Engravings of Historical Scenes

Displays intricate copper engravings depicting allegorical and historical narratives, rich in detail and featuring religious symbolism.

Copper engraving by Dirck Volkertszoon Coornhert depicting the biblical symbol from Matthew 4:19, 'I will make you fishers of men', created between 1540 and 1590, showing figures, gestures, and narrative context.

Copper engraving and etching by Bernard Picart from 1720-1721 depicting allegories with portraits of Philipp II of Orleans and Wilhelm IV of Orania, showing symbolic representation and detailed portraiture.

Copper engraving by Dirck Volkertszoon Coornhert depicting the biblical symbol from Matthew 4:19, 'I will make you fishers of men', created between 1540 and 1590, showing figures, gestures, and narrative context.

Etching by Giacopo Giovannini from 1694 depicting two angels bringing the soul of St. Benedict to heaven, showing religious and symbolic figures in a celestial scene.

A copper engraving by Cornelis Galle the Elder created between 1595 and 1677 depicting John the Baptist as a boy in the wilderness, illustrated with detailed 16th-17th century engraving techniques.

This etching by Franz Edmund Weirotter, created between 1766 and 1771, depicts the ruin of a palace on Palatino Hill, the Ludovici garden, and the Quintin garden on the Tiber in Rome, emphasizing architecture and landscape features.

The copper engraving print by Albrecht Dürer after 1501 depicts St. Hubert, showing the figure, posture, attire, hunting attributes, and background elements in early 16th-century European style.

Copper engraving and etching by Bernard Picart depicting an allegory with the portrait of Nicolas Baileau, created in 1728-1729 using dotting technique.

Copper engraving by Crispin van de Passe from 1584-1637 depicting Mary Magdalene, showing detailed 16th- and 17th-century religious figure in European style.

Copper engraving by Philipp Galle depicting the destruction of the statue of Bel. Created in 1565, illustrating a historical or religious event involving iconoclasm.

Etching by Guido Reni depicting the Holy Family, created between 1590 and 1610, showing Mary, Joseph, and the Christ child with devotional iconography in Italian early seventeenth-century style.

Etching by Cornelis Schut showing Mary with the Christ child and young John, 1615-1655.

Johann Sadeler the Elder engraved a copper print in 1576 depicting Adam and Eve mourning Abel, showing the figures in a biblical narrative scene.

Copper engraving by Hendrick Goltzius depicting Venus, Cupid, and Pluto, produced around 1590, showing classical Roman mythological figures and iconography.

Copper engraving by Johann Sadeler the Elder showing the offering of Cain and Abel, depicting figures, gestures, biblical elements, and 16th-century religious context.

Etching by Christian Wilhelm Ernst Dietrich depicting a painter with a nude model in the studio, created between 1730-1732, showing artistic practice and composition.

Copper engraving and etching by Jean Dambrun, created 1784-1786, illustrating a scene from Torquato Tassos 'The Freed Jerusalem', showing figures, architectural details, and narrative composition.

A 16th-century etching by Albrecht Dürer depicting a scene of kidnapping involving a unicorn, showing figures and landscape.

Charles Monnet produced a copper engraving and etching illustrating episodes from Telemach, reflecting European narrative and classical themes in 18th and early 19th-century art.

Copper engraving by Jacob Coelemans, created between 1674 and 1735, depicting the martyrdom of St. Sebastian, showing the saint bound and pierced by arrows.

Woodcut by Hans Schäufelin from the late 15th to mid-16th century depicting Phyran, showing figure, attire, and composition in a historical scene.

Copper engraving and etching by Willem van Swanenburg from 1600-1612 showing an allegorical scene of the devil tempting a human figure, with symbolic elements and European artistic style.

Copper engraving by Cornelis Koning from 1620-1625 depicting an elegant company with musicians, showing figures, instruments, attire, and composition.

Etching by Giovanni Andrea Sirani depicting Hell with Apollo and Marsyas, created between 1630 and 1670.

Copper engraving print by Robert Boissard depicting Serapis and Apollo from classical mythology, created in 1613.

Etching by Pierre Scalberge depicting the Judgment of Solomon, created in 1637, illustrating biblical figures, narrative, and judicial scene composition.

Copper engraving and etching by Pierre Daret depicting Vulcan forging the weapons of Achilles and Danaë, created in the 17th century, illustrating mythological subjects.

Copper engraving by Hieronymus Wierix depicting patience, cleverness, and innocence as allegorical figures, created between 1570 and 1573.

Copper engraving and etching by Hendrick Goltzius depicting two farmers, created around 1590, showing agricultural figures and rural life scenes.

Etching by Jan Both from 1640-1681 illustrating the senses of taste and feeling through figurative or allegorical representation.

17th-century copper engravings and etchings by Mathäus Küsel showing multiple allegorical representations with symbolic and religious figures.

Etching by Giuseppe Diamantini from 1650-1700 depicting a sitting nymph and the mythological figures Venus and Adonis, illustrating seventeenth-century Italian engraving and classical mythology.

Copper engraving by Marten de Vos depicting a biblical or allegorical scene titled 'Do not touch me', showing figures, gestures, and 16th-century religious context.

Etching and copper engraving by Bernard Picart depicting biblical figures in a frontispiece, created in 1728. The artwork shows multiple figures, gestures, posture, and composition.

Copper engraving and etching by Philipp Galle depicting Sibylla Erythraea, showing figure, gesture, clothing, head, hands, and symbolic objects, produced between 1550 and 1612.

Copper engraving by Cornelis Galle the Younger II depicting Abraham's victim, produced between 1627 and 1678, illustrating the biblical story with detailed figures and setting.

Copper engraving by Cornelis Galle the Younger depicting a Guardian Angel and Saint Philip, created between 1635 and 1678, showing religious figures and symbolism.

Copper engraving by Hendrick Goltzius depicting the prophet Isaiah, created in 1592.

Etching by Matthäus Merian the Elder from 1631 depicting a scene from the Old Testament as a book illustration, highlighting biblical figures and narrative elements.

Etching depicting a hunting scene with a mounted rider viewed from the back, created between 1575 and 1700.

Etching by Jacob de Wit from 1715-1754 depicting allegorical scenes with children, showing figures, gestures, and symbolic elements in a decorative composition.

Etching by Cornelis Schut from 1615-1655 depicting Saints Laurentius, Ignatius of Loyola, and Sebastian, showing figures, attributes, and composition.

An etching by Ludwig Sommerau from 1778 depicting a procession or arrangement of fish, illustrating natural or allegorical imagery.

Copper engraving by Paul Bril depicting a rural landscape with a house and a shepherd, created between 1580 and 1634. The print shows figures interacting with their natural surroundings.

"Etching by Gabriel Huquier depicting a pastoral scene with shepherds, animals, and landscape elements, highlighting compositional structure and interactions between 1720 and 1772."

An etching by Dirck Volkertszoon Coornhert from 1549 depicting Apollo and the Muses, showing figures, gestures, postures, attire, and mid-16th-century Dutch printmaking style.

This etching by Bernhard Rode depicts Androchius confronting a lion and King Codrus, illustrating action, posture, and interaction, created between 1784 and 1793.

Copper engraving and etching by Crispin van de Passe depicting the elements Fire and Water, created between 1584 and 1637.

Copper engraving and etching by Hendrick Goltzius from 1583 depicting the grave of Christ, showing Christs body, mourners, tomb, and surrounding architecture.

Apollo inspires Horatius; Apollo Inspira l'Estro Ad Orazio. Apollo inspires Horatius. PRENT Nr. 13 on leaf 8 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Pieter de Jode participated in a copper engraving between 1590 and 1634 depicting Venus and Mercury, Neptune, Amor, and a nymph, showing figures, gestures, and mythological composition.

Lithography by Ferdinand Piloty the Elder depicting four angels carrying a sarcophagus, created between 1800 and 1844, illustrating religious and ceremonial symbolism.

Copper engraving print by Crispin van de Passe from 1590-1637 showing a title page with an allegorical depiction of human life stages and symbolic figures.

An etching by Remoldus Eynhoudt from 1630-1680 depicting the martyrdom of St. George, showing the saint with his dragon.

Copper engraving and etching by Bernard Picart from 1726 showing a tree with a suspended sculpture on a pulley. The print emphasizes Baroque linework and dotting technique.

Etching by Cornelis de Wael featuring various genre scenes depicting everyday life, activities, and figures, created between 1640 and 1650.

Copper engraving and etching by Jan Wandelaar depicting an allegorical representation, created in 1721, showing figures, symbols, and compositional elements in a neutral, informative composition.

Copper engraving and etching by Melchior Küsel showing an allegorical composition with a portrait bust and personifications, including symbolic and decorative elements from 1673.

Copper engraving by Paulus Pontius depicting Thomyris around 1630, showing the queens attire, pose, and facial features.

Copper engraving by Adriaen Collaert depicting Saturn, showing figure, attributes, and classical iconography. Created in 1581.

Copper engraving and etching by Géraud Vidal between 1762 and 1801 titled 'The Outdated Lover', depicting a figure in an expressive scene with symbolic detail.

Copper engraving by Crispin van de Passe illustrating the biblical message from 1 Peter 1:25 and the phrase 'Vanity of vanities, all is vanity,' showing figures, symbols, and devotional composition from 1584 to 1637.

Etching by Matthias Pfenninger from 1766-1781 showing a shepherd asleep inside a barn, including livestock and farm interior details.

Etching and copper engraving by Cornelis Visscher from 1638-1662 depicting singers. The print shows figures, musical instruments, gestures, attire, and facial expressions in 17th-century Dutch style.

Copper engraving and etching by Johann Gotthard von Müller in 1771 depicting Bacchus and Ceres, showing mythological figures, attributes, and composition.

Frontispiece etching by Bernard Picart for 'Les Metamorphoses d'Ovid', created in 1731, using copper engraving with punctuation manner, showing mythological transformations and classical figures.

An etching by Wenzel Hollar from 1665 showing a fable with human and animal figures, illustrating a moral lesson through a narrative scene.

Etching by Wallerand Vaillant depicting the Holy Family with John as a boy in a landscape, created between 1640 and 1677. The print shows figures in a natural setting with detailed composition.

Etching by Wenzel Hollar depicting illustrations for Vergil, created between 1652 and 1654, showing figures, landscapes, and thematic elements from the epic text.

Copper engraving and etching by Mathäus Küsel depicting an allegorical composition with Emperor Leopold I, including symbolic and decorative elements from the 17th century.

Copper engraving by Adriaen Collaert depicting allegories of Air and Fire, created between 1560 and 1618, illustrating symbolic elements, human figures, and 16th-17th century allegorical art.

Copper engraving by Cornelis Cort from 1575 showing the Holy Familys flight into Egypt, depicting figures, landscape, and a peaceful moment during their journey.

Copper engraving by Hieronymus Lederer showing the personifications of Choleric and Melancholic temperaments, produced between 1600 and 1615. The work depicts symbolic figures representing human humors.

A copper engraving by Nicolas Habert between 1670 and 1715 depicting an allegorical composition featuring Antoine Masson.

An etching by Christian Wilhelm Ernst Dietrich from 1734 depicting the biblical scene of the Flight into Egypt, showing figures, donkey, landscape, and architectural elements.

Copper engraving by Balthasar Moncornet from 1620-1643 depicting Louis XIII with an allegorical framework and a view of La Rochelle, showing figure, architectural elements, and decorative motifs.

Engraving by Jacob Gole depicting gods with a parent figure, created between 1680 and 1724, illustrating mythological and familial themes.

Etching by Jean-Baptiste Marie Huet from 1792 titled 'Gastmal,' depicting a banquet scene with detailed composition.

Etching by Gerard de Lairesse showing nymphs being attacked by satyrs, depicting mythological figures in a forested landscape, created between 1661 and 1709.

Etching by Domenico Piola from 1647-1703 depicting the adoration of the shepherds, showing the infant Christ, Mary, Joseph, and attending shepherds in detailed composition.

Photo production of an engraving by the queen fled Blois by Jean-Marc Nattier, to the painting by Peter Paul Rubens, Descamps, etc., After Jean-Marc Nattier, After Peter Paul Rubens, c. 1859 - in or before c. 1864 photograph photographic support albumen print queen. flight, running away; pursuing Blois

A woodcut by Albrecht Dürer after 1511 depicting the Holy Family with Joachim and Anna under a tree, showing figures, gestures, clothing, and landscape.

Etching by Bartolomeo Pinelli from 1817 illustrating the history of Rome with architectural landmarks, streets, people, and urban life in a detailed composition.

Print (Germany)

A copper engraving and etching by Edmé Jeaurat, created in 1736, depicting a drowned woman in water, showing the human figure and surrounding environment.

Copper engraving and etching by Frans Floris from 1518-1570 depicting the five senses of man, showing human figures and symbolic attributes.

Copper engraving by Philipp Galle depicting personifications of professions and aspects of commercial life, created in 1574.

Etching by Francesco Novelli, 1790-1836, depicting a hidden wild boar, a couple in bed, and a family begging, showing domestic and rural life in the period.

Etching by Willem van Mieris, 1694-1828, showing Thetis and Cheiron with the infant Asclepius in front of Ocyroe, depicting figures, gestures, and classical mythological setting.

Ange Laurent de Lalive de Jully's etching (1740-1779) depicts water, showing flowing forms, allegorical figures, and symbolic representation of the element.

Copper engraving and etching by Louis Simon Lempereur from 1740-1807 depicting Love revived in Silvie's arms, showing figures in a narrative scene with detailed composition.

Copper engraving by Nicolaus Clock from 1595-1622 depicting the judgment of Paris and the chicken apple with gods, showing figures and symbolic mythological elements.

Copper engraving by Dirck Volkertszoon Coornhert, 1556-1633, illustrating the narrative of Tobias with key figures and travel scenes.

Copper engraving and etching by Jacob Matthias Schmutzer depicting the family of Peter Paul Rubens, showing family members in a domestic or studio setting from the late 18th century.

Woodcut by Paulus Moreelse from 1612 depicts Amor with two women, using chiaroscuro technique, highlighting figures, gestures, and period attire.

Copper engraving by Jan Collaert the Younger showing lion hunts using torches, nets, and towels, created around 1596.

Copper engraving and etching by Jacques Louis Copia depicting Aeneas killing a figure in a cycle, created between 1784 and 1799.

Photo production of an engraving of a portrait of Maria De'Medici as Minerva by Jean-Marc Nattier, to the painting by Peter Paul Rubens, Descamps, etc., After Jean-Marc Nattier, After Peter Paul Rubens, c. 1859 - in or before c. 1864 photograph photographic support albumen print historical persons - BB - woman. (story of) Minerva (Pallas, Athena)

Etching by Bernhard Rode from 1748-1797 showing Semiramis armed and Achilles, representing classical mythological figures in a detailed and dynamic composition.

Etching by Francois Joullain from 1717-1778 depicting the proclamation to Maria, showing figures, gestures, and formal setting.

A copper engraving by Albrecht Dürer after 1502 showing Joachim and Anna under the Golden Gate, depicting figures, gestures, clothing, and architectural details.

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