Equestrian Portraits and Figures

Prints showcasing historical figures on horseback, emphasizing costume and armor from various cultures during the Renaissance and early modern periods.

A copper engraving by Marcantonio Raimondi from around 1509 depicting Marcus Curtius leaping into the chasm, showing figures, action, and detailed composition.

A group of three riders; The graves and gravingen of Holland. Print of a cut wood block. Three unidentified people on horseback. Maybe added to the series of graves and gravingen of Holland. Cut out pieces on the right.

Werner, Paul of.

Equestrian portrait of Keizer Titus, Laurens Eillarts, After Antonio Tempesta, 1616 - 1618 print Keizer Titus on horseback, seen on the back, with his command staf based on his thigh. print maker: Romeafter design by: Italy paper engraving

Equestrian Statue of Marcus Aurelius, 1548. Nicolas Beatrizet (French, active Italy, 1507 or 1515-about 1565). Engraving;

St. George Slaying the Dragon ca. 1435-1491 Martin Schongauer German. St. George Slaying the Dragon. Martin Schongauer (German, Colmar ca. 1435/50-1491 Breisach). ca. 1435-1491. Engraving. Prints

This early 16th-century drypoint by the Master of 1515 depicts a Roman rider accompanied by a dog.

Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra Published early 17th century Antonio Tempesta Italian. Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra 402586

Portrait of Prince Frederik Hendrik, on horseback. Draughtsman: Gillis van Scheyndel (I). Dating: 1627. Measurements: h 162 mm × w 132 mm. Museum: Rijksmuseum, Amsterdam.

Portrait of Willem George Frederik, Prince of Oranje -Nassau, Hubertus van Hove, 1784 - 1795 print Portrait of Willem George Frederik, Prince of Oranje-Nassau, on horseback. Left in the background a rider fight. The Hague paper etching historical persons

Strains, Ludwig Graf.

Trumpeters leading Ceasar on horseback, from 'The Triumphs of Caesar'. Artist: Jacob of Strasbourg (Italian School, born Alsace, active Venice, 1494-1530); After Benedetto Bordone (Italian, Padua ca. 1455/60-1530 Padua, active mainly Venice from 1488). Dimensions: Sheet: 13 1/16 x 15 7/8 in. (33.1 x 40.4 cm). Date: 1504.Part of a woodcut frieze of twelve sheets (27.54.118-27.54.128). Museum: Metropolitan Museum of Art, New York, USA. Author: Jacob of Strasbourg. After Benedetto Bordone.

Woodcut by Jan Swart van Groningen depicting three trumpeters on horseback, showing figures, horses, musical instruments, and formation, created in 1526.

Maria Anna, Princess of Bavaria Stecher: Bazin, Nicolas (1633) Publishing Sort: Paris

Vraatzucht, Heinrich Aldegrever, 1552 print Personification of gluttony. Woman driving on a boar, with both hands a banner, on which a porcupine is depicted. An obelisk in the background. At the top left a coat of arms with a cat, above it an owl. Under the show a two -line text in Latin. Fourth print from a series of seven. Germany paper engraving Gluttony, intemperance, 'gula'; 'Gola', 'Ingordigia', 'Ingordigia overo aviditè', 'voracitè (Ripa) ~ Personification of one of the seven deadly sins

Hercules Vangt Cerberus, Simon Frisius, after Antonio Tempesta, 1610 - 1664 print print maker: Northern Netherlandsafter design by: Italy paper etching (12) Cerberus captured and carried away by Hercules

Credulity Preparing to Nurse the Mother of Hope fol. 18 verso, c. 1512/1515, Speculum principis (Mirror for Princes), pen and brown ink with watercolor on laid paper, overall: 16.3 x 10.9 cm (6 7/16 x 4 5/16 in.), French early 16th Century (artist)

Otho. Adriaen Collaert (Flanders, Antwerp, circa 1560-1618). Flanders. Prints; engravings. Engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Mérovée. Fourth issue of a suite of 40 pieces. (A. de Vesme 657; Dutuit 119) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Triumph of Mordecai. Artist: Attributed to Hans Ulrich Fisch vom Stein I (Swiss, Aarau 1583-1647 Aarau). Dimensions: 5 1/16 x 5 7/16 in. (12.8 x 13.8 cm). Former Attribution: Formerly attributed to Tobias Stimmer (Swiss, Schaffhausen 1539-1584 Strasbourg). Date: early to mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Louis de France, Duke of Burgundy (registered title)

Triumph of Mordecai early to mid-17th century Attributed to Hans Ulrich Fisch vom Stein I Swiss. Triumph of Mordecai 335711

The chivalry represented by allegorical characters. Facsimile by Huyot of an engraving from "Le Chevalier délibéré", in its Spanish version, translated by Hernando de Acuña and published in 1553; original work by the Burgundian Oliver de la Marche published in 1488. "Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance". Paris, 1877.

Portrait of Louis XIII on Horseback (Louys Treziesme du Nom Roy de France et deNavarre). Artist: Phelipe Huar, French

Equestrian portrait of Maria II Stuart, Jan van Vianen, 1689 - 1726 print Equestrian portrait of Maria II. A scepter in her right hand. Three allegorical figures bring her a crown in the air. In the background the city of London. On two banderollen her name and her titles. Northern Netherlands paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain London

Figure 7. Part 1.

A group of four riders; The graves and gravingen of Holland. Print of a cut wood block. Four unidentified people on horseback. Maybe added to the series of graves and gravingen of Holland.

Ziet, Hans Joachim von.

Title page of: Vrankryks state sigh. Weddingness and cruelty, 1690.Title page of a Pamphlet from 1690 entitled: Vrankryks state sigh. WHUROSE AND CREATION. King Louis XIV on horseback with the globe on his sword, in the background war scribes to the country and at sea.

German tournament with two noblemen as knights on horseback, Lucas Cranach (I), 1516 - 1517 print German tournament (Anzogen-Rennen) with two noblemen as knights on horseback. The two men bumped each other from their horses. Both lose their lance. The rider on the right tumbles back from the back of his horse and land on his head on the floor. Germany paper tournament

Statue of an old centaur by a sculptor from Aphrodisias from the Furietti Centaurs, found in the Villa Adriana, now in the Capitoline Museums. Centauri statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Alexander a Lysimachus.

Johann III. Sobieski, King of Poland.

Müller, Ch., Müller & Co, Photo reproduction painting by Raphael: Saint George, photograph, photo, photos, height mm, width mm, photographer, 1860 - 1866, third quarter 19th century, albumen print, albumine print

Portrait of Adriaen de Croy on horseback, Cornelis Anthonisz. (Manner of), 1543 print Adriaen de Croy, first count of Roulx in a harness on horseback. At the top left the weapon of Croy with the order of the Golden Fleece. At the top three lines of text in Dutch. The first name "Adriaen" on a separate strip of paper, stuck over the name "Robert". Low Countriespublisher: Antwerp paper equestrian state-portrait

The Chief of the Mamelukes on Horseback. Dated: 1817. Dimensions: stone: 33 × 24 cm (13 × 9 7/16 in.) sheet: 34.5 × 26 cm (13 9/16 × 10 1/4 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Gros.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Negro, Polish and Hungarian horsemen. A Hungarian rider. Ninth issue of a series of 11 pieces. (A. de Vesme 278; Dutuit 175) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

William III on horseback and a servant made a slave, 1688 - 1732 print Hanging Portrait of King William III in Harness, behind the horse, a slave served served the King's helmet. Back of a drawing with a cartoon on the Windhandel in 1720. This drawing belongs to the group of drawings added to the Serieel of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper equestrian state-portrait. slavery; serfs and the enslaved. slaveholder ~ enslaved person

A Gallic chief at the time of the struggle with Rome. Date: BCE

With banner on a donkey; Brabant Review, 1787-1790. A man with jester hat and banner drives a donkey. In pen, the name of P.J.s is here. From Eupen, one of the leaders of the revolution. On the leaf under the plate a handwritten verse of four lines in French. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Königsegg and Rothenfels, Lothar Josef Graf.

Portrait of Frederik de Vries, Anonymous, After Hendrick Goltzius, 1631 print Portrait of Frederik de Vries with the dog of Hendrick Goltzius. He was a son of the painter Dirck de Vries, who was a student of Hendrick Goltzius. Frederik gets ready to sit on the dog's back and holds a pigeon in his hand. On the cartouche an assignment in Latin. The caption in Latin speaks about the simplicity of the child and the faith of the dog. paper engraving dog

The champion of the tournament. Engraving by Burgmayer, 19th century version from a compilation entitled "Vita Imperatoris Maximiliani". Drawing by Albrecht Dürer, 15th century. "Vie Militaire et Religieuse au Moyen Age et à l'Epoque de la Renaissance". Paris, 1877.

Domitianus from Twelve Caesars on Horseback ca. 1565-1587 Abraham de Bruyn. Domitianus from Twelve Caesars on Horseback. Abraham de Bruyn (Flemish, Antwerp 1540-1587 Cologne ()). ca. 1565-1587. Engraving. Prints

Maria van Burgundy, Maximilian I, Philip de Schone and Karel V, Jacob Cornelisz van Oostsanen, 1518 print Leaf from series of nine magazines. Maria van Burgundy on a donkey and Maximilian I, Philip de Schone and Karel V on horseback, with coats of arms and names. Text cut off. paper equestrian state-portrait

Middle Ages. Knight wearing hauberk. Engraving. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

François Chauveau drawing of a knight with trombones, executed in black chalk with gray wash, in a highly oval layout on composition paper, circa 1648.

Equestrian portrait of Willem II, King of the Netherlands. Leaf with a large representation of Willem II on horseback in a landscape. Completely surrounded by a decorative frame. In the undergarge a four-line verse in two columns. Numbered at the top right: No. 141.

St. Jacques. Giovanni Domenico Tiepolo (Italian, 1727-1804). Etching;

Illustration for 'Ancient, Medieval and Modern History'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1790. Prints; etchings. Etching

A chalk draft by Otto Lendecke titled 'Draft for the Car Breakdown (to Beauty, T. II),' with wiped and laved techniques, showing figure studies and compositional arrangement.

Ferdinand II., Roman-German Emperor Publisher: Schönwetter, Johann Theobald Secretary: Frankfurt (Main)

Netherlands, Zaltbommel, Noman, Johan, Example of bravery, And of the wisest policy, verso - stamped, Sheet with an equestrian portrait of Maurits, Prince of Orange. In the background soldiers and military musicians. Below the image a caption. Numbered lower right: No. 88., print, prent, volksprent, prints, prenten, volksprenten, height 390 mm, width 315 mm, Publication (Event), Publication, - 1833, publisher, uitgever, 1806 - 1830, paper, papier, houtsnede, letterpress printing, boekdruk, print maker, prentmaker

Marcus Aurelius on his blessing cart, Nicolas Beatrizet, After Anonymous, 1560 print Marcus Aurelius stands on a blessing cart drawn by four horses. Above Marcus Aurelius an angel who luke. In the background the temple of Jupiter Optimus Maximus. print maker: Italyafter sculpture by: Romepublisher: Rome paper etching / engraving triumph of Marcus Aurelius, the Roman emperor Rome. Capitol

Bronze Age Man: One man walking and another on a horse, engraving from L'Homme Primitif by L Figuier, illustration from L'Illustration, Journal Universel, No 1396, Volume LIV, November 27, 1869.

Cadil Eschier; Ancient habits, modern et worldwide .....

A Mameluke Chief on Horseback Signaling for Help, 1817. Antoine-Jean Gros (French, 1771-1835). Lithograph;

Man on foot speaks to two riders, Georg Philipp Rendas (I), 1676 - 1742 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman

A Tournament Contest; Augsburg (probably), Germany; about 1560 - 1570; Tempera colors and gold and silver paint on paper bound between original pasteboard covered with original brown calf; Leaf: 43 x 28.9 cm (16 15,16 x 11 3,8 in.)

D, ruler of the Middle Ages, used to be in the church of Notre Dame in Paris, destroyed in 1772, digital improved reproduction of an original print from the 19th centuryThe equestrian statue of Philip IV of France

Jeanne d'Arc on horseback, Arnoud Schaepkens, After Theodoor Schaepkens, 1831 - 1904 print paper etching Joan of Arc (Jeanne d'Arc); possible attributes: armour, banner, lance, sword

19th-century brush painting by an anonymous artist after the Viennese champion depicting a love couple on horseback, using black, white, yellow, and carnate on greenish-brown paper with black edging line.

A pencil study by Johann Nepomuk Rauch depicting an equestrian figure, focusing on anatomy and horse movement.

Maria Theresa (1717-1780). Empress of the Holy Roman Empire. Portrait. Engraving.

Bridle portrait of Frederick Schomberg in Harnas, John Smith (print maker/ publisher), after Gottfried Kneller, 1662 - 1742 print On the right, an originally African boy, presumably a slave served, holds his helmet. A battlefield in the background. Text in English in the lower margin. paper slavery; serfs and the enslaved. historical persons. commander-in-chief, general, marshal. armour. page, footboy. equestrian state-portrait

The Germanic army captain Ariovistus negotiates with Caesar prior to the battle of Colmar. Caesar and Ariovistus, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1799, paper, etching, h 211 mm × w 135 mm

Rear view of an equestrian statue of Roman Emperor Marcus Aurelius, 121-180. From an antique statue in the Capitol at Rome. Now in the Capitoline Museum. Handcoloured copperplate engraving from Robert Sayers The Artists Vade Mecum, Being the Whole Art of Drawing, London, 1766.

Batavia in a cart continued by horses and accompanied by the fame; Title page for: J. van Someren, restored Oudtheyt, or the description of Batavia, 1657..

Acorn King: A Man Astride a Cow. Artist: Johannes Brandenberg (Swiss, Zug 1661-1729 Zug). Dimensions: sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm). Date: 1712 or later. Museum: Metropolitan Museum of Art, New York, USA.

Horseman. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pieter van Laer.

Copper engraving and etching by Franc Huberti depicting Jean Dominique Degiga and FeseCa in Pfarsd, showing detailed attire and gestures in mid-17th century portraiture.

Saint George slays the dragon. After a print by Albrecht Durer.

Turning the Turkish battery in the battle according to the sculpture was drawn by S. Ważenin. A clip from a Russian magazine Matiuszyn, I. , Waenin, S. (n.n.)

Allegorical performance with Minerva between books and painting and engraving material, Claude Mellan, 1608 - 1688 print France paper engraving specific aspects, allegorical aspects of Minerva; Minerva as patroness. palette. tools, implements of graphic artist (BURIN)

Baurrn bildet euch etwas ein alles will iezt baürisch sein, Baurn Hochzeit, Göbl, Andreas Benedictus, 1765-1792, Etching, stencil, hand colored with ink and gold, on board, with gilt edges, ca. 1765, A horseman in a Bavarian Peasant wedding procession illustrates the saying inscribed below the image: Farmers, imagine this, now everyone wants to be rustic. 1 boxed deck of playing cards (79 prints): etching, stencil, hand col., 11.5 x 7 x 3 cm. Library's set includes a duplicate of the Queen of spades.

Etching by Matthäus Merian the Elder from 1608-1650 depicting a portrait of Gustav II. Adolf on horseback with military attire, horse, and background landscape.

Albrecht Glockendon dit l'Aîné (born around 1432). "Saint Georges on horseback, according to Schongauer. (Passavant 52, volume II, page 112)". Chisel. 1470. Museum of Fine Arts of the City of Paris, Petit Palais. 123105-18 Chisel, 15th xve XV 15th 15th 15 CENTURY

HENRY IV, called 'the Impotent' (1425-1474). Kinf of Castile and Leon (1454-1474). GenealogÕa de los Reyes de EspaÐa. 1463. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Anonymous circa 1600 depicts an armored rider giving a salute or gesture while on foot, drawn in brown ink, emphasizing figure, armor, and gesture.

Allegory of beauty, Jacob van der Heyden, 1608 print Numbered at the bottom right: 14. With caption in Latin and German. paper etching Morality. 'album amicorum', 'Stammbuch'. Beauty; 'Bellezza' (Ripa). ornamental birds: peacock. horse

Double portrait Horusce and Hareaden Barbarossa

The Flight intoEgypt. Artist: Jacob Jordaens, Flemish, 1593-1678

Soldier says goodbye to his wife, illustration circa 1600, at the time of the Thirty Years War, woodcut, Germany, Europe

The Flying Actionist on the World, 1720, 1720 print The flying actionist in the world. A winged pig standing on a globe with a cross (government apple), on the right a pig from a trough eats a city in the background. In the caption a verse in five columns. Belongs to the group of additional prints added to the scene of foolishness series with cartoons on the wind trade or action trade of 1720. paper letterpress printing pig. 'mundus inversus', the reversed world, the topsy-turvy world, 'le monde bestourné'

Keulen, Rutz, Caspar, Bruyn, Abraham de, Persian nobleman on horseback, verso bottom center - stamped, Cartouche with image of horse and rider to the right. The horse is at a walk. The rider is dressed as a Persian nobleman. He has a mace in his hand. The print has a German caption and Latin inscription. Print originally from 'Equitum descripcio...', 1577., costume print, prints, height 103 mm, width 72 mm, height 141 mm, width 112 mm, 1540 - 1587, print maker, printmaker, 1577 - 1577, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, publisher, uitgever, Publicatie

GRABADO-LUIS XV A CABALLO. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Monuments of Ninevah: Plate 3, Human-headed Bull and Winged Figure from a Gateway in the Wall Surrounding Kouyunjik (Quyunjik), 1853. Austen Henry Layard (British, 1817-1894). Lithograph in black and beige; sheet: 37.7 x 56.7 cm (14 13/16 x 22 5/16 in.); image: 34.3 x 52.5 cm (13 1/2 x 20 11/16 in.).

The Great Triumphal Car, eight sheet. Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 9 3/4 x 12 1/2 in. (24.8 x 31.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Vintage playing card showing a man with a sword on horseback

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Equestrian statue in Antwerp, Leopold I born as Prince Leopold Georg Christian Friedrich of Saxe-Coburg-Saalfeld, Duke in Saxony, 16 December 1790 to 10 December 1865 in Laken Castle, Laken), from 1831 to 1865 the first King of Belgium, Historic, digitally restored reproduction of a 19th century original, exact original date not known

The equestrian statue of Frederick William, Elector of Brandenburg is a bronze equestrian statue in front of Charlottenburg Palace in Berlin, Germany, Historical, digital reproduction of a 19th century original, Europe

This illustration dates to around 1898 and depicts the sculpture of Mithras (also spelled Mithra) that is housed in the Vatican. Mithras is sometimes known as the bull slaughterer and bull slayer. Followers of Mithras believed that the world was created from the blood of a bull, so the symbolism here is that of Mithras slitting the throat of the bull. The serpent represent evil forces in typical depictions of the Mithras story. Mithras was a deity in the Persian religion known as Mithraism. He was worshiped as the god of the sun, justice, and war. He later became a god worshiped in Rome and in

Buste van Jan Zizka, Duke van Bohemen, Bernard Picart (workshop of), After Bernard Picart, 1712 print Buste van Jan žižka Z Trocnova a Kalicha (Jan Zizka), leader of the Hussites and Duke of Bohemia. A battle in the background. Amsterdam paper etching / engraving commander-in-chief, general, marshal. battle

Jan Sadeler I after Crispen van den Broecke, Issachar, c 1585 Issachar

Wilhelmina, Princes of Oranie. Tile tile of 6 tiles (3 x 2) with a purple representation of Princess Wilhelmina on horseback. Left below, the inscription: Willemina, Princes of Oranie. See pendant, bk-nm-5202.

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