Equestrian Hunting Scenes

Vibrant depictions of hunting culture, featuring riders in traditional attire, galloping horses, and countryside landscapes, capturing the energy and excitement of fox-hunting.

Bachelor's Hall: Full Cry Signed and dated in brown paint, lower left: "Painted by F.C. Turner 1835", Francis Calcraft Turner, active 1782-1846, British

Bachelor's Hall: Full Cry. Date/Period: 1835 to 1836. Painting. Oil on canvas. Height: 356 mm (14.01 in); Width: 483 mm (19.01 in). Author: FRANCIS CALCRAFT TURNER.

Henry Thomas Alken, 1785-1851, British, 'Rather Too Slow', undated. Graphite and watercolor on medium, moderately textured, cream, wove paper.

Samuel Howitt, 1756-1822, British, Hunting, Shooting, etc. set of six: 2. "Him from his craggy winding haunts unearth'd", 1794. Aquatint, hand-coloreds with aquatinted border.

Fox-Hunting set of four: 'The Jolly Old Squire' - Plate III. 'We were hunting the fox on a lowering day, / with the Squire spurring up on his high-flying grey; ...', Henry Papprill, 1816-d.after 1883, American, after James Pollard, 1792-1867, British, 1846, Aquatint, hand-colored, Sheet: 15 x 20 7/8in. (38.1 x 53cm)

Six paintings, scenes colories of the good Parisian company, at the office of the newspaper the methods Parisian, rue Bergere, Numero 20 - the vicinity visit Adolphe Porter / Account-Calix. Six paintings, colored scenes of the good Parisian company, at the office of the Paris Modes, Rue Bergere, number 20 - the vicinity visit. Engraving.

Going Out in the Morning. Dated: published 1786. Dimensions: sheet: 47.5 x 58.4 cm (18 11/16 x 23 in.). Medium: hand-colored etching and aquatint on J. Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Bachelor's Hall: Full Cry Signed and dated in brown paint, lower left: "Painted by F.C. Turner 1835", Francis Calcraft Turner, active 1782-1846, British

Evading the Toll, Thomas Rowlandson, 1756-1827, British, between 1805 and 1810, Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream, wove paper, Sheet: 6 3/8 x 9 1/8 inches (16.2 x 23.2 cm), dog (animal), fence, gate, genre subject, hats, horses (animals), men, riding crop, tree, women

Henry Thomas Alken, 1785-1851, British, In and Out Clever, undated. Watercolor, gouache and graphite on medium, slightly textured, cream wove paper mounted to medium, slighlty textured, beige laid paper.

The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off, John Ferneley, 1782-1860, British, ca. 1825, Oil on canvas, Support (PTG): 10 3/4 x 23 1/2 inches (27.3 x 59.7 cm), coat, dogs (animals), horses (animals), hunt, hunting, huntsmen, pink, riding, horseback, sporting art, sportsman, top hat

The Suffolk Hunt : The Death. Date/Period: 1833. Painting. Oil on canvas. Height: 279 mm (10.98 in); Width: 381 mm (15 in). Author: Sr. John Frederick Herring.

Hunting, Shooting, etc. four of a set of six, untitled: 2. The Check, Samuel Howitt, 1756-1822, British, 1802, Aquatint, hand-colored with aquatinted border, Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)

Full Cry, c1820. Artist: Henry Thomas Alken

Foxhunting: The Chase, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 12 1/2 × 17 7/8 inches (31.8 × 45.4 cm)

The Suffolk Hunt: Gone Away, John Frederick Herring, 1795-1865, British, 1833, Oil on canvas, Support (PTG): 11 x 15 inches (27.9 x 38.1 cm), costume, dogs (animals), horse (animal), hunting, rural, sporting art, trees, England, Europe, Suffolk, United Kingdom

EL ESFORZADO RENDON PICANDO UN TORO-OLEO. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. Cadiz. SPAIN.

A Close Call. Wilhelm Camphausen (1818-1885). Pencil and watercolour heightened with white. Signed and dated 1870. 30.5 x 50.3cm.

Henry Thomas Alken, 1785-1851, British, "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can, 1818. Watercolor, with pen, in brown ink, red ink, black ink, and green ink, over graphite on medium, moderately textured, blued white, wove paper.

The Ship Inn , Carriages & coaches, Horses, Passengers, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

Thomas Rowlandson, The Chase, published 1787 The Chase

Hallali 1840-1851 England. Watercolor, over graphite, on cream wove paper, laid down on gray wove paper . Henry Alken

Running out of the Course. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/4 × 13 9/16 in. (26.1 × 34.5 cm). Publisher: Samuel William Fores (British, 1761-1838). Date: January 1, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Warren Hastings on his Arabian Horse. Date/Period: Ca. 1796. Drawing. Graphite and watercolor; extensive retouching of design on moderately thick, slightly textured, cream wove paper; previously all over mounted to canvas and wood strainer with black and gold residual accretion around edges from eglomise glass. Height: 549 mm (21.61 in); Width: 416 mm (16.37 in). Author: George Townly Stubbs.

The triumphant return of the French Heroines de Versailles in Paris on October 6, 1789 The triumphant return of the French heroines of Versailles in Paris on October 6, 1789 ". Anonymous print.

Racing: Rosette. The Property of Henry Peirse Esq., William Ward, 1766-1826, British, after Robert, Frankland, baronet, 1784-1849, British, 1811, Mezzotint, printed in color, Sheet: 18 1/2 x 22 7/8in. (47 x 58.1cm)

Set of Four - Fox-hunting: In Full Cry, Matthew Dubourg, ( and Clark ), active 1786-1838, British, after Henry Thomas Alken, 1785-1851, British, 1813, Aquatint, colored by hand, Sheet: 13 3/8 x 19 11/16in. (34 x 50cm)

Lami, Eugène (n.1800-01-12-D.1890-12-19), La Chambre au boar (The attack) (The registered title (Letter)), 1828. Colored lithography on woven paper. Balzac house.

August Belmont and Isabel Perry. Date: 1854. oil on canvas. Museum: NATIONAL PORTRAIT GALLERY. CAROLINE SLIDELL PERRY BELMONT.

Mohort presenting the stud; Kossak, Juliusz (1824-1899); 1858 (1858-00-00-1858-00-00);Mohort, poem Wincenty Pola (1854), Poniatowski, Józef Antoni (Prince - 1763-1813), Poniatowski, Józef Antoni (Prince - 1763-1813) - iconography, aristocracy, horses, scenes against the landscape

Hippolyte Lecomte, Meeting on the Promenade, 1832, gouache on paper.

80 thousand Austrians - oh what a great haul!, French satirical engraving by Martinet

The Suffolk Hunt: Full Cry The Suffolk Hunt - Full Cry, John Frederick Herring, 1795-1865, British

Set of four- Fox-hunting. The Death, Thomas Sutherland, ca. 1785-1838, British, after Henry Thomas Alken, 1785-1851, British, 1818, Aquatint, hand-colored, Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)

'Sporting Discoveries, or the Miseries of Driving ...' You Discover you Have Overlooked a Small Post on you Whip Hand, Henry Thomas Alken, 1785-1851, British, undated, Watercolor, with pen, in brown ink and black ink, over graphite on medium, moderately textured, cream, wove paper, Sheet: 7 1/4 × 10 3/16 inches (18.4 × 25.9 cm), carriage, dog (animal), driver, driving, genre subject, hats, horse (animal), men, path, people, poodle (dog), post, trees, whip, woman

Horses set of six: 1. Cover Hack, Henry Thomas Alken, 1785-1851, British, after Sir John Dean Paul, 1775-1852, British, 1826, Hand colored soft-ground etching, Sheet: 8 3/8 x 9 3/4in. (21.3 x 24.8cm)

Maskerade of the Utrecht students, 1846 (plate 17), 1847 Historically costumed parade of the students of the Utrecht Hogeschool held on 17 June 1846 on the occasion of the 210th anniversary of the Hogeschool. The parade depicts the entry of Philip II in Utrecht on October 3, 1549. Plate with the groups numbered 94-99. Part of the 22 series to stick loose sheets. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Utrecht Historically costumed parade of the students of the Utrecht Hogeschool held on 17 June 1846 on the occasion of the 210th anniversary of the Hogeschool. The parade depicts the entry of Philip II in Utrecht on October 3, 1549. Plate with the groups numbered 94-99. Part of the 22 series to stick loose sheets. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Utrecht

education students caricatur ""How faithful a student is"" coloured lithograph E. G. May Frankfurt am Main circa 1860 private collection,

Thomas Burford, ca. 1710-after 1774, British, Hunting two of a set of twelve: 9. A rider clearing a gate, 1752. Mezzotint.

The move -in of the Moroccan ambassador, Muhamed Ben Abdil Malek, Pascha von Tanger, in Vienna on February , Johann Hieronymus Deleteenkohl -, publishing house

A Race on the Knavesmire at York, Thomas Rowlandson, 1756-1827, British, undated, Watercolor, with pen, in brown ink and gray ink on thick, slightly textured, brown, wove paper, Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm), building, carriage, crowd, hats, horses (animals), jockeys, race (event), race tracks, racing, sporting art, windows, England, Europe, United Kingdom, York, Yorkshire

Henry Thomas Alken, 1785-1851, British, Scenes from a Steeplechase: The Winner, ca. 1845. Oil on canvas.

Georges Jacques Gatine, Le Suprême Bon-Ton No. 28: L'Avénue des Champs Elisées a Paris, 1783-1824, hand-colored etching on paper.

Racing set of four: 4. Racing, James Pollard, 1792-1867, British, 1821, Hand colored etching, Sheet: 4 1/2 x 14 1/4in. (11.4 x 36.2cm)

Full Cry, from Fox Hunting. Charles Bentley (English, 1806-1854); after Henry Alken (English, 1785-1851). Date: 1828. Dimensions: 270 × 418 mm (image); 340 × 465 mm (plate); 360 × 490 mm (sheet). Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Benjamin West, 1738-1820, American, active in Britain (from 1763), An Artist Sketching in Windsor Park, 1789. Pen in brown ink on medium, moderately textured, beige, laid paper.

Horsemen near Munich 1830 Wilhelm von Kobell. Horsemen near Munich. Wilhelm von Kobell (German, Mannheim 1766-1853 Munich). 1830. Watercolor. Drawings

Autumn. Date/Period: 1846. Painting. Oil on canvas. Height: 45.50 mm (1.79 in); Width: 70.50 mm (2.77 in). Author: John F. HERRING SR.

Bull's Head Tavern 1870s William P. Chappel American By the early 1800s, Henry Astors Bulls Head Tavern on Bowery stood at the epicenter of the citys booming livestock district. There, slaughterhouses, stockyards, butcher shops, and tanyards processed cattle from across the tri-state region. The choicest stock would be paraded through the streets (sometimes with music) by butchers who took orders from residents. In the mid-1820s, hoping to rid Bowery Village of its noise and filth, a group of wealthy New Yorkers bought out Astor, who then led the relocation of the meat-processing trade by opening a new Bulls Head in a more rural location at Twenty-Fourth Street and Third Avenue.. Bull's Head Tavern. William P. Chappel (American, 1801-1878). American. 1870s. Oil on slate paper

William Hogarth, 1697-1764, British, Restoration Procession of Charles II at Cheapside, ca. 1745. Oil on canvas.

Edmund Bristow, 1787-1876, British, Outside the Guard House at Windsor, between 1817 and 1821. Oil on canvas.

The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off. Date/Period: Ca. 1825. Painting. Oil on canvas. Height: 273 mm (10.74 in); Width: 597 mm (23.50 in). Author: John Ferneley.

The Death February 1, 1789 Thomas Rowlandson. The Death. Thomas Rowlandson (British, London 1757-1827 London). February 1, 1789. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Le Bas, Jacques-Philippe (n.1707-07-08-D.1783-04-14), L'Atelier de le Bas in walks: painters and grayttes on horseback Recto) (dummy title). Plume and ink from China, ink wash from China. Carnavalet museum, history of Paris.

unknown artist, eighteenth century, Kitty Coaxer driving Dupe, towards Rotten Row, 1779. Colored mezzotint.

'The Hunter Taking A Flying Leap Over A Rivulet', c1740, (1922). Artist: James Seymour.

Henry Thomas Alken, 1785-1851, British, Hunting Scene: The Meet, ca. 1840. Oil on canvas.

Facing a Brook, plate five from Indispensable Accomplishments. Sir Robert Frankland (English, 1784-1849); published by Hannah Humphrey (English, c. 1745-1818). Date: 1811. Dimensions: 189 × 270 mm (image); 213 × 294 mm (plate); 231 × 326 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A sudden squall in Hyde Park , Rain, Crowd, Parks, Nobility, Princes, Horses, Carriages & coaches, George IV, King of Great Britain, 1762-1830, Barrymore, Richard Barry, Earl of, 1769-1793. Thomas Rowlandson (1756-1827). Prints and Drawings

Fores's National Sports: Racing - A False Start, John Harris, 1811-1865, British, after John Frederick Herring, 1795-1865, British, 1866, Aquatint, hand-colored, Sheet: 17 1/2 x 27 3/4in. (44.5 x 70.5cm)

James Seymour, 1702-1752, British, The Duke of Devonshire's Flying Childers, 1742. Oil on canvas.

Charles Hunt, 1803-1877, British, Shooting A Pair: 1. The Sportsman's Visit, 1829. Aquatint, hand-colored.

A gathering of a hunting party in an autumnal forest. Colour line block by G. L. Harrison.

The Conversion of Saul, Attributed to John Martin, 1789-1854, British, undated, Watercolor, pen and brown ink, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper, Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm), awe, baptizing, blindness, Conversion of Saul, falling, horse (animal), New Testament, religious and mythological subject, roads

A fine lady upon a white horse.. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

Consular coachmanship!!, Holland, William, active 1782-1817, publisher, London, engraving 1803, Josephine standing in a carriage on the left which is drawn by four unruly horses, two are labeled A Jacobin and A Royalist; Napoleon, having been tossed onto the back of a bull, probably representing John Bull or Great Britain, lies on his back with his head between the upright horns of the bull, suggesting cuckoldry, probably alluding to rumors of infidelity involving Josephine. A whip lies on the

Uniformen van Franse cavalerie van Condé. Twee Fransche Emigrant van Condé (title on object). Draughtsman: S.G. Casten. Dating: 1795 - 1796. Place: Amsterdam. Measurements: h 197 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Charles Loraine Smith, 1751-1835, British, 1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General .., 1792. Hand colored engraving.

Charles B. Newhouse, fl. c.1820-1836, British, The London-Dumphries Royal Mail, between 1830 and 1840. Watercolor, with pen, in brown ink, black ink, red ink, graphite, gouache and gum arabic on moderately thick, slightly textured, gray wove paper.

Germany, Cartoon on the peace between the Netherlands and the emperor, 1785, verso - stamped, Cartoon on the treaty of Fontainebleau that ended the Kettle War, the disputes between the Netherlands and the Austrian emperor Joseph II, November 8, 1785. The Netherlands paid 8.5 million guilders and accepted other humiliating conditions. On the left an Austrian toll-gate with an open carriage, driven by a French officer, in which sits a Prussian officer; the officer is stopped by the Austrian official to pay a barrier fee, but the two Dutch footmen (members of the Dutch States), who are standing at the back of the carriage, say: 'We pay, my Lord!' whereupon the Prussian can continue his journey. In the caption an explanation in French and German., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 205 mm, width 313 mm, print maker, printmaker, 1785 - 1786, paper, papier, etching, etchings, engraving, engraving (printing process), hand colouring

Death of prince Józef Poniatowski. unknown, painter

Schubert, Franz "Landpartie of the Schubertians." Light pressure from Max Jaffé to L. Kupelwieser

Art ticket, Saying, Everyone wants the first one, yet they meet united, and bring at the same time - - - on the flags, health happiness satisfaction, Johann Joseph Endletsberger -

A Helping Hand. Heywood Hardy (1842-1933). Oil on canvas. 61 x 91.4cm.

Tauromaquia. Cogida del matador. Grabado de 1920. Author: Daniel Perea y Rojas.

The meeting between giuseppe garibaldi and vittorio emanuele II, fresco by pietro aldi, 1886, hall of the siena public palace

Princess Wilhelmina of Prussia, Princess of Orange, full name Frederika Sophia Wilhelmina, 1751 - 1820. Wife of William V, Prince of Orange. After an equestrian portrait engraved by Reinier Vinkeles

Henry Thomas Alken, 1785-1851, British, Hunting Scene: In Full Cry, ca. 1840. Oil on canvas.

'The Death', c1824. Artist: Unknown.

Returning from the Hunt, John Frederick Herring Jr., 1815-1907, British, ca. 1855, Oil on canvas, Support (PTG): 20 1/2 x 26 inches (52.1 x 66 cm), bridge (built work), equestrian, horse (animal), hunters, meteorology, oval, rain, riding, science, sporting art, storm

(VENTORRILLO DEL SEVILLANO) - SIGLO XIX. Author: ADOLFO DEL AGUILA Y PIMENTEL (1830-1895). Location: PRIVATE COLLECTION.

Winter: fun on the ice. Draughtsman: Gesina ter Borch. Dating: c. 1655. Place: Zwolle. Measurements: d 125 mm. Museum: Rijksmuseum, Amsterdam.

Smugglers Attacked, Richard Earlom, 1743-1822, British, after Sir Peter Francis Bourgeois, 1756-1811, British, c. 1793, Color mezzotint, Sheet: 20 x 26 1/4in. (50.8 x 66.7cm)

Edouard Manet (1832-1883). French painter. View of the 1867 Exposition Universelle, 1867. National Gallery. Oslo. Norway.

Borlase Cokayne as a Boy riding Sultana Inscribed, lower left: "The H??? Mr Borlace Ccknine, ??? Sultana got by Bla?e, ??? of Lady Hugh Signed and dated top right: "T Smith Pix 1751", Thomas Smith of Derby, ca. 1720-1767, British

Méyet, Leopold (1850-1912) - collection, gift (provenance)

Netherlands, Soldiers on horseback, verso - stamped, Sheet with 4 images of soldiers on horseback. A caption under each image., print, folk print, prints, folk prints, height 410 mm, width 332 mm, Publication (Event), Publication, publisher, 1700 - 1899, paper, etching, etchings, colours, print maker, printmaker

A Riding House. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet (trimmed within plate): 6 11/16 × 9 3/4 in. (17 × 24.7 cm). Etcher: () Thomas Rowlandson (British, London 1757-1827 London). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: 1799 ().This hand-colored etching pokes fun at a range of a range of physiques and abilities, as men on horseback, directed by a riding master who stands at center, moves around an interior with high windows. Bunbury exhibited a drawing of the subject at the Royal Academy in 1778 (no. 393) and it was etched and published two years later by James Bretherton. The printmaker of this ca. 1799 variation has not been identified, but may be Thomas Rowlandson, who produced dozens of Bunbury-inspired satires. Museum: Metropolitan Museum of Art, New York, USA.

Fox Hunting: Fores's Hunting Casualties - A Turn of speed over the flat, John Harris, 1811-1865, British, after Henry Thomas Alken, 1785-1851, British, 1850, Aquatint, hand-colored, Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm) and Image: 8 1/8 x 11 3/8in. (20.6 x 28.9cm)

Gines Andres de Aguirre (1727-1800). Spanish painter. Puerta de Alcala and the Fountain of Cybele, 1785. (Madrid, Spain). History Museum. Madrid. Spain. (On loan, Prado Museum, Madrid).

'North Country Mails at the Peacock, Islington', 1823 (1927).Artist: Thomas Sutherland

Set of twelve Scenes in the Life of Master George, Henry Thomas Alken, 1785-1851, British, 1823, Hand colored soft-ground etching, Sheet: 8 3/8 x 10 5/8in. (21.3 x 27cm)

Portrait of Thomas Cholmondeley, 1st Lord Delamere, on His Hunter (study for "The Cheshire Hunt at Tatton Park") Signed in red paint, lower right: "HC", Henry Calvert, active 1826-1854, British

'"The Hunting Scenes of Alexander III at Spala on 4-17 September 1894"'. Russia, 1895. Dimensions: 23,5x30,5 cm. Museum: State Hermitage, St. Petersburg. Author: MIHALY VON ZICHY.

The Derby, Tattenham Corner. Gilbert Holiday (1879-1937). Watercolour, bodycolour and pastel. 14 1/2 x 24 1/4in

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1803-1882, British, after John Ferneley, 1782-1860, British, 1833, Aquatint, hand-colored, Sheet: 10 3/8 x 13 3/4in. (26.4 x 34.9cm)

or while he spake, a braying ass did sing most loud and clear.. Caldecott, Randolph (1846-1886). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Cowper, William, 1731-1800. John Gilpin, Donkeys, Horses, Country life, Dirt roads, Meadows, Horseback riding , 1700-1799, English , Clothing & dress , 1700-1799, Surprise, Rural areas

Borlase Cokayne as a Boy riding Sultana, Thomas Smith of Derby, ca. 1720-1767, British, 1751, Oil on canvas, Support (PTG): 18 1/2 x 25 3/8 inches (47 x 64.5 cm), boy, bridle, cattle, child, equestrian, jockey, jockey cap, portrait, race (event), rural, saddle, saddle cloths, sheep, sporting art, whip

Twaalfde slede. Sledevaart van het Leidse genootschap Veniam Pro Laude in 1776 (series title). Plegtige Sledevaert, Betrekkelijk de beide tweede Eeuwfeesten der Stad Leyden, en de Stichtinge van 's Lands Hooge Schoole aldaer, door het Tooneelgenootschap onder de spreuk: Veniam Pro Laude, Gehouden op den XXIV van Louwmaand 1776 (series title on object). Draughtsman: Abraham Delfos. Dating: 1776. Place: Northern Netherlands. Measurements: h 303 mm × w 515 mm. Museum: Rijksmuseum, Amsterdam.

LUCAS VELAZQUEZ , EUGENIO . PINTOR ESPAÑOL . MADRID 1817 - 1870. " LA PLAZA PARTIDA " , ( DETALLE ) OLEO DEL AÑO 1853. MUSEO BELLAS ARTES. LA HABANA. TAUROMAQUIA.

J.G. Shaddick, the Celebrated Sportsman. Dated: 1806. Dimensions: overall: 240 x 148 cm (94 1/2 x 58 1/4 in.) framed: 263.2 x 171.5 cm (103 5/8 x 67 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Benjamin Marshall.

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