Equestrian and Pastoral Landscapes

Classic prints showcasing tranquil rural scenes with riders, horses, and cattle. The artwork features detailed figures and serene landscapes typical of the Northern Netherlands.

Courtois Le Bourguignon, Jacques, Antwerp, Vorsterman, Lucas (II), Cavalry fights, Rider with sword attacks fallen rider, verso lower left - stamped, print, prints, height 102 mm, width 157 mm, South Netherlands, 1624-05-27, print maker, printmaker, 1651 - 1652, paper, papier, etching, etchings, Work conception, 1621 - 1675-11-14

Cheval arabe au piquet, d'après Delacroix 1857 Félix Bracquemond French. Cheval arabe au piquet, d'après Delacroix 383997 Artist: Flix Bracquemond, French, Paris 18331914 Svres, Artist: After Eugne Delacroix, French, Charenton-Saint-Maurice 17981863 Paris, Arab Horse at the Post, 18331914, Etching; second state of two, Sheet: 16 3/4 x 23 1/2 in. (42.5 x 59.7 cm) Plate: 16 1/4 x 19 in. (41.3 x 48.3 cm) Image: 13 1/2 x 17 in. (34.3 x 43.2 cm). The Metropolitan Museum of Art, New York. Gift of David Keppel, 1922 (22.1.21)

Karel Dujardin (1622-78). The standing beef and the lying veal (Dutuit 30). Eat, 1658. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

A Cockney & his Wife going to Wycombe. Artist: Copy after James Gillray (British, Chelsea 1756-1815 London). Dimensions: Plate: 8 5/8 × 11 1/4 in. (21.9 × 28.5 cm)Sheet: 9 1/2 × 13 9/16 in. (24.2 × 34.4 cm). Publisher: John Miller (London); William Blackwood (Edinburgh). Date: ca. 1805. Museum: Metropolitan Museum of Art, New York, USA.

Two men point a lance at a bull from a carriage. To the right, three more men stand in the arena. A small group of people are watching from the stands. Top right: G., Men attack a bull from a carriage Combat dans une voiture attelée de deux mulets Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 251 mm × w 352 mm

Rijn, Rembrandt van, The baptism of the chamberlain, verso lower left, print, prints, Rembrandt f. 1641, lower right, verso lower center, J. Fred B. (in a rectangle), height 178 mm, width 214 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Centaur Abducting a Satyress. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 5/8 x 10 13/16in. (19.4 x 27.4cm). Date: 1727-1804. Museum: Metropolitan Museum of Art, New York, USA.

Cattle Dealer on Horseback. Dated: 1811. Dimensions: plate: 12.2 × 15.1 cm (4 13/16 × 5 15/16 in.) sheet: 15.1 × 17.8 cm (5 15/16 × 7 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: JOHANN ADAM KLEIN.

Haarlem, Spilman, Hendrik, Shepherd leaning on his staff among his cattle, verso - stamped, print, prints, height 140 mm, width 180 mm, Northern Netherlands, 1721-02-17 - 1784, print maker, printmaker, 1742 - 1784, paper, papier, etching, etchings, doordruk, brush, schildertekening

The Flight into Egypt. Dated: c. 1648. Dimensions: sheet (trimmed to plate mark): 29.9 x 20.7 cm (11 3/4 x 8 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Benedetto Castiglione.

Figure with a horse at a crib; Six prints to drawings from various masters. A figure sadges a horse at a crib for a stable. First print of a series of six prints with cattle, to example of different masters.

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Diverse representations, Man on horseback talking to a standing man, verso - stamped, print, prints, height 80 mm, width 98 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

A Saint Triumphant Over the Devil. Artist: Anonymous, German, 18th century (). Dimensions: 8 1/2 x 7 3/8 in. (21.6 x 18.7 cm). Former Attribution: Formerly attributed to Johann Georg Bergmüller (German, Türkheim 1688-1762 Augsburg). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Rembrandt van Rijn, The Ship of Fortune, 1633 The Ship of Fortune

Berghem, Nicolas, work, Shepherd playing the transverse flute (La pâtre jouant le flageolet), (1000 - 2003), line etching, graphics, plate width 14.6 cm, plate height 20.4 cm, leaf width 23.8 cm, leaf height 33.4 cm, image width 14 cm, image height 18.7 cm

Wood engraving, England, by Thomas Bewick.

The bullfighter (torero) Mariano Ceballos, nicknamed El Indio. He sits on a horse and has his sword stuck in the neck of the bull. A group of people standing in the arena, a large group in the stands. Numbered upper right: 23., Mariano Ceballos kills a bull Mariano Ceballos, alias El Indio, mata el toro desde su caballo Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 252 mm × w 353 mm

Jean Joseph Benjamin Constant, Moroccan Prisoners, 1877, etching on wove paper.

Times of Day/ Aurora, Jan de Visscher, etcher, 1660, Netherlands, etching, Jan de Visscher (c. 1636-before 1712) was a Dutch Golden Age printmaker who became a painter in later life. According to Arnold Houbraken, the great early biographer of Dutch artists, he was an able etcher who made famous prints in his lifetime after the works of Nicolaes Berchem (as here), Jan van Goyen, Adriaen van Ostade and Philips Wouwerman. He became an able pupil of the landscape painter Michiel Carree at the advanced age of 56. Houbraken spoke to Michiel Carree personally about his art, who claimed that Visscher became as good as he was at Italianate landscapes a;lthough no paintings by Visscher's hand are known today. Jan de Visscher had two brothers, Cornelis Visscher and Lambert de Visscher. Although he spent his earlier life in Haarlem, he was registered in Amsterdam in 1692. His death was not recorded, and since he is referred to in the past tense when Houbraken was writing, he is assumed to have di

According to Nicolaes Berchem (1620-1683). "Livestock at the drinker kept by a shepherdess who spins his distaff". Bistre feather and wash. XVIIth century. Museum of Fine Arts of the City of Paris, Petit Palais. Waterpower, Ane, Bergere, Betaille, Beef, Drinking, Chevre, Drawing, Keeping, Company, XVIIth XVIIth XVII 17th 17th 17th century, Animal, Dog

Country carts , Houses, Horses, Carts & wagons. Thomas Rowlandson (1756-1827). Prints and Drawings

Drouets drawing, one of sixteen copies after Herculaneum wall paintings, shows resting figures with two deer near a Herculean statue, executed in gray ink and wash.

Francisco de Goya y Lucientes / 'Two groups of picadors knocked over one after another by the bull'. 1814 - 1816. Etching, Aquatint, Burnisher, Burin, Drypoint on white laid paper. Museum: Museo del Prado, Madrid, España.

Seven horses in a landscape with ruins Horsemen, horses and battles (series title), print maker: Christian Rugendas, (mentioned on object), after: Georg Philipp Rugendas, (mentioned on object), publisher: Christian Rugendas, (mentioned on object), Augsburg, 1718 - 1781, paper, etching, h 115 mm - w 170 mm

Karel Dujardin (1622-78). Hunting dogs (Dutuit 5). Eat, 1652. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Jacques Callot (1592-1635). "The whims, the cave of brigands. Eighth number of the suite of 50 pieces engraved in Florence" (Lieure 221, Meaume 782). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-17 Etching, engraving

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Holy Family Enters a Boat, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 17.9 × 24.1 cm (7 1/16 × 9 1/2 in.), Italian, 18thcentury, Works on Paper -Prints

Henry VI, Part III: Act IV, Scene V, A Park Near Middlham Castle in Yorkshire, Jean B. Michel, active 1803, after William Miller, 1796-1882, British, 1803, Engraving, Sheet: 17 7/16 x 23 7/16in. (44.3 x 59.5cm)

(GENS DE BAREGES EN VOYAGE.). Artist: Paul Gavarni, French, 1804-1866

Louis Candide Boulanger, Attaque du lion, c 1830 Attaque du lion

Etching by Johann Elias Ridinger portraying the arrival of a prince, capturing figures, attendants, and ceremonial elements in a structured composition typical of 18th-century European art.

Mercury Sust Argus asleep, Moyses van Wtenbrouck, 1686 - 1710 print Mercury is in conversation with the giant Argus. He holds his flute in his hand. Behind Mercury and Argus is the cow io. Scene from Ovidius' metamorphoses (with. I, 682-687). The Hague paper etching / engraving Mercury lulls Argus into sleep by making music

Woodcut 'Triumphal Procession of Emperor Maximilian I: Chamber and Capricorn Hunter' by Hans Burgkmair the Elder, first edition 1526, depicting figures and hunters in procession.

Man with Herd of Pigs. Charles Émile Jacque; French, 1813-1894. Date: 1861-1871. Dimensions: 155 × 257 mm (image); 159 × 262 mm (plate); 238 × 343 mm (sheet). Etching and drypoint on paper. Origin: France. Museum: The Chicago Art Institute, USA.

They can still serve /they can still be of use; Board No. 24 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Haarlem, Numan, Hendrik, Farm workers at work, verso lower left - stamped, print, prints, height 102 mm, width 137 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, woodcut

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), rider in the current hand galloping to the right. Eleventh issue of a suite of 19 pieces (A. de Vesme 237. Dutuit 86) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Young man and young woman on the road at a ruin, Johann Esaias Nilson, after François Boucher, 1731 - 1788 print Printed at the top left number xxxxiii and top right 2. Augsburg paper engraving / etching couple of lovers. pool, puddle - HH - ideal landscapes

The Gleaners Artist's working dates 1855-1856 France. Etching and drypoint on ivory laid paper hinged to cream card . Jean François Millet

Brown ink sketch by an anonymous artist depicting Oriental merchants and riders on a beach in conversation, showing figures, horses, and landscape elements.

Duel of Knights 1800-1900 Anonymous, Italian, 19th century Italian. Duel of Knights 390068

. Wounded soldier. Fifth print from a series of twelve prints with representations of soldiers and horses.

Copper engraving by Lucas Hugensz. van Leyden from 1510 depicting a milk maid performing her daily work, showing detailed figure, clothing, and domestic environment.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Ford at an aqueduct, verso - stamped, Shepherd on horseback and a shepherdess in front of a ford at an aqueduct. In the ford there is another shepherd on horseback, with four cattle., print, prent, prints, prenten, height 272 mm, width 360 mm, 1633 - 1692, print maker, printmaker, 1643 - 1692, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1620 - 1683-02-18

Karel Dujardin (1622-78). The standing beef and the lying veal (Dutuit 30). Eat, 1658. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

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Trekta met after all.

Coursier de Naple Charles Errard le fils French. Coursier de Naple 397448

Francisco de Goya y Lucientes / 'Dibersión de España'. 1825. Lithography on wove paper. Museum: Museo del Prado, Madrid, España.

Europa. Guerras de las religiones (1524-1697). Nikolaas Burton (-1560), comerciante inglés que viajó por mar hasta Cádiz, fue detenido por la Inquisición y acusado y condenado por herejía, siendo conducido a Sevilla para ser ejecutado en la hoguera.

Les lieurs degerbes. Artist: Jules Dupre, French, 1811-1889

Shepherds are approaching a village in a valley, Jan de Visscher, after Nicolaes Pietersz Berchem, 1702 - 1726 print View of a hilly landscape with a group of shepherds in the foreground, two of whom point to a village in a valley. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cow. ass, donkey. landscapes. village

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Netherlands, Bloemaert, Abraham, Frederick, Seated shepherdess with basket, verso - stamped, A shepherdess sits resting with her arms around a basket. Next to her a cow and a goat. Copy of a drawing from the drawing book of Abraham Bloemaert., print, prints, height 132 mm, width 190 mm, Work conception, 1614 - 1669, after a print by, 1650 - 1750, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, engraving, engraving (printing process), Northern Netherlands, 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, print maker, printmaker

Return to the Fold. Dated: 1750/1765. Dimensions: Overall: 28.7 x 44.6 cm (11 5/16 x 17 9/16 in.) support: 39.6 x 55.9 cm (15 9/16 x 22 in.). Medium: brown and black chalk heightened with white on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Francois Boucher.

Lorenz Froelich (1820-1908), Picture 3, 1838

The Milkmaid, 1510. Lucas van Leyden (Dutch, 1494-1533). Engraving; image: 11.4 x 15.6 cm (4 1/2 x 6 1/8 in.); sheet: 11.4 x 15.6 cm (4 1/2 x 6 1/8 in.).

Print made by Robert Polhill Bevan, 1865-1925, British, Found!, 1898-1899. Lithograph on moderately thick, smooth, cream wove paper.

Entry of Maria de Médicis in Amsterdam (plate 3), 1638, Pieter Nolpe, After Jan Martszen de Jonge, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Third plate in an unassembled ensemble consisting of a title page, a portrait and seven magazines of the procession. Part of the procession with riders. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

A picador, sitting on the shoulders of another man, thrusts his lance into a bull. Several other men are also standing in the arena. Top right: D., Picador thrusts his lance into a bull Un torero monté sur les épaules d'un chulo 'lanceado' un taureau Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, h 245 mm × w 352 mm

Oriental Scene. Artist: Attributed to William James Müller (British, Bristol 1812-1845 Bristol); Formerly attributed to William Makepeace Thackeray (British, Calcutta 1811-1863 London). Dimensions: sheet: 4 3/4 x 7 3/16 in. (12.1 x 18.3 cm). Date: ca. 1844. Museum: Metropolitan Museum of Art, New York, USA.

Fishing, 1864. Charles-Émile Jacque (French, 1813-1894). Etching;

James Bretherton, ca. 1730-1806, British, A pair: 1. Symptoms of Rearing, 2. Moses, 1783. Etching.

Rijn, Rembrandt van, The Good Samaritan, verso lower left - stamped, print, prints, height 253 mm, width 202 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1633 - 1633, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Nieuwer-Amstel, Stark, Elias, Study sheet with rider in a landscape, verso - stamped, Landscape with a man on horseback, giving or taking something from a child. In the background a church. In the air notes about the duration of the biting out of certain parts of the plate., print, prent, prints, prenten, height 90 mm, width 105 mm, Dutch, 1849-08-15 - 1933-02-06, print maker, prentmaker, 1886-09-25 - 1886-09-25, paper, papier, etching, etsen

Reproduction of a painting: Juliusz Kossak (1824-1899), Two graves; excerpt from a magazine. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Świat (Kraków ; czasopismo ; 1888-1895), publisher

Plate 34: King Ferdinand as Neptune, seated on a whale at center, with putti atop two small fish on either side; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Jacob Neeffs On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 34: King Ferdinand as Neptune, seated on a whale at center, with putti atop two small fish on either side;

Farmyard with poultry. Artist: Abraham Bloemaert. Artist: Boëtius Adamsz. Bolswert. Draughtsman: Moses ter Borch. Dating: c. 1660 - c. 1661. Place: Zwolle. Measurements: h 110 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Le Boeuf Pie et les troismoutons. Artist: Adriaen van de Velde, Dutch, 1636-1672

Cattle and Sheep with Herdsman in Rocky Landscape. Johann Heinrich Roos; German, 1631-1685. Date: 1651-1685. Dimensions: 206 x 264 mm. Red chalk, with brush and red-brown wash, on ivory laid paper, laid down on cream laid card. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Summer. Artist: Anonymous, German, 18th century (). Dimensions: 16 15/16 x 22 5/16 in. (43 x 56.6 cm). Former Attribution: Formerly attributed to Anonymous, Netherlandish, 17th century. Date: 18th century (). Museum: Metropolitan Museum of Art, New York, USA.

Battaglia Turchesch; Baur, Johann Wilhelm (1607-1642); 1633 (1633-00-00-1633-00-00);Orient, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Turkey, Turks, battles, weapons, white weapons, German graphics, horses, German (culture), sabers, shields (weapons), armament, war, war , army, spears, animals, soldiers

A watercolor and ink drawing by Johann Mathias Ranftl from 1836 depicting resting farmers in the landscape, showing figures, posture, and rural environment.

Rubber tempera on brown paper by Meister der Satyrsfamilie depicting a shepherd home scene, showing a boy leading sheep through a stream, an ox about to lay down, and a woman with two children, focusing on figures and animals.

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Man Holding a Mule before a House. Artist: Anonymous, French, early 19th century; After Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 8 7/8 × 9 1/4 in. (22.5 × 23.5 cm)Plate: 7 15/16 × 8 1/8 in. (20.2 × 20.7 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

The Ploughman. Dated: 1886. Dimensions: image: 33.97 × 48.58 cm (13 3/8 × 19 1/8 in.) plate: 43.18 × 55.25 cm (17 × 21 3/4 in.) sheet: 49 × 64.1 cm (19 5/16 × 25 1/4 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: PETER MORAN.

Kaiser Maximilians I. Triumph

Two-wheeled cart with hay Five etching proofs (series title), print maker: Pierre Louis Dubourcq, (mentioned on object), Netherlands, 1836, paper, etching, h 94 mm × w 90 mm

Trzech jeźdźców orientalnych. Hopfer, Daniel (ca 1470-1536), graphic artist, Funck, David (1642-1709), publisher, Swart van Groningen, Jan (ca 1500-ca 1560), painter

Fishermen on the beach, Jan Baptist Tetar van Elven, 1838 print On a beach there are fishermen near baskets, fishing and shells. A man watches from a horse. High dunes and a ship in the background. The print is made for the Dutch -speaking Almanak for the beautiful and good ones. Netherlands paper steel engraving beach - HH - ideal landscapes (+ landscape with figures, staffage)

Le matin.. Avery, Samuel Putnam, 1822-1904. Prints. 1864. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Horses

Chevrette forcée à la neige. Armand-Désiré Gautier (France, 1825-1894). 1857. Prints; lithographs. Lithograph

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