Engravings of Female Figures

Series of etchings and engravings depicting women in classical or artistic settings, showcasing elaborate clothing and poses, often with symbolic elements.

A seated woman with a book in her lap It is unclear which woman is represented here, perhaps Miriam the sister of Moses or one of the sibyls, Miriam the sister of Moses or a Sibyl Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), after: Giuseppe Cesari, intermediary draughtsman: Antonio Circignani, (mentioned on object), Northern Netherlands, 1666 - 1671, paper, etching, h 222 mm × w 140 mm

Luis Fernández Noseret (Engraver) (Copy after Reni, Guido); León Bueno (Drafstman); Calcografía Nacional (The seller); Manuel Salvador Carmona (Director) / 'Saint Cecilia'. 1793. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

Faith, Jacob de Gheyn (II), 1591 - 1595

A seated woman with a book in her lap It is unclear which woman is represented here, perhaps Miriam the sister of Moses or one of the sibyls, Miriam the sister of Moses or a Sibyl Paradigmata graphices variorum artificum , print maker: Jan de Bisschop, (mentioned on object), after: Giuseppe Cesari, intermediary draughtsman: Antonio Circignani, (mentioned on object), Northern Netherlands, 1666 - 1671, paper, etching, h 222 mm × w 140 mm

The Paintress, Print made by Bernard Lens, 1659-1725, British, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 5 1/16 × 3 11/16 inches (12.9 × 9.4 cm) and Image: 4 3/16 × 3 7/16 inches (10.6 × 8.7 cm)

Older Sibille Wijzend with her right hand, Lambertus Suavius, 1520 - 1567 print An older Sibille, standing in a niche, points with her right hand. Southern Netherlands paper engraving sibyls

Zimburgis, Princess of Mazovia.

Utrecht, Passe, Crispijn van de (I), Sibyls, Sibylla Delphica, Delphic Sibyl, The Delphic Sibyl stands with a crown of thorns in her right hand and an open book in her left hand. A caption in Latin below the image. This print is part of an album., print, album sheet, prints, height 269 mm, width 193 mm, 1564 - 1637, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher

Sculpture of Ceres; Cereris Simulacrum in Villa Iulis IIII Pont. Max.; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Faith personified by a woman standing in a niche, pointing to rays in the upper left, from 'The Virtues' ca. 1515-25 Marcantonio Raimondi Italian. Faith personified by a woman standing in a niche, pointing to rays in the upper left, from 'The Virtues' 342634

Hendrik Goltzius (1561-1641). "The nine muses: Melpomène. Third issue of a sequence of 9 pieces. (Hollstein 150; Bartsch 148)". Chisel. 1592. Museum of Fine Arts of the City of Paris, Petit Palais. 123048-6 Chisel, 16th 16th XVI 16th 16th 16 Center

Netherlands, Allegory with the victory over Stupidity, verso - stamped, Truth with scepter and book in hand stands with one foot on Stupidity, a man with donkey ears, as a sign of her victory over him. On the left Mercury and Minerva., print, prent, prints, prenten, height 140 mm, width 93 mm, print maker, prentmaker, 1700 - 1800, paper, papier, etching, engraving, engraving (printing process)

Judit, Jacob Matham (attributed to), after Hendrick Goltzius, 1585 - 1589 print Judit with the head of holofernes in one hand, the sword in the other. In the background, the scene in which she cuts the army commander in his tent, while her maid is on hold. Haarlem paper engraving Judith (one of the nine worthiest women). female persons from the Old Testament (with NAME) (not in biblical context). Judith with Holofernes' head and the sword. Holofernes beheaded by Judith with his own sword; the maidservant may be keeping watch

Hope personified as a woman standing in a niche facing right, holding a container of unleavened bread in both hands, from 'The Virtues' ca. 1515-25 Marcantonio Raimondi Italian. Hope personified as a woman standing in a niche facing right, holding a container of unleavened bread in both hands, from 'The Virtues' 342635

Judit leans on Holofernes sword and holds the head of Holofernes in her hand. In the background the tented camp of Holofernes' army. One tent is open and the body of Holofernes lies on a bed. In oval with a frame of laurel leaves., Judit Jvditha (title on object) Figures from the Old Testament (series title), paper, engraving, h 163 mm × w 106 mm

Judith with the head of Holofernes, Jurriaan Andriessen, After Anonymous, 1752 - 1819 drawing paper. watercolor (paint). graphite (mineral). ink pen / brush picture, painting. Judith with Holofernes' head and the sword

Kracht (Fortitudo), Jacob Matham, after Hendrick Goltzius, 1597 print A female figure with a column over her shoulder as the personification of strength (Fortitudo). Haarlem paper engraving Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues

A series of nine muses. In the margin four lines of Latin by Franco Estius., Thalia The nine muses (series title), print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, Franco Estius, (mentioned on object), Haarlem, 1592, paper, engraving, h 250 mm × w 166 mm

Cleopatra 1720 Johann Jakob Frey the Elder Swiss. Cleopatra 400423

Caution (Prudentia); Varie figueri de Agati Antique. Personified caution with a helm and a snake. Right Janus, with two faces. Title print of the 'Varie figueri de Agati Antique' series to Peter Paul Rubens, from a total of nine prints, suspiciously five by Lucas Vorsterman I and four by Paulus Pontius.

Amsterdam, Visscher, Claes Jansz. (II), Schonaeus, Cornelius, Goltzius, Hendrick, Matham, Jacob, Strength (Fortitudo), A female figure with a column over her shoulder as the personification of strength (fortitudo)., print, prints, height 149 mm, width 103 mm, Work conception, Northern Netherlands, 1571-10-15 - 1631-01-20, after a print by, 1601 - 1652, paper, engraving, engraving (printing process), print maker, printmaker, 1558-01 - 1617-01-01, after a design by, 1541 - 1611-11-23, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Judit, Nicolaas Braeu, after Jacob Matham, 1671 - 1705 print Judit leans on Holofernes Zwaard and holds the head of Holofernes in her hand. In the background the tent camp of the army of Holofernes. A tent is open and the body of Holofernes is on a bed. In oval with a frame of bay leaves. Haarlem paper engraving female persons from the Old Testament (with NAME) (not in biblical context)

Mll'e Modestia in the Bath, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company 1889 Issued by Kinney Brothers Tobacco Company Trade cards from the "Magic Changing Cards" series (N223), issued in a set of 50 in 1889 by Kinney Tobacco Company. When held up to the light, a hidden image is revealed on each card.. Mll'e Modestia in the Bath, from the Magic Changing Cards series (N223) issued by Kinney Tobacco Company. 1889. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Young woman with Hoorn of Abundance, Marcantonio Raimondi, After Rafaël, 1511 - 1520 print paper engraving female sex; woman. 'Cornucopia', Horn of Plenty

Terpsichore, C.A. Tuchs, after Hendrick Goltzius, 1864 print The sitting Terpsichore, the muse of the singing and dance, plays the lute. On the left at her feet are a winch and a book. Netherlands paper engraving Terpsichore (one of the Muses); 'Terpsicore' (Ripa)

Saint Jacques Le Mineur. Artist: After François Boucher (French, Paris 1703-1770 Paris); Edme Jeaurat (French, Vermenton 1688-1738 Paris). Dimensions: Sheet (trimmed): 13 11/16 × 8 9/16 in. (34.7 × 21.7 cm). Date: 1726. Museum: Metropolitan Museum of Art, New York, USA.

Egyptian Sibille; S. Aegyptia; Twelve sibilles. Egyptian Sibille

Portrait of Elizabeth de Gouy. Johann Georg Wille (German, 1715-1808); after Hyacinthe Rigaud (French, 1659-1743). Date: 1742-1743. Dimensions: 453 x 340 mm (image); 457 x 341 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Vanity, Herman Löwenstam, 1858 print In a niche, the personalized vanity (Vanitas) looks at itself in a hand mirror. paper. engraving (Personifications of) 'Vanitas', The Vanity of Human Life; Humana fragility, fleeting of sizes & of world glory, meditation of death, vain work, vain pleasure, vain glory, vanita (Ripa)

Matthias of Austria (Roman-German Emperor), Matham, Jacob, Goltzius, Hendrick, Haarlem, St. Catherine, verso lower left - stamped, Saint Catherine with her hand on her attribute, the wheel. Her martyrdom in the background., print, prints, height 335 mm, width 275 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1613 - 1613, paper, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, publisher, German, 1557-02-24 - 1619-03-20, granter of privilege

Polyhymnia; The nine muses. The muse Polyhymnia sitting with caduceus. With Latin text from Franco Estius in the margin under the print.

Deus fecit virtutem in Israel, Judith. C.XIII. Artist: Charles Simmoneau, French, 1645-1728 After: Charles Antoine Coypel, French, 1694-1752

Face; Seeing; The five senses. The face. A woman looks into a mirror and decorates the hair with a pearl necklace. The print is part of a series of the five senses.

Saint Cecilia. Line engraving.

Proserpine Changing Aesculapius into an Owl 1548 Enea Vico Italian In Mariette Album, folio 69. Proserpine Changing Aesculapius into an Owl 366663

Melpomene; The nine muses. The seated melpomene, the muse of the torque game, holds a horn in her hand and a paper on her lap. Left of her are booking.

Figures du mode. Jean Antoine Watteau; French, 1684-1721. Date: 1705-1715. Dimensions: 110 × 73 mm (image); 125 × 80 mm (plate); 142 × 97 mm (sheet). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing of woman in drapery. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

St. Mary Magdalene on the Clouds 1518 Lucas van Leyden Netherlandish. St. Mary Magdalene on the Clouds. Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). 1518. Engraving. Prints

Peace; Pax; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. Standing woman with a laurel wreath on her head. In her left hand, she holds an olive branch, a palm branch in her right hand. The olive branch is a symbol for peace, the palm branch of victory. Under the show two lines text in Latin. The print is part of an album.

Amsterdam, Visscher, Claes Jansz. (II), Estius, Franco, Goltzius, Hendrick, The nine muses, Calliope, verso - stamped, the muse of epic, sits with an open book in her hand and wears a laurel wreath on her head. To her right lie books. Below the representation are two two-line verses in Latin., print, prent, prints, prenten, height 255 mm, width 175 mm, print maker, prentmaker, 1601 - 1652, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1558-01 - 1617-01-01, after print by, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Keroualle, Louise Renée de.

A Clair-obscur woodcut by Antonio Campi from circa 1550-1553 showing a seated woman playing a lute, printed in three plates in beige and green, reflecting Renaissance engraving and musical subject depiction.

Patience, Cornelis Massijs, c. 1543 - c. 1544.

Sibyl of Europe, from La Galerie des femmes fortes ca. 1635 Gilles Rousselet French. Sibyl of Europe, from La Galerie des femmes fortes 391196

Lucretia, Vico, Enea (1523-1567)

Clio, 1592 print The Muse Clio sitting with writing tablet. Under the performance are four lines of Latin from Franco Estius. Haarlem paper engraving Clio (one of the Muses); 'Clio' (Ripa)

Sculptuur Van Flora; Flora in house card. Farnesij; Antieke Sculpturen in Rome; Of the Ancient Rome, known as the city of statues are to be seen in the public places, and icones.Caption in Latin. Print is part of an album.

Woman with Olielamp, Anthonie Willem Hendrik Nolthenius de Man, 1829 print Young maid lights an oil lamp. Nijmegen paper etching oil-lamp. maid ~ house personnel

Pompeia, wife of Julius Caesar. Line engraving, 16--, after A. Sadeler after Titian.

A bacchante holding a sword in her left arm and a branch with fruit in her right hand, set against a black background inside a rectangular frame. Artist: Engraved by Antonio Ricciani (Italian, Rome 1775/76-1847 Naples); Intermediary draughtsman Luigi Agricola (Italian, born ca. 1750). Dimensions: Sheet: 16 1/4 × 12 5/16 in. (41.2 × 31.3 cm)Plate: 13 1/4 × 9 15/16 in. (33.7 × 25.3 cm). Publisher: Agapito Franzetti (Italian, active Rome, last quarter 18th century-first quarter 19th century). Series/Portfolio: Wall paintings from Herculaneum. Date: ca. 1795-ca. 1820.From a series of engravings depicting wall paintings from Herculaneum, made by various engravers and intermediary draughtsman, all pulblished by Agapito Franzetti. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Mrs. Abington as Thalia, 1783. Etching and stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper.

Flora, Gerard Valck, 1665 - 1726

Frontispiece for 'Poems by Desmarets' (Oeuvres poétiques de Desmarets): a winged woman representing poetry sitting in center, turned towards the left, holding a bugle in her left hand, a putto at right tuning a lute, a mask, books, and swords on ground below. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Mount: 9 3/4 x 7 1/4 in. (24.8 x 18.4 cm)Sheet: 7 5/16 x 5 3/16 in. (18.5 x 13.2 cm). Date: 1641. Museum: Metropolitan Museum of Art, New York, USA.

Tchinguis, ou Danseuse Turque 1714-15 After Jean Baptiste Vanmour. Tchinguis, ou Danseuse Turque. Plate 54; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

Portrait of Willem III, Prince of Orange. Portrait of Willem III in a Circle of Lauwerbladen. There is a number of allegorical objects around. In the foreground a winged fame is blowing on a trumpet.

The Third Foolish Virgin, c. 1480-1488, Martin Schongauer, German, c. 1440/53-1491, 4 3/4 x 3 1/4 in. (12.07 x 8.26 cm) (image), Engraving, Germany, 15th century

Saint Paula van Rome as hermitares, Christoffel van Sichem (II), After Abraham Bloemaert, 1644 print Amsterdam paper letterpress printing female saints. anchorite, hermit

Saint Cecilia. Engraving by J. Bouillard after Dubois after P. Mignard, 1691.

Tilly, Edmunda.

Lucretia seated, half naked, stabbing herself in the stomach with a dagger in her right hand and holding a cloth in her raised left hand, looking upwards, after Pellegrini. Artist: Engraved by Louis Jacques Cathelin (French, Paris, 1739-1804); After Giovanni Antonio Pellegrini (Italian, Venice 1675-1741 Venice); or Andrea Casali (Italian, 1705-1784). Dimensions: Sheet: 19 7/8 × 15 3/8 in. (50.5 × 39 cm). Publisher: Louis Jacques Cathelin (French, Paris, 1739-1804). Date: 1782.After a painting by Pellegrini() Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Statue of Angerona, goddess of Rome, or Polinnia (Polyhymnia), muse of poetry. Seated with her finger on her lips. Copperplate engraving after an illustration by Giacomo Bossi from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

The Hellespontic sibyl. Engraving by D. Cunego after G. Magnani after G.F. Barbieri, il Guercino.

St. MaryMagdalen. Artist, attributed to: Willem Pietersz. Buytewech, Dutch, 1590/91-1624 After: Peter Paul Rubens, Flemish, 1577-1640

A series of nine muses. The later states with Latin text by Franco Estius in the margin below the print., Urania The nine muses (series title), print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, Franco Estius, (mentioned on object), Haarlem, 1592, paper, engraving, h 251 mm × w 168 mm

Discovery; Discordia; Prosopographia, Sive Virtutum, Animi, Corporis, Bonorum Externorum, Vitiorum, ET Affectuum Variorum Deineatio. Women's figure with snakes in the hair, walking to the right. It carries a bellows in the right, a burning torch in the left, with which they fueled the fire of the discord between people. Under the show two lines text in Latin. The print is part of an album.

Shepherdess. Shepherdess with a shepherden staff, half towards the left.

Lady with a Fan, Print made by Jacob Gole, 1660-1737, Dutch, after Godfried Schalcken, 1643-1706, Dutch, 1690s, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 10 5/16 x 7 5/8 inches (26.2 x 19.3 cm), Plate: 9 3/4 x 7 1/16 inches (24.8 x 18 cm), and Image: 9 3/8 x 7 1/16 inches (23.8 x 18 cm), balcony, balustrade, columns, curtain, drapery, earrings, fan, genre subject, gown, pillars, rose (flower), shielding, urn, woman

Standing portrait of an unknown queen, Philips Galle (attributed to workshop or), 1547 - 1612 print Unknown queen with a fan in her hand standing in landscape. unknown paper engraving queen. fan. historical persons not known by name - BB - woman

Estius, Franco, Goltzius, Hendrick, Haarlem, The nine muses, Urania, verso center bottom - stamped, The muse Urania seated with globe and compass. Next to her lies an armillary sphere. Four lines of Latin by Franco Estius in margin below print., print, prints, height 251 mm, width 168 mm, Northern Netherlands, 1558-01 - 1617-01-01, print maker, printmaker, 1592 - 1592, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by, writer

Emine, Sultanine of Turkey.

Image of a woman who burns incense, Jan de Bisschop, after Anonymous, c. 1663 - In or after 1668 print Northern Netherlands paper etching incense-burner ~ scents, perfumes

Mary Magdalene. Maria Magdalena in a landscape. In the background right there is an ointment pot.

Saint John the Evangelist holding a goblet with a snake emerging from it, from "Christ, the Virgin, and Thirteen Apostles" 1600-1640 Anonymous, 17th century From Christ, the Virgin and Thirteen Apostles, a series of fifteen busts in oval frames printed from one plate, after Reni. Brown ink drawn around the outer border of the sheet.. Saint John the Evangelist holding a goblet with a snake emerging from it, from "Christ, the Virgin, and Thirteen Apostles" 397004

The Suicide of Lucretia, Marcantonio Raimondi, after Rafaël, 1509 - 1514 print Lucretia is about to kill himself with a dagger. A Greek text is shown on the balustrade next to her. Italy paper engraving death of Lucretia: she commits suicide by stabbing herself

Duncan, Mary Rebecca.

Joan of Arc (Portalis-Beraldi 3, Firmin-Didot 1427) Antoine de Marcenay de Ghuy (1721-1811). Joan of Arc (Portalis-Beraldi 3, Firmin-Didot 1427). Forte, 1769. Museum of Fine Arts in the city of Paris, small palace.

Copper engraving by Jacopo de' Barbari depicting Saint Katharina, created at the end of the 15th century to the beginning of the 16th century.

Portrait of Hildegard from a series of portraits in Godfrey Arnold's Historie der Kerken en ketteren van den beginne des Nieuwen Testaments tot het jaar onses Heeren 1688 (1701), Portrait of Hildegard Hildegardis Historie der Kerken en ketteren tot het jaar onses Heeren 1688 , print maker: Romeyn de Hooghe, Romeyn de Hooghe, Netherlands, 1701, paper, etching, engraving, h 266 mm × w 159 mm

The Virgin in prayer looking up to the left, in an oval frame, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Gilles Rousselet (French, Paris 1614-1686 Paris). Dimensions: Sheet (Trimmed): 15 1/4 × 11 3/4 in. (38.7 × 29.9 cm). Publisher: Gilles Rousselet (French, Paris 1614-1686 Paris). Date: 1665.After a painting by Reni. Verso is not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on sculpture and painting; Pietas Format et Sapientia Perficit. Personalization of painting is standing with a brush, paint stick and painting palette in her hands and painted breast image carved by sculpture. On the left, the personal sculpture with a hammer in her hands watches how painting performs her job.

S. Maria Magdalena, Print made by unknown artist, seventeenth century-eighteenth century, Published by John Smith, 1652-1743, British, undated, Mezzotint on moderately thick, moderately textured, cream, wove paper, Sheet: 7 1/4 × 6 inches (18.4 × 15.2 cm), Plate: 7 1/16 × 5 3/4 inches (17.9 × 14.6 cm), and Image: 6 5/8 × 5 11/16 inches (16.8 × 14.4 cm), awe, Christianity, dress, faith, gazing, religious and mythological subject, saint, woman

Woman hand in front of the chest, 1710 - 1772 Page 63 Recto from a sketchbook with 105 sheets. paper. chalk arm or hand held in front of the chest

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Knowledge, verso - stamped, A console with the female personification of Knowledge with a rod in her right hand and a book in her left hand. The print is part of an album., print, prent, albumblad, prints, prenten, height 183 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Adrienne Lecouvret in the role of Cornelia with an urn with the ashes of her husband Pompeus, Pieter Lyonet, after Charles -Antoine Coypel, 1716 - 1789 print Actress Adrienne Lecouvreur as Cornelia in Pierre Corneille's 'La Mort de Pompée'. In her hands an urn with the ashes of her husband Pompeus. France paper engraving historical persons - BB - woman. urn. portrait of actor, actress

LADY HAMILTON AS 'SENSIBILITY'

Studious, plaster statue by Mathurin Moreau, illustration from L'Illustration, Journal Universel, No 1166, Volume XLVI, July 1, 1865.

Salome with the head of Johannes de Boper, Willem Panneels, after Peter Paul Rubens, 1631 print Salome gives the dish with the head of John the Baptist to her mother Herodias. In the margin a caption in Latin. Frankfurt am Main paper etching / engraving Salome gives the head of John the Baptist to her mother

Woman Sitting on Her Back, print maker: Henricus Wilhelmus Couwenberg, (signed by artist), Gerard Edelinck, Charles Le Brun, Amsterdam, 1830 - 1831, paper, engraving, h 255 mm × w 195 mm

Vigilance on a throne, Anonymous, After Pierre Prud'Hon, 1768 - 1823 print Paris paper Police. Alertness, vigilance; 'Guardia', 'Vigilance', 'Supervision to defend yourself & oppose others' (Ripa)

Passe, Crispijn van de (I), Utrecht, Crispijn van de (II), Sibyls, Sibylla Persica., Persian Sibyl, verso lower left - stamped, The Persian Sibyl sits at a table and rests her left hand on a book. She looks up to heaven where Christ with the cross and two angels appear. In the margin a caption in Latin. Print from a series with sibyls., print, prints, height 263 mm, width 200 mm, 1597 - 1670-01-06, print maker, printmaker, 1615 - 1615, paper, engraving, engraving (printing process), Work conception, 1564 - 1637, after a design by, Publication (Event), Publication, publisher

Science; Scientia; Three virtues. The personification of science is in front of a building and is working with a passer. There are still a few buildings in the distance. Under the show a Latin sense with an explanation of virtue.

Crispus, Roman mitcaiser.

Depicts a woman with a bare torso sitting on an oven, created by Rembrandt in 1658 using etching techniques. Focuses on female anatomy, posture, and light tonal effect.

John Greenwood after Nicolaas Verkolje, Girl with a Candle, after 1758 Girl with a Candle

Bust of a young woman; The femme tête. Bust of a young woman looking at the bottom left. Decorated in an oval picture frame with flowers and a ribbon.

Feeling, Alexander van Haecken, after Jacopo Amigoni, 1739 print The feeling. A young woman feels with the index finger at the tip of an arrow that she holds in the right hand. The print is part of a series with the five senses. London paper engraving feeling (one of the five senses). archer's weapons: arrow

Sibylla Samia. Dated: 1625. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Jacques Stella.

July: A harvesting woman, Reinier van Persijn, after Joachim von Sandrart (I), 1645 print The month of July: a harvesting woman and, in the background, a group of farmers. At the top right the constellation Leeuw. In the margin an eight -line caption, in two columns, in Latin. Print Maker: GoudaPublisher: Amsterdam paper engraving July and its 'labours' (+ with zodiacal signs). harvest

John Raphael Smith, 1752-1812, British, A Priestess of Bacchus (Anne Catley), c. 1779. Mezzotint.

Melpomene; The nine muses. The Muse Melpomene sitting with Schrifroll and flute. Four rules Latin from Franco Estius in margin under print.

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