Equestrian Art and Jockey Scenes

Dynamic illustrations of horseback riding and racing, showcasing jockeys and horses in various settings, reflecting sporting culture and the elegance of equestrianism.

Two horsemen, Pieter van Bloemen, 1667 - 1720, draughtsman: Pieter van Bloemen, , 1667 - 1720, paper, brush, h 168 mm × w 199 mm

Théodore Géricault (French, 1791 - 1824). English Jockey (Jockey anglais), 1820. Pen lithograph on Autographic cardboard.

Henry Thomas Alken, 1785-1851, British, Hunting Discoveries ... Discover that your girts are broken .., 1817. Etching, colored by hand.

'Doing the Thing: and the Thing Done:' Afternoon. Returning Home in Fine Trim. Doing the Most you Can, Henry Thomas Alken, 1785-1851, British, 1818, Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper, Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm) and Image: 5 13/16 × 9 inches (14.8 × 22.9 cm), fields, horseback riders, horseback riding, horses (animals), landscape, men, sporting art

Sawrey Gilpin, 1733-1807, British, Horse Rider, in Walking Gait, undated. Graphite on medium, moderately textured, blued white, laid paper,, mounted on, moderately thick, slightly textured, crdam, wove paper.

Hunting, Shooting, etc. set of six: 1. 'Give ye Britons then', Samuel Howitt, 1756-1822, British, 1794, Aquatint, Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)

How to Escape Losing. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 9 1/2 x 14 3/4 in. (24.1 x 37.5 cm). Date: ca. 1791. Museum: Metropolitan Museum of Art, New York, USA.

Drawing Cover, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and brown, gray and red-brown ink, with pen and ink line and wash border on medium, moderately textured, blued white, wove paper, Sheet: 3 3/16 x 5 9/16 inches (8.1 x 14.1 cm) and Mount: 4 3/8 x 6 11/16 inches (11.1 x 17 cm), bushes, cover (closure), horses (animals), hounds (dogs), hunting, men, riders, horseback, riding crops, sporting art, trees, woman

Juliusz Kossak (1824-1899), The race: Track entrance; excerpt from a magazine. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Zajkowski, Andrzej (1851-1914), woodcutter

Full Cry, Possibly Henry Thomas Alken, 1785-1851, British, or possibly Samuel Henry Gordon Alken, 1810-1894, British, undated, Graphite and watercolor on medium, slightly textured, blued white, wove paper, Sheet: 8 3/4 × 10 5/8 inches (22.2 × 27 cm), fence, galloping, horseback riders, horseback riding, horses (animals), jumping, landscape, men, sporting art, trees

Two horsemen, Pieter van Bloemen, 1667 - 1720, draughtsman: Pieter van Bloemen, , 1667 - 1720, paper, brush, h 168 mm × w 199 mm

Poniatowsky Józef Poniatowski Adam, Victor Jean Vincent (1801 1866)

Mounted British warrior from the pre-Roman era. He wears a brazen helmet, a mantell gedenawg (shaggy cloak), trousers and shoes, and carries a club. In the background is the chapel in the rock, Nottingham. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyrick's Costume of the Original Inhabitants of the British Islands, London, 1821.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Drawing Cover. Painting. Watercolor. Height: 111 mm (4.37 in); Width: 170 mm (6.69 in). Author: Thomas Rowlandson.

The Liverpool Grand National Steeplechase, Edward Hester, engraver, aquatint

Hope, Charles .

Sir Robert Kerr Porter, 1777-1842, British, A British Officer of the Staff and an Officer of Hussars, 1810. Watercolor and pen and black ink on medium, slightly textured, cream wove paper.

Friedrich Josias, Prince of Sachsen-Coburg-Saalfeld (1737-1815) Eraser: Adam, Jacon print: Vienna

Light cavalryman of Napoleons Guard on horseback, cut-out for son.. Witkiewicz, Stanisław (1851-1915), draughtsman, cartoonist

Racing: Rosette. The Property of Henry Peirse Esq., William Ward, 1766-1826, British, after Robert, Frankland, baronet, 1784-1849, British, 1811, Mezzotint, printed in color, Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)

Charging an Ox-fence, plate three from Indispensable Accomplishments. Sir Robert Frankland (English, 1784-1849); published by Hannah Humphrey (English, c. 1745-1818). Date: 1811. Dimensions: 190 × 270 mm (image); 214 × 294 mm (plate); 230 × 325 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Cuzent, Pauline.

Coach and Six - Watercolour, circa 1790

Cit's Airing Themselves On A Sunday 1799 Thomas Rowlandson. Cit's Airing Themselves On A Sunday. Thomas Rowlandson (British, London 1757-1827 London). 1799. Hand-colored etching. Prints

Pink Coated Rider 1827 England. Watercolor and graphite on paper . Henry Alken

Hablot Knight Browne, 1815-1882, British, I am not learned in Vaccine Matters - but I think those look like Charley's Calves, Undated. Black chalk and watercolor on moderately thick, moderately textured, gray laid paper.

Paris, Sohier, Delacroix, Eugène, Man on horseback in the desert, verso - stamped, print, prints, height 252 mm, width 360 mm, 1798 - 1863-08-13, print maker, printmaker, 1823 - 1823, paper, papier, lithografie (technique), French, printer

'The Triumphal entrance of a Peck loaf into Grandchester', c1787. Creator: Unknown.

Henry Thomas Alken, 1785-1851, British, "Doing the Thing: and the Thing Done:" Doing the Thing Well - giving Dribblers the go bye, 1818. Watercolor, with pen, in brown ink, over graphite on medium, moderately textured, beige, wove paper.

Hunting, Shooting, etc. four of a set of six, untitled: 4. Full Cry, Samuel Howitt, 1756-1822, British, 1802, Aquatint, hand-colored with aquatinted border, Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)

Henry Thomas Alken, 1785-1851, British, Hooded Damascene Cavalryman Riding, undated. Graphite on medium, slightly textured, beige, wove paper.

An Open Carriage, black wash on wove paper, overall: 19.5 x 28 cm (7 11/16 x 11 in.), Constantin Guys (artist) French, 1805 - 1892

Hunting, Shooting, etc. set of six: 5. 'And o'er the lawn', Samuel Howitt, 1756-1822, British, 1794, Aquatint, Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)

Going Along a Slapping Pace, plate one from Indispensable Accomplishments Published 1811 England. Hand-colored etching on paper . Sir Robert Frankland

James Pollard, "Emilius", 1823, aquatint on paper.

Apparators of Gozo island; Costume de Ghozo; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

Windisch-Grätz, Alfred Prince.

Hunting Discoveries ... Discover when half over the next field ..., Henry Thomas Alken, 1785-1851, British, 1817, Etching, colored by hand, Sheet: 8 3/4 x 11 3/4in. (22.2 x 29.8cm)

Un Postillon, 1823, Jean Louis André Théodore Géricault, French, 1791 - 1824, 5 x 7 in. (12.7 x 17.78 cm) (image), Lithograph, France, 19th century

Possibly Henry Thomas Alken, 1785-1851, British, The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country, undated. Watercolor, graphite, gouache, with pen, in brown ink, and black ink on moderately thick, slightly textured, beige, wove paper.

Dumos, F. .

'The St. Leger of 1828', c1829, (1922). Artist: John Frederick Hering.

William Ward, 1766-1826, British, Racing: Thornton Castle and Thorntoniana, both the property of Lt. Col. Thornton, 1808. Mezzotint with coat of arms in center of caption.

Scenes of Daily Life, Roads and Paths: Mail Route (Scènes de la vie quotidienne, Route et Chemins: Route de Poste), 1817. Carle Vernet (French, 1758-1836), Bance. Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9 x 14.1 cm (3 9/16 x 5 9/16 in.); image: 8.3 x 11.4 cm (3 1/4 x 4 1/2 in.).

Three if on the road; Brodowski, Tadeusz (1821-1848); 1838 (1838-00-00-1838-00-00);Purchase (provenance)

Ruiterportret van Ambroise -Polycarpe de la Rochefoucauld, Baraize, after Aimé Morot, 1897 - 1937 print print maker: Francepublisher: Paris paper etching equestrian state-portrait

Louis-Pierre-Marie Courtin after Théodore Gericault (French, born 1788), British Horse and Jockey, 1822, lithograph on wove paper

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

East child; 1830-1860 (1830-00-00-1860-00-00);

Pierre Vincent Gilbert, Une cavalcade, Forêt de Compiègne, 1810-1883, chromolithograph, partly hand-colored, on wove paper.

Racing: 'Atlas' the Property of his Grace th Duke of Devonshire, J. Miller, active 1769-1825, British, after William Shaw, active 1758-1772, British, 1761, Engraving, Sheet: 12 1/2 x 15 3/4in. (31.8 x 40cm)

Philibert-Louis Debucourt, Madame et Monsieur, 1809, aquatint, colored partly à la poupée, with soft-ground etching, on paper.

Rider portrait of Napoleon

Print made by Richard Houston, ca. 1721-1775, British, The Portraiture of the Cullen Arabian, 1756. Mezzotint on medium, slightly textured, cream laid paper.

Title Commemorative Book for 1865. St. Petersburg. Typografia Wojskowa, lithography atelier, unknown, graphic artist, Gruziński P., draughtsman, cartoonist, F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), publisher

The Babes (or Children) in the Wood. Orphaned Babes taken off to be murdered by ruffians hired by wicked uncle. Illustration by Randolph Caldecott (1846-86) for the ballad of c1600.

France. Customs of the French bourgeoisie in the 16th century. "Historia Universal" (Universal History), by César Cantú. Volume VII. Published in Barcelona, 1886.

An 1816 aquatint by Goya depicting a bullfighter demonstrating courage in the Plaza of Zaragoza during a bullfight.

George Moutard Woodward, ca. 1760-1809, British, 'A Whistler!', undated. Pen and black ink, gray wash, brown wash and graphite on medium, slightly textured, cream, wove paper.

Sawrey Gilpin, 1733-1807, British, Flying Christian From the Life, 1760. Graphite on medium, moderately textured, beige, laid paper.

Samuel Howitt, 1756-1822, British, Coursing: Setting Out, 1794. Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream, wove paper.

Fox-hunting John Mytton, Esquire, Halston, Salop, William Giller, 1805-ca. 1868, British, after William Webb, ca. 1780-1845, British, 1841, Aquatint, hand-colored, Sheet: 18 1/2 x 24 1/8in. (47 x 61.3cm)

Thomas Rowlandson, Going Out in the Morning, published 1786 Going Out in the Morning

An English Postilion. Date/Period: Ca. 1785. Painting. Watercolor. Height: 171 mm (6.73 in); Width: 233 mm (9.17 in). Author: Thomas Rowlandson.

Zeiselkutscher, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

The Hague, Tethart Philip Christian, Netherlands, Equestrian portrait of Wilhelmina of Prussia, verso center - stamped, photograph, photo, prints, Orange portraits, height 149 mm, width 118 mm, photographer, 1850 - 1930, photographic paper, photo paper, daylight collodion silver print, 1737 - 1812-08-03

One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket, Attributed to James Seymour, 1702-1752, British, ca. 1730, Oil on canvas, Support (PTG): 12 x 14 inches (30.5 x 35.6 cm), breeches, bridle, equestrian, horse (animal), jockey, riding boots, saddle, sporting art

Reproduction of a painting: Chełmoński, Józef (1849-1914), In the steppe; from: "Tygodnik Ilustrowany" 1889, I, 44. Ciechomski, Walenty (fl. ca 1878-1893), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Etching and copper engraving by Auguste Claude Simon Legrand between 1785 and 1815, portraying a stream within a landscape.

Full Cry, Henry Thomas Alken, 1785-1851, British, undated, Graphite and watercolor on medium, slightly textured, cream, wove paper, Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm), dogs (animals), farm, fields, fox (animal), fox hunting, galloping, horseback riders, horseback riding, horses (animals), hounds (dogs), hunt, hunters, hunting, landscape, men, sporting art, town, whips (animal equipment)

Fox Hunting. 2. Going into Cover, Edward Bell, active 1794-1847, after George Morland, 1763-1804, British, 1800-1801, Mezzotint, printed in color and hand colored, Sheet: 21 3/4 x 26 7/8in. (55.2 x 68.3cm)

Revolution in the bass court. (IT)

An Awkward Post, Print made by George Cruikshank, 1792-1878, British, undated, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 8 x 5 3/4 inches (20.3 x 14.6 cm) and Image: 5 3/16 x 4 inches (13.2 x 10.2 cm), accident, carriage, country, crash, crowd, galloping, genre subject, horse (animal), illustration, road, running, tavern

Hobby Horse. Dated: 1935/1942. Dimensions: overall: 54.7 x 60.2 cm (21 9/16 x 23 11/16 in.) Original IAD Object: 30" long; 26" high; 7 1/2" wide. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Viktor Emanuel in Berlin, Drive to the big court hunt in the Schorfheide on September th, Illustrated newspaper , Hermann Lüders -, artist

Samuel Howitt, 1756-1822, British, The Check, undated. Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige, laid paper, mounted on, moderately thick, moderately textured, beige, laid paper.

Alfred Diston, active 1818-1829, Supreme Bon Ton of Tenerife, undated. Graphite, pen and black ink and graphite on medium, slightly textured, cream wove paper.

Foxhunter, with Jockey Up, James Seymour, 1702-1752, British, undated, Graphite and pen and brown ink on medium, moderately textured, beige, laid paper, Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm), figure study, horse (animal), horse racing, jockey, man, sporting art, whip

Posterunek trzeciego regimentu dragonów naprzeciwko obozu w Sobraon. Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Waller, Samuel Edmund, Photographic reproduction of The Ruling Passion by Samuel Edmund Waller, verso - pasted, This photograph is part of an album., photograph, foto, cabinet photograph, cabinet photo, album sheet, reproduction, photographs, Collection Moderne, recto - printed, 517 SE Waller., The Ruling Passion, JACs ROOKMAAKER, BOEK- & KUNSTHANDEL, HAARLEM., height 132 mm, width 94 mm, photographer, 1870 - 1900, cardboard, photographic paper, photo paper, albumen print, albumine print, English, 1850-06-16 - 1903-06-16

Self-Portrait. Artist: Edward Troye, American, born Switzerland, 1808-1874

Equip Adam Hr. Krasi Kossak, Juliusz (1824-1899); 1854 (1854-00-00-1854-00-00);Krasiński, Adam (1870-1909), Museum of the Krasińskie (Warsaw - 1860-1944) - collection, Radziejowice (Masovian Voivodeship), Araba (horses), Wyzoz

Coursing, Plate 4, Print made by Samuel Howitt, 1756-1822, British, Published by Edward Orme, 1775-1848, British, 1812, Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper

Thigh Protect, New Guard. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 13 3/16 × 11 5/8 in. (33.5 × 29.6 cm)Plate: 13 × 10 3/4 in. (33 × 27.3 cm). Publisher: Henry Angelo (British, London 1756-1835 London). Series/Portfolio: Hungarian and Highland Broadsword. Date: September 1, 1798. Museum: Metropolitan Museum of Art, New York, USA.

'Fresh as a four year old. Went off like a shot', 1865. Artist: John Leech.

'Elis' at Doncaster, Ridden by John Day, with his Van in the Background, Abraham Cooper, 1787-1868, British, between 1836 and 1837, Oil on canvas, Support (PTG): 35 x 43 inches (88.9 x 109.2 cm), breeches, cravat, equestrian, fields (agricultural land), hat, jockey, men, pasture, racecourse, riding boots, sporting art, top hat, van, Doncaster, England, Europe, United Kingdom, Yorkshire

'Westminster Races:' - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced ), Isaac Cruikshank, 1756-1810, British, 1784, Etching, hand-colored, Sheet: 6 15/16 x 13 1/4in. (17.6 x 33.7cm)

Apparators of Gozo island; Costume de Ghozo; Voyage and Italy, and Sicile et à Malte - 1778. Drawing from the album 'Voyage and Italy, and Sicile Et à Malte', 1778.

Hunting, Shooting, etc. set of six: 4. 'Into the perilous flood', Samuel Howitt, 1756-1822, British, 1794, Aquatint, hand-coloreds with aquatinted border, Sheet: 9 3/4 x 12 1/4in. (24.8 x 31.1cm)

THE HARROW STEEPLE CHASE, THE LAST BROOK

English gentleman driving a tandem across country by moonlight and lanterns. Mytton, drunk, drove home from Cronkhill for a wager. How to cross a country comfortably after dinner. Chromolithographic facsimile of an illustration by Henry Thomas Alkenfrom Memoirs of the Life of the Late John Mytton by Nimrod aka Charles James Apperley, Kegan Paul, London, 1900.

Steeplechase cracks: Allen McDonough on Brunette, Tom Oliver on Discount, and Jem Mason on Lottery, John Frederick Herring, 1795-1865, British, before 1847, Oil on canvas, Support (PTG): 28 x 36 inches (71.1 x 91.4 cm), black, brown, hats, horses (animals), jockeys, men, sporting art

Hablot Knight Browne, 1815-1882, British, The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!", undated. Black chalk, watercolor and gouache on moderately thick, moderately textured, gray, wove paper.

J.-Louis Darcis, L'inconvénient des perruques, 1778-1801, hand-colored engraving and stipple engraving on laid paper.

Henry Thomas Alken, 1785-1851, British, Morning Ride, between 1822 and 1823. Graphite and watercolor on thin, smooth, blued white, wove paper.

Image reproduction: Józef Chełmoński (1849-1914), on the steppe; Z: "Tygodnik Ilustrowany", 1889 (I) 44; Ciechomski, Walenty (fl. Ca 1878-1893), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1889 (1889-00-00-1889-00-00);

Lord Bulkeley and his Harriers, his Huntsman John Wells and Whipper-In R. Jennings. Date/Period: 1773. Painting. Oil on canvas. Height: 902 mm (35.51 in); Width: 1,219 mm (47.99 in). Author: Thomas Stringer.

TheSurprise. Artist: Currier & Ives, American, active 1834-1907 After: Louis Maurer, American, 1832-1932

John Frederick Herring, 1795-1865, British, 'Margrave' with James Robinson Up, 1833. Oil on canvas.

Reproduction of a painting: Chełmiński, Jan (1851-1925), Noble court during travels, from the times of Augustus III of Poland; from: "Kłosy" 1881, no. 857, vol. XXXIII, p. 348. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, Chełmiński, Jan (1851-1925), draughtsman, cartoonist, Aarland, W., woodcutter

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