Engravings of Landscapes

Detailed line engravings of pastoral and scenic views, often featuring natural elements and architectural structures, emphasizing tranquility.

Title print with four female personifications at a heart, Reinier Vinkeles (I), 1778 print Four female personifications illuminated by sun rays are at a piedestal on which a heart. A veiled woman, the personification of faith, leans with her arm on a stone table while the personification of truth lays the hand on her Schouwer and tramples a mask. The blindfolded personification of justice holds a scale and puts an arm around the prosperity, which has a palm branch and the horn of abundance. Amsterdam paper etching / engraving 'Cornucopia', Horn of Plenty. Welfare, Prosperity; 'Publica' happiness', 'Prosperity of life', 'Health' (Ripa). Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Truth; 'TRAPE (RIPA). Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues

St. Anne's Hill, No. II, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with beige, chine colle, Sheet: 17 3/8 × 12 1/16 inches (44.1 × 30.6 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), Chine collé: 11 1/4 × 5 7/8 inches (28.6 × 14.9 cm), and Image: 3 × 3 1/4 inches (7.6 × 8.3 cm)

Print made by William Bernard Cooke, 1778-1855, British, Newark Castle, 1834. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

Robert Wallis, 1794-1878, British, Sinai's Thunder, 1837. Line engraving, open etching.

Newark Castle (vignette), Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, second state on medium, slightly textured, cream wove paper

The Castle Rhine, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 12 11/16 × 9 3/8 inches (32.2 × 23.8 cm), Plate: 9 1/8 × 6 15/16 inches (23.2 × 17.6 cm), Chine collé: 8 5/8 × 6 1/2 inches (21.9 × 16.5 cm), and Image: 3 × 4 inches (7.6 × 10.2 cm)

Edward Francis Finden, 1791-1857, British, The School of Homer, Scio, 1832-1834. Line engraving, engraver's proof.

Title print with four female personifications at a heart, Reinier Vinkeles (I), 1778 print Four female personifications illuminated by sun rays are at a piedestal on which a heart. A veiled woman, the personification of faith, leans with her arm on a stone table while the personification of truth lays the hand on her Schouwer and tramples a mask. The blindfolded personification of justice holds a scale and puts an arm around the prosperity, which has a palm branch and the horn of abundance. Amsterdam paper etching / engraving 'Cornucopia', Horn of Plenty. Welfare, Prosperity; 'Publica' happiness', 'Prosperity of life', 'Health' (Ripa). Justice, 'Justitia'; 'Divine Giustitia' (Ripa) ~ One of the Four Cardinal Virtues. Truth; 'TRAPE (RIPA). Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues

Reading woman in a richly decorated interior, Corneille Seghers, 1824 - 1869 print paper etching / letterpress printing reading. adult woman

St. Anne's Hill, No. II, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving and etching, 1st state on medium, slightly textured, beige wove paper, Sheet: 11 5/8 × 6 5/16 inches (29.5 × 16 cm) and Image: 3 × 3 inches (7.6 × 7.6 cm)

Daphnis Back Naar Chloë Toe, Benoît Audran (I), after Philippe Duc d'Orléans, 1718 print Top right numbered p. 66. print maker: Francepublisher: Paris paper etching Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe. sheep

A Hurricane in the Desert, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on moderately thick, moderately textured, cream, wove paper, Sheet: 17 1/4 × 12 1/8 inches (43.8 × 30.8 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), and Image: 3 1/4 × 3 1/4 inches (8.3 × 8.3 cm)

Vignette Zur "Lobrede auf Duhan"; Vogel, Johann Phillipp Albert (1814-1886), Menzel, Adolph (1815-1905); 1880 (1880-00-00-1880-00-00);

Title page for: Pieter Huisinga Bakker, 'Poëzy, third part', 1790, Reinier Vinkeles (I), 1790 print Amsterdam paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. flowers

Sinai's Thunder, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Open etching

Cover for a series of sixteen landscapes, 1827 print Forest face with large stone on which the title. Within this cover a second cover containing sixteen prints with landscapes. paper etching Bavaria

Print made by W. R. Smith, active 1819-1851, Hannibal passing the Alps (vignette), 1830. Etching and line engraving with graphite and scraping; engraver's proof on medium, slightly textured, cream wove paper.

Edward Alfred Goodall, 1819-1908, British, Columbus Setting Sail, 1834. Line engraving on thick, slightly textured, cream, wove paper, with gray, chine colle.

Title print with four female personifications at a heart. Four female personifications illuminated by sun rays are at a pied feature on which a heart. A veiled woman, the personification of faith, leans with her arm on a stone table while the personification of truth puts hands on her spectator and tramples a mask. The blindfolded personification of justice holds a scales and hits an arm around the prosperity, which has a palm branch and the cornucopia.

Title page for: K.H. Spies 'travel through the palaces of joy and residence of prosperity', 1805..

Print made by W. R. Smith, active 1819-1851, Hospice of the Great St. Bernard (vignette), 1830. Engraver's proof; line engraving and etching on medium, slightly textured, cream wove paper with chine-collé.

Vignette with the Head of Bacchus on a Cornelian, Tome I, Page 242, from Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins. Artist: Augustin de Saint-Aubin (French, Paris 1736-1807 Paris). Dimensions: Sheet: 11 11/16 × 8 1/2 in. (29.7 × 21.6 cm)Plate: 11 1/4 × 8 7/16 in. (28.5 × 21.4 cm). Publisher: L'Abbé La Chau; L'Abbé Le Blond; Pissot. Series/Portfolio: Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé de la Chau au Palais-Royal M. l'abbé Le Blond au collége Mazarin Et chez Pissot, libraire, quai des Augustins. Date: 1778-80.This vignette was included in Description des Principales Pierres gravées du Cabinet de S.A.S. Monseigneur le Duc d'Orléans Premier Prince du sang. A Paris chez M. l'abbé

Cartouche puts Godattriben, Louis Germain, Jacques-François Chéreau, After Jean Charles Delafosse, 1771 print A cartouche surrounded by godsattributes such as a trident, a mercury helmet, an anvil and hammer, a winch and sheet music, Thyrsi and tambourine and arrow sleeve and arch. Paris paper etching / engraving ornament ~ cartouche. gods ~ classical mythology (+ attributes)

Edward Goodall, 1795-1870, British, Ehrenbreitstein, 1837. Line engraving, engraver's proof.

Four putti around a cartouche; Title page for: Sybrand Feestama, nailed black, 1764. Four putti around a cartouche with the inscription: Studio Fovetur Ingenium. On the ground there are two crying putti, one with winch and one with painting palette and brushes. The cartouche is held up by a flying putto with zeis and hourglass. In the air, a trumpet blowing putto flies with the symbol of eternity in his hand.

Print, Title Page, from "Recueil des Tentes Chinoises"; Designed by Jean-Baptiste Pillement (French, 1728-1808); France; etching on paper

Print made by Edward Goodall, 1795-1870, British, Florence, 1830. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Vase of Flowers, Charles Bance, French, active 1793 - 1823, Stipple engraving on paper, Basket containing roses, jonquils and other floweres., France, ca. 1810, Print, Print

Watchlet between bouquets and flower vases, Anonymous, After Jacques Vauquer, 1661 - 1726 print Watchcase with the presentation of Christ in the temple. Dutch opposite copy to sheet from the Liures de Fleurs propres Pour Orfeures et Graurers by Jacques Vauquer. Second print. after design by: France (possibly)publisher: Amsterdam paper engraving

Remembrance of Italy 1871 France. Transfer lithograph printed in brown on light gray China paper laid down on white wove paper . Jean Baptiste Camille Corot

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Bacchus and Ariadne. Engraving.

Title page for: Willem Hendrik Sels 'Reflections', 1777 ..

Print, Two Dead Children Mourned by a Putto; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); Print Maker: Noël Le Mire (French, 1724-1800); France; etching on paper; 1919-10-39

June; Iunius; The twelve months of the year. In a rocaille frame with floral motifs a representation of people on the water. Right a man and two women are fishing. Left in the foreground are two figures with barrels, behind them a woman climbs into a tree. A four-line French text in the undermarge.

Children on the Sea Shore, Print made by John Henry Robinson, 1796-1871, British, after Thomas Stothard, 1755-1834, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Allegory in the various neighborhoods in the nineteenth district in Paris, William Thornley, after Henri Gervex, 1880 - 1892 print Under the show a remarque of a cow. Paris paper. bull. flag, colours (as symbol of the state, etc.) (+ nation; national). boat or vehicle drawn by (fabulous) animal(s) of the sea. reading Paris

Hohenlinden, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof

Cartouche with godat attributes; X Suits the Cartels and Trophées; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). A cartouche surrounded by gods attributes such as a trident, a Mercury helmet, an anvil and hammer, a winch and sheet music, thyrsi and tambourine and arrow sleeve and bow.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Germain, Louis, IIe Volume De l'Oeuvre de J. Ch. Delafosse, X Suitte De Cartels Et Trophées, Cartouche with divine attributes, verso - stamped, A cartouche surrounded by divine attributes such as a trident, a helmet of Mercury, an anvil and hammer, a lyre and sheet music, thyrsi and tambourine and a quiver and bow., print, engraving, ornamental print, prints, engravings, ornamental prints, height 193 mm, width 283 mm, 1733 - 1791, print maker, printmaker, 1771 - 1771, paper, papier, etching, etchings, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Banditti (vignette), Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving, with scraping out and graphite; engraver's proof (a) on medium, slightly textured, cream wove paper

Dutch Lion in Hollandse Garden, 1813, Reinier Vinkeles (I), 1813 - 1814 print Allegorical vignette with the Dutch Lion with sword and freedom hat satisfied in the Dutch garden in which an Oranjeboom grows. Allegory of the liberation of the Netherlands in 1813. Netherlands paper etching / engraving fenced or walled garden; 'Hortus Conclusus'

Edward Alfred Goodall, 1819-1908, British, Columbus and his Son, 1834. Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with gray, chine colle.

Trumpeter on Horseback 1819-1829 France. Lithograph in black on ivory wove paper . Bernard Gaillot

Beaufort and Serves, from Picturesque Selections 1860 England. Lithograph on paper . James Duffield Harding

Gertrude of Wyoming - the Waterfall, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof

Vignette with keeshond and pink bow, 1795, anonymous, 1795 drawing Vignette with a keeshond at a putto that stands on a cloud with a scythe. A pink bow at the top. Part of a group of six signed vignettes, possibly for chasinets at a party on the occasion of the Alliance with France in 1795. Netherlands paper. pencil. paint (coating) pen / brush dog

Title page for: Rhijnvis Feith 'Ferdinand and Constantia, Dl.1', 1785, Reinier Vinkeles (I), 1785 print With a thunderstorm, a putto sails towards a whimsical rock. Amsterdam paper etching / engraving sailing-ship, sailing-boat. lightning, flash of lightning, thunderbolt. rowing-boat, canoe, etc.

Pipe-smoking man at a table, draughtsman: Michiel D.van Limborch, 1648, parchment (animal material), h 184 mm × w 155 mm

Title page for: 'De Waereld', 1786. Title page with Adam and Eva that are driven from paradise.

Shakespeare's Monument at the Church at Stratford upon Avon, John Horsburgh, 1791-1869, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Etching and engraving, engraver's proof, Image: 4 1/8 x 2 7/8in. (10.5 x 7.3cm) and Sheet: 7 3/4 x 5 5/8in. (19.7 x 14.3cm)

William Miller, 1796-1882, British, The Dead Eagle - Oran, 1837. Line engraving, engraver's proof.

Lord Ullin's Daughter (Vignette), Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1837

Ehrenbreitstein, Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1837, Line engraving, engraver's proof

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Fontein with vase, Jeanne Deny, After Jean Baptiste Pillement, 1770 print A figure is bent forward at the edge of a fountain. On top of the fountain is a vase with flowers. Paris paper etching ornamental fountain. vase ~ ornament

Venus and Amor sat on a bed, Jean Baptist Leprince (attributed to), 1744 - 1781 print paper etching bed. (story of) Venus (Aphrodite)

Wycliffe, near Rokeby, John Pye, 1782-1874, British, after Joseph Mallord William Turner, 1775-1851, British, 1823, Line engraving and etching, engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 14 7/8 × 19 7/8 inches (37.8 × 50.5 cm), Plate: 11 × 17 1/4 inches (27.9 × 43.8 cm), Chine collé: 11 × 17 inches (27.9 × 43.2 cm), and Image: 7 9/16 × 10 3/4 inches (19.2 × 27.3 cm)

Petrarch's House at Arqua, Print made by W. R. Smith, active 1819-1851, after Samuel Prout, 1783-1852, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Paris, Chéreau, Jacques-François, Boucher, Juste Nathan François, D 4e Suite d'Arabesques, Standing women and medallion, verso - stamped, Two standing women support a medallion with two figures, above them arabesques and a vase., print, engraving, ornament print, prints, engravings, ornament prints, height 206 mm, width 80 mm, 1736 - 1782-01, print maker, printmaker, 1752 - 1782, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "The winning laughter of meschance." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101779-21 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

An Alcove, William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1834, Line engraving and stipple engraving on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm), Plate: 10 7/16 × 5 15/16 inches (26.5 × 15.1 cm), Chine collé: 10 3/16 × 5 5/8 inches (25.9 × 14.3 cm), and Image: 3 1/4 × 2 3/4 inches (8.3 × 7 cm)

Family leaves house and is checked by maid; Title page for: J.C. Appenzeller, Selma's romantic stories from true events, Haarlem 1835..

Man op trap, anonymous, after Jean Baptiste Pillement, 1776 print In a landscape a man sits on a staircase under two canels. Augsburg paper etching sitting figure. staircase

John Horsburgh, 1791-1869, British, Abbeville, 1836. Etching and line engraving.

Nina lifts her hands in despair to heaven, Daniel Nikolaus Chodowiecki, 1799 print In the margin, a woman is etched in a landscape in a sketchy way. Berlin paper etching cut flowers; nosegay, bunch of flowers. bench. Despair; 'Disperatione' (Ripa)

Costume of the Time of Goya Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Bartolomé Esteban Murillo / 'Saint Josephs Dream'. 1668 - 1682. Grey-brown wash, Black chalk, Pencil on white paper. Museum: Museo del Prado, Madrid, España.

Hamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I) 1825-26 William Greatbach. Hamlet and Ophelia (Shakespeare, Hamlet, Act II, Scene I). After () Henry Perronet Briggs (British, London 1791-1844 London). 1825-26. Engraving and etching on chine collé; scratched letter state. Hurst, Robinson & Co. (London). William Greatbach (British, Stoke-on-Trent 1802-1894 London). Prints

In this 1891 illustration, a cherub holds a wishbone and wishes all "Success Be Unto You"and Happy New Year.

Travelling Musicians, Print made by William Finden, 1787-1852, British, after Thomas Stothard, 1755-1834, British, 1830, Etching and line engraving on medium, slightly textured, cream laid paper

Edward Goodall, 1795-1870, British, The Expulsion from Paradise (Vignette), 1835. Line engraving.

Edward Alfred Goodall, 1819-1908, British, The Boy of Egremond, 1834. Line engraving on thick, slightly textured, beige, wove paper, with gray, chine colle.

Hospice of the Great St. Bernard, Number 11 (The Dead House) (vignette), Print made by W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé, Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm), Plate: 10 1/4 × 5 5/8 inches (26 × 14.3 cm), Chine collé: 10 × 5 3/8 inches (25.4 × 13.7 cm), and Image: 3 × 3 inches (7.6 × 7.6 cm)

Killiecrankie, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving, first published state

"The Exiled Angel" from The Complete Works of Béranger 1836 J. J. Grandville. "The Exiled Angel" from The Complete Works of Béranger. Oeuvres complètes de Béranger. J. J. Grandville (French, Nancy 1803-1847 Vanves). 1836. Wood engraving. Fournier & Perrotin (French). Prints

Fontein in Landschap, Jeanne Deny, After Jean Baptiste Pillement, 1770 print In a landscape with a fence is a figure with a bowl under a fountain. Paris paper etching ornamental fountain. landscapes

People and his profession, The turner, Kamm = button = and peaker etc, Albert Riemensberg von Radmannsdorff -, Drawer, Kühn, Lithographer, Matthias Rudolph Toma -, Printer, publisher

Gratis is dead; more love without paying; / In beautiful Louis are happy the Fleures. / 25 (registered title) | Children. (title of all)

Title page for: Adriaan Loosjes Pz. 'Frank van Borselen and Jacoba van Beijeren', 1790, Reinier Vinkeles (I), c. 1790 print Amsterdam paper etching archer's weapons: arrow. birds

The hunter and the dairy (TA)

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, C Médaillons Ovales, 3eme Remarque depuis Bacchus next to Pluto, 4th century Note after Pluto next to Persée, Bacchus, Pluto and Perseus, verso - stamped, An oval medallion with a figure in a carriage drawn by horses, a trident, a cart wheel, a cornucopia, a vase, swords, a mask, a shield, torches and snakes. Print number 14., print, ornament print, prints, ornament prints, height 380 mm, width 236 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Another madness of his in the same ring, plate 19 from The Art of Bullfighting. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1814-1815. Dimensions: 205 x 319 mm (image); 245 x 353 mm (plate); 322 x 445 mm (sheet). Etching, burnished aquatint, drypoint and burin on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

. Title page of: scene of a remuting of three Scheveningen visschers, with a boat from England to Holland, in January by Den Jare 1781. The three fishermen in a small boat on the high seas.

Leviez, Charles, Pillement, Jean Baptiste, Deny, Jeanne, Recueil des Tentes Chinoises, Man with parasol under a tent, verso - stamped, In a landscape a man is seated, seen from the back, holding a parasol. Above him a tent with awnings and a mill., print, engraving, ornamental print, prints, engravings, ornamental prints, height 240 mm, width 164 mm, French, 1749 - 1815, print maker, printmaker, 1770 - 1770, paper, papier, etching, etchings, Work conception, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, 1708 - 1778, publisher

Keeshond, ca. 1787-1792; I rest. Oval show (destined for a medallion) With a seated Keeshond, symbol of the Patriots, ca. 1787-1792. With inscription: I rest.

Memorial for Rutger Schutte, Hendrik Leffert Meyling, After Jacobus Versteegen, 1784 - 1786 print Memorial for writer and pastor Rutger Schutte. On either side of the monument a mourning man and woman. At the foot of it an extinct torch, books and a winch. Amsterdam paper etching other memorial structures. torch - BB - torch held upside down (+ extinguishing; extinguished light, lamp, candle). attributes of Apollo: lyre

Group picture.

Print made by Edward Goodall, 1795-1870, British, The Campagna of Rome - from Roger's 'Italy', 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

Cantharide. (Title Title)

Four women and a boy, Johan Jakob Biedermann, 1778 - 1830 print In the foreground probably a basket with onions. Numbered at the top right: 4. paper etching

SEVRES PLATE, PAINTED WITH A SCENE FROM THE BATTLE OF MARENGO, FOR THE EMPEROR NAPOLEON I

Sculpture of a horse tanger in a park near Bad Cannstatt, c. 1865 photograph Part of photo album of a trip through Switzerland, Austria and Germany by the Dutch Derkinderen family. Bad Cannstatt paper. photographic support albumen print travelling; tourism. monument, statue Bad Cannstatt

William Miller, 1796-1882, British, A Garden, 1834. Line engraving, engraver's proof.

A pencil drawing by Julius Victor Berger depicting a plafond draft with Psyche on a triumphal car, surrounded by Putti, showing composition and figures.

Venice (vignettes), Print made by Edward Goodall, 1795-1870, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching; open etching on medium, slightly textured, cream wove paper, Sheet: 10 1/4 x 5 5/8in. (26 x 14.3cm)

Egypt and Nubia, Volume II: Island of Philae, on the Nile, Nubia, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 40.8 x 43.6 cm (16 1/16 x 17 3/16 in.); image: 25.2 x 35.2 cm (9 15/16 x 13 7/8 in.).

Titelprent puts Ornamertle Cartouche in Adam in Eva in Twee Nissen, Etienne Delaune, After Jean Delaune, 1578 print paper engraving title-page. Adam and Eve (not in biblical context). ornament ~ cartouche

Three putti with a floral basket and butterflies. .

Dish with abolitionist image and poem, c. 1833, Lead-glazed earthenware.

The Flower Book - Traveller's Joy. From The Flower Book, 1905. Sir Edward Burne-Jones .

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