Engravings of Historical Allegories

Engravings depicting allegorical themes and narratives, showcasing dramatic interactions among characters set in historical contexts.

Venus keeps Adonis van de Jacht, Wallerant Vaillant, after Gerard de Lairesse, 1658 - 1677 print Venus and Amor try to prevent Adonis from going hunting. However, Adonis is going to hunt; He is wearing a lance and there are two hunting dogs in front of him. paper Venus and Adonis as lovers

Two workers with rope and shelves, Johannes Josephus Aarts, 1881 - 1934 print Two workers with hats, one sitting and the other standing. The sitting man binds a rope around a tree trunk. The standing man holds a stack of demolition wood. In the background, two workers pry with a rod under a rectangular object. paper. pencil. chalk engraving working class, labourers. plank, board ~ building material. tools, aids, implements ~ crafts and industries: rope

Copper engraving by Paulus Pontius depicting a river crossing, produced in 1632.

Allegory Ter Ere Willem IV, 1755, 1755 print Allegory in honor of William IV, 1755. Minerva with lance and female hats and a portrait of the stadholder, in the foreground the Dutch Virgin. The truth helps history with writing in a book that rests on the shoulders of time. In the clouds the fame and angels. Northern Netherlands paper etching / engraving personifications of countries, nations, states, districts, etc. Netherlands

Miracle of a Saint 1777 Benedetto Eredi. Miracle of a Saint. Benedetto Eredi (Italian, Ravenna 1750-1815 Florence). 1777. Etching. Prints

Allegory of fibable arts; Stölzel, Christian Ernst (1792-1837), Schenau, Johann Eleazar (1737-1806); 1794 (1794-00-00-1794-00-00);

Saint Gregoire I Delivering Souls from Purgatory. Dated: 1744. Dimensions: sheet (trimmed within plate mark): 55.5 x 38.3 cm (21 7/8 x 15 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Fontebasso after Sebastiano Ricci.

Le Songe d'Amour (Love's Dream). Dated: 1785. Medium: stipple etching proof before engraved title. Museum: National Gallery of Art, Washington DC. Author: Nicolas François Regnault after Jean-Honoré Fragonard.

Calypso trying to detain Ulysses as a child prepares his armour at right and Mercury falls from the sky. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 15 11/16 x 11 7/16 in. (39.8 x 29 cm)plate: 11 7/8 x 8 9/16 in. (30.1 x 21.8 cm). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Allegorie with the Amsterdam city virgin, Reinier Vinkeles (I), After Cornelis Ploos van Amstel, 1751 - 1816 print The Amsterdam -crowned Stedensmaag is on a throne surrounded with allegorical figures. Next to her is a female figure with the all -seeing eye on a staff, behind the throne is caution with mirror and snake. On the left in the foreground historiography with a writing spring and a history book in her hands. In the background the town hall on Dam Square and statues of two river gods, the Amstel and the IJ. Amsterdam paper etching / engraving the all-seeing eye, triangle with eye ~ symbol of God the Father. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. personification of a city, town-patron(ess). 'Historia'; 'Historia' (Ripa) Town hall. Amsterdam

Venus keeps Adonis van de Jacht, Wallerant Vaillant, after Gerard de Lairesse, 1658 - 1677 print Venus and Amor try to prevent Adonis from going hunting. However, Adonis is going to hunt; He is wearing a lance and there are two hunting dogs in front of him. paper Venus and Adonis as lovers

Feather drawing by Antonio Zucchi depicting the Birth of Mary, prepared with laved and whitewashed techniques.

The beheading of John de Baptist, Giuseppe Nicola Nasini, 1667 - 1736 drawing paper. paint (coating). chalk. ink pen / brush the beheading of John the Baptist

. The lost son has already wasted his money. He is bitten by a woman while another woman beats him with a stick. Fortuna flys away in the air. Abandoned by luck he is destroyed and broken. In the background licking couples. The print has a Latin and German caption.

Christ on the Mount of Olives, 1515. Albrecht Dürer (German, 1471-1528). Etching; sheet: 23.8 x 16.8 cm (9 3/8 x 6 5/8 in.); image: 22.4 x 15.7 cm (8 13/16 x 6 3/16 in.).

Noordenwind, Johann Sadeler (I), After Maerten de Vos, 1560 - 1600 print In the air boreas, the god of the north wind. He kidnaps Orithyia, an Athenian princess. The Winden Circius and Aquilo help him. Boreas provides a wild wind with storm and rain. At the bottom left, the argonauts fight against the harpies. On the right Orithyia and her two children, the winged twins Zetes and Calaïs. In the margin a Latin caption with an explanation about the north wind. The print is part of a four -part series on the subject of the four over the world. unknown paper engraving north wind (one of the four main directions). Boreas abducting Orithyia. north wind, 'Aquilo', 'Boreas', 'Septentrionarius' (one of eight directions). Calais and Zetes, the Boreadae. Harpies (classical mythology). Calais and Zetes chase away the Harpies that plagued Phineus Greece

The martyrdom of St. Laurentius, Cornelis Schut (I), 1618 - 1655 print The deacon Laurentius is roasted above a fire. He focuses halfway to turn around. In the foreground, servants are continuing to heat up the fire with a bladder ball and extra fuel. The Roman prefect looks from a chair on a balcony. A large group of spectators around Laurentius. Two angels in the air with a palm branch and a laurel wreath. paper etching martyrdom, suffering, misfortune, death of St. Laurence

Rome, Rossi, Giovanni Giacomo de', Italy, Cortona, Pietro da, Billy, Nicolo, S. Michael Archangelus, Archangel Michael, verso - stamped, The Archangel Michael fighting a six-headed dragon. Above on the clouds sit Christ and God the Father, surrounded by putti. In the center above hovers the Holy Spirit in the form of a dove. In the background a gate with an angel., print, prent, prints, prenten, height 486 mm, width 355 mm, Italian, print maker, printmaker, 1637 - 1691, paper, papier, engraving, engraving (printing process), 1596 - 1669-05-16, after, after painting by, Publication (Event), Publication, 1627 - 1691, publisher, uitgever

Allegory at the birth of Willem Hendrik, heirs of Brandenburg in 1649, Cornelis van Dalen (II), After Govert Flinck, 1649 print Allegory at the birth of Willem Hendrik, heir prince of Brandenburg in 1649. In a cradle the prince is surrounded by, among others, Juno, Minerva and abundance. In the air, fame blows on a praise and small angels wear symbols of the future power of the newborn. In the landscape in the background is the Swanburcht, the Hof van Kleef. In the Dutch fresh fresh in four lines. Amsterdam paper engraving Juno Lucina, Goddess of Childbirth. (Story of) Minerva (Pallas, Athena). Abundance; 'Abondance', 'Abondance Maritima' (Ripa). border, birth. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) Swan -castle

The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Robert van Audenaerde (Flemish, Ghent 1663-1743 Ghent). Dimensions: Sheet (Trimmed): 16 7/8 × 10 3/8 in. (42.9 × 26.4 cm). Publisher: François Collignon (French, Nancy ca. 1610-1687 Rome). Date: 1683-87.After a painting made by Reni in 1625 in the church of Santissima Trinità dei Pelligrini in Rome. Museum: Metropolitan Museum of Art, New York, USA.

Flora, Pieter Tanjé, After Parmigianino, 1734 print Flora is sitting on the clouds surrounded by putti, who hold flowers in their hands. One of them crowns Flora with a flower wreath. Amsterdam paper engraving / etching (story of) Flora. flowers

Adam and Eva mourn for the death of Abel, Jan Saenredam, After Abraham Bloemaert, 1604 print Adam and Eva find the dead Abel at the sacrifice place. Both are on their knees in front of their son's corpse and mourning. In the background the sacrifice of Abel and Cain and the murder of Abel. paper engraving Adam and Eve discover the dead body of Abel and grieve over it. the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Fall of the damned, Pieter Claesz. Soutman, after Peter Paul Rubens, 1642 print Angels throw the damned in hell. A seven -piece dragon swallows them up. Under the image a text line in Latin. paper etching / engraving the fall of the damned ~ Last Judgement

Allegorical equestrian portrait of Louis XIV, King of France, historical, digitally restored reproduction from a model from the past.

H. Augustinus sat at the foot of a tree, Claude Mellan, 1639 print France paper engraving .

unknown, Venice, Tintoretto, Jacopo, Italy, Carracci, Agostino, Mary Appears to Saint Jerome, verso - stamped, Saint Jerome is startled from his prayer by the appearance of Mary and angels in the sky. Next to Jerome lie a book, his cardinal's hat and a lion., print, prints, height 418 mm, width 298 mm, Italian, 1557 - 1602-03-22, print maker, printmaker, 1588 - 1588, paper, papier, engraving, engraving (printing process), 1519 - 1594, after, after painting by, granter of privilege

Allegory at the birth of Prince Willem III, 1650. Allegory at the birth of Prince Willem III, November 14, 1650. Around the crib with the child and kneeling Minerva, Juno and Cupid and Flora. On the left the peacocks of Juno. In the Hofvijver and the buildings of the Binnenhof. In the air, angels wear the coat of arms of Nassau and proclaims the fame with Oranjetak and Bazuin the news of the birth of the prince. At the bottom of a verse of four lines.

Spranger, Bartholomeus, Amsterdam, Muller, Jan Harmensz., Apotheosis of the arts, verso - stamped, The apotheosis of Architecture, Sculpture and Painting. They are carried up by Fame to the gods of Olympus, who sit together on the clouds. At the bottom left, kings, emperors and the pope give commissions to artists. At the bottom right, a group of Turkish warriors., print, prent, prints, prenten, height 685 mm, width 510 mm, Noord-Nederlands, 1571 - 1628, print maker, printmaker, 1597 - 1597, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1546-03-21 - 1611-08

Follower of Francesco Fontebasso, Martyrdom of Saint Andrew, 18th century Martyrdom of Saint Andrew

Martin Johann Schmidt's circa 1790 black and white ink drawing depicts the martyrdom of Saint Veit on gray-green primed paper, emphasizing figures, posture, and composition.

Rome, Aelst, Nicolaus van, Italy, Strada, Vespasiano, Mary with Child and Catherine of Alexandria, verso - stamped, Mary sitting with the Christ Child on her lap. On the right, Saint Catherine of Alexandria kneels on her broken wheel. On the left, an angel with a crown and a palm branch., print, prent, prints, prenten, height 228 mm, width 178 mm, Italian, 1582 - 1622-08-05, print maker, printmaker, 1592 - 1613, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Allegorical figures around a Sphinx; Title page for: G. Sugers, General Kerkelyke and Wereldlyke Histories of the acquaintances Nature-Kloots, 1721. Crowd Allegorical figures around a Sphinx on a base. Left history and a writing female personification crowned with a tower. Father time unrotles a paper, in the air the fame. On the right the truth: a naked woman with a book and the sun on her head. Behind her Minerva, who with her lance a diabolical figure pushes into the earth.

Paris, Jeaurat, Edme, Rubens, Peter Paul, France, Aubert, Michel, Jesus Crucifié, Crucifixion, print, prints, height 351 mm, width 215 mm, 1700 - 1757, print maker, printmaker, 1722 - 1722, paper, engraving, engraving (printing process), etching, Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, 1688 - 1738, publisher

Kidnapping of Europe by Britannia; Title page for: Isaac de Larrey, Histoire d'Angleterre d'Ecosse et d'Irlande, S.A .. The abduction of Europe by Jupiter in the form of a bull. Britannia, personalized by Themis as a personification of righteousness, sits with scales and sword Reached between two columns under a drapery and watches. On the left is a woman next to a burning altar. On the right is a woman with lance with freedom hat. A fleet in the background.

. Flora is sitting on the clouds surrounded by putti, holding flowers in your hands. One of them crown flora with a flower wreath.

The vision of Saint Jerome who is asleep in the bottom right, the Virgin and Child appear above being pointed to by Saint John the Baptist. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576); After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: Sheet: 14 3/16 × 9 1/2 in. (36 × 24.2 cm). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Allegory of the history of the city of Rome. In the foreground, History sits with a pen in her hand. She looks up at a statue of Emperor Antoninus Pius. On the clouds sit Truth and Father Time. In the background the city of Rome. In the foreground the flowing god of the Tiber and Romulus and Remus in the reeds. Presumably a title page for a book on the city of Rome, History of the City of Rome., print maker: Pieter Tanjé, (mentioned on object), Louis Fabritius Dubourg, (mentioned on object), Amsterdam, 1743, paper, etching, engraving, h 231 mm × w 174 mm

Venus a Neptunus, Simon Fokke, 1775 print Neptunus stands on a shell and is pulled by sea horses. He is in conversation with Venus who descended from the sky. Print on top left marked: Page 148. Amsterdam paper etching (story of) Telemachus. (story of) Venus (Aphrodite). (story of) Neptune (Poseidon)

Giulio Bonasone, The Vision of St Jerome The Vision of St. Jerome

Wszyscy Święci w MNK John, Friedrich (1769 1843), signed by Fugger and engraved by John, Füger, Heinrich (1751 1818)

Italy, Maratti, Carlo, Aquila, Pietro, Mary with child and Saint Luke, recto - handwritten in pencil, Mary stands on the left on a cloud with the Christ child in her arms. Saint Luke sits on the right and shows Mary and Christ the portrait he has painted. Behind the painting is an ox. Three cherubs float at the top right., print, engraving, prints, engravings, verso - stamped, 3, recto - handwritten in brown ink, Pinxit et incid. AE... Carlos Muratti, height 254 mm, width 181 mm, Italian, 1650 - 1692-11, print maker, printmaker, 1660 - 1692, paper, papier, etching, etsen, Work conception, 1625-05-15 - 1713-12-15

Job Tormented by Demons and Abused by His Wife. Dimensions: sheet: 39.1 x 27 cm (15 3/8 x 10 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lucas Emil Vorsterman after Sir Peter Paul Rubens.

The Angel with the Key of the Bottomless Pit, from the series TheApocalypse. Artist: Albrecht Dürer, German, 1471-1528

Holy Family in an Oval Frame Made 1623 Germany. B¸sinck worked in Paris from 1623 to 1630, and was the first artist in France to make chiaroscuro woodcuts. He created about twenty-four in that period, mostly of religious or genre subjects by Georges Lallemand. His works show the influence of Hendrik Goltzius.. Chiaroscuro woodcut from three blocks, on paper . Ludolph Büsinck

Cloelia escapes on the back of a stolen horse Mythological and allegorical representations (series title), Cloelia escapes with a stolen horse from the camp of the Etruscans. The other imprisoned women are standing around her. The print is part of a series of mythological and allegorical scenes., Cloelia and her companions escape Porsena's camp: she crosses the Tiber on horseback and persuades the companions to swim after her, Johannes Glauber (mentioned on object), unknown, 1656 - 1726, paper, etching, w 142 mm × h 175 mm

The Story ofJonah. Artist: Jan van de Velde II, Dutch, 1593-1641 After: Willem Pietersz. Buytewech, Dutch, 1590/91-1624

Martyrdom of H. Apollonia, Marinus Robyn van der Goes, after Jacques Jordaens, 1630 - 1639 print The martyrdom of the Holy Apollonia: her teeth are pulled out, while her stake is being prepared in the foreground. Antwerp paper engraving martyrdom, suffering, misfortune, death of St. Apollonia

Stone chalk drawing by Anna Maria Werner showing allegorical glorification of King Augustus III of Poland, including symbolic elements and detailed composition with graulavings.

Independent America (TF)

Jupiter Fighting the Giants 1540-96 Jacopo Zucchi Italian This drawing by Jacopo Zucchi, of marked Northern influence, was already correctly recognized in 1999 by Edmund P. Pillsbury, who published monographic studies on the artist, at the time of his sale at auction (Sotheby's, New York, January 27, 1999, lot 22). The subject of the sheet, taken from Ovid's Metamorphoses (1:152-8) and Fasti (5:35-44), evokes the taste for mythological paintings of Cardinal Ferdinando de' Medici, Zucchi's main patron in Rome after 1572; a large corpus of preparatory drawings of this later time by Zucchi is known. The Metropolitan drawing, on the beautifully embossed gilt mount of John Talman (1677-1726), the eminent British collector who erroneously inscribed the name of Elseheimer on the mat (an understandable mistake of attribution given the figural vocabulary of Zucchi), appears to relate to the time of the famous undated paintings of the Golden Age, Silver Age, and Iron Age (Galleria degli Uffizi,

Allegory With the arrival of Willem IV in The Hague, 1747. Allegory with the arrival of Prince Willem IV in The Hague, April 29, 1747. In the foreground is the Dutch virgin with freedom hat, with her the Dutch lion lies with seven arrows. On the right, Neptunus sails on his horses through horses and points towards the wind gods on the clouds. In the background, ships with Dutch streamers at sea towards The Hague.

Franz Edmund Weirotter after Étienne de Lavallée Poussin, Nella Venuta in Roma pl 6, 1764 Nella Venuta in Roma: pl. 6

Six triumphs of Petrarca, 1596: 6. Triumph of eternity. .

Wszyscy Święci w MNK John, Friedrich (1769 1843), signed by Fugger and engraved by John, Füger, Heinrich (1751 1818)

Allegorical performance with Telemachus and Minerva, Jacob Folkema, After Bernard Picart, 1800 - 1899 print Telemachus is accompanied by Minerva who points him to the countless allegorical figures that surround them. Illustration made with a story from "Adventures of Telemachus", written by François de Fénélon. paper etching (story of) Telemachus. (story of) Minerva (Pallas, Athena)

Title page For: Continued at Flavius Josephus: Or General History of Jewsche Naatsie. 1727. The personification of the historiography, a winged woman writing in a book, sitting on a staircase surrounded by putti and other figures. Downstairs at the stairs, father plays time with a group of putti. In the background a young man with a burning torch falls from a wall. The buildings behind the wall are on fire.

Etching by Hamlet Winstanley depicting the flight into Egypt, showing Mary, Joseph, and infant Jesus with attendants and animals, illustrating biblical scene in detailed composition.

Apotheosis of the Arts. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Bartholomeus Spranger (Netherlandish, Antwerp 1546-1611 Prague). Dimensions: 67.8 x 50.1 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1619. Museum: Metropolitan Museum of Art, New York, USA. Author: Jan Muller. Bartholomeus Spranger.

Agony in the Garden 1515 Albrecht Dürer German. Agony in the Garden 359960

This gray and white brush drawing by Aegidius Sadeler depicts an imperial allegory including the imperial eagle and Victoria, possibly the apotheosis of Rudolf II, executed on lunet-shaped paper.

Table of the Museum Temple: Pyrrha (Dutuit 36, White 94) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Museum Temple: Pyrrha (Dutuit 36, White 94). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Martyrdom of Saint Sebastian. Engraving by F. Perrier, 1633.

The miser in hell. Mezzotint after D. Teniers the younger.

Raffaello Morghen (Engraver) (After Mengs, Anton Raphael); José Beratón (Drafstman) / 'The Adoration of the Shepherds'. 1791. Taille douce: etching and engraving on continuous paper; 1791. Taille douce: etching and engraving on continuous paper. Museum: Museo del Prado, Madrid, España.

The creation of the copper hose. .

Antwerp, Galle, Cornelis (II), King David makes an offering to God and sees the angel of death, verso - stamped, King David has built an altar of sacrifice to appease God. He kneels on the ground, his crown and scepter lie next to him. Behind him stands the prophet Gad. The angel of death, who causes the plague, appears with a sword, skull and rod., print, engraving, prints, height 339 mm, width 210 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1638 - 1678, paper, papier, engraving (printing process)

Phaeton and Apollo Phaeton vient demander au Soleil dance son Palais, conductor de son Char (title on object) Les peintures de Charles le Brun et d'Eustache Le Sueur qui sont dance (... ) la maison du Président Lambert (series title), Phaethon begs the sun god Apollo, to be allowed to ride the sun car for a day. Apollo spreads his hands above his son's head. On the left men control the horses in front of the solar car. Aurora, the goddess of dawn, flies with her torch in the middle. Right Father Time with his scythe, Ceres with ears of corn, and the Hours with flowers in his hands. Bottom left the Vier Winden. To the painting in the Chambre des Muses in the Hôtel Lambert. Print is part of a series of prints after the paintings in the Hôtel Lambert in Paris, Phaethon asks Apollo (Sol) for the chariot of the sun, Father Time, man with wings and scythe, (story of) Aurora (Eos), 'Aurora' (Ripa), gods of the winds, Charles Dupuis (mentioned on object), Paris, 1720 - 1733 and/or 1740, paper,

Dedalus and Icarus. Cesari, Giuseppe, 1568-1640. 1540 - 1600. Guidi, Raffaello (Italian painter, ca. 1540-ca. 1614). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

James Barry, 1741-1806, Irish, King Lear and Cordelia, Act V, Scene 10, 1776. Etching and aquatint; touched with india ink.

Luti, Benedetto, France, Beauvais, Nicolas de, Sainte Magdelaine penitente., Penance of Mary Magdalene, verso - stamped, Numbered 127 lower right., print, prints, height 468 mm, width 338 mm, 1687 - 1763, print maker, printmaker, 1697 - 1763, paper, papier, engraving, engraving (printing process), Italian, 1666-11-17 - 1724-06-17

Discours Preliminaire, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Choffard, Pierre-Philippe, 1730-1809, Clousier, Fragonard, Jean-Honore, 1732-1806, Saint Non, Jean Claude Richard de, 1727-1791, St. Aubin, Engraving, 1781-1786, Engraving by Fragonard.

This Clair OBSCUR woodcut from the 16th century depicts the biblical Flight into Egypt, showing figures, postures, expressions, clothing, animals, and landscape context across two plates.

Anonymous / 'The Assumption of the Virgin'. Last third of the XVII century. Grey-brown wash, Pencil, Pencil ground on yellow laid paper. Museum: Museo del Prado, Madrid, España.

. Clolelia escapes with a stolen horse from the Camp of the Etrusken. The other women caught are around her. The print is part of a series with mythological and allegorical representations.

Wszyscy Święci w MNK Wenzel, Giovanni (1791 1880), Bigioli, Filippo (1798 1878)

A gray-brown pen drawing with washes and white highlights by Leopold Mitterhofer showing Saint Michael confronting Lucifer on blue-gray paper, emphasizing figures, posture, and gesture.

Creation of the copper hose. .

Esther for Ahasveros, Anonymous, After Domenichino, 1591 - 1691 print Esther stands in front of the throne of King Ahasveros and leans on the shoulder of one of her service. The king steps off his throne to receive her. paper etching Esther swoons on the shoulder of one of her maids (Esther 15:7). Ahasuerus leaps from his throne and takes Esther in his arms (Esther 15:8)

Saint Roch. Engraving by F. Brizio, ca. 1602, after G.F.M. Mazzola, il Parmigianino.

Leipzig, Steendrukkerij v. F.W. Thümeck, Vulcane der Molucken und der Sunda-Inseln, Map of the volcanic area in the Moluccas and the Sunda Islands, verso - stamped, print, prints, topography, height 221 mm, width 257 mm, print maker, printmaker, 1820 - 1850, paper, papier, lithografie (techniek), printer, drukker

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church3. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Death of a Holy Friar. Dated: 18th century. Dimensions: overall (approximate): 52 x 39.2 cm (20 1/2 x 15 7/16 in.). Medium: pen and brown ink, brush and brown ink, and brown wash, heightened with white, on prepared laid paper. Museum: National Gallery of Art, Washington DC. Author: Follower of Francesco Fontebasso.

Ascension, according to Rubens (Dutuit 118, p.80) Bo�tius Adamsz Bolswert (Said Biodius), Adams Schelte. Ascension, according to Rubens (Dutition 118, P.80). Burin, 17th Century. Museum of fine Arts of the City of Paris, Small Palace.

Having survived the Deluge, Deucalion and his wife Pyrrha are told by an oracle to repopulate Earth by throwing stones over their shoulders; his become men, hers women

Abraham van Diepenbeeck depicts Elias dropping fire on Ahasja's second captain, drawn in graphite pencil, brown ink, black chalk, and gray washes with deck white highlights.

VISION DE JACOB. Grabado de 1889. Álbum de Historia Sagrada (La Santa Biblia en imágenes). Dibujo de Julio Schnorr de Carolsfeld.

Aibert, holy.

John Baptist Jackson after Jacopo Bassano, The Entombment, 1739 The Entombment

L'enfant prodigue (4th plate) , Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

December (title on object) The twelve months of the year, 'Les XII Mois de l'Année' (series title), Ice Fun. A man and a woman skate on a long stick over the ice around a wak. Other skaters can be seen in the background, one of which has fallen. The print is part of a series of twelve prints with the twelve months of the year, skates (winter sports), December and its 'labor', Cornelis Dusart (mentioned on object), 1679 - 1704, paper, engraving, h 216 mm × w 154 mm

Juliusz Kossak (1824-1899), Christmas carol; from: "Kłosy" no. 286, vol. XI, p. 389. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Szymborski, Franciszek (-1872), woodcutter

S. Woyciech , in: The eight paintings of the Silesia located in the cathedral church at the Royal Castle in Krakow , in Krakow by D.E.friedlein, in Warsaw at Rudolf Friedlein., Vol. 1. Friedlein, Daniel Edward (1802 1855), Serz, Johann Georg (1808 1878), Kuntze Konicz, Tadeusz (1727 1793)

Maria appears to Saint Simon Stock.

Finale du Rheingold , Fictitious characters, Gods, Goddesses, Freyr Norse deity, Thor Norse deity, Odin Norse deity, Frigg Norse deity, Freya Norse deity, Loki Norse deity, Wagner, Richard, 1813-1883. Ring des Nibelungen. Rheingold. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Lazio Roma Rome S. Gregorio Magno9. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site compl

Leeuwenjacht, Charles François Letellier, After Peter Paul Rubens, 1753 - 1800 print paper engraving / etching lion hunt. armorial bearing, heraldry

Fall of the damned (upper plate). Angels throw the damned in hell. Upper plate of a large representation consisting of two parts.

Saint Martin, on horseback, giving his cloak to a beggar, angels overhead 1760-1800 Giuliano Traballesi. Saint Martin, on horseback, giving his cloak to a beggar, angels overhead. After Baldassarre Franceschini (il Volterrano) (Italian, Volterra 1611-1690 Florence). 1760-1800. Etching. Prints

Two representations of a plate. Numbered top right: 112 and 114., Quails in the desert / Moses beats water out of the rock, print maker: Caspar Luyken, (mentioned on object), publisher: Barent Visscher, publisher: Andries van Damme, Amsterdam, 1698, paper, etching, h 156 mm × w 89 mm

La mère et la mort. Rodolphe Bresdin (France, Le Fresne, 1822-1885). 1861. Prints; etchings. Etching

Dream of Jacob, Jan Luyken, Jan Houwensz (II), 1705-1707

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