Equestrian Activities

Dynamic scenes depicting horse riding and hunting activities, with figures on horseback in various landscapes, utilizing watercolor and ink techniques.

The Ploughman. Frants Henningsen (1850-1908). Oil on canvas, dated 1880, 84 x 137cm.

Henry Thomas Alken, 1785-1851, British, The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner, undated. Watercolor and gouache on medium, slighlty textured, brown wove paper mounted to thick card.

Henry Thomas Alken, 1785-1851, British, "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion I've Worked so Hard that I Hav'nt a Notion in Me', between 1831 and 1832. Graphite with red chalk on medium, slightly textured, blued white, wove paper.

Going hunting. Chmielowski, Adam (1845-1916), painter

Couple and forest fire by Newell Convers Wyeth, 1882-1945

Riding Out. John Skeaping (1901-1980). Gouache. Signed and dated 1964. 22 x 30in

Bega, Cornelis, work, Drinker sitting on half of a barrel (Le Buveur), (1000 - 2003), line etching, graphics, plate width 6.6 cm, plate height 10.4 cm, leaf width 10.3 cm, leaf height 14.4 cm, image width 5.9 cm, image height 8.4 cm

A Ride for Liberty -- The Fugitive Slaves (recto) Eastman Johnson (American, 1824-1906). A Ride for Liberty -- The Fugitive Slaves (recto), ca. 1862. Oil on paperboard, 21 15/16 x 26 1/8 in. (55.8 x 66.4 cm). In this composition, Eastman Johnson portrayed an enslaved family charging for the safety of Union lines in the dull light of dawn. The absence of white figures in this liberation subject makes it virtually unique in art of the periodthese African Americans are independent agents of their own freedom. Johnson claimed to have based the painting on an actual event he witnessed near the Manassas, Virginia, battlefield on March 2, 1862, just days before the Confederate stronghold was ceded to Union forces. In agony close to her bosom she press’d The life of her heart, the child of her breast: Oh! love from its tenderness gathering might, Had strengthen’d her soul for the dangers of flight. But she’s free!yes, free from the land where the slave From the hand of oppression must rest

Hunter onHorseback. Artist: Gustave Courbet, French, 1819-1877

The Ploughman. Frants Henningsen (1850-1908). Oil on canvas, dated 1880, 84 x 137cm.

Two riders at a well, Pieter Verbeecq, c. 1635

'Some Do and Some Don't: It is All a Notion:' Getting a Fall, Henry Thomas Alken, 1785-1851, British, between 1848 and 1851, Graphite and watercolor on medium, slightly textured, beige, wove paper, Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm) and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm), buildings, dogs (animals), falling, fence, grass, hat, hill, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, jumping, men, sporting art, trees, whips (animal equipment)

Elijah Runs Before the Chariot of Ahab James Tissot (1836-1902 French) Jewish Museum, New York City

Feder and watercolor drawing by Max Slevogt depicting the murder of Brother Ali Babas by robbers from Ali Baba and the Forty Robbers.

William Strang, 1859-1921, British, Flight into Egypt. Etching on laid paper.

A long cart with nothing ydem; Care, Józef (1849-1914); around 1882 (1875-00-00-1885-00-00);Smólski, Karol (1864-1952) - collection, gift (provenance), thaws, sketches, spring, peasant cars, Jews

Jan Chełmiński (1851-1925), Hunting; Kulikowski Salon (Warsaw; Art Gallery; Publisher); around 1910 (1905-00-00-1915-00-00);

A stop to change horses , Horses, Carts & wagons, Swine, Barrels. Thomas Rowlandson (1756-1827). Prints and Drawings

Cart with Red and White Ox, Van Gogh, Vincent Willem, 1884.

The London-Dover Royal Mail, c. 1830-1840, Charles B. Newhouse, fl. c.1820-1836, British, undated, Watercolor, with pen, in brown ink, black ink, red ink, gum arabic, gouache and graphite on moderately thick, slightly textured, gray, wove paper, Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm), coach, genre subject, horses (animals), landscape, mailing, men, post chaise, trees, winter

After hunting. Ajdukiewicz, Tadeusz (1852-1916), painter

Henri de Toulouse-Lautrec, En observation. M. Fabre, Officier de reserve, 1901, óleo sobre tela,Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

Milkmaid's Family by Louis Le Nain, 1640

Wojciech Kossak (1856-1942), Débris de la Grande-carée 1812; Salon Painters Publishing House (Kraków; 1895-1949), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

The Timber Wagon, Hermann Kauffmann the elder, (1808-1889/German)

PLANELLS , ANGEL. PINTOR ESPAÑOL. CADAQUES 1901 - 1989. " EL SUEÑO VIAJA " , OLEO SOBRE LIENZO , AÑO 1936. CENTRO DE ARTE REINA SOFIA. MADRID.

Madonna adoration, part "Id Id above the streams"; Malczewski, Jacek (1854-1929); 1910 (1910-00-00-1910-00-00);Adoration of the Child (iconogr.), Goldberg-Górski, Franciszek (1863-1937)-collection, Madonna (iconogr.), Young Poland (Styl), PartaGe Plus, Pegaz (Mitol.), Słowacki, Juliusz (1809-1849), Chimers (mitol.), Gift (provenance), fauna (mitol.), Women, multi -stone scenes, ham, triptych, laurel wreaths, wanderers, exile

Lucas Cranach "the Elder" (1479-1553). German painter and engraver. Hunt in Honour of Charles V at the Castle of Torgau, 1544. Oil on panel. Detail. Prado Museum. Madrid. Spain.

Grand Lavoir, Pampa del Sacramento, 1854/1869, oil on card mounted on paperboard, overall: 43.8 x 61.2 cm (17 1/4 x 24 1/8 in.), George Catlin (artist) American, 1796 - 1872

Calash and Horses. Dated: c. 1940. Dimensions: overall: 30.7 x 40.7 cm (12 1/16 x 16 in.) Original IAD Object: 15 1/4" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: JOHN HALL.

Moving into Camp. Olaf Carl Seltzer (1877-1957). Oil on canvas. 50.8 x 76.2cm

Husking Bee, Island of Nantucket. Eastman Johnson; American, 1824-1906. Date: 1876. Dimensions: 69.3 × 137 cm (27 1/4 × 54 3/16 in.). Oil on canvas. Origin: Nantucket Island. Museum: The Chicago Art Institute, Chicago, USA.

fine arts, Lessing, Carl Friedrich, (1808 - 1880), painting, ""Heimkehrender Kreuzritter"", (""returning crusader""), 1835, oil on canvas, 64 cm x 66 cm, Rhenian state museum, Bonn,

Days on the Range ("Hands Up!"). Date/Period: 1900/1904. Painting. Oil on canvas. Width: 68.6 cm. Height: 101.6 cm (without frame). Author: Frederic Remington.

Postilion on Horse in a Winter Landscape. Artist: Wilhelm von Kobell (German, Mannheim 1766-1853 Munich). Dimensions: sheet: 14 9/16 x 19 11/16 in. (37 x 50 cm). Date: ca. 1798. Museum: Metropolitan Museum of Art, New York, USA.

Marketplace with Romans and Batavians, by Charles Rochussen, 1889, Dutch watercolor painting. The Batavi were an ancient Germanic tribe that lived near the modern Dutch Rhine delta from the second half of the first century BCE to the third century ADE. (BSLOC_2016_2_293)

Study for The Evil Eye”. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

German Joust of Peace, c.1512-1515, Freydal, The Book of Jousts and Tournaments of Emperor Maximilian I: Combats on Horseback (Volume I), watercolor and gouache on laid paper, sheet: 33.2 × 26 cm (13 1/16 × 10 1/4 in.), German 16th Century (artist)

William Howes Hunt, 1806-1879, View of Yarmouth, 1874. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Kazimierz Sichulski (1879-1942), Hutsuli; Salon Painters Salon Publishing House (Kraków; 1895-1949), Zorza (Kraków; Photographic Zak 1908 (1908-00-00-1908-00-00);

Cascade in Flume, Franconia Notch, N. H. still image. Postcards. 1898 - 1931. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Hunt, William Morris, 1824-1879

Henry Thomas Alken, 1785-1851, British, "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition, undated. Watercolor, with pen, in brown ink and black ink, over graphite on medium, slightly textured, cream, wove paper.

Evangeline.

Farmer and Horse, Jersey. Edmund Blampied (1886-1966). Oil on panel. 43 x 48.5cm

Horseracing by Yakulov, Georgi Bogdanovich (1884-1928) / State Tretyakov Gallery, Moscow / Futurism / 1911 / Russia / Oil on wood / Genre / 53x76

Title Unknown 1978 Stanley Borack (b.1927 American)

George Catlin, Bride and Groom on Horseback Connibo, 1854 1869 Bride and Groom on Horseback - Connibo

Men on horse by Vasili Vasilyevich Vereshchagin, Oil on canvas, 1873, 1842-1904, Russia, Moscow, State Tretyakov Gallery, 58, 4x74

THE EMIGRANTS, by Frederick Remington, 1904. A band of Plains Indians harasses a wagon train as it fords a river. The ox-drawn wagons travel in an arid and mountainous region of the western frontier (BSLOC_2019_9_198)

The Drop. Edmund Henry Osthaus (1858-1928). Watercolour on prepared board. 55 x 77cm.

Potato Planting, Van Gogh, Vincent Willem, 1884.

VAN DYCK, pupil of Anton (17th century). Charles I on horseback. 1635. Flemish art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Kazimierz Stabrowski (1869-1929), Szept Mierci / Le Souffle de la Mort; Meduza (Warsaw; Publisher), Anczyc, W Adys Aw Ludwik and Spóża (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Wojciech Kossak (1856-1942), horse shooter; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); 1909 (1909-00-00-1909-00-00);

Print made by George Baxter, 1804-1867, British, Australia, News from Home, 1853. Baxter print on medium, slightly textured, cream wove paper.

'Milkmaid's Family'. France, Circa 1641. Dimensions: 51x59 cm. Museum: State Hermitage, St. Petersburg. Author: LOUIS LE NAIN.

Emperor Nicholas I on a horse drawn sledge by Sverchkov, Nikolai Yegorovich (1817-1898) Far Eastern Art Museum, Khabarovsk 1895 Oil on canvas 70x91 Russia Russian Painting of 19th cen. Portrait,Genre Painting

Last Journey by Vasili Grigorevich Perov, oil on canvas, 1865, 1834-1882, Russia, Moscow, The Tretyakov Gallery

GOYA Y LUCIENTES, Francisco de (1746-1828). The snowfall. 1786. Painted for El Pardo, where the tapestry is preserved. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Jepthah Sees His Daughter From Afar James Tissot (1836-1902 French)

Laetitia, Lady Lade, Stubbs, George

Historic mural on building wall in The Dalles, Oregon (Editorial Usage Only)

Charles Ferdinand Wimar (Siegburg, 1828-Saint Louis, 1862). The Lost Trail (ca. 1856). Oil on canvas. 49.5 x 77.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Portrait of Mlle Fiocre in the Ballet "La Source" (Portrait de Mlle...Eugénie Fiocre: à propos du ballet "La Source") Edgar Degas (French, 1834-1917). Portrait of Mlle Fiocre in the Ballet "La Source" (Portrait de Mlle...Eugénie Fiocre: à propos du ballet "La Source"), ca. 1867-1868. Oil on canvas, 51 1/2 x 57 1/8 in., 166 lb. (130.8 x 145.1 cm, 75.3kg). The first of Edgar Degas’s many works to focus on the ballet, this painting depicts Eugénie Fiocre, a celebrated ballerina, in her role as princess Nourreda in the ballet La Source. The production presented a fantasy of an exotic “Orient,” featuring Mlle Fiocre as (in the words of one writer) “the prettiest blonde houri who ever wore the bonnet and the corset of pearls in the paradise of Muhammad.” The 1866 production at the Paris Opéra—with its elaborate costumes and sets, including the hydraulic-powered running stream and live horse seen in Degas’s painting—astonished audiences and provided fodder for caricaturists, who comp

Giovanni Segantini (1858-1899). Italian painter. The Two Mothers, 1889. Oil on canvas, 280 x 157 cm. Modern Art Gallery. Milan. Italy.

USA, Ohio, Cincinnati: Cincinnati Museum Center at Union Terminal (b.1933) / Ceiling Mosaic about Ohio History

Hunter in the Adirondacks. Date/Period: 1892. Watercolor over graphite on white paper. Height: 40.9 cm (16.1 in); Width: 63.3 cm (24.9 in). Author: Winslow Homer.

After the carnival ball, drawing by Riccardo Pellegrini, from L'Illustrazione Italiana, Year XXXII, No 8, February 19, 1905.

Bullfight by anonymous artist, painting, Russia, Khabarovsk, Far Eastern Art Museum, 207x266

DETALLE "ESCENA DEL QUIJOTE"-OLEO LIENZO,141x249 CM. Author: JOSE MORENO CARBONERO (1860-1942). Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA. DON QUIJOTE.

A Lucky Shot. Henry Francois Farny (1847-1916). Gouache on paper laid down on board. Signed and dated 1903. 28.2 x 44.5cm.

NIÑO DOMANDO A UN POTRO - SIGLO XIX. Author: ROSA BONHEUR. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Krasnov, Nikita Karpovich (1897-1976) Regional K. Savitsky Art Gallery, Pensa 1919 57,5x73 Oil on cardboard Soviet Art Russia History

On the Lookout. Olaf Carl Wieghorst (1899-1988). Oil on canvas. 76 x 91.5cm.

Overturn Rikisha, from a photography album with images of Japan, 19th-20th century, 7 13/16 x 10 1/2 in. (19.84 x 26.67 cm) (sheet)9 x 13 x 1 1/2 in. (22.9 x 33 x 3.8 cm) (album, closed), Hand-tinted gelatin silver print, Japan, 19th-20th century

The sledge, 1870-1875, by Stefano Bruzzi (1835-1911), oil on canvas, 36x71 cm.

Mina Lowry, Toy Fire Engine, c 1939 Toy Fire Engine

Only One Chance. Olaf Carl Wieghorst (1899-1988). Oil on canvas. 70.1 x 96.6cm.

Tsyplakov, Viktor Grigorievich (1915-1986) Private Collection 1950 90x99 Oil on canvas Soviet Art Russia History

The Poems of Thomas Gray, Design 79, 'The Descent of Odin.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), armor, dog (animal), fire, flame, helmets, horse (animal), knight (landholder), literary theme, man, men, religious and mythological subject, shield, soldier, sword, text, wolf

Samuel Palmer, 1805-1881, British, active in Italy (1837-39), A Cow Lodge with a Mossy Roof, ca. 1829. Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper.

Nomadic Puri family relaxing in a hut made of leaves and branches, man lying in hammock, woman roasting meat on a fire. Amazon River, Brazil. Handcoloured woodcut by Duverger from Auguste Wahlen's Moeurs, Usages et Costumes de tous les Peuples du Monde, (Manners, Customs and Costumes of all the People of the World) Librairie Historique-Artistique, Brussels, 1845. Wahlen was the pseudonym of Jean-Francois-Nicolas Loumyer (1801-1875), a writer and archivist with the Heraldic Department of Belgium.

Jean Veber (1868-1928). "Three good friends". Oil on wood. 1902. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, kilomeric terminal, singing, woman, group of people, man, oil on wood, walking, walker, three 3, 20th XXth XX 20th 20th 20th century, path

Sketch for the wedding room of the town hall of the XIVE: the fianc�s Adrien-Henri Tanoux (1865-1923). Sketch for the wedding hall of the town hall of the XIVE: the fianc�s. Oil on canvas. 1889.

The 9:45 Accommodation', 1867. Artist: Edward Lamson Henry. Edward Lamson Henry (1841-1919) was an American genre painter, born in Charleston, South Carolina.

PASEO DE L´ESPLANADA.S.XVIII. Museum: Museo de Historia, Barcelona.

Men relaxing at bonfire by Boris Michaylovich Kustodiev, Oil on canvas, 1916, 1878-1927, Russia, Saratov, State A. Radishchev Art Museum, 77x88, 5

SCHWARZ, Viatcheslav Grigorievitch (1838-1869). The Tsarina's Spring Pilgrimage. mid. 19th c. Alexandra Fedorovna's retinue. Oil on canvas. RUSSIA. MOSCOW. Moscow. Tretyakov Gallery.

Shepherdess Tending Sheep Winslow Homer (American, 1836-1910). , 1878. Watercolor over graphite with touches of opaque watercolor on cream, thick, rough textured paper, 11 9/16 x 19 3/4 in. (29.4 x 50.2cm). This work from the Houghton Farm series demonstrates Winslow Homers remarkable ability to use watercolor as both a descriptive and an expressive medium. The dark sky, rendered with carefully modulated gray washes, casts a moody, ominous tone over the idyllic pastoral subject of a shepherdess tending her flock. American Art 1878

In Without Knocking, Russell, Charles Marion, 1909.

The trip to Spain Jules-Arsene Garnier (1847-1889). The trip to Spain. Drawing. Paris, Victor Hugo House.

Eastman Johnson, The Truants, c 1870 The Truants

Picture photography: Józef Chełmoński (1849-1914), Collection of brushwood (after brushwood), oil, canvas, 1902, owned by Leon Goldberg currently a picture in Zb. private; Unknown, Society of Encouragement of Fine Arts (Warsaw; 1860-1940); 1907 (1907-00-00-1907-00-00);

'Noah after the Flood', Oil on canvas, 56.5 x 42.5 cm. Author: LAMBERT DE HONDT EL VIEJO (1620-1665). Location: PRIVATE COLLECTION. MADRID. SPAIN. NOAH. PADRE ETERNO. DIOS.

Ecuador. Indigenous painting. 'Working'. ECUADOR. PICHINCHA. Quito. Library of the Museum Jacinto Jijn y Caama-o of Archaeology and Colonial Art.

Going to Market 1860 Constant Troyon French. Going to Market. Constant Troyon (French, Sèvres 1810-1865 Paris). 1860. Oil on canvas. Paintings

First sledge, Abraham Delfos, 1776, The first sledge in the procession. A Frisian sledge with a stable master preceded by two riders in armor with torches. Part of the series of fifteen drawings for the plates of the sledge procession on 24 January 1776 organized by the Leiden society Veniam Pro Laude on the occasion of the Second Centenary of the Relief of Leiden (3 October 1574) and the foundation of the University of Leiden (8 February 1575)., draughtsman: Abraham Delfos, Northern Netherlands, 1776, paper, h 312 mm × w 510 mm

Foggy Night, New York. George Benjamin Luks (1866-1933). Oil on canvas. 76.8 x 63.5cm

Festa di San Antonio, Bay of Naples, Thomas Uwins, 1782-1857, British, ca. 1840, Watercolor and graphite on medium, slightly textured, cream wove paper, Sheet: 7 1/8 × 33 inches (18.1 × 83.8 cm), bay (body of water), crucifix, customs, genre subject, goats, Grand Tour, landscape, volcano, Bay of Naples, Italy, Naples, Vesuvius

Hunting by Russian master / Russian Museum of Folk arts and crafts, Moscow/ 1900s/ Russia, Kasli near Tchelyabinsk/ Casting/ Applied Arts/ Objects

Election in russian village by Jakov Dmitrievich Trofimov, oil on canvas, 1938, Russia, Yegoryevsk, Museum of History and Art, 98x140

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