1869
4443-75474597
El amor y la muerte, 1799, Francisco Goya. First edition etching and aquatint depicting themes of death and love, featuring men in various clothing styles, reflecting Spanish culture. Standard reference number noted
4409-17477092
Séance de nuit. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.
4443-21763687
Wood gnome, draughtsman: Willem Witsen, 1870 - 1923, paper, brush, h 369 mm × w 273 mm
6176-67075552
'From the profound abyss, behind the lid of a great monument we stood retired', c1890. Creator: Gustave Doré.
6145-29083068
Sappo, 1917. Anders Zorn (Swedish, 1860-1920). Etching and drypoint;
6145-30397518
A Stag atSharkey’s. Artist: George Wesley Bellows, American, 1882-1925
1746-114
Watson, returning to the Reichenbach Falls, finds the Alpen-stock belonging to Sherlock Holmes, and his farewell note From "Adventure of the Final Problem" By Sir Arthur Conan Doyle, Published in Strand Magazine in 1893 Sidney Paget (1860-1908 English)
1746-19625614
The Adventure of the Final Problem'. Watson, returning to the Reichenbach Falls, finds the Alpen-stock belonging to Sherlock Holmes, together with his farewell note. Illustration by Sidney E Paget (1860-1908) for 'The Adventures of Sherlock Holmes' by Arthur Conan Doyle in 'The Strand Magazine' (London, 1893). Paget was the first artist to draw Holmes.