Equestrian Portraits of Historical Figures

A collection of etchings featuring historical figures on horseback, showcasing elaborate clothing and armor, depicting power and prestige.

Portrait of Kara Mustafa, grand vizier in the Turkish army, on horseback with a commando staff in his hand. Below in the margin his name and function in Dutch, Equestrian portrait of Kara Mustafa, Grandzier in the Turkish army., print maker: Pieter Stevens (vermeld in 1689), (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), publisher: Nicolaes Visscher (II), (mentioned on object), Amsterdam, 1676 - 1702, paper, etching, engraving, h 230 mm × w 159 mm

Equestrian Portrait of Frederick William, Elector of Brandenburg, print maker: Pieter Stevens 1689, Nicolaes Visscher I, Nicolaes Visscher II, 1640 - 1688.

Portrait of Jan III Sobieski, king of Poland, on horseback with a sword in his hand. Below in the margin his name and function in Latin, Equestrian portrait of King Jan III Sobieski of Poland., print maker: Pieter Stevens (vermeld in 1689), (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), publisher: Nicolaes Visscher (II), (mentioned on object), Amsterdam, 1676 - 1696, paper, etching, engraving, h 230 mm × w 159 mm

Bethlen of Iktar, Gabriel.

Maximilian I van Habsburg on horseback, Crispijn van de Passe (I), 1604 print Maximilian I of Habsburg, Roman-German Emperor, on horseback. He is wearing a chain with the order of the Golden Fleece. In the background the siege of a city. In the margin a four -line caption in Latin. Print from a series with German emperors on horseback. Cologne paper engraving knighthood order of the Golden Fleece

Ludwig Xiv., King of France.

Portrait of Kara Mustafa, grand vizier in the Turkish army, on horseback with a commando staff in his hand. Below in the margin his name and function in Dutch, Equestrian portrait of Kara Mustafa, Grandzier in the Turkish army., print maker: Pieter Stevens (vermeld in 1689), (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), publisher: Nicolaes Visscher (II), (mentioned on object), Amsterdam, 1676 - 1702, paper, etching, engraving, h 230 mm × w 159 mm

Wilhelm III., Prince of Orania, King of England sitting at horse age to about ten years: Whole figure in front view from left; with sprinkled hat on a loop cast hood; Lace-lined collar; the riding trick with striped sleeve and edge braids; Medal of trouser band order on chest band before feline bind around the right shoulder; Command duty in the right; the horse standing on a right front hoof and left hoist; in the background of the inland in the Hague; Equestrian groups as a graduation; top left of crowned coat of arms; Below the representation of two-line Latin. Legend, the right-to-right publisher note. Copper engraving laid (probably stabbed) by Joannes Myssens.

Hungarian Edelman on horseback, Abraham de Bruyn (attributed to), 1577 Horse and rider to the right. The horse is in a gallop. The nobleman is wearing Hungarian clothing and has a lance in his hand. The print has a German caption and a Latin inscription. Print originally from 'Equitum Descripcio ...', 1577. Cologne paper engraving warfare; military affairs (+ cavalry, horsemen). nobility and patriciate; chivalry, knighthood. folk costume, regional costume. Europeans (with NAME)

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Devereux, 3. Earl of Essex, Robert .

Tiberius, Roman Emperor.

Villiers, 2. Duke of Buckingham, George .

Broglie, Victor Francois Herzog .

Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10 1596 Antonio Tempesta Italian. Emperor Vespasian on Horseback, from the series The First Twelve Roman Caesars, plate 10 400941

Portrait of Count Albert van Ligne Prince of Brabancon and Arenberg on Horse, Pieter de Bailliu (I), After Anthony Van Dyck, 1628 - 1660 print paper engraving equestrian state-portrait

Man overloaded with household goods sitting on beef with carnival, anonymous, after Adriaen Pietersz van de Venne, 1574 - 1641 print France paper engraving ox. (household) utensils and implements. Shrove Tuesday, 'Mardi gras' ~ non-liturgical celebrations of carnival. meat; still life of meat

The four Roman riders, Scipio African. Second issue of a 4-room suite (Bartsch 189) Marc Antoine Raimondi (1480-vers1534). The four Roman riders, Scipio African. Second issue of a 4-room sequence (Bartsch 189). Fight, chisel. 16th century.

Jacob I. King of England.

Portrait of Hendrik Casimir II, Prince of Nassau. Portrait of Hendrik Casimir II, Prince of Nassau, on horseback.

Arab rider, Izaak Jansz. de Wit, 1754 - 1809 print At the top: bl. 10. Utrecht paper etching riding a horse, ass, or mule; rider, horseman. head-gear: turban

Dudley, 1. Earl of Leicester, Robert .

A brown ink drawing by Jacob de Gheyn II showing a mounted rider wearing armor, executed in gray-laved technique, emphasizing posture and horse details.

A harnessed man on horseback (spear rider) rides to the right in an attacking stance, with lance held out. This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or more different types of (mostly armored) horsemen, and one print depicting an equestrian fight, Spear rider, attacking to the right The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 158 mm × w 204 mm

Franz von France, Duke of Alencon and Anjou.

Martin von Tours, Saint.

Batthyány, Adam Graf.

Sculpture of a Roman soldier on horseback; Aequitis Contra Amosonem (...); Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Moritz, Prince of Orania, Count of Nassau as a victorious general at hill in the foreground riding: full figure, half of the right; BARHAUPT, with upper lip, spatula chin bearing; Lace neck crime; in Harnic; Field bandage around the left shoulder in the back again; The hands only, holding the command rod in the right after the side, the reins in the right-to-cross left; The horse, with barbecrafted forehead protection, Moritz's coat of arms on the bridle on the chest, attaching with upscale front legs to jump; in the background of the march of his rider and foot troops in a battle; behind the left a fortress; In more distance a mountainous landscape for the Netherlands untypical. In the picture below, above the front pitch, left and right the designations of designers and engraving, to the middle of publisher note; Below the representation Latin. Legend. Copper engraving by Egbert van Panderen to Design by Antonio Tempesta; moved by Robert Willemsz. de baudous.

Captain of the Cavalry (Ritmeester); The equestrian school. A hearted man on horseback, moving left, with a command stove in the right hand (a rhythmmaster). This print is part of a series of 22 numbered prints: a title print, 20 prints on which one or a few different types of (most hearted) riders are shown, and a print with an equestrian fight.

Netherlands, Ewoutsz., Jan, Sustris, Lambert, Scorel, Jan van, The lion hunt, Hunter on horseback, verso lower left - stamped, Second block of six that together form a frieze with a lion hunt. Man without a saddle on horseback with spear in right hand., print, prints, verso middle - stamped, height 275 mm, width 365 mm, Northern Netherlands, 1495-01-09 - 1562-12-06, print maker, printmaker, 1540 - 1545, second quarter 16th century, paper, woodcut, Italian, 1515 - 1591, 1511 - 1564

Maximilian I., Elector of Bavaria.

Karl V, Duke of Lorraine.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Turkey. Seventh issue of a sequence of 52 pieces. (A. de Vesme 570; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

François Chauveau, Le Duc de Guise, Roy Ameriquain Le Duc de Guise, Roy Ameriquain

Scythian rider. Cartouche with image of horse and rider to the right. The horse stands still. The rider is from Scythian origin. He has a bow in his right hand. In his left hand, he keeps an ax up with the head of an opponent. More heads hang on his saddle. The print has a German caption and Latin inscription. Print originally from 'Equitum descripcio ...', 1577.

Portrait of Ferdinand Maria, Elector of Bavaria, Simon Grimm, 1651 - 1680 print paper engraving historical persons. equestrian state-portrait. armorial bearing, heraldry

Equestrian statue of Henry II, King of France, Antonio Tempesta, After Daniele Da Volterra, 1575 - 1613 print paper etching equestrian statue

Philipp V., King of Spain.

Shield Knave: A Horseman 1712 or later Johannes Brandenberg Swiss. Shield Knave: A Horseman 380411 Artist: Johannes Brandenberg, Swiss, Zug 16611729 Zug, Shield Knave: A Horseman, 1712 or later, Recto: pen and black ink; verso is a woodcut., sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm). The Metropolitan Museum of Art, New York. Purchase, Jean A. Bonna Gift, 2007 (2007.223.38)

Ferdinand of Austria on Horseback. Paulus Pontius (Flemish, 1603-1658)after Peter Paul Rubens (Flemish, 1577-1640). Date: 1636-1646. Dimensions: 450 × 323 mm (image); 483 × 327 mm (plate); 487 × 332 mm (sheet). Engraving in black on ivory laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Ruiterportret Van Bernard de Foix de la Valette, Hertog Van Epernon, Michel Lasne, 1627 print Hanging portrait of Bernard de Foix de la Valette, Duke of Epernon. At the top right, Father Time the Duke hands a helmet. In the middle of the fame De Hertog crowns, at the top left you can see three putti and a face on Metz in the background. paper engraving / etching historical persons. equestrian state-portrait. Father Time, man with wings and scythe Metz

Lictor riding in front of consuls, ancient Rome. In galea helmet, tunic, sagulum gregale or short trousers, sandals, with fasces and scutum shield. Licteur a Cheval allant devant les Consuls. Handcoloured copperplate drawn and engraved by L. Labrousse, artist of Bordeaux, under the direction of Jacques Grasset de Saint-Sauveur from his Lantique Rome, ou description historique et pittoresque, Ancient Rome, or historical and picturesque description, Chez Deroy, Paris, 1796.

Leopold III., Markgrave of Austria, Saint.

Marcus Curtius on horseback, Herman Daniël van Perls, after Hendrick Goltzius, 1826 - 1830 print The hero Marcus Curtius on horseback, a captain's staff in the right hand. In the background you can see how he jumps in a gorge with a horse and all, to satisfy the gods. The Hague paper engraving death, i.e. the self-sacrifice of Marcus (Manlius) Curtius: he leaps on horseback into a chasm with lethal fumes

Augustus, Caius Octavius Still: Collarts, Adria Systempler: Straid, Jan Van Deversal: Gallen, Phils, Philipps Date: 1675/1618

Rosselli, Matteo, Florence, Callot, Jacques, The Miracle of Giovanni Fieschi, verso lower left - stamped, A horseman is stabbed in the face with a sword by another. In the background a troop of spearmen. Below the image two lines of Latin text., print, prent, prints, prenten, height 125 mm, width 80 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1614 - 1614, first quarter 17th century, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1578-08-10 - 1651-01-08

Friedrich Heinrich, Prince of Orania, Count von Nassau as a sixteen-year-old Sectoral second general (under the supervision of his older brother Moritz) in the battle of Nieuwpoort (2 July 1600) at hill in the foreground riding: full figure, head half of the right, body and Horse laterally from the right; BARHAUPT; with neck criminal; in to the hip-reaching harness, knowing pants, leggers; The hands just, with the right side of the commandostic to the hip supported, reins in the left; The horse, with sting reinforced head protection, with raised front legs for leaps; In the background of the march of Dutch. Troops and their fight with the Spanish army; In the upper corners, under cloudy sky, left his crowned coat of arms, on the right an emblem cartridge (Belgian lion with raised sword and seven arrow bundles); Over the representation of single-line Latin. Legend (damaged on the corners), below a Latin. and French. Praise light in two columns, each only three lines available. Copper en

A Hungarian Cavalier ca. 1651 Stefano della Bella Italian. A Hungarian Cavalier 375777

Hoogmoed, Heinrich Aldegrever, 1552 print Personification of the pride. Woman on horseback, with a tiara on the head, a sword in the right hand, in the left a banner with an eagle on it. A lion runs next to the horse. At the top left a coat of arms with a lion, above that a peacock. Under the show a two -line text in Latin. First print from a series of seven. Germany paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Artist: Albrecht Dürer, German, 1471-1528, Knight, Death, and theDevil, Engraving, 24.4 × 18.8 cm (9 5/8 × 7 3/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Parthische Ruiter, Abraham de Bruyn (attributed to), 1577 Cartouche with image of horse and rider to the right. The horse is in a gallop. The rider is a Parth. He has an arc in his hands and shoots to a goal behind him. The print has a German caption and Latin inscription. Print originally from 'Equitum Descripcio ...', 1577. Cologne paper engraving warfare; military affairs (+ cavalry, horsemen). folk costume, regional costume. Asiatic races and peoples (with NAME)

Three riders with raised swords, turned to the right; The equestrian school. Three hearted men on horseback, moving left, each with a raised sword in the right hand. This print is part of a series of 22 numbered prints: a title print, 20 prints on which one or a few different types of (most hearted) riders are shown, and a print with an equestrian fight.

Woodcut 'Triumphal Procession of Emperor Maximilian I: Banner of Moravia and Portugal' by Albrecht Altdorfer, first edition 1526, depicting banners and procession figures in detailed composition.

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

H. Joris kills the dragon, Hans Springinklee (Manner of), after 1515 print Saint Joris sits on horseback and kills the dragon. On the right in the background the princess. Print is part of an album. Nuremberg paper St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

Buquoy, Karl Bonaventura by Longueval Count Stecher: Kieser, Eberhard

Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars' 1596 Antonio Tempesta Italian. Plate 2: Emperor Augustus on Horseback, from 'the First Twelve Roman Caesars' 400917

Copper engraving by Hans Baldung Grien around 1510-1512 depicting a stableman (Stallknecht) with a horse, showing detailed figures and composition.

The Great Horse, 1505, Albrecht Dürer, German, 1471-1528, 6 1/2 x 4 5/8 in. (16.51 x 11.75 cm) (image), Engraving, Germany, 16th century, Albrecht Dürer was so revered by his students that one of them requested and received a lock of the artist's hair after his death. In his teaching, Dürer preached the importance of proper proportion, both human and equine, which he sought to perfect during his entire career. More remarkable than the musculature and massive bulk of the animal depicted in The Great Horse, however, is the dramatic foreshortening of its body. To underscore the point, Dürer biographer Erwin Panofsky asks us to imagine the horse's size if viewed from the side.

The heroes Hector of Troy, Alexander the Great and Julius Caesar; The nine heroes. One of three woodcuts, part of Frisian with nine heroes. Three heroes from antiquity: Hector of Troje and Julius Caesar on horseback, Alexander the Great on an elephant. Above all three frame with name.

Hero Alexander the Great on horseback in frame with ornaments, Nicolaes de Bruyn, 1581 - 1594 print Hero Alexander the Great on horseback. In rectangular frame with curling ornaments and various animals such as dogs, rabbits and snakes. Two boys hold festons with fruit. At the top the curl work is flanked by two owls and other birds. Netherlands paper engraving Alexander (one of the nine worthies)

Equestrian portrait of Willem III, Prince of Orange. Equestrian portrait of Willem III. A battle in the background. Name and titles in the undermarge.

SALM, Wild and Rhinegraf in Kyrburg, Otto Ludwig Graf von.

Portrait of Cardinal -Infant Ferdinand of Austria, Marinus Robyn van der Goes, after Jan van den Hoecke, 1609 - 1639 print Portrait of Ferdinand of Austria, governor of the southern Netherlands on horseback, while a winged female figure (fame) crowns him with a laurel wreath. Under his horse fallen of a battle and many horsemen in the background. Antwerp paper engraving equestrian state-portrait. crowning with laurel

Two satyrs placing Silenus on a braying mule and a third satyr at left. Artist: Anonymous, Italian, 16th to early 17th century; After Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome). Dimensions: Sheet (Trimmed): 4 3/16 × 6 3/4 in. (10.7 × 17.2 cm). Series/Portfolio: Ancient Bas-Reliefs. Date: ca. 1515-1600.Copy in reverse of 17.50.16-100, which is attributed to Marco Dente. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Maria van Gulik on Horse, Cornelis Anthonisz., 1700 - 1800 print Maria van Austria, wife of Willem van Gulik, in women's seat on horseback. At the top left coat of arms of Maria van Hungary. Houtblok previously printed as a bridle portrait of Maria van Hungary. paper riding a horse, ass, or mule; rider, horseman. mourning customs

Design for equestrian monument of Ludovico Sforza. Drawings, Illustrations. 1900. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Johann Wilhelm, Elector of the Palatinate.

Three men on horseback, side by side, riding to the left, each with a trumpet at the mouth from which a banner hangs. This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or more different types of (mostly harnessed) horsemen, and a print depicting an equestrian fight., Three Trumpeters on Horseback The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 157 mm × w 206 mm

Mars, Heinrich Aldegrever, 1533 print Mars standing with harness on, in the left hand a torch and two rope on which he holds a cow and a horse. From a series of seven prints with gods who represent the planets. Germany paper engraving (story of) Mars (Ares)

Hanging Portret of Imre Thököly, Pieter Stevens (mentioned in 1689), 1678 - 1702 print Portrait of Hungarian statesman Imre Thököly on horseback with a commandosta in his hand. At the bottom of the margin his name and function in Dutch. Amsterdam paper etching / engraving equestrian state-portrait. baton of general

Bouchers de Rome. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: sheet: 10 9/16 x 13 7/16 in. (26.8 x 34.2 cm)plate: 6 13/16 x 9 5/8 in. (17.3 x 24.5 cm). Printer: Charles Philibert de Lasteyrie (French, Brive-la-Guillarde 1759-1849 Paris). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA.

Bridle portrait of Willem IV, prince of Oranje -Nassau, Jacob Folkema, 1747 - 1767 print Bridle portrait of Willem IV with a hat. A commandosta in his right hand. There are name and titles in the lower margin. Amsterdam paper engraving / etching

Gustav II. Adolf, King of Sweden Stecher: Heyden, Jacob van der (1573) Publisher: Strasbourg

Melo de Castro, Francisco.

St. George Killing the Dragon, 1500s. Albrecht Dürer (German, 1471-1528). Woodcut; sheet: 21.1 x 14.3 cm (8 5/16 x 5 5/8 in.); mat size: 48.9 x 36.3 cm (19 1/4 x 14 5/16 in.).

Equestrian statue of Philip IV as a Roman emperor. Equestrian statue with Philip IV in the clothing of a Roman general. In the background left a army camp with troops and on the right a fleet for a harbor. Philip IV is raised by FAMA.

MARTSS, Jan. "Cavalry fight (Bartsch 6)". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 146353-22 PRINT

Germany, Schäufelein, Hans, Triumphal Chariot of Charles V, 1537, Standard Bearer, two trumpeters and a drummer, verso - stamped, two trumpeters and a drummer on horseback. First plate in the triumphal procession of Emperor Charles V, 1537., print, prints, engravings, Frederik Muller History plates, foreign history, height 375 mm, width 307 mm, German, 1480 - 1540-09-13, print maker, printmaker, 1537 - 1537, second quarter 16th century, paper, woodcut

Holy Joris and De Dragon, David des Granges, After Rafaël, After Lucas Vorsterman (I), 1628 print paper engraving St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing

Emperor Claudius on horseback; Clavivs; Roman emperors on horseback; ImperatorVM XII. A Svetonio Descriptorvm Effigies Resqve Gestae. On a Keizer Claudius on horse column. In the background scenes from his life. Left The construction of a channel that connects the Tiber with the sea. On the right a sea battle that was played in honor of him in one of his famous Naumachia. Cartouches on the column show his marriage with agrippina and his art patronage. The print has a Latin caption. The print is part of a twelve-part series about Roman emperors.

Bildnis des William Verdugo

Captain on horseback in Roman costume, François Chauueau, 1670 print print maker: Francepublisher: Paris paper etching festivities. tournament. horse

The Triumph of Marcus Aurelius 1550 Nicolas Beatrizet. The Triumph of Marcus Aurelius. Speculum Romanae Magnificentiae. Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). 1550. Engraving; first state. Prints

Gustav II. Adolf, King of Sweden.

Toorn, Pieter Jalhea Furnius, 1550 - 1625 print The female personification of Toorn (IRA) is in the company of a bear and is dressed in armor. In her hands she holds a sword and a burning torch, right next to her lying a shield with medusa head, Borstkuras, Hellaard and a sword. In the background, soldiers fight on horseback. The print has a one -racing Latin caption and is part of a series of prints about the seven deaths. paper engraving Envy; 'Invidia' (Ripa) ~ personification of one of the Seven Deadly Sins. beasts of prey, predatory animals: bear. attributes of Medusa. torch. harness

Plate 1: equestrian statue of Julius Caesar, seen from the front, with a scene of a naval battle on pedestal below, from 'Roman Emperors on Horseback'. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp). Dimensions: Sheet (Trimmed): 12 5/8 × 8 9/16 in. (32 × 21.8 cm). Publisher: Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Series/Portfolio: 'Roman Emperors on Horseback'. Date: ca. 1587-89. Museum: Metropolitan Museum of Art, New York, USA.

Bildnis des George Rakoczius

Wood engraving, England, by Thomas Bewick.

A Roman cavalryman Date: circa 100

The Twelve Kings of Israel: David, Solomon, Rehoboam, 1515-1517. Lucas van Leyden (Dutch, 1494-1533). Woodcut;

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: eighty-seventh board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Johann Ernst, Count of Nassau-Siegen.

Drawing (Italy)

Woodcut by Albrecht Altdorfer, 1796, first edition 1526, depicting the triumphal procession of Emperor Maximilian I. with banners from Neuburg am Inn, Black Forest, and Rapersweil, showing figures, horses, and ceremonial elements.

The Tournament on Horseback, c. 1516, Albrecht Dürer, German, 1471-1528, 8 15/16 x 9 1/2 in. (22.7 x 24.13 cm) (image)9 3/8 x 10 in. (23.81 x 25.4 cm) (sheet), Woodcut, Germany, 16th century

Condé, Ludwig Prince of Bourbon.

"Woodcut by Albrecht Altdorfer depicting the triumphal procession of Emperor Maximilian I, including banners from Bethune, Franeker, and Dendremonde, showing figures, horses, and architectural elements."

Woodcut by Hans Burgkmair the Elder depicting St. George on horseback, created in 1508. The print shows detailed figure composition and line work typical of early 16th-century German printmaking.

To clear his name, Bellerophon performs various tasks for Iobates of Lydia, including slaying the monstrous Chimaera

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