Equestrian Activities

Drawings of horseback riders engaged in various activities such as racing and jumping, rendered in watercolor and graphite, capturing dynamic motion.

Bliżej Kultury Michałowski, Piotr (1800 1855)

Thomas Rowlandson, 1756-1827, British, A Waggoner, undated. Watercolor and graphite with pen and brown ink on medium,slightly textured, cream wove paper.

Henry Thomas Alken, 1785-1851, British, Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could, between 1809 and 1823. Graphite and red chalk on thin, slightly textured, blued white, wove paper.

Henry Thomas Alken, 1785-1851, British, "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty, between 1848 and 1851. Graphite and watercolor on medium, moderately textured, blued white, wove paper.

Drawing for 'Specimens of Riding near London:' The Pleasure of Riding in Company. One Would Stop if the Other Could, Henry Thomas Alken, 1785-1851, British, between 1809 and 1823, Graphite and red chalk on thin, slightly textured, blued white, wove paper, Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm), galloping, horseback riders, horseback riding, horses (animals), men, reins, sporting art, England, Europe, Greater London, London, United Kingdom

Henry Thomas Alken, 1785-1851, British, "Topping a Park fence and doing the thing easy", 1827. Graphite and watercolor on medium, slightly textured, cream wove paper.

Henry Thomas Alken, 1785-1851, British, "Some Do and Some Don't: It is All a Notion:" Getting a Dive, between 1848 and 1851. Graphite and watercolor on medium, slightly textured, cream, wove paper.

Henry Thomas Alken, 1785-1851, British, Jumping a Low Rail and a Brook, undated. Watercolor, with pen, in brown ink, and graphite on moderately thick, slightly textured, blued white, wove paper.

Horse Tent at the Circus. Gifford Beal (1879-1956). Oil on masonite. 41 x 81.4cm

DETALLE "ESCENA DEL QUIJOTE"-OLEO LIENZO,141x249 CM. Author: JOSE MORENO CARBONERO (1860-1942). Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA. DON QUIJOTE. SANCHO PANZA.

Bliżej Kultury Michałowski, Piotr (1800 1855)

A Tense Moment Frank Tenney Johnson (1874-1939 American)

Mount Washington 1869 New Hampshire. The White Mountains of New Hampshire were celebrated by artists, travel writers, and naturalists for their majestic wilderness. In the mid-19th century, Hudson River School painters reveled in the untamed scenery, but by the time Winslow Homer arrived on assignment from Harperís Weekly in 1868, the region was dominated by tourists and the comforts they demanded grand hotels, railroads, and well-groomed trails for walking and riding. Homer depicted the eastern landscape as a stage for human activity, rather than as a sublime paradise fraught with Christian and nationalistic associations, which was a new approach to landscape painting in the years after the Civil War.. Oil on canvas . Winslow Homer

Henry Thomas Alken, 1785-1851, British, Full Cry, undated. Graphite and watercolor on medium, slightly textured, cream, wove paper.

The Jockey (Le jockey). Dated: 1899. Dimensions: image: 51.8 x 36.1 cm (20 3/8 x 14 3/16 in.) sheet: 55 x 38.9 cm (21 5/8 x 15 5/16 in.). Medium: color lithograph. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Leaving the Inn

A Horse Rider Talking to a Man at an Inn. Hendrick Avercamp (Dutch, 1585 - 1634) about 1630 Avercamp depicted a summer's evening along the banks of a river. In the foreground, a rider with his horse faces a man. Just behind them stands a humble inn, with its shutters open to let in fresh air. Using a low horizon line, Avercamp created a vibrant and multi-hued sky, contrasting blues with streaks of red and yellow. He peppered the river with ducks and boats, including a crowded cable ferry crossing to the opposite shore. A charming view of everyday life, the drawing demonstrates Avercamp's keen observations of people along the river and the water's edge. His characteristic bold outlines describe the humble figures and setting with a practiced and careful simplicity that is further enhanced by the application of bright colors to enliven the atmosphere. The layering of watercolor, and the prominent placement of the artist's monogram, indicates that this sheet was a complete and independent

American FrontierLife. Artist: Arthur Fitzwilliam Tait, American, 1819-1905

Samuel Howitt, 1756-1822, British, Racing Scene, 1792. Watercolor, pen and black ink, and gray ink on medium, smooth, cream, wove paper, mounted on, moderately thick, moderately textured, cream, laid paper.

Joseph Crawhall, 1861-1913, British, The Loose Shoe, undated. Pen, black ink and gouache on medium, slighlty textured, brown wove paper.

Illustration with tsar Ivan IV the Terrible on horse by Vyacheslav Grigoryevich Schwarz, Oil on cardboard, 1868, 1838-1869, Russia, St. Petersburg, State Russian Museum, 17,5x23

James Seymour, 1702-1752, British, Victorious, undated. Gouache, pen and brown ink, black ink, and graphite on medium, moderately textuerd, beige, laid paper.

Jason' Beating 'Spectator'....for the Grate Subscription at Newmarket. Francis Sartorius (1734-1804). Oil on canvas, 84.5 x 124.5cm.

CHECA, ULPIANO PINTOR ESPA¿OL. COLMENAR DE OREJA(MADRID) 1860-1916 "CABALLOS DESBOCADOS",OLEO 1906 MUSEO BELLAS ARTES. BUENOS AIRES.

Henry Thomas Alken, 1785-1851, British, Topping a Flight of Rails and Coming Well into the Next Field, undated. Watercolor, gouache and graphite on medium, slightly textured, wove paper.

The Chase. Peter Rindisbacher (1806-1834). Watercolour on paper. 19.7 x 29.8cm.

Un alto en la pulpería. Date/Period: Ca. 1860. Painting. Height: 240 mm (9.44 in); Width: 326 mm (12.83 in). Author: Prilidiano Pueyrredon.

Cast Iron Mule Bank. Dated: c. 1941. Dimensions: overall: 22.1 x 30.5 cm (8 11/16 x 12 in.) Original IAD Object: 7" high; 10" long. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Sarkis Erganian.

Bucking Bronco. Newell Convers Wyeth (1882-1945). Oil on canvas laid down on masonite. Signed and dated 1903. 70.4 x 49.5cm.

Don Quixote and the Windmills 1845-1855 France. Oil on panel . Honoré-Victorin Daumier

Carousel Horse. Dated: 1938. Dimensions: overall: 40.6 x 51.1 cm (16 x 20 1/8 in.) Original IAD Object: 48" (approx). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Henry Tomaszewski.

The Suffolk Hunt: Full Cry. Date/Period: 1833. Painting. Oil on canvas. Height: 276 mm (10.86 in); Width: 378 mm (14.88 in). Author: Sr. John Frederick Herring.

Henri de Toulouse-Lautrec, En observation. M. Fabre, Officier de reserve, 1901, oil on canvas, Museo Nacional de Bellas Artes (MNBA), Buenos Aires, republica Argentina, cono sur, South America.

Bryczka. Masłowski, Stanisław (1853-1926), draughtsman, cartoonist

Le Derby D'epsom by Theodore Gericault, painted image, (1791-1824)

With a report by Rylov, Arkadi Alexandrovich (1870-1939)/ State Art Museum, Samara/ 1936/ Russia/ Oil on canvas/ Soviet Art/ 70x112/ Genre

DOS BURROS - SIGLO XIX. Author: EDUARDO ROSALES GALLINAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

'Doing the Thing: and the Thing Done:' Doing the Down Leap, Henry Thomas Alken, 1785-1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, blued white, wove paper, Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm), cliff, falling, fence, hat, hill, horseback riders, horseback riding, horses (animals), hunt, hunters, hunting, jumping, landscape, leaping, men, sporting art, whip

Argentina. Gauchos Colored engraving. 19th century.

Where are you going, my Pretty Maid' Illustration by Randolph Caldecott for the Nursery Rhyme 'The Milkmaid'.

Sardinia. Sardinian farmers. Engraving by Woltener. Lemaitre direxit. History of Malta and Gozo, by Frederic Lacroix. Panorama Universal, Spanish edition, printed in Barcelona, 1850.

William Ward, 1766-1826, British, The Sportsman's Return, 1792 (re-issue of 1791). Mezzotint, printed in color and hand colored.

A Future Derby Winner on the Downs Near Marlborough. George Wright (1860-1942). Oil on canvas. 56 x 91.5cm. This view is on the old Bath Road (now a footpath) passing through the gallops at Monton House, Marlborough, Wiltshire.

Mother with child in garden. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: 1782 - 1837. Measurements: h 52 mm × w 42 mm. Museum: Rijksmuseum, Amsterdam.

Loading a Cart for Market, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm), Contemporary drawn border: 7 11/16 × 10 1/2 inches (19.5 × 26.7 cm), and Mount: 12 11/16 × 16 1/4 inches (32.2 × 41.3 cm)

Józef Chełmoński (1849-1914), before the inn; Raczyński, A. (Fl. 1906-1922); 1908 (1908-00-00-1908-00-00);

GOYA Y LUCIENTES, Francisco de (1746-1828). Mariano Ceballos, alias 'the Indian', mounted on a bull, breaks short spears in the ring at Madrid. 1810s. Oil on copper sheet. Oil. Private Collection.

'Genre Scene. Family's Journey from Sonnino'. Italy, 1825. Dimensions: 19,1x23,5 cm. Museum: State Hermitage, St. Petersburg. Author: BARTOLOMEO PINELLI.

Prairie on Fire Charles Deas (American, 1818-1867). Prairie on Fire, 1847. Oil on canvas, 28 3/4 x 35 15/16 in. (73 x 91.3 cm). Prairie Fire takes the classic damsel-in-distress story line and transports it to the American West. Panicked horses and frantic riders race through a prairie as a fire rages in the background. In choosing this setting, Charles Deas drew on popular imagery in nineteenth-century visual art and literature, including James Fenimore Coopers novel The Prairie. American Art 1847

A litter, 1825, Mexico 19th century. Engraving.

The Countess of Coningsby in the Costume of the Charlton Hunt. Date/Period: Ca. 1760. Painting. Oil on canvas. Height: 635 mm (25 in); Width: 743 mm (29.25 in). Author: George Stubbs.

Two Riders in a Landscape. Dating: 1817. Measurements: h 29 cm × w 36 cm. Museum: Rijksmuseum, Amsterdam. Author: Anthony Oberman.

Kossak Juiusz On Sledges Grund, Dawid, Art Card Publishing House

THIRLBY HALL, DRAWN BY WILLIAM SMALL, 1883; Three more figures came into view, one by one.

Winter Amusement by E. Champollion after Boucher, engraved by A. Quantin.

George Stubbs, 1724-1806, British, The Countess of Coningsby in the Costume of the Charlton Hunt, ca. 1760. Oil on canvas.

A Grey Horse. Date/Period: Before 1641. Painting. Oil on paper on panel. Height: 476 mm (18.74 in); Width: 436 mm (17.16 in). Author: Sir Anthony van Dyck.

E. Ghione, The Halt or The Watering.

Scouting With Daniel Boone. Date/Period: 1914. Painting. Oil on canvas. Height: 431.80 mm (17 in); Width: 711.20 mm (28 in). Author: Norman Rockwell.

Italy - 19th century - Garibaldi on Gianicolo, June 3, 1849. Painted by Girolamo Induno (1825-1890).

The Cheyenne Brothers Returning from Their Fall Hunt. Dated: 1861/1869. Dimensions: overall: 46.2 x 62 cm (18 3/16 x 24 7/16 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

EL PAVO (PICADOR)-40X54 CM-O/L. Author: ROMERO BALDOMERO RESSENDI (1922-1977). Location: BANCO EXTERIOR. Sevilla. Seville. SPAIN.

'Sporting Discoveries, or the Miseries of Driving:' ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition, Henry Thomas Alken, 1785-1851, British, undated, Watercolor, with pen, in brown ink and black ink, over graphite on medium, slightly textured, cream, wove paper, Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm), accident, carriage, coat, driver, driving, galloping, genre subject, hat, horses (animals), men, people, speed

Gaetano Previati. (1852 - 1920). After Novara, 1884. Oil on canvas 43 x 114 cm.

Two Jockeys on Horse, Henri de Toulouse-Lautrec, 1899 print Paris paper jockey. horse. windmill. horse-racing

Race Horses ca. 1885-88 Edgar Degas French Degas undertook racing scenes throughout his career, characteristically manipulating his horses and jockeys from one picture to the next. All the figures here appear in earlier works, and some of the poses have pedigrees even more distinguished than the horses: the prancing mount and rider at the center derive from Benozzo Gozzoli's Journey of the Magi in the Palazzo Medici-Riccardi, Florence, which Degas had copied in 1859. This picture is nevertheless unusual for its mediumpastel on a plain, unvarnished panel. With skillful economy of means, Degas allowed the wood to color the sky and distant landscape, and to provide a warm undertone for the turf in the foreground.. Race Horses 437994

PAISAJE. Author: BENJAMIN PALENCIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Landscape with cows, sheep and shepherdess, modified copy after a painting by Paulus Potter, the shepherdess copied from a painting by Karel Dujardin (recto); unfinished portrait of a man (verso). Painter: Paulus Potter (copy after). Draughtsman: Jean-Etienne Liotard. Dating: 1761. Measurements: h 37 cm × w 46 cm; h 56 cm × w 64.5 cm × d 7.5 cm. Museum: Rijksmuseum, Amsterdam.

Horse Weather Vane. Dated: 1935/1942. Dimensions: overall: 29 x 43.2 cm (11 7/16 x 17 in.) Original IAD Object: 29 1/2" wide; 17" high. Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Dolores Haupt.

Julian Fałat (1853-1929), Dogs in Sanks; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

'The Four-In-Hand', c1898, (1935). Creator: William Nicholson.

Leisure and Labor. Dated: 1858. Dimensions: overall: 39.53 × 57.94 cm (15 9/16 × 22 13/16 in.) framed: 56.83 × 78.11 × 10.16 cm (22 3/8 × 30 3/4 × 4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Frank Blackwell Mayer.

Huzar from the 13th Pump of the Warsaw Books; Rozwadowski, Zygmunt (1870-1950); 1892 (1892-00-00-1892-00-00);Duchy of Warsaw (1807-1815), Duchy of Warsaw, History, Huzarzy, Napoleonika, Romanticism (Style), Soldiers

CARNOT , MARIE FRANCOIS SADI POLITICO FRANCES PRESIDENTE DE LA REPUBLICA , AÑO 1887 " ATENTADO EN LYON EN JUNIO DE 1894 " GRABADO DE L ¿ILLUSTRATION.

Drover with Oxen Pulling a Cart, 1840/41, watercolor over brush and brown ink on wove paper, overall: 25 x 30.6 cm (9 13/16 x 12 1/16 in.), Théodore Chassériau (artist) French, 1819 - 1856

'Landscape with the Robbery of a Cart'. Flanders, Early 17th century. Dimensions: 28,5x45,5 cm. Museum: State Hermitage, St. Petersburg. Author: Sebastiaen Vrancx (circle of).

'The Surrender of Breda' (detail), 1634, Oil on canvas, P01172. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Lazio Rieti Leonessa S. Francesco5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14-15th century). Post-medieval: Metalwork, sculpture (16th century), painted wood statues (15th century), frescoes, sculpture Presbytery serving as museum: sculpture, painting (17th century), frescoes, metalwork--processional cross German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

TAPIZ - FABULA DE LAS DOS CABRAS. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Steeplechasing: The Brook, William J. Shayer, 1811-c.1885, British

Hobby Horse. Dated: 1935/1942. Dimensions: overall: 37.3 x 46 cm (14 11/16 x 18 1/8 in.) Original IAD Object: 16" high; 24 1/2" long; 7" wide. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

The threshing of wheat, 1865-1867, by Eugenio Cecconi (1842-1903), oil on wood, 18x23 cm.

The Meet (Picture) Made 1801-1900 England. Silk, plain weave with supplementary brocading wefts . Thomas Stevens (Weaver)

Returning From The Fair At Seville Ansdell, Richard(1815-1885 British) Oil On Canvas Christie's Images, London, England

Cowboy In The Badlands Borack, Stanley(1927- American)

Battle Between Sioux and Sac and Fox. oil on canvas. Date: 1846-1848. Museum: Smithsonian American Art Museum.

Harvest. Vrancx, Sebastiaan (1573-1647), painter, unknown, painter

Bedouins. Kowalski Wierusz, Alfred, painter

A blue ribbon winner - digital file from original item | Library of Congress

Horse by sea by Giorgio de Chirico, 1888-1978

The Oath of Abrahams Servant, c. 1650-1659. Giovanni Benedetto Castiglione (Italian, 1609-1664). Oil on canvas; framed: 71.2 x 94 x 9 cm (28 1/16 x 37 x 3 9/16 in.); unframed: 56 x 78.4 cm (22 1/16 x 30 7/8 in.).

Back From The Trading Post. Frank Tenney Johnson (1874-1939). Oil On Canvas, 1930.

Watercolour - Major W. N. Orange's Cariole at Fredericton, New Brunswick 1835

In John P. Kennedy's novel, Horse Shoe Robinson gallops away from his Tory captors.

Bust of Abraham Lincoln Augustus Saint-Gaudens (American, born Ireland, 1848-1907). Bust of Abraham Lincoln, 1922. Bronze, 28 x 17 x 14 in. (71.1 x 43.2 x 35.6 cm). This portrait bust of President Abraham Lincoln was derived from the full-length standing portrait completed by Augustus Saint-Gaudens in 1887 for Chicagos Lincoln Park. Saint-Gaudens based Lincolns likeness on plaster life casts of the presidents head. The sculptor was inspired by Lincolns landmark 1860 speech at Cooper Union in New York, in which the future president declared that the founders would have opposed the expansion of slavery into new American territories. In this speech Lincoln also made famous the phrase “Let us have faith that right makes might.” American Art 1922

Wojciech Kossak (1856-1942), Helena Potocka returns from the hunt; Salon Painters Publishing House (Kraków; 1895-1949); around 1910 (1905-00-00-1915-00-00);

God the Father Seated in Clouds Surrounded by Angels and Putti. Dated: 1753/1759. Dimensions: overall (approximate): 25 × 17.3 cm (9 13/16 × 6 13/16 in.). Medium: pen and gray ink with golden brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

The Young Horseman. Alfred De Dreux (1810-1860). Oil on canvas.

Ko in Kierat; Wyczóżó Kowski, Leon (1852-1936); 1912 (1912-00-00-1912-00-00);Young Poland (Styl), Partage Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, peasants, horses, horses, Poland (culture), Figure Designs, Polish drawings, Polish drawings, genre scenes, graphics studies, village, purchase (provenance)

The Races at Longchamp 1866 France. With a characteristic focus on the pleasures of modern life, douard Manet depicted this scene of the racetrack in the Bois de Boulogne, on the western outskirts of Paris. The popularity of Longchamp, where races were run for the first time in 1857, signaled a general revival in French horse racing. This painting records the last moments of a race, as the horses rush past the finish line, indicated by the pole with a circular top. Unlike traditional sporting artists, who always showed races from the side, Manet dared to compose the scene so that the throng of horses and jockeys thunders straight toward the viewer.. Oil on canvas . Édouard Manet

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