Emotive Figure Studies

Intense representations of human emotions, focusing on grief, sacrifice, and spiritual connection, through varied artistic styles.

Brutus;Executed sons;Painting;1789

Seven Works of Mercy, by Merisi Michelangelo known as Caravaggio, 1606 - 1607, 17th Century, oil on canvas. Italy, Campania, Naples, Pio Monte della Misericordia Church. Detail. Hand of the man in background holding the torch.

Brutus;Executed sons;Painting;1789

An engraving depicting a woman grieving by Arthur Hughes (1831-1915) an English painter and illustrator. Dated 19th century

'The Sacrifice of Isaac'. Germany, 18th century. Dimensions: 28,5x20 cm. Museum: State Hermitage, St. Petersburg. Author: Christian Wilhelm Ernst Dietrich (Dietricy).

Detail of a fresco depicting the Flagellate, Second Pompeian Style, from the Villa of the Mysteries, Pompeii (UNESCO World Heritage List, 1997), Campania. Roman Civilization, 1st Century.

Robert Dunkarton, 1744-1811, British, Abraham Offering up His Son, 1797. Mezzotint.

Painting of Santa Margherita, by Andrea del Sarto (1486-1530). Cathedral of Pisa.

Caravaggio (Michelangelo Merisi da Caravaggio (1571-1610). Italian painter. Saint Francis in meditation. Oil on canvas, ca. 1606. Museo Civico Ala Ponzone. Lombardy. Cremona. Italy.

St Jerome'. Oil on canvas. Louis (Alois) Finson (c1580-1617) Flemish painter.

The witch of Endor raising the spirit of Samuel. Blake, William, 1757-1827. 1783. Paintings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Lady Macbeth, Act, 5th--'One, two; why then 'tis time to do't' Lady Macbeth walking in her sleep, full-length view, carrying candle; a man and a woman observe from a bench on the right in the background.

Wedding Night of Tobias and Sarah; 1611 Oil on panel Pieter Lastman Dutch; 1583-1633

Pilgrim Sleeping, by Ceruti Giacomo known as il Pitocchetto, 18th Century, oil on canvas, cm 214 x 138

Hamlet before the body of polonius, eugene delacroix

Annunciation, Pontormo, Jacopo da, 1528.

The Archangel Michael, Puente, Diego de la, 1631

Angels Descending. Date/Period: Ca.1897. Painting. Oil on canvas. Height: 157.50 mm (6.20 in); Width: 98.40 mm (3.87 in). Author: RUPERT BUNNY.

'Annunciation' (detail), 1596-1600, Oil on canvas, P03888. Author: EL GRECO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. ANGEL OF THE ANNUNCIATION.

Paolo and Francesca, 1901, by Gaetano Previati (1852-1920), oil on canvas, 230x260 cm.

Jael Smote Sisera and Slew Him James Tissot (1836-1902 French) Jewish Museum, New York

'The Miracle of Anthony of Padua' (detail), 1798. Author: FRANCISCO DE GOYA. Location: Ermita de san Antonio de la Florida. MADRID. SPAIN.

Saint John the Baptist in the Wilderness 1600-1619 Flanders. Oil on copper . Denys Calvaert

DT LOS APOSTOLES DORMIDOS EN LA ORACION DEL HUERTO - SIGLO XVI - MANIERISMO ESPAÑOL. Author: EL GRECO. Location: MUSEO DE ARTE. TOLEDO-OHIO.

After the Hunt. David Neal (United States, Massachusetts, Lowell, 1838-1915). United States, 1870. Paintings. Oil on canvas

A.Ciseri / Vision of M.M.Alacoque

Franz Van Mieris le Vieux (1635-1681). "The parrot woman or the visit". Drawing. Black stone on vellum. Museum of Fine Arts of the City of Paris, Petit Palais. 54702-1 Hairdresser, drawing, Dutch school, woman, parrot, black stone, vellum, visit, visit

Woman in front of the mirror. Codde, Pieter Jacobs (1599-1678), painter

The Majesty, by Martini Simone, 1313 - 1315, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala del Mappamondo. Detail. The right hand of St John the Baptist (on the right side of the throne) brown hues: shades blue brown gold.

The Annunciation, by Giacomo Carucci known as il Pontormo (1494-1557), fresco. Detail. Capponi Chapel, Church of Santa Felicita, Florence.

Servant pouring wine, from RÄunion des buveurs (drinkers) (detail)

François Emile Ehrmann (1833-1910). Lorraine. Sketch for the village hall of the Paris City Hall. Oil on canvas. 1891. Museum of Fine Arts of the City of Paris, Petit Palais. 72183-5 Allegory, Epee, Sketch, Woman, Hotel de Ville Paris, Oil on wood, Lorraine, Personification, French Region, Fotes Salle

The Annunciation, by Guido di Pietro (Piero) known as Beato Angelico, 1438 - 1446, 15th Century, fresco. Italy, Tuscany, Florence, San Marco Convent, northern corridor, southern wall. Detail. Virgin's hands crossed dress: garment mantle: cloak.

VALDES LEAL , LUCAS. PINTOR ESPAÑOL . SEVILLA 1671 - 1725. OLEO SOBRE LIENZO. MUSEO CAMON AZNAR . ZARAGOZA.

A mother feeding her children. Watercolour.

Madonna di Loreto, by Merisi Michelangelo known as Caravaggio, 1604 - 1606, 17th Century, oil on canvas. Italy, Lazio, Rome, Sant'Agostino Church, Cavalletti Chapel. Detail. Dirty bare feet pilgrim barefoot: shoeless.

Finca de Raixa.Bunyola.Sierra de Tramuntana. Mallorca. Baleares.España.

fine arts, Daumier, Honore, (1808 - 1879), painting, ""the laundress"", 1863, oil on panel, 49 cm x 32,5 cm, Orsay Museum, Paris,

Print made by John Smith, 1652-1743, British, Roman Charity, undated. Mezzotint on medium, slightly textured, cream, laid paper.

EL NIÑO JESUS DORMIDO SOBRE LA CRUZ - SIGLO XVII - OLEO/LIENZO - 75x100 cm - BARROCO ITALIANO - NP 1240. Author: ORAZIO LOMI GENTILESCHI (1563-1639). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

VIDA DE SAN JOSÉ: SAN JOSÉ ADEVERTIDO POR EL ANGEL (S.XVIII). COLECCIÓN PARTICULAR. Author: VILADOMAT ANTONIO.

Saint Paul. Date/Period: From 1604 until 1606. Mural painting. Fresco transferred to canvas. Height: 2,350 mm (92.51 in); Width: 833 mm (32.79 in). Author: Annibale Carracci.

Moses Draws Water from a Rock, by Robusti Jacopo known as Tintoretto, 1577, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Human figure male back view dress: clothes white drapery: draping headdress headgear.

The Tuscan General Alessandro del Borro 1645, Mellin, Charles, 1645.

Two Ladies in Conversation; Due Donne in Conversazione. Pompeo Mariani (1857-1927). Monotype printed in colours, heightened with crayon. 46.8 x 61.8cm.

Funerary monument of Bartolomeo Aragazzi, marble sculptural group found in the Cathedral of Montepulciano, work of the workshop of Donatello and Michelozzo. Duomo di Montepulciano cathedral, Cathedral of Santa Maria Assunta, Montepulciano, Tuscany, Italy. Travel through Tuscany by Eugene Muntz 1881. Le Tour du Monde 1882

Abruzzo, L'Aquila, Assergi, S. Maria Assunta, Italy, 20th century, photo, photography, Europe

Sketch titled 'Drapery for a Seated Figure' by Leonardo da Vinci. Leonardo di ser Piero da Vinci (1452-1519) an Italian polymath of the Renaissance.

Hand-painted glass plate in wooden frame for illumination cabinet, image sleeping woman with luggage, slide plate slideshoot images glass paint wood oak leg, dimensions) handpainted Hand-painted glass for illumination cabinet in wide oak frame The frame is rejuvenated on the sides and shows wear and discolouration: the plates were pushed into an illumination cabinet from above. At the back left and right above two small legs fastening points for the illumination cabinet. Image of sleeping young woman with backpack and basket optics to folk life

Portrait of a Chair. David Tindle (b. 1932). Tempera on gesso-prepared board. Dated 1979. 41 x 56cm.

Marble statue depicting a sleeping Hermaphroditus, Roman civilization

This illustrartion dates to the early 1900s. It shows Penelope awaiting Ulysses (also spelled Odysseus). It shows Ulysses beautiful and faithful wife Penelope, upon her palace wall, where she gazed day after day, sadly and with straining eyes, across the sea for his returning sail. The patient Penelope has become typical of all women who watch and wait for the absent.

Robert Smirke, 1752-1845, British, One from Illustrations to Shakespeare.

The Sibyl ca. 1654 Willem Drost Dutch Although once a well-known Rembrandt, there is now a strong consensus that this canvas was painted about 1654-55 by his pupil, Willem Drost (1633-1659). The female type, the drawing of facial features, and the painterly execution of the costume are characteristic of Drost. The subject (which is rare in Northern Europe) and composition appear to have been inspired by a recent Italian example such as Domenichino's Cumaean Sibyl of 1616-17 in the Galleria Borghese, Rome. Drost worked in Italy from 1655 until his early death.. The Sibyl. Willem Drost (Dutch, Amsterdam 1633-1659 Venice). ca. 1654. Oil on canvas. Paintings

Print made by John Smith, 1652-1743, British, Roman Charity, undated. Mezzotint on moderately thick, moderately textured, cream, wove paper.

Still life with a hat; Czachórski, W Adys AW (1850-1911); 1889 (1889-00-00-1889-00-00);Bronisław Krystall. Testament (Warsaw - Exhibition - 2015/2016), Krystall, Bronisław (1887-1983) - collection, hats (birds), gift (provenance), still lifes, still lifes, still hunting, still life animals, cartridges, shotguns, hunting topics, trophies hunting

Sarah and the Angel, 1726-1739, by Giovanni Battista Tiepolo (1696-1770), fresco. Detail. Patriarchal Palace, Guest Hall, Udine.

The Vision of St John the Evangelist, the Evangelists and the Doctors of the Church, by Allegri Antonio known as Correggio, 1520 - 1524, 16th Century, fresco. Italy, Emilia Romagna, Parma, San Giovanni Evangelista church, dome. Detail. Putto on the right of Jerome baby naked: nude child branch leaves.

Danae and the Brazen Tower, Edward Coley Burne-Jones, 1887-1888,

Russia, Tomsk Oblast Art Museum, Mother by A.D.Vasiliev, oil on canvas, 1990, 20th century

Cecilia as Julia. Sir William Russell Flint (1880-1969). Watercolour. Inscribed and dated, Cecilia posing as the poet Robert Herrick's Julia, Nov 12 1964. 10 x 24cm

Pygmalion and the Image - The Heart Desires. Date/Period: 1878. Painting. Oil on canvas. Width: 763 mm. Height: 990 mm. Author: Edward Burne-Jones.

'Archangel Michael'. Germany, 18th century. Dimensions: 213,5x100 cm. Museum: State Hermitage, St. Petersburg. Author: German painter. 18th century.

Salome with the Head of John the Baptist ca. 1876 Gustave Moreau According to Biblical sources, Salome agreed to dance before her father, Herod II, King of Judea, in exchange for receiving the severed head of John the Baptist. Moreau treated the subject some fifteen times in oil. The majority of these paintings focus on the dramatic apparition of the head during the dance or its presentation afterward, but the seductress here appears almost innocent, stretching her body and gaze away from the bloody head, which glows with a holy light.. Salome with the Head of John the Baptist. Gustave Moreau (French, Paris 1826-1898 Paris). ca. 1876. Oil on wood. Paintings

Conversion of St Paul, by Merisi Michelangelo known as Caravaggio, 1600 - 1601, 17th Century, oil on canvas. Italy: Lazio: Rome: Santa Maria del Popolo Church. Detail. Red drape sword arm St Paul fallen

'Still Life with Dead Game'. Holland, 1680s. Dimensions: 57x48 cm. Museum: State Hermitage, St. Petersburg. Author: Willem Gowe Ferguson.

Peasant Girl and White Cockerel. Bernard Meninsky (1891-1950). Gouache and pencil. 22 1/2 x 13 3/4in

Altarpiece depicting the martyrdom of St Sebastian, 1558, by Paolo Veronese (1528-1588). Detail.

Interior With Woman On A Bed, 1780. By John Daniel Bond

Lazio Roma Rome S. Cecilia in Trastevere3. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renai

Rembrandt, Rembrandt Harmensz van Rijn, called (1606-1669). Dutch painter and printmaker. Nude Study of a Standing Youth, ca.1646. Wallraf-Richartz Museum. Cologne. Germany.

Don Diego Gomes Ponce cured of smallpox, December 1856. Oil painting by a Spanish painter, 1856/7.

Sofonisba Anguissola Anthony van Dyck (1599-1641 Flemish) Galleria Sabauda, Torino, Italy

The Briar Rose Series, Study for 'The Garden Court', 1889 Artist: Sir Edward Burne-Jones, Sleeping, Art Movement, Pre-Raphaelite, Watercolour, Women, Female, Resting, Works on Paper

Tile with Bird, Platform and Container, from a set of moulded tiles, 6 x 6 x 7/16 in. (15.24 x 15.24 x 1.11 cm), Glazed ceramic

Josep María Sert / Painting of the Hall of the Chronicles (detail), City Hall of Barcelona.

The Disenchantment Of Bottom From 'A Midsummer Night's Dream' Act IV Scene I, By Shakespeare 19th Century Daniel Maclise (1806-1870 British) Oil On Canvas Private Collection

Lover. Gallant French copper engraving, 18th century, digitally restored reproduction of an original 19th century master, exact original date unknown

Pygmalion and the Image - The Heart Desires, 1878. By Sir Edward Burne-Jones

Madonna Palafrenieri, by Merisi Michelangelo known as Caravaggio, 1605, 17th Century, oil on canvas. Italy, Lazio, Rome, Borghese Gallery. Detail. Foot crushing the serpent Madonna Child Jesus: Divine Infant: Baby Jesus: Christ Child.

Lighting The Way, La Tour, Georges de, 1638

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace. Detail. Peace hand dress: garment olive branch decoration paraments: vestments couch high-backed chair geometric-design tapestry drapery.

In der Welt jetzt allein, trauernde Frau steht auf dem Friedhof vor dem Grab ihres verstorbenen Mann, Österreich, 1898, Historisch, digitale Reprodukt...

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Still Life with Parrot and Snipes. Dating: 1655. Measurements: h 47 cm × w 37.5 cm; d 6.5 cm. Museum: Rijksmuseum, Amsterdam. Author: CORNELIS LELIENBERGH.

L' Empereur. Date: 1912. oil on canvas. Museum: Smithsonian American Art Museum.

Jacques Louis Michel Lepelleier de Saint-Fargeau Jacques Louis Michel Lepelleier de Saint-Fargeau (1760-1793), on his deathbed (January 20, 1793). Fixed on glass.

Shown in this 1910 illustration is an Etruscan sarcophagus from Chiusi. The original is in the Archaeological Museum in Florence. The cover of this terracotta sarcophagus depicts Larthia Seianti, a rich lady who lived in the South Tuscany near Chiusi in the second century BC. The woman is portrayed lying-down on a kline. She is wearing a sumptuous and colorful clothing, and her figure is adorned by rich jewelry. A diadem made by flowers, presumably a wreath, embellishes her hair. A necklace decorated with a medallion representing Medusas head, is hanging around her neck. The Etruscan civil

Melancholy. Date/Period: Late 1860's. Painting. Oil on canvas. Height: 7.50 mm (0.29 in); Width: 9.75 mm (0.38 in). Author: EDGAR DEGAS.

Judith with Holofernes' head; her maid behind her. Line engraving after C. Allori.

My Soul is Sorrowful unto Death (Mon me est triste jusqu'à la mort) James Tissot (French, 1836-1902). My Soul is Sorrowful unto Death (Mon me est triste jusqu'à la mort), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm). European Art 1886-1894

Woman with shield. Standing woman with a shield in the left hand, to which she points her right hand. Perhaps the personification of rhetorica or grammar. Part of a series of four allegorical women's figures (SK-A-3424/3427).

The Tub - 1886 - 60x83 cm - pastel on card. Author: Edgar Degas (1834-1917). Location: MUSEE D'ORSAY. France.

Adrià Gual / Figurín para teatro. Institut del Teatre de Barcelona.

Te po (The Night) from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 204 × 355 mm (image); 207 × 358 mm (sheet). Wood-block print, printed twice in brown and black inks, with selective wiping, and hand-applied red, two tones of orange, yellow, two tones of blue, silver-gray, and black watercolor, on cream laid Japanese paper laid down on cream wove Japanese paper (a laminate made by the artist). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Francisco Ribalta / 'The Soul in Pain', 1605-1610, Spanish School, Oil on canvas, 58 cm x 46 cm, P01064. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lazio Roma Rome S. Ignazio di Loyola9. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Narcissus at the Spring, by Roos Jan, 17th Century, oil on canvas. Italy: Liguria: Genoa: Royal Palace. Whole artwork. Narcissus spring tree red blue white

Statue of Saint Cecilia, by Etienne Modern, in the church of Siante in Trastevere Cecilia in Rome, vintage engraving. Statue of Saint Cecilia, by Etienne Modern, in the church of Siante in Trastevere Cecilia in Rome, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673434

Brunhilda of Austrasia (c. 543-613). Queen of Austrasia. Wife of Merovingian King Sigebert I. Torture and death of the queen.

According to Greek mythology, Clytemnestra was the half-sister of the legendary Helen of Troy, who had been married to Menelaus, king of Sparta, and was taken to Troy by Paris. Clytemnestra was the wife of the Agamemnon, brother of Menelaus, and the mother of Orestes, Electra, and Iphigenia. When Agamemnon returned from fighting in the Trojan War, Clytemnestra conspired with her lover Aegisthus to kill Agamemnon. Orestes avenged his father's death. This early 1900s illustration shows Clytemnestra exiting the room after killing Agamemnon.

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